Flora Woodman (1896 – 1981) was a Scottish soprano singer popular for her London concert performances in the first decades of the twentieth century. She extensively performed in oratorios such as The Messiah and Elijah.

Flora Woodman
Drawing of a young woman with short, dark, wavy hair.
Flora Woodman, from a 1919 advertisement.
Born1896
Died1981
NationalityScottish
OccupationSinger

Career

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Woodman sang at the Hallé in 1915.[1] In 1920 she was featured soloist for the Hamilton Choral Society,[2] and "challenged criticism" at a Queen's Hall concert.[3] In 1923 she arranged "The Vesper Hymn" by Thomas Moore, for her own performances.[4]

Woodman sang The Messiah at the Three Choirs Festival in 1925,[5] and with the Scottish Orchestra in 1927, but it was her performance of the Mad Scene from Lucia di Lammermoor that brought her favorable reviews.[6] She was a soloist at the Norfolk and Norwich Triennial Music Festivals of 1927 and 1930.[7] She toured the United States and Canada in 1929 and 1930,[8][9] and sang with the St. Louis Symphony Orchestra during that tour.[10]

She recorded for The Gramophone Company.[11] She was reviewed as having a "light" voice, a "beaming smile" and "passably in tune" but having a limited range.[12][13] "She has also a very unfortunate habit of beginning to sing a note before quite deciding on its pitch," according to a Boston Globe reviewer.[14]

Her career was stalled in 1931, when complications following an appendectomy forced her to cancel engagements.[15]

References

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  1. ^ Kennedy, Michael (1960). The Hallé Tradition: A Century of Music. Manchester University Press ND. p. 190. Retrieved 7 April 2012.
  2. ^ JSTOR (1920). The Musical times and singing-class circular, Volume 61. Novello. p. 131. Retrieved 7 April 2012.
  3. ^ JSTOR (1920). The Musical times and singing-class circular, Volume 61. Novello. p. 391. Retrieved 7 April 2012.
  4. ^ Moore, Thomas; Woodman, Flora, eds. (1923). The Vesper hymn. London; Sydney: Boosey & Hawkes.
  5. ^ "The Three Choirs Festival". The Guardian. 12 September 1925. p. 10. Retrieved 9 May 2020 – via Newspapers.com.
  6. ^ ""Messiah" Choral and Orchestral Union". The Glasgow Herald. 3 January 1927. Retrieved 7 April 2012.
  7. ^ Fifield, Christopher (2005). Ibbs and Tillett: The Rise and Fall of a Musical Empire. Ashgate Publishing, Ltd. pp. 132–133. ISBN 9781840142907. Retrieved 7 April 2012.
  8. ^ "FLORA WOODMAN'S RECITAL; English Soprano Receives Welcome as She Begins Tour Here". New York Times. 15 November 1929. p. 33.
  9. ^ "Woodman, Flora, 1896-1981". Reid Concerts. Retrieved 9 May 2020.
  10. ^ "Flora Woodman to Appear as Soloist at Today's 'Pop'". St. Louis Post-Dispatch. 1 December 1929. p. 63. Retrieved 9 May 2020 – via Newspapers.com.
  11. ^ "Flora Woodman on 'His Master's Voice' (advertisement)". The Times. 28 January 1919. p. 28. Retrieved 9 May 2020 – via Newspapers.com.
  12. ^ The Athenaeum, Issues 4679-4704. British Periodicals Ltd. 1920.
  13. ^ ""Messiah" Choral and Orchestral Union". The Glasgow Herald. 2 January 1927. Retrieved 7 April 2012.
  14. ^ "Flora Woodman in Song Recital". The Boston Globe. 28 November 1929. p. 12. Retrieved 9 May 2020 – via Newspapers.com.
  15. ^ "Miss Flora Woodman". The Guardian. 30 November 1931. p. 8. Retrieved 9 May 2020 – via Newspapers.com.