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Hugo Zemp

Hugo Zemp (born 14 May 1937, Basel, Switzerland) is a Swiss-French ethnomusicologist.[1][2] A prolific recorder of ethnic music and a writer on the subject, he has also shot a number of films about music of various regions, including 1988 film Voix de tête, voix de poitrine and 2002 film An African Brass Band filmed by him in Ivory Coast in 2002.[2] His wide musical expertise includes music notably in Africa, Oceania and Switzerland. He also had particular interest in yodeling and lullabies.

His recordings of lullabies from Solomon Islands were later released by UNESCO as part of their Musical Sources collection. One lullaby he recorded in 1970, a traditional Baegu lullaby from the Solomon Islands called "Rorogwela" was sung by Afunakwa, a Northern Malaita old woman. The recording was later used, apparently without permission, in Deep Forest's song "Sweet Lullaby".[3]

Zemp studied musicology and anthropology at the University of Basel graduating in 1961. He also finished a diploma in percussion at the City of Basel Music Academy in 1960. He attended École pratique des hautes études for his doctorate.

He joined French National Centre for Scientific Research (CNRS) becoming a director of research. He taught ethnomusicology at the University of Paris X-Nanterre. In 1982, he became editor the recording series (Collection du Centre National de la Recherche Scientifique et du Musée de l'Homme[4] on the Le Chant du Monde record label. In tens of productions by Zemp, it included music from Azerbaijan, Bangladesh, Bolivia, Burkina Faso, Chad, Ivory Coast, Romania, Solomon Islands and various countries in Central Africa. There were also a number of recordings of yodeling from Switzerland.

Select bibliography

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  • Musique dan. La musique dans la pensée et la vie sociale d'une société africaine (1971)[5][6]
  • Aré'Aré: un peuple mélanésien et sa musique (1978, with Daniel de Coppet). Paris: Editions du Seuil[7][8][9]

Select filmography

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  • Le Chant des harmoniques (The Song of Harmonics), 1989 with Trân Quang Hai[12]

Select discography

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  • Musique de Guadalcanal: Solomon Islands (1970) – recording[13][14]
  • Musique Polynésienne Traditionnelle d'Ontong Java (Iles Salomon) (1971) – recording[15]
  • Flutes de pan mélanésiennes 'Are'Are 1 (1971) – recording[16][17]
  • Flutes de pan mélanésiennes 'Are'Are 2 (1972) – recording[16][17]
  • Fataleka And Baegu Music - Malaita, Solomon Islands (1973) – recording[14]

References

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  1. ^ Hugo Zemp Biography - Discogs
  2. ^ a b The Center for Ethnomusicology at Columbia University: A Conversation With Hugo Zemp
  3. ^ "Sweet Lullaby". On Art and Aesthetics. 11 February 2016. Retrieved 20 September 2024.
  4. ^ Discogs.com: Collection du Centre National de la Recherche Scientifique et du Musée de l'Homme
  5. ^ B. Lortat-Jacob (1972). "Review". L'Homme (in French). 12 (1): 140–142. Retrieved 20 September 2024.
  6. ^ Geneviève Calame-Griaule (1972). "Review". Journal des Africanistes (in French). 42 (2): 242–243. Retrieved 20 September 2024.
  7. ^ Bernard Juillerat (1978). "Review". Journal de la Société des Océanistes (in French) (60): 139–140. Retrieved 20 September 2024.
  8. ^ Steve Feld (1979). "Review". Ethnomusicology. 23 (2): 331–334. doi:10.2307/851469. Retrieved 20 September 2024.
  9. ^ Gilbert Rouget (1980). "Review". L'Homme (in French). 20 (1): 179–182. Retrieved 20 September 2024.
  10. ^ a b Peter Crowe (1987). "Review". Ethnomusicology. 31 (2): 326–329. doi:10.2307/851895. Retrieved 20 September 2024.
  11. ^ a b Robert Garfias (1996). "Review". Ethnomusicology. 40 (1): 171–174. doi:10.2307/852462. Retrieved 20 September 2024.
  12. ^ Carole Pegg (1992). "Review". Yearbook for Traditional Music. 24: 191–194. doi:10.2307/768509. Retrieved 20 September 2024.
  13. ^ Adrienne L. Kaeppler (1974). "Review". Ethnomusicology. 18 (3): 477–478. doi:10.2307/850539. Retrieved 20 September 2024.
  14. ^ a b Wolfgang Laade (1974). "Review". Journal de la Société des Océanistes (45): 314–315. Retrieved 20 September 2024.
  15. ^ Patrick O'Reilly (1971). "Review". Journal de la Société des Océanistes (in French) (32): 304. Retrieved 20 September 2024.
  16. ^ a b Richard M. Moyle (1973). "Review". Ethnomusicology. 17 (2): 386–387. doi:10.2307/849917. Retrieved 20 September 2024.
  17. ^ a b Patrick O'Reilly (1972). "Review". Journal de la Société des Océanistes (in French) (35): 179–180. Retrieved 20 September 2024.
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