Gennifer Weisenfeld is an American art historian and professor at Duke University.[1][2][3] Weisenfeld is a specialist on modern and contemporary Japanese art, visual culture, and design.[4][5][6]
Gennifer S. Weisenfeld | |
|---|---|
| Academic background | |
| Education | Wesleyan University (BA) Princeton University (MA, PhD) |
| Academic work | |
| Discipline | Japan scholar |
| Institutions | Duke University |
Books
editReferences
edit- ^ Swanson, Amy. "Lecture puts new spin on Japanese art". The Oakland Post. Retrieved 2024-03-05.
- ^ "Q&A: Gennifer Weisenfeld on Duke's Plan for New Humanities Labs | Duke Today". today.duke.edu. 2018-05-03. Retrieved 2024-03-05.
- ^ "Podcast Ep. 3 | Gennifer Weisenfeld". JapanSocietyOfBoston. Retrieved 2024-03-05.
- ^ "The problems and pleasure of publishing the horrors of the 3/11 tsunami". The Japan Times. 2015-03-07. Retrieved 2024-03-05.
- ^ ""You Just Have to Read This…" Books by Wesleyan Authors Hinton '85, Ohashi '20, and Weisenfeld '87". Retrieved 2024-03-05.
- ^ "Selling Shiseido: The Aesthetics of Health and Beauty in Japanese Cosmetics Advertising - Lecture by Professor Gennifer Weisenfeld - Duke University". Art History. Retrieved 2024-03-05.
- ^ Weisenfeld, Gennifer Stacy (2002). Mavo: Japanese artists and the avant-garde, 1905-1931. Twentieth-century Japan. Berkeley (Calif.): University of California press. ISBN 978-0-520-22338-7.
- ^ Weisenfeld, Gennifer Stacy (2012). Imaging disaster: Tokyo and the visual culture of Japan's Great Earthquake of 1923. Asia. Berkeley: University of California press. ISBN 978-0-520-27195-1.
- ^ Weisenfeld, Gennifer Stacy (2023). Gas mask nation: visualizing civil air defense in wartime Japan. Chicago (Il.): The University of Chicago Press. ISBN 978-0-226-81644-9.
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