The Gaumont-Palace was a cinema located on Rue Caulaincourt in the French capital Paris. Originally constructed between 1898 and 1900 as the Hippodrome de Montmartre, it staged equestrian shows during its early years. It was originally built with a Belle Époque facade. The site was acquired by Léon Gaumont in 1907 and converted into a cinema. It remained part of the Gaumont Film Company empire throughout its history.

Gaumont-Palace
The original exterior of the cinema in 1922.
Map
Former namesHippodrome de Montmartre
General information
Architectural styleBelle Époque (original), Art Deco (reconstruction)
LocationRue Caulaincourt, Paris, France
OwnerLéon Gaumont (1907–1972)
Other information
Seating capacity6,000
The rebuilt cinema with its new Art Deco façade in 1931.

In 1931, Gaumont reconstructed the cinema, with a new Art Deco exterior. The largest cinema in France, it was used to premiere major productions from both France and abroad. With a capacity of 6,000, it commonly attracted between fifty and sixty thousand spectators a week in the early 1930s.[1] The size of the cinema meant that it rarely held films over for more than two weeks before they were switched to smaller venues in the city such as the Caméo cinema.[2]

In 1952, the cinema featured in the comedy film Holiday for Henrietta. In 1962, it was converted for the use of Cinerama widescreen format. Increasingly, its large size was considered a disadvantage, due to poor audio quality. Plans were made for a further reconstruction but these were abandoned. In 1972, Gaumont sold off the site and it was demolished in 1973 and redeveloped. The money the company received from its sale allowed it to renovate other parts of its cinema chain, including in Lille, Lyon, Marseilles, Bordeaux, Reims, Nice and Toulouse.

References

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  1. ^ Crisp p.303
  2. ^ Crisp p.296

Bibliography

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  • Abel, Richard. The Cine Goes to Town: French Cinema, 1896-1914. University of California Press, 1998.
  • Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929-1939. Indiana University Press, 2002.

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