Freude (Florence) Bartlett (1942 – November 9, 2009) also known as Freude Solomon-Bartlett, was an American experimental film director and founder of the Serious Business Company, a San Francisco-based film sales and film distribution company known for its collection of avant-garde, animation and women's films.[1]
Freude Bartlett | |
|---|---|
| Born | 1942 |
| Died | November 9, 2009 Oakland, California, U.S. |
| Nationality | American |
| Known for | Experimental film |
Early years
editBorn in New York, Bartlett attended San Francisco State University[2] and earned a degree in Information Sciences at University of California, Berkeley.[3]
Career
editBartlett started the company in 1972.[1] She felt strongly about making experimental and women-made films more accessible and would often travel with curated film programs to educate the public about film and earn money for the artists she represented.[4] The Serious Business Company distributed work made by Tom DeWitt, Gunvor Nelson, Chick Strand, Robert Breer, Suzan Pitt, George Griffin, Shirley Clarke, Kathy Rose and Robert Nelson, as well as many other artists.[2] The company closed in 1983.[2] In 1985 she founded Metropolis Media, a communications firm.[3]
Personal life
editShe married filmmaker Scott Bartlett in 1969.[2] She had a daughter, Stevias Solomon and a son Elon Bartlett.[5] She died in Oakland, California.
Films
editPrior to starting the Serious Business Company, Bartlett made lyrical autobiographical films that explored the connection between animals and humans and employed formal devises like superimposition and dissolves.[6][4] Her films screened at Film Forum, Toronto International Women & Film Festival, Whitney Museum of American Art, and several International Women's Film Festivals.
- Folly (1972) color; 3 min.
- One & The Same (with Gunvor Nelson) (1972–73) color; 4 min.
- My Life In Art (1968–74) color; 36 min.
- Promise Her Anything But Give Her The Kitchen Sink (1968) color; 3 min.
- Shooting Star (1970) color; 5 min.
- Standup And Be Counted (with Scott Bartlett) (1969) color; 3 min.
- Sweet Dreams (1970) color; 3 min.
- Women and Children At Large (1972) color; 7 min.
- Red Heads on Parade (1974)
References
edit- ^ a b "Freude Bartlett, interviewed by Chuck Kleinhans and John Hess". www.ejumpcut.org. Retrieved 2017-03-04.
- ^ a b c d Anker, Steve; Geritz, Kathy; Steve., Seid (2010-01-01). Radical light : alternative film & video in the San Francisco Bay Area, 1945-2000. University of California Press. ISBN 9780520249110. OCLC 939080573.
- ^ a b "CineSource Magazine". cinesourcemagazine.com. Retrieved 2017-03-05.
- ^ a b "Avant-Garde Cinema of the Seventies - Dictionary definition of Avant-Garde Cinema of the Seventies | Encyclopedia.com: FREE online dictionary". www.encyclopedia.com. Retrieved 2017-03-04.
- ^ "Freude Bartlett's Obituary on San Francisco Chronicle". San Francisco Chronicle. Retrieved 2017-03-04.
- ^ Dawson, Bonnie (1975). Women's films in print: an annotated guide to 800 16mm films by women. San Francisco: Booklegger Press. ISBN 0-912932-02-3. OCLC 1627578.