File:Lisa Hoke ComeOnDown 2013.jpg

Artwork by Lisa Hoke, Come On Down (site-specific installation, cardboard packaging, cups, glue and hardware, 16' x 110' x 2', 2013, Oklahoma City Museum of Art, OK). The image illustrates a later stage and body of work in Lisa Hoke's art when she produced large-scale installations using repurposed commercial packaging drawing on the rich color, patterning and appeal while also commenting on marketing, material excess and mass consumption. In this 16-by-110-foot work at the Oklahoma City Museum of Art, the The Price Is Right-derived title signals its double-edged celebration of excess. This project and similar works have been publicly exhibited in prominent venues, discussed in major art journals and daily press publications, and commissioned by museums.

Artist Lisa Hoke. Copyright held by the artist.

Lisa Hoke

Installation view

Yes

The image serves an informational and educational purpose as the primary means of illustrating a later stage and body of work by Lisa Hoke, which was initiated in the 2010s: her large-scale installations using repurposed cardboard—primarily commercial packaging—as its main element, drawing on the rich color, patterning and appeal in the material. She created them out of hundreds of roughly 2' x 2' collages, which were edited and assembled on-site into large-scale, undulating wall installations that were disassembled after exhibition and sometimes reworked in later pieces. Critics related their abstract arabesques of color and fanning forms to work by Klimt, among others, while noting its commentary on the pleasures and horrors of marketing, material excess and mass consumption. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key later development in her career, which brought new, widespread recognition through exhibitions in major venues, coverage by major critics in publications, and museum commissions. Hoke's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article.

There is no free equivalent of this or any other of this series by Lisa Hoke, so the image cannot be replaced by a free image.

The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made.