Wikipedia

Gabriel García Márquez bibliography

The following is a list of works published by Colombian author Gabriel García Márquez, which includes short stories, novellas, novels, and collections, and other writings. Majority of his work deals with themes such as love, solitude, and the influence of Caribbean culture.[1] García Márquez is recognized as a pivotal figure inLatin American literature around the world,[2]as one of the founders of the magical realism genre.[3][4] His contributions helped elevate Latin American literature to global prominence.

Gabriel García Márquez
bibliography
Novels↙10
Stories↙37
Collections↙4
Plays↙1
Nonfiction↙8
Screenplays↙1
References and footnotes

His novel One Hundred Years of Solitude is widely regarded as one of the most important works in the Spanish language. During the Fourth International Conference of the Spanish Language, held in Cartagena, Colombia, in March 2007,[5] Apart from being his most relevant work, it is also the one that has had the greatest impact in Latin America.[6] Other notable works includes No One Writes to the Colonel, The Autumn of the Patriarch, and Love in the Time of Cholera, along side with numerous short stories. As a journalist, García Márquez also authored five major journalistic works.

In 1982, García Márquez was awarded the Nobel Prize in Literature "for his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent's life and conflicts."[7] His Noble acceptance speech, titled The Solitude of Latin America,[8] emphasized the cultural and historical essence of the region. He is among a distinguished of group of Latin American authors who have received this honor.

Novels and novellas

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Title Year Notes
La hojarasca
(Leaf Storm) 		1954 El Heraldo published one chapter of the novel in 1952. Then, the novel itself was published in 1955, thus becoming the first published novel by García Márquez.[9] First appearance of Macondo. First appearance of the themes that García Márquez would revisit later in One Hundred Years of Solitude.[10][11]
El coronel no tiene quien le escriba
(No One Writes to the Colonel) 		1961 Written between 1956 and 1957. In 1958, it was published in Mito [es] magazine.[9] Regarded as the first finished narrative work, both structurally and formally, within the Macondo literary universe.[12] In García Márquez's own words, this book, El coronel no tiene quien le escriba, along with Los funerales de la Mamá Grande and La mala hora are really just one book: Tres de mis libros (...) son en verdad un solo libro. Un mismo tema, unos mismos personajes, un mismo ambiente, que se repiten y se mezclan (...) Los tres libros pertenecen al realismo tradicional.[note 1][13]
La mala hora
(In Evil Hour) 		1962 Published for the first time in 1962 by Taller de Artes Gráficas Luis Pérez, an edition that García Márquez himself would later disavow. In the writer's own words: La primera vez que se publicó La mala hora, en 1962, un corrector de prueba se permitió cambiar ciertos términos y almidonar el estilo, en nombre de la pureza del lenguaje. En esta ocasión, a su vez, el autor se ha permitido restituir las incorrecciones idiomáticas y las barbaridades estilísticas (...) Esta es, pues, la primera edición de La mala hora.[note 2][14] Four years later, it was published by Mexican publishing house Ediciones Era [es], an edition that he recognized as the first one.[9][15] It is stylistically similar to El coronel no tiene quien le escriba, takes place in the same unnamed town and involves many of the same characters.[16]
Cien años de soledad
(One Hundred Years of Solitude) 		1967 Published in 1967 by Editorial Sudamericana [es] with a print run of 8,000 copies, it was written over a course of two years and has been translated to more than 40 languages.[17][18] It the most important and world-renowned novel by García Márquez,[6][19] and one of the most representative of the magical realism style.[3] In 1966, some fragments of the novel were published in magazines Eco, Amaru, and Nuevo Mundo.[9] It signals the end of the Macondo period.[20]
El otoño del patriarca
(The Autumn of the Patriarch) 		1975 The first dictator novel by García Márquez,[21] it is "a character study in corruption and tyranny—García Márquez called it 'a poem on the solitude of power'."[16] It was published simultaneously by publishing houses Plaza & Janés and Editorial Sudamericana.[9][22][23]
Crónica de una muerte anunciada
(Chronicle of a Death Foretold) 		1981 After the novel was published, it was rumored that García Márquez had been allegedly involved in the incident that inspired it, or that he had at least witnessed it.[24] The novel uses a “purely realist” narrative technique based on a real-life chronicle.[25][26][27][28]
El amor en los tiempos del cólera
(Love in the Time of Cholera) 		1985 Mostly based on the experience of his parents, it tells the love story of two young people amid a cholera epidemic in the Caribbean.[29][30] It was García Márquez's favorite book of his: Ese es el mejor (...) ese es el libro que escribí desde mis entrañas.[note 3][31]
El general en su laberinto
(The General in His Labyrinth) 		1989 Another dictator novel, it traces Simón Bolívar's final journey, a seven-month voyage along the Magdalena River from Bogotá to the sea, until his death at the Quinta de San Pedro Alejandrino.[16][32] It follows "documented history with considerable accuracy."[29][33][34]
Del amor y otros demonios
(Of Love and Other Demons) 		1994 The first edition was published simultaneously by publishing houses Mondadori, Sudamericana, Diana, and Norma.[29][35] The novel is set in a colonial seaport in South America and it tells the tale of Sierva María, a girl who may or may not have contracted rabies.[16]
Memoria de mis putas tristes
(Memories of My Melancholy Whores) 		2004 An homage by García Márquez to Yasunari Kawabata’s The House of the Sleeping Beauties.[29][36][37]

Short stories

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Title Year Notes
La tercera resignación (The Third Resignation)[1] 1947 First short story by García Márquez. Published in El Espectador in September 1947.[38] The story has influences from Franz Kafka.[39][40][41]
Eva está dentro de su gato (Eva Is Inside Her Cat) 1947 Published in El Espectador in October 1947.[38][40]
La otra costilla de la muerte (The Other Rib of Death)[42] 1948 Published in El Espectador in July 1948.[43]
Amargura para tres sonámbulos (Bitterness for Three Sleepwalkers)[42] 1949 Published in El Espectador in November 1949.[43]
Diálogo del Espejo (Dialogue with the Mirror) 1949 Published in El Espectador in 1949.[44]
Ojos de perro azul (Eyes of a Blue Dog) 1950 Published in El Espectador in June 1950.[43] It was later published as a collection of his early short stories.
La mujer que llegaba a las seis (The Woman Who Came At Six O'Clock) 1950 Published in El Espectador in 1950. Adapted to the theater. Ernest Hemingway's short story The Killers is considered to be an inspiration for the story.[45]
Nabo, el negro que hizo esperar a los ángeles (Nabo: The Black Man Who Made the Angels Wait)[42] 1951 Published in El Espectador in March 1951. The story was heavily influenced by Faulkner.[41][46] It was also published as a collection of the short stories written by Márquez between 1947 and 1952.
Alguien desordena estas rosas (Someone Has Been Disarranging These Roses)[42][47] 1952 Published in Crónica in 1952.[48]
La noche de los alcaravanes (The Night of the Curlews)[41] 1953 Published in Crónica in 1953.[48]
Monólogo de Isabel viendo llover en Macondo (Monologue of Isabel Watching it Rain in Macondo)[1] 1955 Published in Mito magazine in 1955. One of the first appearances of Macondo.[48][49] The story is a portrait of a woman whose incipient emotional depression is exacerbated by the rain and, by extension, by the ever-present and overpowering tropic.[50]
El mar del tiempo perdido (The Sea of Lost Time)[51] 1961 Published in Revista Mexicana de Literatura (Mexican Literature Magazine) in 1962.[52]
La siesta del martes (Tuesday Siesta)[1] 1962 Published in Los funerales de la Mamá Grande.[53] First published in English in 1968. In an interview with Plinio Apuleyo Mendoza, García Márquez referred to it as "my best short story." He was inspired to write it after seeing a woman and her daughter dressed in black, walking in the burning desert sun, carrying a black umbrella.[54]
Un día de éstos (One of These Days) 1962 Published in Los funerales de la Mamá Grande.[53] In 1954, García Márquez won a literary contest with this short story, which caught the attention of journalist Eduardo Zalamea Borda, who wrote: A muchos, yo entre ellos, nos parece una notable producción de un escritor verdadero (...)( Y eso nos gusta. Nos gusta y nos parece admirable.[note 4][55] Often considered virtually a piece of a novel, since it is a version of a scene (...) which occurs in La mala hora and, in more rudimentary form, in El coronel no tiene quien le escriba.[56]
En este pueblo no hay ladrones (There Are No Thieves in This Town)[57][58] 1962 Published in Los funerales de la Mamá Grande.[53]
La prodigiosa tarde de Baltazar (Balthazar's Marvelous Afternoon)[58][59] 1962 Published in Los funerales de la Mamá Grande.[53]
La viuda de Montiel (Montiel's Widow)[58] 1962 Published in Los funerales de la Mamá Grande.[53]
Un día después del sábado (One Day After Saturday)[58] 1962 Published in Los funerales de la Mamá Grande.[53] First-prize winner in the contest of the National Association of Writers and Artists.[43]
Rosas artificiales (Artificial Roses)[50] 1962 Published in Los funerales de la Mamá Grande.[53]
Los funerales de la Mamá Grande (Big Mama's Funeral) 1962 Published in Los funerales de la Mamá Grande.[53][50]
Un señor muy viejo con unas alas enormes (A Very Old Man with Enormous Wings) 1968 Published in La increíble y triste historia de la cándida Eréndira y de su abuela desalmada.[52] It tells the story of what happens when an angel comes to town.[60]
El ahogado más hermoso del mundo (The Handsomest Drowned Man in the World) 1968 Published in La increíble y triste historia de la cándida Eréndira y de su abuela desalmada.[52] "It presents the appearance in a pedestrian world of a being of singular grace and beauty, such that he transforms forever the vision of those around him."[61]
El último viaje del buque fantasma (The Last Voyage of the Ghost Ship)[41] 1968 Published in La increíble y triste historia de la cándida Eréndira y de su abuela desalmada.[52]
Blacamán el bueno, vendedor de milagros (Blacamán the Good, Vendor of Miracles)[61] 1968 Published in La increíble y triste historia de la cándida Eréndira y de su abuela desalmada.[52]
Muerte constante más allá del amor (Death Constant Beyond Love)[62] 1970 Published in La increíble y triste historia de la cándida Eréndira y de su abuela desalmada.[52] It is "a psychological study of the awakening to lust at an unfortunately advanced age."[61]
El rastro de tu sangre en la nieve (The Trail of Your Blood in the Snow) 1976 Published in 1976. Later included in the collection Doce cuentos peregrinos.[63] The common theme in both this story and El verano feliz de la señora Forbes, according to Méndez: (...) es la experiencia de los latinoamericanos en Europa, los puntos de contacto y las diferencias entre las culturas del viejo y el nuevo continente.[note 5][64] This short story calls to mind the works of Franz Kafka.[65]
El verano feliz de la señora Forbes (Miss Forbes's Summer of Happiness)[66] 1976 Published in 1976. Later included in the collection Doce cuentos peregrinos.[63]
Sólo vine a hablar por teléfono (I Only Came to Use the Phone) 1978 Published in Doce cuentos peregrinos.[63]
La luz es como el agua (Light is Like Water) 1978 Published in Doce cuentos peregrinos.[63]
María dos Prazeres 1979 Published in Doce cuentos peregrinos.[63]
Buen viaje, señor presidente (Bon Voyage, Mr. President) 1976 Published in Doce cuentos peregrinos.[63] One of the morals of this short story is that someone is always out to take advantage of people.[67]
Me alquilo para soñar (I Sell My Dreams) 1980 Published in Doce cuentos peregrinos.[63]
Diecisiete ingleses envenenados (Seventeen Poisoned Englishmen) 1980 Published in Doce cuentos peregrinos.[63]
Espantos de Agosto (The Ghosts of August) 1980 Published in Doce cuentos peregrinos.[63]
La santa (The Saint) 1981 Published in Doce cuentos peregrinos.[63]
Tramontana 1982 Published in Doce cuentos peregrinos.[63]
El avión de la bella durmiente (The Airplane of the Sleeping Beauty) 1982 Published in Doce cuentos peregrinos.[63]

Short story collections

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Title Year Notes
Los funerales de la Mamá Grande (Big Mama's Funeral) 1962 Published in Xalapa, in 1962, by Universidad Veracruzana.[15]
La increíble y triste historia de la cándida Eréndira y de su abuela desalmada (The Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother)[68] 1972 Collection of four short stories written between January and July 1968, a story from 1961, and a story published in 1970.[52]
Ojos de perro azul (Eyes of a Blue Dog) 1972 Collection of his early short stories, published in newspapers between 1947 and 1955.[29]
Doce cuentos peregrinos (Strange Pilgrims) 1992 A collection of twelve short stories.[69]

Non-fiction

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Title Year Notes
Relato de un náufrago (The Story of a Shipwrecked Sailor) 1970 First published for 14 consecutive days in El Espectador in 1955.[70]
La Soledad de América Latina (The Solitude of Latin America) 1982 Speech given by García Márquez upon being awarded the 1982 Nobel Prize in Literature.[8]
El olor de la guayaba (The Fragrance of Guava) 1982 A book based on conversations between García Márquez and his close friend Plinio Apuleyo Mendoza.[71][72]
La aventura de Miguel Littín clandestino en Chile (Clandestine in Chile: The Adventures of Miguel Littín) 1986 A report about the Chilean filmmaker Miguel Littín’s clandestine visit to his home country after 12 years in exile.[73]
El cataclismo de Damocles (The Cataclysm of Damocles) 1986 Speech given by García Márquez in Ixtapa, Mexico on 6 August 1986, on the 41st anniversary of the bombing of Hiroshima[74][75]
Noticia de un secuestro (News of a Kidnapping) 1996 Published simultaneously in Colombia and Spain in May 1996, marking García Márquez's return to journalistic reporting.[76]
Vivir para contarla (Living to Tell the Tale) 2002 His autobiography.[29][77]
Yo no vengo a decir un discurso (I’m Not Here to Give a Speech [es]) 2010 A collection of 22 of speeches given by García Márquez between 1944 and 2007.[78][79]

Plays

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  • Diatriba de amor contra un hombre sentado (Diatribe of Love Against a Seated Man) (1994) Finished in 1987, premiered in 1988, and published in 1994.[80][81][82]

Screenplays

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  • Viva Sandino (1982)[83]

See also

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Notes

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  1. ^ English: Three of my books (...) are really just one book. A single subject matter, the same characters, the same setting, that are repeated and combined (...) The three books belong to traditional realism.
  2. ^ English: The first time La mala hora was published, in 1962, a proofreader allowed himself to change certain words and stiffen up the style in the name of the purity of language. On this occasion, in turn, the author has allowed himself to restore the idiomatic incorrections and stylistic atrocities (...) Thus, this is the first edition of La mala hora.
  3. ^ English: That one is the best (...) that one is the book I wrote from the bottom of my heart.
  4. ^ English: For many of us, me among them, it is a noteworthy production by a true writer (...) And we like it. We like it and find it admirable.
  5. ^ English: (...) is the experience of Latin Americans in Europe, the points of contact, and the differences between the cultures of the old and the new continent.

References

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  1. ^ a b c d Mambrol, Nasrullah (22 April 2020). "Analysis of Gabriel García Márquez's Stories". Literary Theory and Criticism. Retrieved 4 March 2024.
  2. ^ Boyagoda, Randy (12 December 2007). "One Hundred Years at Forty". The Walrus. Retrieved 6 March 2024.
  3. ^ a b "Sobre los autores". Centro Virtual Cervantes (in Spanish). Retrieved 6 March 2024.
  4. ^ Nehuén, Tes (21 June 2017). "Gabriel García Márquez". Solo Literatura (in Spanish). Retrieved 6 March 2024.
  5. ^ "Cartagena 2007". Congresos Internacionales de la Lengua Española (in Spanish). Retrieved 4 March 2024.
  6. ^ a b Méndez 2000, p. 103.
  7. ^ "The Nobel Prize in Literature 1982". NobelPrize.org. Retrieved 4 March 2024.
  8. ^ a b "Gabriel García Márquez Nobel Lecture". NobelPrize.org. 8 December 1982. Retrieved 4 March 2024.
  9. ^ a b c d e "Cronología 1927–1967". Centro Virtual Cervantes (in Spanish). Retrieved 5 March 2024.
  10. ^ Castillo Mier, Ariel (23 June 2006). "Macondo". Semana (in Spanish). Retrieved 5 March 2024.
  11. ^ Saldívar, Dasso (4 March 2017). "El origen de Macondo, en la historia de la familia Márquez". El Universal (in Spanish). Retrieved 5 March 2024.
  12. ^ "El coronel no tiene quien le escriba". Centro Virtual Cervantes (in Spanish). Retrieved 5 March 2024.
  13. ^ "El coronel no tiene quien le escriba en 8 comentarios de Gabriel García Márquez". Centro Gabo (in Spanish). 9 November 2020. Retrieved 6 March 2024.
  14. ^ "La mala hora en 8 comentarios de Gabriel García Márquez". Centro Gabo (in Spanish). 13 November 2020. Retrieved 6 March 2024.
  15. ^ a b "La mala hora; Los funerales de la Mamá Grande". Centro Virtual Cervantes (in Spanish). Retrieved 5 March 2024.
  16. ^ a b c d Ruch, Allen B. (7 June 2007). "Gabo Works". The Modern Word. Archived from the original on 15 December 2007. Retrieved 6 March 2024.
  17. ^ "Cien años de soledad". Centro Virtual Cervantes (in Spanish). Retrieved 6 March 2024.
  18. ^ "The magician in his labyrinth". The Economist. 26 April 2014. Archived from the original on 6 September 2017. Retrieved 6 March 2024.
  19. ^ Ordóñez, Montserrat (February 1999). "Cien años de soledad". Luis Ángel Arango Library (in Spanish). Archived from the original on 7 March 2009. Retrieved 6 March 2024.
  20. ^ Wood 1990.
  21. ^ Armillas-Tiseyra 2019.
  22. ^ "El otoño del patriarca". Centro Virtual Cervantes (in Spanish). Retrieved 6 March 2024.
  23. ^ Fernández, Tomás; Tamaro, Elena (2004). "Resumen de El otoño del patriarca". Biografías y Vidas. La enciclopedia biográfica en línea (in Spanish). Barcelona, Spain. Retrieved 6 March 2024.
  24. ^ Celis, Nadia (27 April 2021). "'Crónica de una muerte anunciada', de García Márquez: la historia secreta de los amores escondidos, la desgracia real y el proceso de escritura". W Magazín (in Spanish). Retrieved 6 March 2024.
  25. ^ Méndez 2000, pp. 20–21.
  26. ^ "Crónica de una muerte anunciada". Centro Virtual Cervantes (in Spanish). Retrieved 6 March 2024.
  27. ^ Fernández, Leonel (17 April 2017). "The True Story Behind Chronicle of a Death Foretold". Global Foundation for Democracy and Development. Retrieved 6 March 2024.
  28. ^ Michaels, Leonard (27 March 1983). "Murder Most Foul and Comic". The New York Times. Retrieved 6 March 2024.
  29. ^ a b c d e f "Cronología 1983–2002". Centro Virtual Cervantes (in Spanish). Retrieved 6 March 2024.
  30. ^ "El amor en los tiempos del cólera". Centro Virtual Cervantes (in Spanish). Retrieved 6 March 2024.
  31. ^ "El amor en los tiempos del cólera en 10 reflexiones de Gabriel García Márquez". Centro Gabo (in Spanish). 4 November 2020. Retrieved 6 March 2024.
  32. ^ "El general en su laberinto en 13 reflexiones de Gabriel García Márquez". Centro Gabo (in Spanish). 10 August 2023. Retrieved 6 March 2024.
  33. ^ "El general en su laberinto". Centro Virtual Cervantes (in Spanish). Retrieved 6 March 2024.
  34. ^ Pons 1996, p. 161.
  35. ^ "Del amor y otros demonios". Centro Virtual Cervantes (in Spanish). Retrieved 6 March 2024.
  36. ^ "Memories of My Melancholy Whores". Complete Review. Retrieved 6 March 2024.
  37. ^ Goodman, Glen (1 March 2005). "The Nonagenarian and the Nymphette". The Oxonian Review. Archived from the original on 18 March 2012.{{cite web}}: CS1 maint: unfit URL (link)
  38. ^ a b Ploetz 2004, p. 174.
  39. ^ Londoño Hidalgo, Julio Mauricio (30 August 2010). "Gabriel García Márquez se encuentra con Franz Kafka: La Tercera Resignación (1947)". Portafolio (in Spanish). Retrieved 7 March 2024.
  40. ^ a b Dimilta 2004, p. 12.
  41. ^ a b c d Vargas Llosa & Williams 1973.
  42. ^ a b c d Rodríguez-Pliego 2016, p. 35.
  43. ^ a b c d McGrady 1972, p. 293.
  44. ^ Roldán de Micolta 2007, p. 131.
  45. ^ A Study Guide for Gabriel Garcia Marquez's "The Woman Who Came at Six O'Clock". Gale. 2017. ISBN 978-1375394475.
  46. ^ Rodríguez-Pliego 2016, p. 43.
  47. ^ "Someone Has Been Disarranging These Roses". The New Yorker. 19 March 1978. Retrieved 7 March 2024.
  48. ^ a b c Dimilta 2004, p. 81.
  49. ^ Kline 2003, p. 61.
  50. ^ a b c Dauster 1973, p. 467.
  51. ^ "The Sea of Lost Time". The New Yorker. 3 June 1974. Retrieved 7 March 2024.
  52. ^ a b c d e f g Méndez 2000, p. 129.
  53. ^ a b c d e f g h González 2003, p. 4.
  54. ^ A Study Guide for Gabriel Garcia Marquez's "Tuesday Siesta". Gale. 2017. ISBN 9781410361325.
  55. ^ Kline 2003, p. 32.
  56. ^ Dauster 1973, pp. 467–468.
  57. ^ Vidal, Juan (7 June 2014). "Remembering The Short Fiction Of Gabriel Garcia Marquez". NPR. Retrieved 7 March 2024.
  58. ^ a b c d Dauster 1973, p. 468.
  59. ^ García Márquez, Gabriel (May 1968). "Balthazar's Marvelous Afternoon" (PDF). The Atlantic. Retrieved 7 March 2024.
  60. ^ A Study Guide for Gabriel Garcia Marquez's "Very Old Man with Enormous Wings". Gale. 2017. ISBN 9781410361769.
  61. ^ a b c Dauster 1973, p. 470.
  62. ^ García Márquez, Gabriel. "Death Constant Beyond Love" (PDF). The Atlantic. Retrieved 7 March 2024.
  63. ^ a b c d e f g h i j k l Méndez 2000, p. 218.
  64. ^ Méndez 2000, p. 21.
  65. ^ Miksanek, Tony (11 August 2005). "The Trail of Your Blood in the Snow". Litmed. Literature, Arts, and Medicine Database. Retrieved 7 March 2024.
  66. ^ García Márquez, Gabriel (21 August 1993). "Miss Forbes's summer of happiness: The second of our three stories from the new book by Gabriel Garca Marquez: a chilling drama of two boys' Mediterranean idyll shattered by darkness and death". The Independent. Retrieved 7 March 2024.
  67. ^ Miksanek, Tony (4 August 2005). "Bon Voyage, Mr. President". Litmed. Literature, Arts, and Medicine Database. Retrieved 7 March 2024.
  68. ^ García Márquez, Gabriel (17 April 2014). "The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother". Esquire. Retrieved 7 March 2024.
  69. ^ Fernández, Tomás; Tamaro, Elena (2004). "Resumen de Doce cuentos peregrinos". La enciclopedia biográfica en línea (in Spanish). Barcelona, Spain. Retrieved 8 March 2024.
  70. ^ Burgueño Muñoz 2008, p. 87.
  71. ^ Martin, Gerald (2009). Gabriel García Márquez. A life. New York: Alfred A. Knopf. pp. 190. ISBN 9780307271778.
  72. ^ De Vengoechea, Alejandra (19 April 2014). "Plinio Apuleyo, amigo de García Márquez: "En la vida Gabo lo decidio todo"". ABC.es (in Spanish). Retrieved 8 March 2024.
  73. ^ Castro Lee 2005, p. 207.
  74. ^ "El cataclismo de Damocles: discurso de Gabriel García Márquez en contra de la guerra atómica". Centro Gabo (in Spanish). 19 July 2018. Retrieved 8 March 2024.
  75. ^ Krieger, David (6 September 2016). "The Simple Act of Pushing a Button". Nuclear Age Peace Foundation. Retrieved 8 March 2024.
  76. ^ Cebrián 2009, p. 63.
  77. ^ Montaño Garfias, Ericka (29 October 2010). "Gabo trabaja en una antología que recoja sus textos periodísticos más literarios". La Jornada (in Spanish). Retrieved 8 March 2024.
  78. ^ "Yo no vengo a decir un discurso, dice Gabo en su nuevo libro". El Colombiano (in Spanish). 5 October 2010. Retrieved 8 March 2024.
  79. ^ Liu, Max (5 November 2014). "I'm Not Here to Give a Speech by Gabriel García Márquez; book review". The Independent. Retrieved 8 March 2024.
  80. ^ "Diatriba de amor contra un hombre sentado". Centro Virtual Cervantes (in Spanish). Retrieved 8 March 2024.
  81. ^ Christian, Shirley (28 August 1988). "Garcia Marquez's First Play Gets Mixed Reviews". The New York Times. Retrieved 8 March 2024.
  82. ^ Smith, James F. (24 August 1988). "Critics at Odds Over Merits of Garcia Marquez's First Play". Los Angeles Times. Retrieved 8 March 2024.
  83. ^ Rocco 2014, pp. 87–92.

Bibliography

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