Giulio Cogni (January 10, 1908 – November 15, 1983) was an Italian writer, racial theorist, music composer and music critic.
Giulio Cogni | |
|---|---|
| Born | January 10, 1908 Siena |
| Died | November 15, 1983 (aged 75) |
| Occupation | writer, racial theorist, music composer, music critic |
| Nationality | Italian |
| Period | Italian Fascism |
Life
editGiulio Cogni taught psychology and musical esthetics at the Conservatorio Luigi Cherubini. He published articles in the publications, including Il Mattino, Il Messaggero, La Sicilia and Gazzetta del Sud.
Cogni was also an Italian racial theorist and member of the National Fascist Party of Italy.[1] Cogni published Il Razzismo (1936) and sent it to Duce Benito Mussolini to review, initially Mussolini was not impressed with the work, however Cogni's ideas later entered into the official Fascist racial policy several years later.[1] Mussolini appointed him to the editorial board of La Difesa della Razza, a recist magazine initiated in 1938.[2] However, Cogni was removed from the post when he protested Mussolini and other leading fascist figures claiming that they had been using his views without making a reference to him.[2]
In 1941 Giulio Cogni went to Weimar in Nazi Germany, where he met collaborating European writers and joined the Europäische Schriftstellervereinigung (European Writers' League), which was founded by Joseph Goebbels.[3]
Literature by Cogni
edit- Saggio sull’Amore come nuovo principio d’immortalità, Bocca, Torino (1933)
- Il Razzismo (1936)
- Lo Spirito Assoluto, La Nuova Italia, Firenze (1937)
- I valori della stirpe italiana, Bocca, Torino (1937)
- Il Segreto del Genio, Vallecchi, Firenze (1941)
- Le forze segrete della musica, Ticci, Siena (1942)
- Agape Sacre, Ausonia, Siena (1948)
- Agape Eterna, Maia, Siena (1952)
- Che cosa è la musica, Curci, Milano (1956)
- Marco Polo (1959), (ballet)
- Una notte nel bosco (1960), (ballet]
- Wagner e Beethoven, Sansoni, Firenze (1960)
- Livret d'opéra Tre sogni per Marina par Alberto Soresina
- Io sono te, Meschina, Milano (1970)
- Fra il suo teatro rappresentato: Empedocle (1951)
- I miracoli di Santa Caterina (1952)
- Il fantasma dell’Orto Botanico (1961)
- Bhagavadgita, il canto del beato (1980)
References
edit- ^ a b Aaron Gillette. (2002). Racial Theories in Fascist Italy. London, England, UK; New York, New York, USA: Routledge, p. 60.
- ^ a b Aaron Gillette (Winter 2002). "Guido Landra and the Office of Racial Studies in Fascist Italy". Holocaust and Genocide Studies. 16 (3): 361. doi:10.1093/hgs/16.3.357.
- ^ Frank-Rutger Hausmann. (2004). "Dichte, Dichter, tage nicht!" - Die Europäische Schriftsteller-Vereinigung in Weimar 1941-1948 ISBN 3-465-03295-0