Wikipedia

His Royal Highness (1932 film)

His Royal Highness is a 1932 Australian musical film directed by F. W. Thring, also known as His Loyal Highness (Australia alternative title and title in the United Kingdom), starring George Wallace in his feature film debut. It was the first Australian film musical.[3]

His Royal Highness
Directed byF. W. Thring
Written by
Based onstage musical by George Wallace
Produced byF. W. Thring
StarringGeorge Wallace
CinematographyArthur Higgins
Music by
Production
company
Distributed byUniversal Pictures
Release date
  • 1 October 1932 (1932-10-01)
Running time
84 minutes (Australia)
CountryAustralia
LanguageEnglish
Budget£19,000[1] or £11,000[2]
Box office£20,000[2]

Plot

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Tommy Dodds (George Wallace) is a stage hand who has a crush on Molly. He is knocked unconscious and dreams he is the King of Betonia. He scandalises the court by gambling with footmen and teaching his Prime Minister to roller skate, and uncovers a conspiracy by Torano and Yoiben.

The rightful heir to the throne is discovered and Tommy is no longer king. He wakes up from his dream and sees that Molly is interested in someone else.

Cast

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Original play

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His Royal Highness
Written byGeorge Wallace
Date premiered1926
Original languageEnglish
Genrecomedy revue

The film was based on a stage show of two acts and seven scenes which Wallace had written and appeared in the 1920s. It was one of a series of "revusicals" written by Wallace during this period.[5]

Plot

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Tommy Dodd is discovered working at a New York pie stall by Alfam and Torano from the European kingdom of Betonia. They are looking for the missing heir to the throne and decide Tommy is it. They ship him off to Betonia, which is located on the Adriatic, where he is acclaimed heir. He is placed under the control of Yioben, an elderly female charged with training him in the royal ways. Tommy eventually discovers that he is not the true heir and another member of court is. He leaves Betonia, but with enough money to buy his own pie stall.[6]

Production

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Wallace collaborated on the script with C. J. Dennis.[7] Filming began in February 1932. It was shot at Efftee's studio at His Majesty's Theatre in Melbourne. The set of the royal palace in Betonia cost £7,000.[1]

Donalda Warne was an emerging stage star, who soon afterwards went to Britain to seek fame.[8] Composer Alaric Howitt was from Melbourne but had recently spent two years working in America.[9]

Raymond Longford later claimed he worked on the movie.[10]

Reception

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Despite some unenthusiastic reviews[11] the film was a popular success at the box office, launching George Wallace as a film star.[12] Herc McIntyre of Universal called him Australia's first film star.[13]

Thring sold the film to Britain along with Diggers (1931) and The Sentimental Bloke (1932) and some shorts for £100,000.[14] Of these, His Royal Highness proved the most popular in Britain, where it was widely screened, in reportedly over 1000 cinemas.[15][16] It also received good reviews from the English trade papers, which had previously been critical of On Our Selection.[17] It also enjoyed more popularity at the box office.[18]

After World War II Pat Hanna bought the rights to distribute this and some other Efftee films and enjoyed some success.[19]

Filmink magazine later said "it's a movie of its time and the musical numbers are fairly ropey but Wallace's tremendous talent remains evident."[20]

References

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  1. ^ a b Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 159.
  2. ^ a b "Counting the Cash in Australian Films"', Everyones 12 December 1934 p 19-20
  3. ^ Fitzpatrick p 182
  4. ^ "GRAND OPERA ON THE FILMS". The West Australian. Perth. 7 October 1932. p. 2. Retrieved 8 August 2012 – via National Library of Australia.
  5. ^ "George Wallace Revue Company" at Australian Variety Theatre Archive. Accessed 6 December 2012
  6. ^ "MAJESTIC THEATRE". The Register. Adelaide. 6 September 1926. p. 8. Retrieved 8 August 2012 – via National Library of Australia.
  7. ^ "George Wallace: The face of comedy". The Australian Women's Weekly. 12 February 1958. p. 4. Retrieved 8 August 2012 – via National Library of Australia.
  8. ^ "SEEKS FORTUNE IN BRITISH TALKIES". The Advertiser. Adelaide. 19 August 1932. p. 21. Retrieved 8 August 2012 – via National Library of Australia.
  9. ^ "MUSICAL TALKIE". The Daily News (HOME (FINAL) ed.). Perth. 5 August 1932. p. 8. Retrieved 8 August 2012 – via National Library of Australia.
  10. ^ "Raymond Longford", Cinema Papers, January 1974 p51
  11. ^ "NEW FILMS". The Sydney Morning Herald. 21 November 1932. p. 4. Retrieved 8 August 2012 – via National Library of Australia.
  12. ^ Graham Shirley and Brian Adams, Australian Cinema: The First Eighty Years, Currency, 1989 p115
  13. ^ "Universal to Distribute Efftee's Third Programme. George Wallace Heads Bill with "His Royal Highness." "Harmony Row" Next.", Everyones., Sydney: Everyones Ltd, 24 August 1932, nla.obj-584438399, retrieved 25 August 2024 – via Trove
  14. ^ "AUSTRALIAN FILMS". The West Australian. Perth. 23 December 1932. p. 15. Retrieved 5 January 2012 – via National Library of Australia.
  15. ^ "No. 1. Our Chances for World Markets". Table Talk. Melbourne. 17 August 1933. p. 7. Retrieved 16 March 2015 – via National Library of Australia.
  16. ^ "AUSTRALIAN FILMS". The West Australian. Perth. 25 October 1933. p. 15. Retrieved 8 August 2012 – via National Library of Australia.
  17. ^ ""HIS ROYAL HIGHNESS."". The West Australian. Perth. 26 January 1933. p. 3. Retrieved 5 October 2013 – via National Library of Australia.
  18. ^ "AUSTRALIAN FILMS". The West Australian. Perth. 5 May 1933. p. 3. Retrieved 5 October 2013 – via National Library of Australia.
  19. ^ "Round Melbourne Shows..." The Argus. Melbourne. 5 June 1946. p. 8 Supplement: The Argus Woman's Magazine. Retrieved 8 August 2012 – via National Library of Australia.
  20. ^ Vagg, Stephen (23 December 2019). "Australian Film Musicals You Probably Didn't Realise Existed". Filmink.
  • Fitzpatrick, Peter, The Two Frank Thrings, Monash University, 2012
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