Iñigo_Manglano-Ovalle_Le_Baiser_1999.jpg (520 × 192 pixels, file size: 118 KB, MIME type: image/jpeg)
Summary
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 | This work is copyrighted (or assumed to be copyrighted) and unlicensed. It does not fall into one of the blanket acceptable non-free content categories listed at Wikipedia:Non-free content § Images or Wikipedia:Non-free content § Audio clips, and it is not covered by a more specific non-free content license listed at Category:Wikipedia non-free file copyright templates. However, it is believed that the use of this work:
qualifies as fair use under United States copyright law. Any other uses of this image, on Wikipedia or elsewhere, may be copyright infringement. See Wikipedia:Non-free content and Wikipedia:Copyrights. |
| Description |
Video still from Le Baiser (1999), directed by Iñigo Manglano-Ovalle. The still image from a video illustrates a significant medium and body of work in Iñigo Manglano-Ovalle's career, his video work, which included the trilogy Le Baiser/The Kiss (1999), Climate (2000), and In Ordinary Time (2001), exploring contemporary issues through the lens of modernism. This work was screened extensively in notable venues and institutions and widely reviewed in art journals and press publications. |
|---|---|
| Source |
Artist Iñigo Manglano-Ovalle. Copyright held by the artist. |
| Article | |
| Portion used |
Still from video |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a medium and body of work in Manglano-Ovalle's practice, his work in video, which included the trilogy Le Baiser/The Kiss (1999), Climate (2000), and In Ordinary Time (2001), all of which were set in Mies van der Rohe buildings. These works engaged the beauty, ambitions and failings of modernism and a variety of interrelated environmental, geopolitical, class and social issues—key themes in his work. Because the article is about an artist and his work, the omission of the still would significantly limit a reader's understanding and ability to visualize this key phase, medium and important body of work in his career. Manglano-Ovalle's video work and this work in particular are discussed in the article and by critics cited in the article, as a representative work of this phase. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Iñigo Manglano-Ovalle, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Iñigo Manglano-Ovalle//en.wikipedia.org/wiki/File:I%C3%B1igo_Manglano-Ovalle_Le_Baiser_1999.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 21:51, 22 July 2019 | | 520 × 192 (118 KB) | Mianvar1 (talk | contribs) | {{Non-free fair use|image has rationale=yes}} {{Non-free use rationale | Article = Iñigo Manglano-Ovalle | Description = Video still from ''Le Baiser'' (1999), directed by Iñigo Manglano-Ovalle. The still image from a video illustrates a significant medium and body of work in Iñigo Manglano-Ovalle's career, his video work, which included the trilogy ''Le Baiser/The Kiss'' (1999), ''Climate'' (2000), and ''In Ordinary Time'' (2001), exploring contemporary issues through the le... |
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