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Summary
| Description |
English: This is a photocopy of the sixth and seventh couplets of The Submission, a ball dance for a couple, composed in 1717 by the English dancing master Kellom Tomlinson, and published by Walsh. In the sixth couplet the musical form has changed from a minuet to a rigadon, and continues in that form to the end in the seventh couplet. In bars one and two of the sixth couplet the partners are downstage, facing the presence, and holding inside hands to execute a rigadon step together. In the seventh couplet the partners come face to face in bar 7, take both hands, and perform a rigadon step, which ends in bar 8. This is the characteristic step from which the musical form takes its name. Perhaps it is not obvious from the notation, but the step does not travel, and so is used sparingly. |
| Date | |
| Source | The Submission, A New BALL DANCE, Compos'd and Written into Characters and Figures, In the Year, 1717, By Kellom Tomlinson, Dancing-Master. For the Use and Improvement of his Scholars; Publish'd for the further Encouragement of Dancing. |
| Author | Kellom Tomlinson |
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Licensing
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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.  You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
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| This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 22:22, 1 July 2017 |  | 1,275 × 1,650, 2 pages (606 KB) | AJim | This is a photocopy of the sixth and seventh couplets of ''The Submission'', a ball dance for a couple, composed in 1717 by the English dancing master Kellom Tomlinson, and published by Walsh. In the sixth couplet the musical f... |
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