Gerald Stanley Lee (October 4, 1862 – April 3, 1944) was an American writer and minister. He began his career as a clergyman in New England and the Midwest, becoming a full-time writer in 1896. Lee's writing focused on contemporary cultural developments such as the rise of mass media and technology.
Gerald Stanley Lee | |
|---|---|
 Portrait of Gerald Stanley Lee by Arnold Genthe, 1922 | |
| Born | October 4, 1862  Brockton |
| Died | April 3, 1944 (aged 81) Northampton |
| Spouse(s) | Jennette Lee |
Early life and education
editGerald Stanley Lee was born on October 4, 1862, in Brockton, Massachusetts.[1][2] He attended Oberlin College, Middlebury College (graduating in 1885),[3] and Yale Divinity School.[4]
Career
editUntil 1896, Lee worked as a minister in New England and Minnesota.[4] After 1896, he was a full-time writer.[4] His first book, The Shadow Christ, was published that year.[5] According to critic Ryan Jay Friedman, Lee's writing in the 1910s argued that Christian education was similar to mass media including advertising, in that both attempted to persuade people to "choose a particular 'good'".[5]
Jo-Anne Pemberton compares Lee's The Voice of the Machines: An Introduction to the Twentieth Century (1906) with the works of Filippo Tommaso Marinetti and futurism.[6]
Crowds: A Moving-Picture of Democracy (1913) argues that media can be used to develop a more cohesive polity.[7] When Crowds was released in 1913, Lee wrote in a letter to Theodore Roosevelt that he hoped that it would be "the text-book of the Progressive Movement".[8] According to Russ Castronovo, who calls Crowds a "crazy sort of book", the book argues for modern mass media as tools for democracy because they prioritize the present and thereby fuel modernization.[9]
Lee opposed U.S. entry into World War I, writing essays and editorials characterizing the war as a clumsy effort of the nations involved to communicate their desires and one that could be settled without any U.S. intervention. This drew a harsh rebuke from G. K. Chesterton, who criticized Lee for imagining that the war then underway could be ended by mere discussion and for treating the warring forces as if they were on equal moral footing.[10]
Lee was "a frequent contributor of reviews to the Critic and other periodicals and wrote books on religion, modern culture, and physical fitness".[11] He published a magazine called Mount Tom in Northampton, Massachusetts.[12]
According to Leonidas Warren Payne Jr., Lee was "a milder, saner sort of twentieth-century Carlyle, interpreting human nature in new terms for the new age".[13]
Personal life
editLee married Jennette Barbour Perry in 1896.[3] A 1909 profile of Gerald and Jennette described him as a "dreamer", "philosopher", and "wit" who had yet to "come into his own".[14] He died on April 3, 1944, in Northampton.[15]
Bibliography
edit- The Shadow Christ (1896)
- The Lost Art of Reading (1902)
- The Voice of the Machines (1906)
- The Child and the Book (1907)
- Inspired Millionaires (1908)[16]
- Crowds: A Moving-Picture of Democracy (1913)
- We: A Confession of Faith for the American People During and After War (1916)
- The Air-Line to Liberty (1918)
- The Ghost in the White House (1920)
- Invisible Exercise; Seven Studies in Self Command With Practical Suggestions and Drills (1922)
- Heathen Rage (1931)
- Mount Tom (magazine) (1905–1917)
References
edit- ^ Burke, William Jeremiah; Howe, Will David (1972). American Authors and Books, 1640 to the Present Day (3d ed.). Crown Publishing Group. p. 370. ISBN 0-517-50139-2. OCLC 523487.
- ^ The Encyclopedia Americana. Vol. 17. New York: Encyclopedia Americana Corp. 1922. p. 219. OCLC 712445482.
- ^ a b Collier's New Encyclopedia. Vol. 5. P. F. Collier & Son. 1921. pp. 443–444. OCLC 1042143414.
This article incorporates text from this source, which is in the public domain.
- ^ a b c Bush 1991, p. 4.
- ^ a b Friedman 2019, p. 25.
- ^ Pemberton, Jo-Anne (2001). Global Metaphors: Modernity and the Quest for One World. Pluto Press. p. 39. ISBN 0-7453-1653-0. OCLC 46359634.
- ^ Friedman 2019, p. 23.
- ^ Friedman 2019, p. 30.
- ^ Castronovo, Russ (2007). Beautiful Democracy: Aesthetics and Anarchy in a Global Era. University of Chicago Press. pp. 96–97. ISBN 978-0-226-09630-8. OCLC 646810174.
- ^ Chesterton, G. K. (January 29, 1916). "Our Notebook". The Illustrated London News. 148 (4006): 131.
- ^ Weatherford, Richard M., ed. (1973). Stephen Crane: The Critical Heritage. Routledge. p. 209. doi:10.4324/9781315005911. ISBN 0-7100-7636-3. OCLC 1367127.
- ^ "The Mount Tom Magazine". The Brooklyn Daily Eagle. June 4, 1907. p. 11 – via newspapers.com.
- ^ Payne, Leonidas Warren (1919). History of American Literature. Chicago; New York: Rand McNally. p. 229. OCLC 1046019632.
- ^ "The Lounger". Putnam's Magazine. 6 (2): 242–243. May 1909. hdl:2027/mdp.39015034327141.
- ^ "Gerald S. Lee". Hartford Courant. Associated Press. April 4, 1944. p. 6 – via newspapers.com.
- ^ "Our Library Table". The Athenaeum. No. 4384. November 4, 1911. p. 556.
Sources
edit- Bush, Gregory Wallace (1991). Lord of Attention: Gerald Stanley Lee and the Crowd Metaphor in Industrializing America. University of Massachusetts Press. ISBN 0-585-21758-0. OCLC 44962103.
- Friedman, Ryan Jay (February 4, 2019). "Enlightened Public Opinion: Postreform Progressivism, Mental Science, and Gerald Stanley Lee's "Moving-Pictures"". The Movies as a World Force: American Silent Cinema and the Utopian Imagination. Rutgers University Press. pp. 23–43. doi:10.36019/9780813593630-002. ISBN 978-0-8135-9363-0. S2CID 242167097.
External links
edit
- Works by Gerald Stanley Lee at Project Gutenberg
- Works by or about Gerald Stanley Lee at the Internet Archive
- Works by Gerald Stanley Lee at LibriVox (public domain audiobooks)
