The heart symbol is an ideograph used to express the idea of the "heart" in its metaphorical or symbolic sense. Represented by an anatomically inaccurate shape, the heart symbol is often used to represent the center of emotion, including affection and love, especially romantic love. It is sometimes accompanied or superseded by the "wounded heart" symbol, depicted as a heart symbol pierced with an arrow or as a heart symbol "broken" into two or more pieces, indicating lovesickness.

Conventional heart symbol
A heart symbol pierced with an arrow, symbolizing romantic love (being lovestruck, or the pain of lovesickness)
A typical depiction of the Sacred Heart (often shown with other attributes, e.g. surmounted by a cross, pierced by nails or swords, etc.)

History

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Similar shapes from antiquity

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Peepal leaves were used in artistic depictions of the Indus Valley civilisation: a heart-shaped pendant originating from there has been discovered and is now exhibited in the National Museum of India.[1] In the 5th–6th century BC, the heart shape was used in the Roman world to represent the seeds of the plant silphium,[2] a plant possibly used as a contraceptive and an aphrodisiac.[3][4] Silver coins from Cyrene of the 5th–6th century BC bear a similar design, sometimes accompanied by a silphium plant and is understood to represent its seed or fruit.[5]

Since ancient times in Japan, the heart symbol has been called Inome (猪目), meaning the eye of a wild boar, and it has the meaning of warding off evil spirits. The decorations are used to decorate Shinto shrines, Buddhist temples, castles, and weapons.[6][7] The oldest examples of this pattern are seen in some of the Japanese original tsuba (sword guard) of the style called toran gata tsuba (lit., inverted egg shaped tsuba) that were attached to swords from the sixth to seventh centuries, and part of the tsuba was hollowed out in the shape of a heart symbol.[8][9]

Earliest use

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The combination of the heart shape and its use within the heart metaphor was developed in the end of the Middle Ages, although the shape has been used in many ancient epigraphy monuments and texts. With possible early examples or direct predecessors in the 13th to 14th century, the familiar symbol of the heart representing love developed in the 15th century, and became popular in Europe during the 16th.[10]

Before the 14th century, the heart shape was not associated with the meaning of the heart metaphor. The geometric shape itself is found in much earlier sources, but in such instances does not depict a heart, but typically foliage: in examples from antiquity fig leaves, and in medieval iconography and heraldry, typically the leaves of ivy and of the water-lily.

The first known depiction of a heart as a symbol of romantic love dates to the 1250s. It occurs in a miniature decorating a capital 'S' in a manuscript of the French Roman de la poire.[11] In the miniature, a kneeling lover (or more precisely, an allegory of the lover's "sweet gaze" or doux regard) offers his heart to a damsel. The heart here resembles a pine cone (held "upside down", the point facing upward), in accord with medieval anatomical descriptions. However, in this miniature, what suggests a heart shape is only the result of a lover's finger superimposed on an object; the full shape outline of the object is partly hidden, and, therefore unknown. Moreover, the French title of the manuscript that features the miniature translates into "Novel Of The Pear" in English. Thus the heart-shaped object would be a pear; the conclusion that a pear represents a heart is dubious. Opinions, therefore, differ over this being the first depiction of a heart as a symbol of romantic love.[12]

Giotto in his 1305 painting in the Scrovegni Chapel (Padua) shows an allegory of charity (caritas) handing her heart to Jesus Christ. This heart is also depicted in the pine cone shape based on anatomical descriptions of the day (still held "upside down"). Giotto's painting exerted considerable influence on later painters, and the motive of Caritas offering a heart is shown by Taddeo Gaddi in Santa Croce, by Andrea Pisano on the bronze door of the south porch of the Florence Baptistery (c. 1337), by Ambrogio Lorenzetti in the Palazzo Publico in Siena (c. 1340) and by Andrea da Firenze in Santa Maria Novella in Florence (c. 1365). The convention of showing the heart point upward switches in the late 14th century and becomes rare in the first half of the 15th century.[12]

The "scalloped" shape of the now-familiar heart symbol, with a dent in its base, arises in the early 14th century, at first only lightly dented, as in the miniatures in Francesco da Barberino's Documenti d'amore (before 1320). A slightly later example with a more pronounced dent is found in a manuscript from the Cistercian monastery in Brussels.[13] The convention of showing a dent at the base of the heart thus spread at about the same time as the convention of showing the heart with its point downward.[14] The modern indented red heart has been used on playing cards since the late 15th century.[15]

Various hypotheses attempted to connect the "heart shape" as it evolved in the Late Middle Ages with instances of the geometric shape in antiquity.[16] Such theories are modern, proposed from the 1960s onward, and they remain speculative, as no continuity between the supposed ancient predecessors and the late medieval tradition can be shown. Specific suggestions include: the shape of the seed of the silphium plant, used in ancient times as an herbal contraceptive,[16][17] and stylized depictions of features of the human female body, such as the female's breasts, buttocks, pubic mound, or spread vulva.[18]

Renaissance and early modern

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A heart symbol from the Achaemenid period, in the Louvre Museum, made of ivory[19]
 
A sasanian-style textile from first century AH that shows two winged horses[20][21] with one heart symbol top of them.[22]

Heart shapes can be seen on various stucco reliefs and wall panels excavated from the ruins of Ctesiphon, the Persian capital (c. 90 BC – 637 AD).[23][24][25]

The Luther rose was the seal that was designed for Martin Luther at the behest of Prince John Frederick, in 1530, while Luther was staying at the Coburg Fortress during the Diet of Augsburg. Luther wrote an explanation of the symbol to Lazarus Spengler: "a black cross in a heart, which retains its natural color, so that I myself would be reminded that faith in the Crucified saves us. 'For one who believes from the heart will be justified' (Romans 10:10)."[26][unreliable source?]

The aorta remains visible, as a protrusion at the top centered between the two "chambers" indicated in the symbol, in some depictions of the Sacred Heart well into the 18th century, and is partly still shown today (although mostly obscured by elements such as a crown, flames, rays, or a cross) but the "hearts" suit did not have this element since the 15th century.

Modern

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Since the 19th century, the symbol has often been used on Valentine's Day cards, candy boxes, and similar popular culture artifacts as a symbol of romantic love.

The use of the heart symbol as a logograph for the English verb "to love" derives from the use in "I ♥ NY," introduced in 1977.[29]

Outdoor toilets in Scandinavia traditionally had a heart shaped peephole. In homes a heart symbol made from red painted plywood, or a stuffed fabric one, is often used to assist visitors in finding the modern facility. For image see: Hjerte (symbol)

Heart symbols are frequently used to symbolize "health" or "lives" in video games. The Legend of Zelda (1986) had a "life bar" composed of heart shapes, and many other games continued this convention (the Castlevania franchise being a notable exception, where the hearts are ammunition for the secondary weapons instead of representing health). Since the 1990s, the heart symbol has also been used as an ideogram indicating health outside of the video gaming context, e.g., its use by restaurants to indicate heart-healthy nutrient content claim (e.g., "low in cholesterol"). A copyrighted "heart-check" symbol to indicate heart-healthy food was introduced by the American Heart Association in 1995.[30]

Heraldry

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Coat of arms of the Principality of Lüneburg, originating with William of Winchester, Lord of Lüneburg (d. 1213) who married Helena, daughter of Valdemar I of Denmark, and therefore adopted the "Danish tincture" to the arms of his father, Henry the Lion[31]
 
A heart pictured in the coat of arms of the Laukaa municipality

The earliest heart-shaped charges in heraldry appear in the 12th century; the hearts in the coat of arms of Denmark go back to the royal banner of the kings of Denmark, in turn based on a seal used as early as the 1190s. However, while the charges are clearly heart-shaped, they did not depict hearts in origin, or symbolize any idea related to love. Instead, they are assumed to have depicted the leaves of the water-lily. Early heraldic heart-shaped charges depicting the leaves of water-lilies are found in various other designs related to territories close to rivers or a coastline (e.g. Flags of Frisia).

Inverted heart symbols have been used in heraldry as stylized testicles (coglioni in Italian) as in the canting arms of the Colleoni family of Milan.[32]

A seal attributed to William, Lord of Douglas (of 1333) shows a heart shape, identified as the heart of Robert the Bruce. The authenticity of this seal is "very questionable",[33] i.e. it could possibly date to the late 14th or even the 15th century.[34]

Heraldic charges actually representing hearts became more common in the early modern period, with the Sacred Heart depicted in ecclesiastical heraldry, and hearts representing love appearing in bourgeois coats of arms. Hearts also later became popular elements in municipal coats of arms.

Botanical symbolism

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There has been some conjecture regarding the link between the traditional heart symbol and images of the fruit of silphium, a (probably) extinct plant known to classical antiquity and belonging to the genus Ferula, used as a condiment and medicine, (the medicinal properties including contraceptive and abortifacient activity, linking the plant to sexuality and love).[35] Silver coins from the ancient Libya of the 6th to 5th centuries BC bear images strongly reminiscent of the heart symbol, sometimes accompanied by images of the silphium plant.[36][37] The related Ferula species asafoetida – which was actually used as an inferior substitute for silphium – is regarded as an aphrodisiac in Tibet and India, suggesting yet a third amatory association relating to silphium.[38]

Encoding

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Parametrisation

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A number of parametrisations of approximately heart-shaped curves have been described. The best-known of these is the cardioid, which is an epicycloid with one cusp;[39] though as the cardioid lacks the point, it may be seen as a stylized water-lily leaf, a so-called seeblatt, rather than a heart. Other curves, such as the implicit curve (x2+y2−1)3−x2y3=0, may produce better approximations of the heart shape.[40]

A cardioid generated by a rolling circle
(animated)
Implicit heart curve
(x2 + y2 − 1)3 − x2y3 = 0
Parametric plot of the curve

 
Implicit heart surface
Simple form made from two perpendicular lines and two circular arcs.

See also

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References

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Inline citations

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  1. ^ "Pendant - unknown". Google Arts & Culture. Retrieved 2020-10-21.
  2. ^ Favorito, E. N.; Baty, K. (February 1995). "The Silphium Connection". Celator. 9 (2): 6–8.
  3. ^ Did the ancient Romans use a natural herb for birth control?, The Straight Dope, October 13, 2006
  4. ^ Zaria Gorvett (2017). "The mystery of the lost Roman herb". BBC.
  5. ^ Buttrey, T. V. (Spring–Summer 1992). "The Coins and the Cult" (PDF). Expedition. 34 (1–2): 59–66. Archived from the original (PDF) on 2023-02-17. Retrieved 2018-01-14.
  6. ^ 幸せの猪目(いのめ) (in Japanese). Hase-dera. Archived from the original on 30 January 2021.
  7. ^ お寺にハートマーク (in Japanese). Fukagawa Fudoudou. Archived from the original on 30 April 2022.
  8. ^ 猪目(いのめ) (in Japanese). weblio. Archived from the original on 8 May 2021.
  9. ^ 倒卵形鐔(とうらんがたつば) (in Japanese). weblio. Archived from the original on 26 October 2017.
  10. ^ Martin Kemp. (2011). "Christ to Coke: How Image Becomes Icon", 1st ed. Oxford University Press, ISBN 9780199581115, pp.368, p.96–99.
  11. ^ (National Library FR MS. 2086, plate 12)
  12. ^ a b Vinken (2001).
  13. ^ MS 4459–70, fol 192v. Royal Library of Belgium
  14. ^ Vinken (2001): "The change from the spherical to the scalloped form of the heart base happened more or less in train with the differing way in which the heart was held, and has dominated visual representations of the heart ever since."
  15. ^ A Brief History of Playing Cardes, by Charles Knutson, Renaissance Magazine 2001 "Gamester article renaissance magazine". Archived from the original on 2010-12-20. Retrieved 2013-05-27.
  16. ^ a b McDonell, Keelin (2007-02-13). "The Shape of My Heart". [[Slate (magazine)|]]. ISSN 1091-2339. Retrieved 2024-10-21.
  17. ^ Benedictus, Luke (12 February 2006). "Sowing the seeds of love". The Age.
  18. ^ Proposed by Gloria Steinem in the 1998 introduction to the Vagina Monologues online copy [permanent dead link]; "For example, the shape we call a heart—whose symmetry resembles the vulva far more than the asymmetry of the organ that shares its name—is probably a residual female genital symbol. It was reduced from power to romance by centuries of male dominance.", based on an earlier suggestion by Tanzer (1969) that the shape was used as a symbol indicating brothels in ancient Pompeii. Tanzer (1969). The Common People of Pompeii. A study of the graffiti. With illustrations and a map
  19. ^ "Incrustation de meuble". 539.
  20. ^ Daryaee, Touraj (January 2022). "اسب های بالدار". Bukhara 147.
  21. ^ "Plate with youths and winged horses | Sasanian | Sasanian". The Metropolitan Museum of Art.
  22. ^ "Textile Gallery | IAMM".
  23. ^ "Roundel with radiating palmettes | Sasanian | Sasanian". The Metropolitan Museum of Art. Retrieved 2024-10-21.
  24. ^ Fragments of stucco roundels in situ, Taq-i Kisra, south building, Ctesiphon, Iraq, 1931–32. (n.d.). Retrieved April 7, 2015, from http://www.metmuseum.org/met-around-the-world/images/wb_large/wb_Ctesiphon2.jpg
  25. ^ "Wall panel with a bird in roundel | Sasanian | Sasanian". The Metropolitan Museum of Art. Retrieved 2024-10-21.
  26. ^ gamesmuseum.uwaterloo.ca Archived 2006-10-10 at the Wayback Machine, i-p-c-s.org "Archived copy". Archived from the original on 2013-09-27. Retrieved 2013-03-17.{{cite web}}: CS1 maint: archived copy as title (link) antiquemapsandprints.com, obviously more research is needed here.
  27. ^ Cologne Mn Kn 28-1181 fol. 116
  28. ^ fol. 13r
  29. ^ "Subsequently the heart symbol became a shorthand for enthusiasm for everything from software to Yorkshire terriers. It was a stamp that validated lifestyles. People could ♥ their grandchildren or line dancing or Buddha." Stephen Amidon, Thomas Amidon, The Sublime Engine: A Biography of the Human Heart (2011), p. 193.
  30. ^ "the heart-check mark that began to appear on a wide array of food packaging in 1995. The symbol consists of a heart branded with a bold, efficient check mark. It is copyrighted by the American Heart Association (AHA), which licenses it for a nominal fee to companies whose products meet the organization's criteria for saturated fat and cholesterol content." Stephen Amidon, Thomas Amidon, The Sublime Engine: A Biography of the Human Heart (2011), p. 193.
  31. ^ C. Weyers in: Stengel (ed.), Archiv für Diplomatik: Schriftgeschichte, Siegel, und Wappenkunde, Volume 54, 2008, p. 100.
  32. ^ Woodward, John and George Burnett (1969). Woodward's a treatise on heraldry, British and foreign, page 203. Originally published 1892, Edinburgh: W. & A. B. Johnson. ISBN 0-7153-4464-1. LCCN 02-20303
  33. ^ McAndrew, Scotland's Historic Heraldry, 2006, p. 141
  34. ^ McAndrew 2006, p. 213.
  35. ^ Favorito, E. N.; Baty, K. (February 1995). "The Silphium Connection". Celator. 9 (2): 6–8.
  36. ^ T. V. Buttrey, "The Coins and the Cult", Expedition magazine vol. 34, Nos. 1–2 "Special Issue: Gifts to the Goddesses—Cyrene's Sanctuary of Demeter and Persephone", Spring–Summer 1992.
  37. ^ Koerper, H.; Kolls, A. L. (1999). "The silphium motif adorning ancient libyan coinage: Marketing a medicinal plant". Economic Botany. 53 (2): 133–143. doi:10.1007/BF02866492. JSTOR 4256173. S2CID 32144481.
  38. ^ "Aphrodisiac - Asafoetida (Ferula asa foetida)".
  39. ^ Weisstein, Eric W., "Cardioid" from MathWorld.
  40. ^ Eric W. Weisstein, "Heart Curve." From MathWorld

Works cited

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  • Martin Kemp, "The Heart" in Christ to Coke: How Image Becomes Icon, Oxford University Press, 2011, 81–113.
  • P. J. Vinken (2000), The Shape of the Heart: A Contribution to the Iconology of the Heart (illustrated ed.), Elsevier Health Sciences, ISBN 978-0-444-82987-0

General references

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