Geraldine Lucia Norman, OBE (born 13 May 1940) is an art journalist who made a special name for identifying fakes, moving on to work for the great Russian museum, the Hermitage in St. Petersburg.
Geraldine Norman | |
|---|---|
| Born | 13 May 1940 (age 84) Wales, UK |
| Occupation | Statistician, writer |
Life and work
editBorn Geraldine Lucia Keen to Harold Hugh Keen and Catherine Eleanor Lyle Cummins. She was educated in St. Anne's College, Oxford. She graduated in 1961 with a Masters of Arts in Mathematics which she followed up by attending the University of California, Los Angeles from 1961 to 62 while working as a teaching assistant.[1]
Career
editNorman got a job as a statistician for The Times Newspaper in 1962 and began to write for the paper on statistics and computers. In 1965, she left to work for the FAO in Rome but was called back in 1967 to launch the Times-Sotheby index of art prices which ran from the 1967-71. She progressed in 1969 to become the Sale Room Correspondent of The Times.[1][2] Norman gained a name during that time as Christie's disliked her. She asked awkward questions about secret practices within the industry. After she published an article suggesting it should be revealed when auction lots were unsold, Peter Wilson, chairman of Sotheby's, was offended and discontinued the index.[3] She continued her to report on sales but also made a speciality of investigating fakes. She uncovered 13 drawings purporting to be by the 19th-century artist Samuel Palmer and went on to identify the forger as Tom Keating.[4] She and her husband wrote a book with him about his life and the many artists he had forged. She also wrote about the faker Eric Hebborn, fakes at the Getty Museum in California, and investigated the authenticity of Van Gogh's 'Sunflowers' sold at Christie's for a record price.[5]
In 1987 she left The Times as she had objected to the Murdoch takeover. Norman joined The Independent newspaper as Art Market Correspondent eventually leaving in 1995 to focus on writing a book called 'The Hermitage: The Biography of a Great Museum' (published in 1997 and reissued in 2017).[6] She then set up a branch of the Hermitage Museum in Somerset House which ran from 2000 to 2007 and went on to launch the Friends of the Hermitage in 2003 and the Hermitage Magazine in 2004. She was awarded an OBE in 2011 for her service to UK / Russian relations in fine art.[7]
Family
editShe married playwright and novelist John Frank Norman on 16 July 1971. They co-wrote 'The Fake's Progress: The Keating Story' with Tom Keating in 1977. Frank died in 1980.
Bibliography
edit- The Sale of Works of Art (as Geraldine Keen, 1971)
- Nineteenth Century Painters and Painting, A Dictionary (1977)
- The Fake's Progress (with Tom Keating & Frank Norman, 1977)
- The Tom Keating Catalogue (with Tom Keating, 1977)
- Mrs. Harper’ Niece (as Florence Place, 1982)
- Biedermeier Painting (1987)
- Top Collectors of the World (with Natsuo Miyashita, 1993)
- The Hermitage: The Biography of a Great Museum (1997)
- Bob Hecht by Bob Hecht (ed. 2014)
- Dynastic Rule: Mikhail Piotrovsky and the Hermitage (2016)
- Culture as Scandal: The Hermitage Story (with Mikhail Piotrovsky) (2022)
References
edit- ^ a b Europa Publications (2003). International Who's Who of Authors and Writers 2004. Psychology Press. pp. 413–. ISBN 978-1-85743-179-7.
- ^ Philip Hook (26 January 2017). Rogues' Gallery: A History of Art and its Dealers. Profile. pp. 227–. ISBN 978-1-78283-215-7.
- ^ FIONA MACCARTHY (1991). "Someone Was Silly". The New York Times. Retrieved 11 March 2018.
- ^ "The Ultimate In Reality TV? Try Televised Art Forgery". Forbes. Retrieved 11 March 2018.
- ^ "Are these flowers real?". The Daily Telegraph. Archived from the original on 26 February 2016. Retrieved 11 March 2018.
- ^ David I. Grossvogel (2001). Behind the Van Gogh Forgeries: A Memoir. iUniverse. pp. 182–. ISBN 978-0-595-17717-2.
- ^ "New Year honours list: diplomatic service and overseas". The Guardian. 31 December 2010. ISSN 0261-3077. Retrieved 5 February 2024.