In Persuasion Nation is short story writer George Saunders’s third full length short story collection. Composed of 12 stories originally published between 1999 and 2005, the collection incorporates elements of satire and science fiction and deals with themes of discontent in turn-of-the-millennium America. The collection has stories that appeared in different forms in The New Yorker, Harper's, Esquire, and McSweeney's. As a whole, the collection was a finalist for the 2006 Story Prize.[1]

In Persuasion Nation
US release cover
AuthorGeorge Saunders
Cover artistRodrigo Corral
LanguageEnglish
PublisherRiverhead Books
Publication date
April 20, 2006
Publication placeUnited States
Media typePrint (hardcover)
Pages240 p.
ISBN1-59448-922-X

Contents

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Story Originally published in Year
"I CAN SPEAK!™" The New Yorker 1999
"My Flamboyant Grandson" The New Yorker 2002
"Jon" The New Yorker 2003
"My Amendment" The New Yorker 2004
"The Red Bow" Esquire 2003
"Christmas" -- Original title: "Chicago Christmas, 1984" The New Yorker 2003
"Adams" The New Yorker 2004
"93990" -- Originally published as Part IV of "Four Institutional Monologues" McSweeney's 2000
"Brad Carrigan, American" Harper's 2005
"In Persuasion Nation" Harper's 2005
"Bohemians" The New Yorker 2004
"CommComm" The New Yorker 2005

Reception

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Reviewing the collection in The New York Times, Adam Begley found irony in Saunders' love for satirizing brands and the way his writing style had itself become a brand: "A dedicated satirist, he has made the buying and selling of packaged experience a favorite target of his bitter wit. And yet with his third collection of stories, "In Persuasion Nation," he's peddling a line of signature goods. Expertly made, unmistakably his, they'll be consumed with gusto by the loyal customers who enjoyed "CivilWarLand in Bad Decline" and "Pastoralia." It's the kind of ironic twist he delights in: George Saunders, sworn enemy of commodification, is in danger of becoming a dependable brand name."[2]

In Salon, Laura Miller wrote, "When he's firing on all cylinders, no one beats George Saunders at rendering the comic nightmare of life as a wage slave in contemporary America."[3] A review in The Nation further focused on Saunders' original style: "Saunders’s laughs are a cover, a diversion, beneath which reside some profoundly serious intentions regarding the morality of how we live and the power of love and immanent death to transform us into vastly better creatures than we could otherwise hope to be. These are the biggest intentions an artist can have."[4]

A writer for Kirkus Reviews argued, “Though much of the fiction is slapstick funny in a dark, deadpan way, a spiritual undercurrent courses through the work, as desire and suffering feed on each other, and God may be just another pitchman or empty promise. Where many short stories at the creative vanguard seem to bear minimal relation to the world at large, Saunders’s work is as effective as social commentary as it is at exploring the frontiers of fiction.”[5] A more moderately positive review appeared in Publishers Weekly. The writer found stories such as “93990” and “My Amendment” tedious, but also stated that “Saunders's vital theme—the persistence of humanity in a vacuous, nefarious marketing culture of its own creation—comes through with subtlety and fresh turns.”[6]

Awards, honors and other appearances

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References

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  1. ^ "The Story Prize - Winners & Finalists 2012". Archived from the original on 2015-04-15. Retrieved 2015-06-01.
  2. ^ Begley, Adam (2006-05-14). "'In Persuasion Nation: Stories,' by George Saunders - The New York Times Book Review". The New York Times. ISSN 0362-4331. Retrieved 2019-07-30.
  3. ^ ""In Persuasion Nation"". Salon. 2006-08-02. Retrieved 2019-07-30.
  4. ^ Passaro, Vince (2006-06-08). "Boxed In". ISSN 0027-8378. Retrieved 2019-07-30.
  5. ^ IN PERSUASION NATION by George Saunders | Kirkus Reviews.
  6. ^ "Fiction Book Review: In Persuasion Nation by George Saunders". www.publishersweekly.com. Retrieved 2019-12-10.
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