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Hairspray (2007 film)

(Redirected from Hayley Podschun)

Hairspray is a 2007 musical romantic comedy film based on the 2002 Broadway musical of the same name, which in turn was based on John Waters's 1988 comedy film of the same name. Produced by Ingenious Media and Zadan/Meron Productions, and adapted from both Waters's 1988 script and Thomas Meehan and Mark O'Donnell's book for the stage musical by screenwriter Leslie Dixon, the film was directed and choreographed by Adam Shankman and has an ensemble cast including John Travolta, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, James Marsden, Queen Latifah, Brittany Snow, Zac Efron, Elijah Kelley, Allison Janney, and Nikki Blonsky in her feature film debut. Set in 1962 Baltimore, Maryland, the film follows the "pleasantly plump" teenager Tracy Turnblad (Blonsky) as she pursues stardom as a dancer on a local television dance show and rallies against racial segregation.

Hairspray
Theatrical release poster
Directed byAdam Shankman
Screenplay byLeslie Dixon
Based on
Produced by
Starring
CinematographyBojan Bazelli
Edited byMichael Tronick
Music byMarc Shaiman
Production
companies
Distributed by
Release dates
  • July 10, 2007 (2007-07-10) (Mann Village Theater)
  • July 20, 2007 (2007-07-20) (United Kingdom and United States)
Running time
116 minutes[1]
Countries
  • United Kingdom[2]
  • United States[2]
LanguageEnglish
Budget$75 million[3]
Box office$203.5 million[4]

The film began development in 2004, and Dixon reworked Meehan and O'Donnell's first draft of the screenplay to tone down the musical's campiness. In 2005, Shankman agreed to direct the film. Composer/lyricist Marc Shaiman and lyricist Scott Wittman reworked their songs from the Broadway musical for the film's soundtrack, and also wrote four new songs for the film. Principal photography commenced in September 2006 with a budget of $75 million, and ended in December of that year; filming took place on locations in Toronto and Hamilton, Ontario, Canada and on sound-stages at Toronto's Showline Studios. Recording sessions for the film's songs and soundtrack took place in San Diego, California in the United States.

Hairspray premiered on July 10, 2007, at the Mann Village Theater and was released on July 20, 2007, in the United Kingdom and the United States. The film was met with critical acclaim and was a financial success, breaking the record for the highest-grossing opening weekend for a movie musical,[5] which the film held until July 2008 when it was surpassed by Mamma Mia![6] and later High School Musical 3: Senior Year in October.[7] Hairspray went on to become the tenth highest-grossing musical film in US cinema history, behind the film adaptations of Grease, Chicago, and Mamma Mia!,[6] and stands as one of the most critically and commercially successful musical films of the 2000s. Available in a variety of formats, Hairspray's Region 1 home video release took place on November 20, 2007.[8] USA Network purchased the broadcast rights to Hairspray and was scheduled to debut the film on cable television in February 2010, but in the end it did not broadcast that month. Instead the film was pushed back and premiered on USA on July 24, 2010, with sister channel Bravo also showing it multiple times, and in February 2011 aired on ABC for over-the-air broadcasts.[9]

Plot

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In May 1962, 16-year-old overweight high school student Tracy Turnblad lives in Baltimore along with her shy best friend Penny Pingleton. Both frequently watch The Corny Collins Show, a local teen dance television show broadcast live on the WYZT station. Several of the dancers on the show, among them lead dancers Amber von Tussle and her boyfriend Link Larkin, attend Tracy and Penny's high school. Amber's mother Velma, the station's manager, ensures that her daughter is prominently featured and, as Corny Collins and the main dancers are white, only allows African-American dancers to appear on the monthly "Negro Day", hosted by local R&B disc jockey "Motormouth" Maybelle Stubbs.

When Corny announces that Brenda, a dancer on the show, will be taking a nine-month leave of absence, Tracy becomes ecstatic, especially when Link announces auditions for a replacement to be held at the WYZT studio the next day. At the audition, Velma rejects her for both being overweight and supporting integration. Given detention for skipping class, Tracy discovers the "Negro Day" kids practicing in the detention room and befriends Motormouth Maybelle's son, Seaweed, who teaches her several dance moves. While leaving detention, she inadvertently meets Link, dreaming of life with him. At a record hop, her new moves garner Corny's attention, and he chooses her to join the cast.

Tracy quickly becomes one of Corny's most popular performers, affecting Amber's chances of winning the show's annual "Miss Teenage Hairspray" pageant the following month and her relationship with Link, who grows fonder of Tracy. When Mr. Pinky enlists her as the spokesgirl for his Hefty Hideaway boutique, she persuades her agoraphobic mother, Edna, to accompany her there as her agent, where both receive makeovers, sharply boosting Edna's confidence.

Tracy introduces Seaweed to Penny, and the two become smitten. Later, Seaweed and his younger sister Little Inez take Tracy, Penny, and Link to a party at Maybelle's store. Amber, upset over losing Link to Tracy, follows her mother's advice and anonymously calls Edna to reveal her daughter's current whereabouts, which causes Edna to rush to the store and attempt to take her home immediately, but Maybelle convinces her to stay and take pride in herself. After Maybelle sadly informs everyone that Velma has cancelled Negro Day, Tracy suggests they march for integration. Link, unwilling to endanger his career, sincerely apologizes to Tracy, upsetting her by explaining that he is scheduled to sing in front of talent scouts at the pageant. Edna returns to her husband Wilbur's shop, but Velma gets there first, and tries to seduce him. Though he remains impervious to Velma's advances, Edna arrives to see Velma forcing him into a compromising position and furiously storms out. After accusing Wilbur of infidelity and changing the locks, Edna, out of hatred for Velma, forbids Tracy to be on the show, but changes her mind after reconciling with Wilbur.

The next morning, Tracy sneaks out of the house to join the protest, which is halted by a police roadblock. The protesters engage in a brawl, while Tracy runs to the Pingletons' home, where Penny hides her in a fallout shelter. However, Penny's mother Prudy reports Tracy to the police and ties her daughter to her bed for "harboring a fugitive". Having been bailed out by Wilbur, Seaweed and his friends help Tracy and Penny escape. Link visits Tracy's house to find her, realizing that he loves her. Seaweed and Penny also acknowledge their love during the escape.

With the pageant underway, Velma assigns police officers to guard the WYZT studio to prevent Tracy from entering and rigs the pageant tallies to guarantee Amber's victory. Penny arrives at the pageant with Edna, while Wilbur, Seaweed, and the Negro Day kids help Tracy infiltrate the studio. Link breaks away from Amber to dance with Tracy; later, he pulls Little Inez to the stage to dance in the pageant.

Amber's attempt to re-claim her championship crown fails. Little Inez wins the pageant after a late surge of support, successfully integrating the program. Edna mans a camera to film Velma revealing her rigging scheme to Amber, resulting in Velma's dismissal. The set turns into a celebration as Tracy and Link cement their love by kissing each other.

Cast

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  • Nikki Blonsky as Tracy Turnblad, an optimistic, overweight teenage girl who loves dancing. Tracy's racial acceptance leads her to become an active supporter for the integration of The Corny Collins Show. Hairspray was Blonsky's debut as a professional actress.[10]
  • John Travolta as Edna Turnblad, Tracy's mother who owns a laundry business, is agoraphobic and ashamed of her obesity. Travolta's casting as Edna continued the tradition of having a man in drag portray the character, going back to the 1988 film, which featured drag queen Divine as Edna and at Hairspray's Broadway version, which featured Harvey Fierstein as Edna.[11] Executives at New Line Cinema originally expected the part to be filled by an actor accustomed to playing comic roles, tossing around names such as Robin Williams, Steve Martin, and Tom Hanks.[11] However, Travolta was aggressively sought after by producers Craig Zadan and Neil Meron for this role because he had starred as Danny Zuko in Grease, the second most successful movie musical to date, beaten only by Mamma Mia!.[12]
  • Michelle Pfeiffer as Velma Von Tussle, the racist and sizeist manager of station WYZT. Velma is invested in keeping her daughter Amber in the spotlight and The Corny Collins Show segregated. Hairspray was the first film featuring Pfeiffer to be released in five years. Stardust, also featuring Pfeiffer, was shot before Hairspray, but released three weeks afterwards.[13] The peculiarity of Pfeiffer and Travolta appearing onscreen together (Travolta starred in Grease, Pfeiffer in Grease 2) was not lost on the production staff;[13] Travolta requested that Pfeiffer play the part of the villainess.[11]
  • Amanda Bynes as Penny Lou Pingleton, Tracy's best friend, a sheltered girl who falls in love with Seaweed despite the disapproval of her stern, devoutly religious and racist mother Prudy. A young actress famous for appearances on Nickelodeon TV shows and in feature films, Bynes was one of the few movie stars cast among the teen roles.[14]
  • Christopher Walken as Wilbur Turnblad, Tracy's father, the easygoing proprietor of the "Hardy-Har Hut" joke shop below the Turnblad family's apartment. John Travolta had asked that Walken be considered for the part,[11] and he eventually beat out Billy Crystal[15] and Jim Broadbent[16] for the role of Wilbur.
  • Queen Latifah as "Motormouth" Maybelle Stubbs, a Baltimore rhythm and blues radio DJ who hosts "Negro Day" on The Corny Collins Show. Maybelle also runs a record shop on North Avenue. Queen Latifah appeared in the successful Zadan/Meron film musical Chicago, and worked under Adam Shankman's direction in Bringing Down the House.[17] Aretha Franklin had been previously considered for the role.[15]
  • James Marsden as Corny Collins, the host of The Corny Collins Show; his politically progressive attitudes lead him to fight his show's imposed segregation. Corny Collins is based upon Baltimore TV personality Buddy Deane, who hosted an eponymous local teen dance show in the late 1950s and early 1960s.[18] James Marsden beat out both Joey McIntyre and X-Men co-star Hugh Jackman for the part.[19]
  • Brittany Snow as Amber Von Tussle, Velma's bratty daughter and the lead female dancer on The Corny Collins Show. Amber becomes Tracy's enemy when she threatens both Amber's chances of winning the "Miss Teenage Hairspray" crown and her relationship with her boyfriend, Link. Snow previously worked with Shankman in The Pacifier.[19] Hayden Panettiere was also considered for the part of Amber, but was decided against in part because of her then-upcoming work with the NBC television series Heroes.[19]
  • Zac Efron as Link Larkin, Amber's boyfriend and the lead male dancer on The Corny Collins Show. Link is a talented (and mildly narcissistic) singer who becomes more attracted to Tracy. The character is based in part upon Elvis Presley.[19] Efron, a popular teen actor who played Troy Bolton in the Disney Channel TV film High School Musical, was initially thought by Shankman to be "too Disney" for the role;[19] however Shankman's sister, executive producer Jennifer Gibgot, convinced him to cast Efron, believing that the teen star would draw a substantial teen crowd.[19]
  • Elijah Kelley as Seaweed J. Stubbs, Maybelle's son, a skilled dancer who teaches Tracy some dance moves and falls in love with Penny. Kelley, a relative newcomer to film, overcame other auditioners and several popular R&B stars for the part of Seaweed.[14]
  • Allison Janney as Prudence "Prudy" Pingleton, Penny's mother, a racist Christian fundamentalist whose strict parenting keeps Penny from experiencing life. Her husband is serving a prison sentence for an unspecified crime.
Minor roles
  • Paul Dooley as Harriman F. Spritzer, the owner of the "Ultra Clutch" company and the main sponsor of The Corny Collins Show. Although he prefers to keep The Corny Collins Show segregated, he will follow public opinion if it increases sales.
  • Jayne Eastwood as Miss Wimsey, Tracy's geography teacher, who gives Tracy the detention note that first leads her to Seaweed.
  • Jerry Stiller as Mr. Pinky, the owner of a dress shop called Mr. Pinky's Hefty Hideaway, who hires Tracy as his spokesgirl. In the original film, Stiller played Wilbur Turnblad.
  • Taylor Parks as Little Inez Stubbs, Maybelle's teenage daughter and Seaweed's younger sister, and a skilled dancer. Inez is based in part upon Ruby Bridges, the first black child to attend a formerly all-White school in the state of Louisiana.[18]
  • George King as Mr. Flak, Amber, Link, and Tracy's history teacher. He gives Tracy detention when Amber frames Tracy for drawing a picture of him with breasts. He gives Link detention as well for coming to Tracy's defense.
Council members
  • Curtis Holbrook as Brad
  • Hayley Podschun as Tammy
  • Phillip Spaeth as Fender
  • Cassie Silva as Brenda
  • Nick Baga as Sketch
  • Sarah Jayne Jensen as Shelley
  • Jesse Weafer as I.Q.
  • Kelly Fletcher as Lou Ann
  • J.P. Ferreri as Joey
  • Spencer Liff as Mikey
  • Laura Edwards as Vicky
  • Tabitha Lupien as Becky
  • Corey Gorewicz as Bix
  • Joshua Feldman as Jesse
  • Becca Sweitzer as Darla
  • Everett Smith as Paulie
  • Tiffany Engen as Noreen
  • Brooke Engen as Doreen
The Dynamites
Cameos

In addition to the principal actors, the film contained several cameo appearances by individuals involved in the history of Hairspray:

  • Ricki Lake (Tracy Turnblad in the original film) as William Morris Talent Agent #1,[20] (Audio) performs "Mama, I'm a Big Girl Now".
  • Adam Shankman (choreographer/director of the film) as William Morris Talent Agent #2 (Audio) sings "Tied Up in the Knots of Sin" with Shaiman which is heard when Prudy turns the record player on while she ties Penny up.[20]
  • Marc Shaiman (co-lyricist/writer of the film) as William Morris Talent Agent #3 (Audio) sings "Tied Up in the Knots of Sin" with Shankman which is heard when Prudy turns the record player on while she ties up Penny.[20]
  • Scott Wittman (co-lyricist and music writer of the film) as William Morris Talent Agent #4.[20]
  • John Waters (writer and director of the original film, who also cameoed as Dr. Frederickson in the original film) as the "flasher who lives next door" during "Good Morning Baltimore"
  • Jamal Sims (Associate choreographer) as one of the Detention Kids
  • Anne Fletcher (Associate choreographer) as the school nurse
  • Zach Woodlee (Associate choreographer) as Smoking teacher
Singing cameos
  • Marissa Jaret Winokur (Original Broadway cast's Tracy) performs "Mama, I'm a Big Girl Now"
  • Harvey Fierstein (Original Broadway cast's Edna) as brief singing cameo in the end credits "Mama, I'm a Big Girl Now"
  • Corey Reynolds (Original Broadway cast's Seaweed) as singer of "Trouble on the Line". The song is heard shortly after "Big, Blonde and Beautiful" until Maybelle announces the cancellation of Negro Day.
  • Arthur Adams (One of the Broadway cast's Seaweed) performs "Boink-Boink" which is heard during "Big, Blonde and Beautiful".
  • Chester Gregory (One of the Broadway cast's Seaweed) performs "Breakout", which is heard during Tracy's introduction to Seaweed in detention.
  • Aimee Allen performs "Cooties"

Musical numbers

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See also: Hairspray (2007 soundtrack)
 
"Good Morning Baltimore"
The chorus of the film's opening number, "Good Morning Baltimore", as performed by Nikki Blonsky.
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  1. "Good Morning Baltimore" – Tracy (Nikki Blonsky)
  2. "The Nicest Kids in Town" – Corny and Council Members (James Marsden)
  3. "It Takes Two" – Link (Zac Efron)
  4. "(The Legend of) Miss Baltimore Crabs" – Velma and Council Members (Michelle Pfeiffer)
  5. "I Can Hear the Bells" – Tracy (Nikki Blonsky)
  6. "Ladies' Choice" – Link (Zac Efron)
  7. "The Nicest Kids in Town (Reprise)" – Corny, Council Members, Penny, Edna, Wilbur (James Marsden)
  8. "The New Girl in Town" – Amber, Tammy, Shelley, and The Dynamites (Brittany Snow)
  9. "Welcome to the 60's" – Tracy, Edna, The Dynamites, and Hefty Hideaway Employees (Nikki Blonsky & John Travolta)
  10. "Run and Tell That" – Seaweed, Little Inez, and Detention Kids (Elijah Kelley ft. Taylor Parks)
  11. "Big, Blonde and Beautiful" – Motormouth (Queen Latifah)
  12. "Big, Blonde and Beautiful (Reprise)" – Velma and Edna (Michelle Pfeiffer & John Travolta)
  13. "(You're) Timeless to Me" – Wilbur and Edna (Christopher Walken & John Travolta)
  14. "I Know Where I've Been" – Motormouth (Queen Latifah)
  15. "Without Love" – Link, Tracy, Seaweed, Penny, and Detention Kids (Zac Efron, Nikki Blonsky, Elijah Kelley, Amanda Bynes)
  16. "(It's) Hairspray" – Corny and Council Members (James Marsden)
  17. "You Can't Stop the Beat" – Company (Nikki Blonsky, Zac Efron, Amanda Bynes, Elijah Kelley, John Travolta and Queen Latifah)
  18. "Come So Far (Got So Far to Go)" (end credits) – (Queen Latifah, Zac Efron, Nikki Blonsky, and Elijah Kelley)
  19. "Mama, I'm a Big Girl Now" (end credits) – Ricki Lake, Marissa Jaret Winokur, and Nikki Blonsky with Harvey Fierstein
  20. "Cooties" (end credits) – Aimee Allen
 
 
Songwriters Marc Shaiman and Scott Wittman

Music producer/composer/co-lyricist Marc Shaiman and co-lyricist Scott Wittman were required to alter their Broadway Hairspray song score in various ways in order to work on film, from changing portions of the lyrics in some songs (e.g., "(The Legend of) Miss Baltimore Crabs", "Big, Blonde, and Beautiful", and "You Can't Stop the Beat") to more or less completely removing other songs from the film altogether.

"Mama, I'm a Big Girl Now", a popular number from the stage musical, features Tracy, Penny, and Amber arguing with their respective mothers. Neither Shankman nor Dixon could come up with a solution for filming "Mama" that did not require a three-way split screen — something they wanted to avoid[21] — and both felt the number did not adequately advance the plot.[21][22] As a result, "Mama" was reluctantly dropped from the film during pre-production, although it is used by Shaiman as an instrumental number when the Corny Collins kids dance the "Stricken Chicken". A special version of "Mama" was recorded for the film's end credits in May 2007, during the final score recording process, which featured vocals from each of the three women most famous for portraying Tracy Turnblad: Ricki Lake from the 1988 film, Marissa Jaret Winokur from the original Broadway cast, and Nikki Blonsky from the 2007 film.[23] Harvey Fierstein, who portrayed Edna as part of the original Broadway cast, has a brief cameo moment in the end credits version of "Mama" as well.[23]

"It Takes Two", a solo for Link, was moved from its place in the stage musical (on Tracy's first day on The Corny Collins Show) to an earlier Corny Collins scene, although only the coda of the song is used in the final release print, and the song's background music can be heard immediately after the reprise of "The Nicest Kids in Town". "Cooties", a solo for Amber in the stage musical, is present in this film as an instrumental during the Miss Teenage Hairspray dance-off. As with "Mama, I'm a Big Girl Now", a version of "Cooties", performed in a contemporary pop rendition by Aimee Allen, is present during the end credits.

The performance of a vintage dance called The Madison, present in both the 1988 film and the stage musical, was replaced for this version by a newly composed song, "Ladies' Choice". Portions of the Madison dance steps were integrated into the choreography for the musical number "You Can't Stop the Beat", and the song to which the dance is performed on Broadway can be heard during Motormouth Maybelle's platter party in the film, re-titled "Boink-Boink". "The Big Dollhouse", "Velma's Revenge" (a reprise of "Miss Baltimore Crabs"), and the reprise of "Good Morning Baltimore" were the only numbers from the musical not used in the film in any way.

Shaiman and Wittman composed two new songs for the 2007 film: "Ladies' Choice", a solo for Link, and "Come So Far (Got So Far to Go)", a song performed during the end credits by Queen Latifah, Blonsky, Efron, and Kelley. Another "new" song in the 2007 film, "The New Girl in Town", had originally been composed for the Broadway musical, but was deemed unnecessary and discarded from the musical. Director Shankman decided to use the song to both underscore a rise-to-fame montage for Tracy and to showcase Maybelle's "Negro Day", which is never actually seen in either of the earlier incarnations of Hairspray.[24]

One additional Shaiman/Wittman song, a ballad entitled "I Can Wait", was composed for the film as a solo for Tracy, meant to replace the stage musical's reprise of "Good Morning Baltimore". "I Can Wait" was shot for the film (Tracy performs the number while locked in Prudy's basement), but was eventually deleted from the final release print. The audio recording of "I Can Wait" was made available as a special bonus track for customers who pre-ordered the Hairspray soundtrack on iTunes, and the scene itself was included as a special feature on the film's DVD release.[25]

Post-production took place in Los Angeles. Composer/co-lyricist Shaiman continued work on the film's music, employing the Hollywood Symphony Orchestra to record instrumentation for both the songs and the incidental score.[23]

Production

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Early development

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Adam Shankman, director and choreographer of the film.

Following the success of the Broadway musical of the same name, which won eight Tony Awards in 2003, New Line Cinema, who owned the rights to the 1988 John Waters film upon which the stage musical is based, became interested in adapting the stage show as a musical film. Development work began in late 2004, while a similarly film-to-Broadway-to-film project, Mel Brooks' The Producers, was in production.[26]

Craig Zadan and Neil Meron, the executive producers of the Academy Award-winning film adaptation of the Broadway musical Chicago, were hired as the producers for Hairspray,[27] and began discussing possibly casting John Travolta and Billy Crystal (or Jim Broadbent) as Edna and Wilbur Turnblad, respectively.[26] Thomas Meehan and Mark O'Donnell, authors of the book for the stage musical, wrote the first draft of the film's screenplay, but were replaced by Leslie Dixon, screenwriter for family comedies such as Mrs. Doubtfire and Freaky Friday.[26] After a year's deliberation on who should direct the film, Zadan and Meron finally decided to hire Adam Shankman to both direct and choreograph Hairspray.[28] Upon learning he had been hired, Shankman arranged a meeting with John Waters, who advised him "don't do what I did, don't do what the play did. You've gotta do your own thing."[12] Despite this, Shankman still noted "all roads of Hairspray lead back to John Waters."[12]

Tory Gardner and his company Alterian, Inc. were hired to design and create the look of Edna Turnblad on John Travolta. Costume designer Rita Ryack wanted to put Edna into several revealing outfits, so Travolta ended up being encapsulated in prosthetics. He wore silicone prosthetics on his head and neck, and foam latex arms and legs that connected to a spandex and foam body suit.[citation needed]

Adaptation changes

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Dixon was primarily hired to tone down much of the campiness inherent in the stage musical.[21] The 2007 film's script is based primarily on the stage musical rather than the 1988 film, so several changes already made to the plot for the stage version remain in this version. These include dropping several characters from the 1988 version (such as Arvin Hodgepile (the role Mr. Spritzer fills), Velma's husband Franklin, Corny's assistant Tammy, the beatniks, et al.), removing the Tilted Acres amusement park from the story, and placing Velma in charge of the station where The Corny Collins Show is filmed.

One notable difference between the stage musical, the original film, and the 2007 film version of Hairspray is that Tracy does not go to jail in the 2007 version (thus eliminating the musical's song "The Big Dollhouse"). In both previous incarnations of Hairspray, Tracy is arrested and taken to jail along with the other protesters. Edna is presented in this version as an insecure introvert, in contrast to the relatively bolder incarnations present in the 1988 film and the stage musical.[21] Among many other elements changed or added to this version are the removal of Motormouth Maybelle's habit of speaking in rhyming jive talk and doubling the number of teens in Corny Collins' Council (from ten on Broadway to twenty in the 2007 film).[29]

Dixon restructured portions of Hairspray's book to allow several of the songs to blend more naturally into the plot, in particular "(You're) Timeless to Me" and "I Know Where I've Been". "(You're) Timeless to Me" becomes the anchor of a newly invented subplot involving Velma's attempt to break up Edna and Wilbur's marriage and keep Tracy off The Corny Collins Show as a result. The song now serves as Wilbur's apology to Edna, in addition to its original purpose in the stage musical as a tongue-in-cheek declaration of Wilbur and Edna's love for each other.[21] Meanwhile, "I Know Where I've Been", instead of being sung by Maybelle to the kids after being let out of jail, now underscores Maybelle's march on WYZT (which takes place in the stage musical at the end of "Big, Blonde, and Beautiful").[21]

The song "Big, Blonde, and Beautiful" was inspired by a line that Tracy delivered in the original film ("Now all of Baltimore will know: I'm big, blonde and beautiful!"), but in the stage version and in this film, Motormouth Maybelle performs the song. A reprise of the song was added to the 2007 film, which is sung by Edna and Velma.[citation needed]

Pre-production and casting

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Hairspray was produced on a budget of $75 million.[3] Casting director, David Rubin, introduced an open casting call to cast unknowns in Atlanta, New York City, and Chicago. After auditioning over eleven hundred candidates,[30] Nikki Blonsky a high school student from Great Neck, New York was chosen for the lead role of Tracy.[31] Nikki Blonsky auditioned for the role of Tracy Turnblad in New York City in 2006 at eighteen years old. She had no previous professional experience in acting or in singing. Blonsky had auditioned for the role because it became her dream to play the role of Tracy after seeing the musical on Broadway.[32] Blonsky, working at Cold Stone Creamery at the time, received the news from film director, Adam Shankman, that she had received the part. Relative unknowns Elijah Kelley and Taylor Parks were chosen through similar audition contests to portray siblings Seaweed and Little Inez Stubbs, respectively. John Travolta was finally cast as Edna, with Christopher Walken ultimately assuming the role of Wilbur.[11] Several other stars, including Queen Latifah, James Marsden, Michelle Pfeiffer, and Allison Janney were chosen for the other supporting adult roles of Motormouth Maybelle, Corny Collins, Velma Von Tussle, and Prudy Pingleton, respectively. Teen stars Amanda Bynes, and Zac Efron were cast as Tracy's friends Penny and Link, and Brittany Snow was cast as her rival, Amber Von Tussle. Jerry Stiller, who played Wilbur Turnblad in the original film, appears as plus-sized women's clothes retailer Mr. Pinky in this version.[33]

Since Hairspray's plot focuses heavily on dance, choreography became a heavy focus for Shankman, who hired four assistant choreographers, Jamal Sims, Anne Fletcher, and Zach Woodlee, and put both his acting cast and over a hundred and fifty dancers through two months of rehearsals.[29][34] The cast recorded the vocal tracks for their songs as coached by Elaine Overholt in the weeks just before principal photography began in September.[34]

Principal photography

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Principal photography took place in Toronto, and Hamilton, Ontario, Canada from September 5 to December 8, 2006.[35]

Hairspray is explicitly set in Baltimore, Maryland and the original 1988 film had been shot on location there, but the 2007 film was shot primarily in Toronto because the city was better equipped with the sound stages necessary to film a musical.[36][37] The opening shots of the descent from the clouds and the newspaper being dropped onto the stoop are the only times that the actual city of Baltimore is shown in the film.[37]

Most of the film was shot at Toronto's Showline Studios.[38] Most of the street scenes were shot at the intersection of Dundas Street West and Roncesvalles Avenue. A PCC streetcar with Toronto Transit Commission livery is seen in the opening sequence. Some of the signs for the 1960s-era stores remain up along the street. Toronto's Lord Lansdowne Public School was used for all of the high school exteriors and some of the interiors, while the old Queen Victoria School in Hamilton was also used for interiors. Scenes at Queen Victoria were shot from November 22 to December 2, and the school was scheduled to be demolished after film production was completed.[citation needed] As of the 2017–2018 school year, there are no plans to close this school.[39]

Thinner than most of the other men who have portrayed Edna, Travolta appeared onscreen in a large fat suit, and required four hours of makeup in order to appear before the cameras.[11] His character's nimble dancing style belies her girth; Shankman based Edna's dancing style on the hippo ballerinas in the Dance of the Hours sequence in Walt Disney's 1940 animated feature, Fantasia.[12] Although early versions of the suit created "a dumpy, Alfred Hitchcock version of Edna,"[40] Travolta fought for the ability to give his character curves and a thick Baltimore accent.[11] Designed by Tony Gardner, the fat suit was created using lightweight synthetic materials, consisting of layered pads and silicone, which was used from the chest upwards.[40] The suit provided the additional benefit of covering Travolta's beard, eliminating the problem of his facial hair growing through his makeup midday.[40]

Shankman's inspirations

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Shankman included a number of references to films that influenced his work on Hairspray:[12]

  • The film's opening shot — a bird's eye view of Baltimore that eventually descends from the clouds to ground level — is a combination of the opening shots of West Side Story and The Sound of Music.[12][41]
  • Before we see a full shot of Tracy, we see individual shots of her upraised right and left arms. This is reminiscent of our first views of Sadie Thompson (Joan Crawford) in the 1932 film Rain.
  • Several scenes involving Tracy, such as her ride atop the garbage truck during the "Good Morning Baltimore" number and her new hairstyle during "Welcome to the '60s", are directly inspired by the Barbra Streisand musical film version of Funny Girl.[12][41][42][43]
  • During "Without Love", Link sings to a photograph of Tracy, which comes to life and sings harmony with him. This is directly inspired from the MGM musical The Broadway Melody of 1938, in which a young Judy Garland swoons over a photo of actor Clark Gable as she sings "You Made Me Love You".[12]
  • The dress that Penny wears during "You Can't Stop the Beat" is made from her bedroom curtains, which can be seen during "Without Love". This is homage to The Sound of Music, where Maria uses old curtains to make play clothes for the von Trapp children.[44]

Reception

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Box office

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Hairspray debuted in 3,121 theaters in North America on July 20, 2007, the widest debut of any modern movie musical.[45] The film earned $27.5 million in its opening weekend at #3, behind I Now Pronounce You Chuck and Larry and Harry Potter and the Order of the Phoenix.[4] This made Hairspray the record-holder for the biggest opening weekend for a movie based on a Broadway musical.[5] This record was later broken by the release of Mamma Mia!, which grossed $27.8 million on its opening weekend.[46] Hairspray is currently the twelfth highest grossing musical in U.S. cinema history, surpassing The Rocky Horror Picture Show ($145 million) and Dreamgirls ($103 million), released seven months prior.[6] Ending its domestic run on October 25, 2007, Hairspray has a total domestic gross of $118.9 million and $202.5 million worldwide.[4] Its biggest overseas markets include the United Kingdom ($25.8 million), Australia ($14.4 million), Japan ($8 million), Italy ($4.6 million), France ($3.9 million) and Spain ($3.8 million).[47] At the time, this made Hairspray the third musical film in history to cross $200 million internationally, behind 1978's hit Grease ($395 million) and 2002's Chicago ($307 million).[6] It is the seventh highest-grossing PG-rated film of 2007, and has grossed more than other higher-budgeted summer releases like Ocean's Thirteen ($117 million) and Evan Almighty ($100 million).[48]

Two weeks after its original release, new "sing-along" prints of Hairspray were shipped to theaters.[49] These prints featured the lyrics to each song printed onscreen as subtitles, encouraging audiences to interact with the film. On January 4, 2008, Hairspray was re-released in New York City and Los Angeles for one week because John Travolta was present for Q&A and autographs.[50]

Critical reception

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Hairspray has garnered acclaim from film critics such as Roger Ebert, The New York Times, and The Boston Globe, as well as a smaller number of reviews comparing it unfavorably to the Waters original. The film is one of the top picks on Metacritic, with an average of 81 from 37 critics.[51] On review aggregator Rotten Tomatoes, the film has an approval rating of 92% based on 219 reviews, with an average rating of 7.80,[52] making it one of 2007's best-reviewed films. The site's consensus states: "Hairspray is an energetic, wholly entertaining musical romp; a fun Summer movie with plenty of heart. Its contagious songs will make you want to get up and start dancing".[53] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[54] Peter Rainer of The Christian Science Monitor named it the fourth best film of 2007.[55]

Ebert gave the film 3.5 stars out of 4, saying that there was "a lot of craft and slyness lurking beneath the circa-1960s goofiness", also stating that "The point, however, is not the plot but the energy. Without somebody like Nikki Blonsky at the heart of the movie, it might fall flat, but everybody works at her level of happiness ..."[56] Ebert also noted that this film is "a little more innocent than Waters would have made it ..."[56] Krishna Shenoi, of the Shenoi Chronicle, called the movie "Shankman's masterpiece," saying that it moved away from his previous works into a different direction, making a light comedy that deals with serious issues maturely. Shenoi also said that the film was everything he wanted Grease to be. New York Daily News critic Jack Matthews called the film "A great big sloppy kiss of entertainment for audiences weary of explosions, CGI effects and sequels, sequels, sequels."[57] The Baltimore Sun review offered Michael Sragow's opinion that "in its entirety, Hairspray has the funny tilt that only a director-choreographer like Shankman can give to a movie", pointing out that Shankman skillfully "puts a new-millennial zing behind exact re-creations of delirious period dances like the Mashed Potato."[58] Dana Stevens from Slate called Hairspray "intermittently tasty, if a little too frantically eager to please."[59] Stevens noted that "Despite its wholesomeness, this version stays remarkably true to the spirit of the original, with one size-60 exception: John Travolta as Edna Turnblad", saying "How you feel about Hairspray will depend entirely on your reaction to this performance ..."[59]

The New Yorker's David Denby felt the new version of Hairspray was "perfectly pleasant", but compared unfavorably to the Broadway musical, since "[director Adam Shankman and screenwriter Leslie Dixon] have removed the traces of camp humor and Broadway blue that gave the stage show its happily knowing flavor."[60] Denby criticized the dance numbers, calling them "unimaginatively shot," and he considered "the idea of substituting John Travolta for Harvey Fierstein as Tracy's hefty mother ... a blandly earnest betrayal."[60] Stephanie Zacharek of Salon.com found Hairspray "reasonably entertaining. But do we really need to be entertained reasonably? Waters' original was a crazy sprawl that made perfect sense; this Hairspray toils needlessly to make sense of that craziness, and something gets lost in the translation."[61] Zacharek was also displeased with the way Latifah's performance of "I Know Where I've Been" was incorporated into the movie, saying "The filmmakers may believe they're adding an extra layer of seriousness to the material ... [but] the inclusion of this big production number only suggests that the filmmakers fear the audience won't get the movie's message unless it's spelled out for them."[61]

Despite critical and commercial success, Hairspray garnered some criticism upon its release from the LGBT community, particularly Travolta's portrayal of Edna Turnblad, a role played in the original film by drag performer Divine, and in the stage adaptation by Harvey Fierstein. Kevin Naff, a managing editor for a Washington, D.C./Baltimore area gay newspaper named the Washington Blade, called for a boycott of the film, alleging that Scientology, in which Travolta is an adherent, was homophobic, and it supported "cure" workshops for homosexuals.[62] Adam Shankman rebuffed Naff's proposed boycott stating that Travolta was not a homophobe, as he (Shankman), Waters, Shaiman, Wittman, and several other crew and creative staff were homosexual, and Travolta got along well with the entire production.[63] Shankman made it clear "John's personal beliefs did not walk onto my set. I never heard the word 'Scientology'."[63]

Accolades

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Award Category Recipient(s) Result
AARP Movies for Grownups Awards[64] Best Grownup Love Story John Travolta and Christopher Walken Won
Alliance of Women Film Journalists[65][66] Best Newcomer Nikki Blonsky Nominated
American Cinema Editors Awards Best Edited Feature Film – Comedy or Musical Michael Tronick Nominated
Artios Awards[67] Outstanding Achievement in Casting for a Studio Feature – Comedy David Rubin and Richard Hicks Nominated
ASCAP Film and Television Music Awards Top Box Office Films Marc Shaiman and Scott Wittman Won
Awards Circuit Community Awards Best Cast Ensemble Nominated
BET Awards Best Actress Queen Latifah Nominated
British Academy Film Awards[68] Best Makeup and Hair Judi Cooper-Sealy and Jordan Samuel Nominated
Chicago Film Critics Association Awards[69] Most Promising Performer Nikki Blonsky Nominated
Critics' Choice Movie Awards[70] Best Comedy Movie Nominated
Best Family Film Nominated
Best Young Actress Nikki Blonsky Won
Best Acting Ensemble Won
Best Song "Come So Far (Got So Far to Go)"
Music and Lyrics by Marc Shaiman and Scott Witman 		Nominated
Detroit Film Critics Society Awards[71] Best Newcomer Nikki Blonsky Nominated
Empire Awards[72] Best Soundtrack Hairspray Nominated
FilmInk Awards Best Musical Won
Best Hair John Travolta Won
Gold Derby Awards[73] Best Supporting Actor Nominated
Best Ensemble Cast Nikki Blonsky, Amanda Bynes, Paul Dooley, Zac Efron, Allison Janney,
Elijah Kelley, James Marsden, Michelle Pfeiffer, Queen Latifah,
Brittany Snow, Jerry Stiller, John Travolta and Christopher Walken 		Nominated
Best Art Direction David Gropman and Gordon Sim Nominated
Best Costume Design Rita Ryack Nominated
Best Makeup/Hair Judi Cooper-Sealy and Jordan Samuel Nominated
Best Original Song "Come So Far (Got So Far to Go)"
Music and Lyrics by Marc Shaiman and Scott Witman 		Nominated
Best Sound Editing/Mixing Ron Bartlett, Susan Dawes, D.M. Hemphill,
Rick Kline and Mildred Iatrou Morgan 		Nominated
Golden Globe Awards[74] Best Motion Picture – Musical or Comedy Nominated
Best Actress in a Motion Picture – Musical or Comedy Nikki Blonsky Nominated
Best Supporting Actor – Motion Picture John Travolta Nominated
Golden Reel Awards[75] Best Sound Editing – Music – Musical Feature Film Sally Boldt, Lisa Jaime and Will Kaplan Won
Grammy Awards[76] Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media Hairspray Nominated
Hollywood Film Awards[77] Ensemble of the Year Won
Hollywood Post Alliance Awards Outstanding Color Grading Feature Film in a DI Process Steven J. Scott Nominated
Houston Film Critics Society Awards[78] Best Performance by an Ensemble Cast Won
International Film Music Critics Association Awards Special Award Marc Shaiman and Scott Witman Won
International Online Cinema Awards Best Costume Design Rita Ryack Nominated
Best Ensemble Cast Nominated
Best Makeup and Hairstyling Nominated
Locarno Film Festival[79] Audience Award Adam Shankman Nominated
MTV Movie Awards (2007) Best Summer Movie You Haven't Seen Yet Nominated
MTV Movie Awards (2008) Best Breakthrough Performance Nikki Blonsky Nominated
Zac Efron Won
NAACP Image Awards Outstanding Supporting Actress in a Motion Picture Queen Latifah Nominated
Online Film & Television Association Awards[80] Best Breakthrough Performance: Female Nikki Blonsky Nominated
Best Original Song "Come So Far (Got So Far to Go)"
Music and Lyrics by Marc Shaiman and Scott Witman 		Nominated
Best Adapted Song "Good Morning Baltimore"
Music by Marc Shaiman
Lyrics by Marc Shaiman and Scott Witman 		Nominated
"I Can Hear the Bells"
Music by Marc Shaiman
Lyrics by Marc Shaiman and Scott Witman 		Nominated
"You Can't Stop the Beat"
Music by Marc Shaiman
Lyrics by Marc Shaiman and Scott Witman 		Nominated
Best Costume Design Nominated
Best Makeup and Hairstyling Won
Online Film Critics Society Awards[81] Best Breakthrough Performance Nikki Blonsky Won
Palm Springs International Film Festival Ensemble Cast Award Won
Rising Star Award Nikki Blonsky Won
People's Choice Awards Favorite Song from a Soundtrack "You Can't Stop the Beat" Won
Satellite Awards[82] Best Motion Picture – Musical or Comedy Nominated
Art Direction and Production Design Dennis Davenport and David Gropman Nominated
Best Costume Design Rita Ryack Nominated
Best Original Song "Come So Far (Got So Far to Go)"
Music and Lyrics by Marc Shaiman and Scott Witman 		Nominated
Screen Actors Guild Awards[83] Outstanding Performance by a Cast in a Motion Picture Nikki Blonsky, Amanda Bynes, Paul Dooley, Zac Efron, Allison Janney,
Elijah Kelley, James Marsden, Michelle Pfeiffer, Queen Latifah,
Brittany Snow, Jerry Stiller, John Travolta and Christopher Walken 		Nominated
Teen Choice Awards Choice Summer Movie: Comedy/Musical Won
Women Film Critics Circle Awards[84] Best Female Images in a Movie Won[a]
Best Music Nikki Blonsky and Queen Latifah Won
Hall of Shame John Travolta Won
Young Artist Awards[85] Best Family Feature Film (Comedy or Drama) Nominated
Young Hollywood Awards One to Watch Nikki Blonsky Won
Zac Efron Won

Home media

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Hairspray was released on DVD and Blu-ray on November 20, 2007 by New Line Home Entertainment.[8]

An HD DVD version of the film was originally slated for release in 2008, but was canceled due to New Line Cinema's announcement that it would go Blu-ray exclusive with immediate effect, thus dropping HD DVD support.[86][87]

Cancelled sequel

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Due to Hairspray's financial success, New Line Cinema had asked John Waters to write a sequel to the film.[88] Waters reunited with director/choreographer Adam Shankman for the project, and songwriters Marc Shaiman and Scott Wittman were set to compose the film's musical numbers.[88][89]

The story would have looked at Tracy's entering the late 1960s era of music and the British Invasion,[90] and used the Hippie movement and Vietnam War as backdrops.[91] While no official casting was announced, New Line said that they hoped to "snag much of the original Hairspray cast."[88] John Travolta, however, publicly announced that he would not return because he is "not a big sequel guy".[92]

The sequel was set for a mid-July 2010 release by Warner Bros., which owns New Line Cinema.[88] However, in June 2010, Shankman told British press that Hairspray 2: White Lipstick was no longer in development.[93] Shankman has also said that there will be no sequel.[94] In February 2019, John Waters announced he had written a sequel for HBO, but did not produce it.[95]

See also

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Notes

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  1. ^ Tied with Life Support.

References

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  2. ^ a b "Hairspray". British Film Institute. 2007. Archived from the original on July 2, 2018. Retrieved July 5, 2017.
  3. ^ a b Marr, Merissa (May 25, 2007). "At 20, Hairspray Gets a Third "Do"". The Hollywood Reporter. Retrieved May 28, 2007.
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  5. ^ a b Gray, Brandon (July 23, 2007). "Chuck & Larry Can't Stop Hairspray Sheen". Box Office Mojo. Retrieved February 10, 2022.
  6. ^ a b c d "Musical Movies". Box Office Mojo. Retrieved August 26, 2007.
  7. ^ "High School Musical" breaks record Archived May 20, 2009, at the Wayback Machine. Reuters
  8. ^ a b Buckley, Michael (November 18, 2007). "Stage To Screens: Menken & Schwartz Are "Enchanted"; Plus Bosco, Chenoweth, "Hairspray"". Playbill. Archived from the original on November 20, 2007. Retrieved February 10, 2022.
  9. ^ Dempsey, John (October 4, 2007). "USA all lathered up for Hairspray". Variety. Retrieved February 10, 2022.
  10. ^ "Highlights from MySpace's Hairspray Red Carpet Coverage". BroadwayWorld.com. July 10, 2007. Retrieved April 12, 2008.
  11. ^ a b c d e f g Green, Jesse (July 15, 2007). "Seeking His Inner Her, Size XXXL". The New York Times. Retrieved August 2, 2007.
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  34. ^ a b Shankman, Adam (July 21, 2007). "The Director's Chair: Adam Shankman's Hairspray Diary #11". BroadwayWorld.com. Retrieved February 10, 2022.
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  37. ^ a b Zadan, Craig (Producer) (November 20, 2007). Hairspray: Commentary with Producers Craig Zadan and Neil Meron (DVD). New York, NY: New Line Cinema. Event occurs at 0:00:43–0:01:15. Retrieved July 23, 2008. Except that opening shot of Baltimore is the only shot of Baltimore in the entire movie. That and the newspaper going down on the stoop were actually shot in Baltimore. The Baltimore film commission made a big play to try and have us come there. We asked the question 'Do you have big sound stages?' and, uh, unfortunately the answer was no. When you do a movie musical you need big sound stages to build big sets, so because Baltimore did not have any big sets we shot in Toronto.
  38. ^ Shankman, Adam (July 21, 2007). "The Director's Chair: Adam Shankman's Hairspray Diary #12". BroadwayWorld.com. Retrieved August 20, 2007.
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  41. ^ a b Zadan, Craig (Producer) (November 20, 2007). Hairspray: Commentary with Producers Craig Zadan and Neil Meron (DVD). New York, NY: New Line Cinema. Event occurs at 0:02:00–0:02:47. Retrieved July 23, 2008. So the opening shot, basically coming down through the clouds and finding Baltimore is our homage to Robert Wise, to the director of West Side Story and The Sound of Music because both of those movies begin with shots through the clouds coming down. In West Side Story, it was through the streets of New York to find the Jets on this... schoolyard, and in, of course, the classic Sound of Music coming down through the clouds and finding Maria spinning on the mountaintop. And the other homage that we have in this song is, uh, our homage to Funny Girl. When Tracy Turnblad eventually gets on top of that garbage truck, that was our homage to Barbra Streisand in a tugboat during "Don't Rain on My Parade" in, in that great sequence in Funny Girl.
  42. ^ Shankman, Adam (July 25, 2007). "The Director's Chair: Adam Shankman's Hairspray Diary #15". BroadwayWorld.com. Retrieved February 10, 2022.
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