File:Nazi Concentration Camps.webm

Original file (WebM audio/video file, VP8/Vorbis, length 57 min 53 s, 1,280 × 720 pixels, 1.65 Mbps overall, file size: 682.77 MB)

Summary

Description
English: American documentary film compiled as evidence and shown at the Nuremberg Trials as Prosecution Exhibit #230.
Alternative title : "Concentration Camps in Germany, 1939-1945".

George Stevens' footage has been entered at the National Film Registry as "an essential visual record of World War II and a staple of documentary films" [1].

Scope and content description in the National Archives Catalog [2] :

On conditions found in Nazi concentration camps in Germany and Belgium by advancing Allied Armies during World War II. Consists primarily of dead and surviving prisoners and of facilities used to kill and torture.

  1. Army Lt. Col. George C. Stevens, Navy Lt. E. Ray Kellogg and U.S. Chief of Counsel Robert H. Jackson read exhibited affidavits which attest to authenticity of scenes in film. Map of Europe shows locations of concentration camps in Austria, Belgium, Bulgaria, Czechoslovokia, Danzig, Denmark, France, Germany, Isle of Jersey, Latvia, Netherlands, Poland and Yugoslavia. At Leipsig Concentration Camp, there are piles of dead bodies, and many living Russian, Czechoslovakian, Polish and French prisoners. At Penig Concentration Camp, Hungarian women and others display wounds. Doctors treat patients and U.S. Red Cross workers move them to German Air Force hospital where their former captors are forced to care for them.
  2. At Ohrdruf Concentration Camp, inspection team composed of Allied military leaders, members of U.S. Congress and local townspeople tours camp. Among them are Generals Dwight David Eisenhower, Supreme Headquaters Allied Expeditionary Forces commander; Omar Nelson Bradley; and George S. Patten. General Eisenhower speaks with Congressmen. They see bodies heaped on grill at crematorium and Polish, Czechoslovakian, Russian, Belgian, German Jews and German political prisoners. Col. Heyden Sears, Combat Command A, 4th Armored Division commander, forces local townspeople to tour camp. U.S. officers arrive at Hadamar Concentration Camp, where Polish, Russian and German political and religious dissidents were murdered. Maj. Herman Boelke of U.S. War Crimes Investigation Team (WCIT) examines survivors. Bodies are exhumed from mass graves for examination, identification and burial. Four-man panel interviews facility director Dr. Waldman and chief male nurse Karl Wille.
  3. At Breendonck Concentration Camp, Belgium, methods of torture are demonstrated. At Harlan Concentration Camp near Hannover, U.S. Red Cross aides Polish survivors. Allied troops and able-bodied survivors bury dead. At Arnstadt Concentration Camp, German villagers are forced to exhume Polish and Russian bodies from mass graves.
  4. At Nordhausen Concentration Camp, there are piles of bodies. Troops treat, feed and remove survivors who are mainly Polish, Russian and French. At Mauthausen Concentration Camp, Navy Lt. Jack H. Taylor stands with fellow survivors and describes his capture, imprisonment and conditions at Mauthausen. Volunteers bathe victims.
  5. At Buchenwald Concentration Camp, Army trucks arrive with aid for survivors. Piles of dead, mutilated and emaciated bodies. Some survivors among dead. Huge ovens and piles of bone ash on floor of crematorium. Civilians from nearby Weimar are forced to tour camp. They see exhibits of lampshades made of human skin, and two shrunken heads.
  6. British commander of Royal Artillery describes conditions at Bergen-Belsen Concentration Camp. German Army Schutzstaffel (SS) troops are forced to bury dead and aid survivors. Woman doctor, former prisoner, describes conditions in female section of camp. Belson commander Kramer is taken into custody. German guards bury dead. Bulldozer pushes piles of bodies into mass graves.
Polski: Amerykański film dokumentalny o nazistowskich obozach koncentracyjnych pokazywany jako dowód na procesach norymberskich. Film George'a Stevensa został wpisany do National Film Registry jako „istotny zapis wizualny II wojny światowej oraz podstawa filmów dokumentalnych”.
Čeština: Americký dokumentární film o průběhu a použitých důkazech v Norimberských procesech.
Македонски: Американски документарец, наведен како доказ во Нирнбершкиот процес.
Русский: Американский документальный фильм, снятый для использования в качестве доказательства на Нюрнбергском процессе
Date
Source

Immediate source:YouTube – View/save archived versions on archive.org and archive.today

This media is available in the holdings of the National Archives and Records Administration, cataloged under the National Archives Identifier (NAID) 43452.

This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing.

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Author Produced for the U.S. Counsel for Prosecution of Axis Criminality.
Directed by Navy Cmdrs. James B. Donovan and E. Ray Kellogg.
George C. Stevens was responsible for directing the photography and filming of the concentration camps as liberated by Allied forces.
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Assessment

Media of the day This file was selected as the media of the day for 11 January 2018. It was captioned as follows:
English: American documentary film produced as evidence at the Nuremberg trials.
Other languages
Čeština: Americký dokumentární film o průběhu a použitých důkazech v Norimberských procesech.
English: American documentary film produced as evidence at the Nuremberg trials.

Media of the day This file was selected as the media of the day for 30 May 2016. It was captioned as follows:
English: American documentary film on the Nazi concentration camps compiled as evidence and shown at the Nuremberg Trials. George Stevens' footage has been entered at the National Film registry as "an essential visual record of World War II and a staple of documentary films".
Other languages
English: American documentary film on the Nazi concentration camps compiled as evidence and shown at the Nuremberg Trials. George Stevens' footage has been entered at the National Film registry as "an essential visual record of World War II and a staple of documentary films".

Licensing

Public domain
This work is in the public domain in the United States because it is a work prepared by an officer or employee of the United States Government as part of that person’s official duties under the terms of Title 17, Chapter 1, Section 105 of the US Code. Note: This only applies to original works of the Federal Government and not to the work of any individual U.S. state, territory, commonwealth, county, municipality, or any other subdivision. This template also does not apply to postage stamp designs published by the United States Postal Service since 1978. (See § 313.6(C)(1) of Compendium of U.S. Copyright Office Practices). It also does not apply to certain US coins; see The US Mint Terms of Use.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

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Date/TimeThumbnailDimensionsUserComment
current10:31, 27 May 201657 min 53 s, 1,280 × 720 (682.77 MB)Racconishc:User:Rillke/bigChunkedUpload.js: rm watermark
09:58, 27 May 201658 min 3 s, 1,280 × 720 (682.87 MB)RacconishImported media from https://www.youtube.com/watch?v=_pQJ42ONPDo

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