Hitchcock (Original Motion Picture Soundtrack) is the soundtrack accompanying the 2012 film Hitchcock directed by Sacha Gervasi. The film's original score is composed by Danny Elfman and released through Sony Masterworks on December 4, 2012. The score featured inspirations from the works of Bernard Herrmann, whom Elfman had been inspired by.
| Hitchcock (Original Motion Picture Soundtrack) | ||||
|---|---|---|---|---|
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| Film score by | ||||
| Released | December 4, 2012 | |||
| Recorded | 2012 | |||
| Studio | AIR, London | |||
| Genre | Film score | |||
| Length | 38:38 | |||
| Label | Sony Masterworks | |||
| Producer | Danny Elfman | |||
| Danny Elfman chronology | ||||
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Development
editIn September 2012, it was reported that Danny Elfman would compose music for Hitchcock.[1][2] Elfman agreed to score the film after he watched Gervasi's documentary Anvil! The Story of Anvil (2008) and found it to be engaging.[3] Both Gervasi and Elfman researched on Hitchcock's history, this also includes reading the original source material—Stephen Rebello's novel Alfred Hitchcock and the Making of Psycho, which the film is based on—and eventually commissioned music from Hitchcock's films. Elfman re-recorded the original Psycho score composed by Bernard Herrmann for Gus Van Sant's 1998 shot-for-shot remake;[4] recalling that experience, Elfman added "Not many people ever got that pleasure [...] Handling that score was like being a priest holding the Dead Sea Scrolls. It was that kind of honor."[3]
However, for this film, Elfman consciously refrained from utilizing the score as an homage to Herrmann's work but at times "there were moments when I just wanted to allow his spirit in the door [...] Since he was part of the story, it was just too on-the-money to do that."[5] Since the story focuses on the relationship between Alfred Hitchcock and Alma Reville, Elfman also described the score as fairly romantic that gets a little darker when Hitchcock enters the world of Psycho and the killer is talking to him.[5][6] While inspiring Herrmann's work in bits and pieces, Elfman focused on producing the score to be much original.[5] Hermann's Psycho score was eventually licensed from Sony/ATV Music Publishing Group by Gervasi and the crew to compliment Elfman's score in a particular sequence.[7]
Elfman recorded the orchestral music for two days, unlike contemporary orchestra musicians, he utilized half of the players for the score.[8] Regarding the recording process, Gervasi said:[9]
"He literally bought sections of the orchestra out of his own pocket [...] We were recording with the top musicians in London, and we couldn’t afford to keep them through lunch. Danny asked the orchestrator, ‘How much do the violas cost? 3,000£? I’ll take them. How much for the French horns?’ And Danny held the musicians through lunch."[9]
Critical reception
editFilmtracks.com wrote "Hitchcock is a fun score for the Elfman enthusiast and contains enough substance to justify its rather short album presentation. The themes do seem slightly underutilized, especially in how Elfman alternates between the darker and upbeat variations on the identity for the titular character. Then again, many of the film's best conversational moments exist without any music spotted in them, so the composer may have been restricted a bit in his opportunities for deeper development. Elfman collectors will be especially thrilled by how much of the composer's own musical personality thrives in this context, further connecting him with the Hitchcock and Herrmann legacy."[10] Todd McCarthy of The Hollywood Reporter wrote that Elfman "does not ape Herrmann so much as weave around him to dexterous effect."[11] Nathan Cone of Texas Public Radio wrote "Like the film itself, Elfman skims the surface of what could be an even deeper experience."[12]
Daniel Schweiger of Assignment X wrote "Danny Elfman plays a sly, un-psychotic side of the Master of Suspense".[13] A critic from Read Junk wrote "Hitchcock is a type of score to just put on and play because the tracks are too short to really appreciate the score."[14] Both Sandy Schaefer of Screen Rant and Dana Stevens of Slate, appreciated the score being "Herrmann-esque".[15][16]
Track listing
edit| No. | Title | Length |
|---|---|---|
| 1. | "Logos" | 0:49 |
| 2. | "Theme from Hitchcock" | 1:22 |
| 3. | "The Premiere" | 0:40 |
| 4. | "Paramount/Out the Gate" | 1:56 |
| 5. | "Mommy Dearest" | 0:58 |
| 6. | "In Bed" | 0:36 |
| 7. | "Impulses" | 1:29 |
| 8. | "The Censor" | 0:59 |
| 9. | "The Swim" | 2:03 |
| 10. | "Peeping" | 0:36 |
| 11. | "Sacrifices" | 1:16 |
| 12. | "Walk with Hitch" | 0:56 |
| 13. | "Celery" | 1:59 |
| 14. | "Telephone" | 1:08 |
| 15. | "Suspicion" | 2:30 |
| 16. | "Explosion" | 3:11 |
| 17. | "Selling Psycho" | 1:38 |
| 18. | "Fantasy Smashed" | 1:30 |
| 19. | "The Sand" | 1:22 |
| 20. | "It's a Wrap" | 1:05 |
| 21. | "Busted" | 0:58 |
| 22. | "Saving the House" | 1:01 |
| 23. | "Finally" | 1:46 |
| 24. | "Home at Last" | 0:59 |
| 25. | "End Credit 1" | 2:33 |
| 26. | "End Credit 2" | 2:25 |
| 27. | "Funeral March for a Marionette" | 0:53 |
| Total length: | 38:38 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Premiere" | 0:42 |
| 2. | "Too Old" | 0:21 |
| 3. | "Paramount" | 0:46 |
| 4. | "Peering" | 0:21 |
| 5. | "Mommy Dearest" | 1:00 |
| 6. | "Out of the Gate" | 1:27 |
| 7. | "In the Bed" | 0:42 |
| 8. | "The Censor" | 1:00 |
| 9. | "Impulses" | 1:31 |
| 10. | "Peeping" | 0:39 |
| 11. | "Sacrifices" | 1:20 |
| 12. | "Walk with Hitch" | 0:58 |
| 13. | "The Swim" | 2:04 |
| 14. | "Will It Work?" | 0:28 |
| 15. | "Celery" | 2:01 |
| 16. | "Telephone" | 1:09 |
| 17. | "Suspicion" | 2:31 |
| 18. | "Explosion" | 3:11 |
| 19. | "The Sand" | 1:23 |
| 20. | "Fantasy Smashed" | 1:32 |
| 21. | "Busted" | 0:59 |
| 22. | "Missing Alma" | 0:26 |
| 23. | "Stillborn" | 1:15 |
| 24. | "Saving the House" | 1:02 |
| 25. | "It's a Wrap" | 1:06 |
| 26. | "Selling Psycho" | 1:39 |
| 27. | "Finally" | 1:48 |
| 28. | "Home at Last" | 1:01 |
| 29. | "Hitchcock End Credit Suite" | 5:51 |
| Total length: | 40:13 | |
Personnel
editCredits adapted from liner notes.[17]
- Music composer and producer – Danny Elfman
- Recording – Nick Wollage
- Digital recorder – Adam Olmsted, Noah Snyder
- MIDI controller – Marc Mann
- Engineer – Chris Barrett, Fiona Cruickshank
- Mixing – Dennis Sands
- Assistant mixing– Greg Hayes
- Mastering – Pat Sullivan
- Score editor – Philip Tallman, Shie Rozow
- Technician – Greg Maloney
- Musical assistance – Melissa Karaban
- Music co-ordinator – Melisa McGregor
Orchestra
- Orchestration – Edgardo Simone, Steve Bartek
- Conductor – Rick Wentworth
- Orchestra leader – Everton Nelson
- Orchestra contractor – Isobel Griffiths
- Assistant orchestra contractor – Lucy Whalley
- Music preparation – Dave Hage
Instruments
- Cello – Anthony Pleeth
- Clarinet – Nicholas Bucknall
- Harp – Hugh Webb, Skaila Kanga
- Viola – Vicci Wardman
- Violin – Everton Nelson
Accolades
edit| Award | Date of ceremony | Category | Result | Ref(s) |
|---|---|---|---|---|
| Houston Film Critics Society | December 15, 2012 | Best Original Score | Nominated | [18] |
| International Film Music Critics Association | February 21, 2013 | Film Composer of the Year | Won[a] | [19] |
| World Soundtrack Awards | October 19, 2013 | Soundtrack Composer of the Year | Nominated[b] | [20] [21] |
Notes
edit- ^ also for Dark Shadows, Frankenweenie, Men in Black 3, Silver Linings Playbook and Promised Land
- ^ also for Epic, Frankenweenie, Silver Linings Playbook, Oz the Great and Powerful, Promised Land
References
edit- ^ Trumbore, Dave (September 12, 2012). "Danny Elfman to Score Gus Van Sant's Promised Land and Sacha Gervasi's Hitchcock, Both of Which May Debut Early to Qualify for 2012 Oscars". Collider. Archived from the original on August 13, 2020. Retrieved September 12, 2012.
- ^ Lyttelton, Oliver (September 12, 2012). "Danny Elfman Scoring 'Hitchcock' & Gus Van Sant's 'Promised Land'". IndieWire. Archived from the original on July 4, 2024. Retrieved July 4, 2024.
- ^ a b Halperin, Shirley (October 25, 2012). "Danny Elfman and Sacha Gervasi on the Music and History of Hitchcock". The Hollywood Reporter. Archived from the original on June 24, 2022. Retrieved July 4, 2024.
- ^ Browne, David (January 8, 1999). "Psycho: Music From and Inspired by the Motion Picture". Entertainment Weekly. Archived from the original on December 17, 2020. Retrieved September 20, 2012.
- ^ a b c Collette, Olivia (July 6, 2015). "Danny Elfman Tells the Stories Behind 8 of His Classic Scores". Vulture. Archived from the original on April 28, 2021. Retrieved July 4, 2024.
- ^ Appelo, Tim (October 23, 2012). "Q&A: Danny Elfman". The Hollywood Reporter. Archived from the original on July 4, 2024. Retrieved July 4, 2024.
- ^ Kilday, Gregg (November 30, 2012). "How the Story of a Master Director Beat the Odds: The Making of 'Hitchcock'". The Hollywood Reporter. Archived from the original on July 4, 2024. Retrieved July 4, 2024.
- ^ Halperin, Shirley; Cassidy, Kevin (December 20, 2012). "THR's Composer Roundtable: 6 Movie Maestros on Severed Heads, Stubborn Directors and Feeling 'Like Frankenstein'". The Hollywood Reporter. Archived from the original on July 23, 2021. Retrieved July 4, 2024.
- ^ a b D'Alessandro, Anthony (December 5, 2012). "OSCARS: Danny Elfman". Deadline. Archived from the original on September 14, 2014. Retrieved July 4, 2024.
- ^ "Hitchcock (Danny Elfman)". Filmtracks.com. Archived from the original on January 16, 2013. Retrieved July 4, 2024.
- ^ McCarthy, Todd (November 2, 2012). "Hitchcock: Film Review". The Hollywood Reporter. Archived from the original on July 1, 2022. Retrieved July 4, 2024.
- ^ Cone, Nathan (December 9, 2012). "Soundtrack/Movie Review: 'Hitchcock'". Texas Public Radio. Archived from the original on July 4, 2024. Retrieved July 4, 2024.
- ^ Schweiger, Daniel (January 1, 2013). "CD Review: HITCHCOCK soundtrack". Assignment X. Archived from the original on January 6, 2013. Retrieved July 4, 2024.
- ^ "Danny Elfman – Hitchcock: Original Motion Picture Soundtrack". ReadJunk.com. December 31, 2012. Archived from the original on March 11, 2013. Retrieved July 4, 2024.
- ^ Schaefer, Sandy (November 23, 2012). "'Hitchcock' Review". Screen Rant. Archived from the original on November 27, 2012. Retrieved July 4, 2024.
- ^ Stevens, Dana (November 21, 2012). "Hitchcock". Slate. ISSN 1091-2339. Archived from the original on September 30, 2022. Retrieved July 4, 2024.
- ^ Danny Elfman. Hitchcock (Original Motion Picture Soundtrack) (Media notes). Sony Masterworks.
- ^ Adam, Ryan (December 15, 2012). "Lincoln leads Houston Film Critic Society Awards with eight nominations". AwardsDaily.com. Archived from the original on February 28, 2014. Retrieved January 25, 2014.
- ^ "2012 IFMCA Awards". International Film Music Critics Association. February 27, 2013. Archived from the original on October 17, 2014. Retrieved October 31, 2015.
- ^ Chagollan, Steve (August 16, 2013). "World Soundtrack Awards' Nominations Include Danna, Desplat, Marianelli and Newman". Variety. Archived from the original on April 9, 2015. Retrieved January 13, 2023.
- ^ Brooks, Molly (October 21, 2013). "Life of Pi composer wins Soundtrack Award". Screen Daily. Archived from the original on November 4, 2017. Retrieved January 14, 2023.