Exuma is the debut studio album by Bahamian folk musician Exuma. It was originally released in May 1970 on the Mercury label.
Exuma | ||||
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Studio album by | ||||
Released | May 1970 | |||
Recorded | Regent Sound, New York City[1] | |||
Genre | ||||
Length | 38:41 | |||
Label | Mercury | |||
Producer | Daddy Ya Ya | |||
Exuma chronology | ||||
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Singles from Exuma | ||||
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Background
editIn the early 1960s, Exuma (born Macfarlane Gregory Anthony Mackey) had moved to Greenwich Village, New York and started playing guitar and singing in the cultivating folk rock scene developing in that area. After producer Bob Wyld came up to him offering a record deal, he chose to adopt "Exuma, the Obeah Man" as his name. The pseudonym draws from memories of Junkanoo festivals from his childhood.[2]
Production
editWyld adopted the pseudonym "Daddy Ya Ya" and recruited a few musicians for the album, including Peppy Castro of the Blues Magoos (who was credited under the pseudonym "Spy Boy Thielheim"). During recording sessions, Exuma would often turn off the lights and set up candles, recalling songs from his dreams.[1] The album cover was painted by Exuma himself.
Release and reception
editReview scores | |
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Source | Rating |
AllMusic | [3] |
The album received positive reviews and moderate airplay at the time of its release.[4] The opening track on the album, "Exuma, the Obeah Man", was released as a single.[5][6]
In a retrospective review, Richie Unterberger of AllMusic wrote, "Exuma's debut album was a real odd piece of work...it's kind of like a combination of the Bahamian folk of Joseph Spence with early Dr. John at his most voodooed-out...It's a little surprising that this stuff hasn't undergone a sizable cult revival."[3]
The album has been described not just as a folk record, but also as both psychedelic and experimental.[7]
In popular culture
editNina Simone recorded covers of "Dambala" and "Exuma, the Obeah Man" (which she retitled Obeah Woman, respectively) on her 1974 record, It Is Finished.
"Exuma, the Obeah Man" was featured (playing from vinyl, with the album cover visible) in the 2022 film Nope, with the song being featured on the film's soundtrack.
Track listing
editAll tracks are written by Exuma
No. | Title | Length |
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1. | "Exuma, the Obeah Man" | 6:16 |
2. | "Dambala" | 5:34 |
3. | "Mama Loi, Papa Loi" | 4:32 |
No. | Title | Length |
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1. | "Junkanoo" | 3:24 |
2. | "Seance in the Sixth Fret" | 7:14 |
3. | "You Don't Know What's Going On" | 3:27 |
4. | "The Vision" | 7.59 |
Total length: | 38:41 |
Personnel
editAdapted from LP liner notes:[8]
- Exuma – lead vocals, guitar, bells, foot drum
- Daddy Ya Ya – producer, vocals, bells, foot drum, "sacred sand"
- Spy Boy Thielheim – backing vocals, triangle, cabasa, whistle, bells
- Lord Wellington – congas
- Frankie Gearing – backing vocals
- Geraldine McBride – backing vocals
- Mildred Vaney – backing vocals
- Princess Diana – backing vocals
- Sally O'Brien – backing vocals
References
edit- ^ a b Ehrlich, Brenna. "'Exuma' at 50: How a Bahamian Artist Channeled Island Culture Into a Strange Sonic Ritual". Rolling Stone. Rolling Stone, LLC. Retrieved 15 December 2020.
- ^ Gruno, Linda. "Into the Mystic". Westword. The Westword. Retrieved 15 December 2020.
- ^ a b Unterberger, Richie. "Exuma - Exuma". AllMusic. AllMusic, Netaktion LLC. Retrieved 15 December 2020.
- ^ Merlis, Bob Moore (May 16, 1970). "Exuma Man for All Seasons" (PDF). Record World. 24 (1196): 50. Retrieved 15 December 2020.
- ^ Rommen, Timothy (2011). Funky Nassau: Roots, Routes, and Representation in Bahamian Popular Music. University of California Press. p. 191. ISBN 978-0520265684.
- ^ Cooper, Kim; Smay, David, eds. (2004). Lost in the Grooves: Scram's Capricious Guide to the Music You Missed. Routledge. ISBN 978-0415969987.
- ^ Wiser, Danny (2021). "THE BAHAMAS: Exuma, The Obeah Man - Exuma". 200worldalbums.com. Retrieved 21 October 2023.
- ^ "Exuma - Exuma (1970, Gatefold, Vinyl)". Discogs.com. Discogs. Retrieved 15 December 2020.