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Introduction

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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai. Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
    Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai.

    Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
  • Image 2 Narayan in 1974 Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player. Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)

    Narayan in 1974

    Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.

    Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)
  • Image 3 Parinda (transl. Bird) is a 1989 Indian Hindi-language crime drama film directed, produced and distributed by Vidhu Vinod Chopra. The film stars Jackie Shroff, Anil Kapoor, Nana Patekar and Madhuri Dixit. The story and scenario were written by Chopra, while Shiv Kumar Subramaniam and Imtiyaz Husain wrote the screenplay and dialogues, respectively. R. D. Burman composed the music and Khurshid Hallauri wrote the lyrics. Binod Pradhan served as the film's cinematographer and Renu Saluja was its editor. Parinda follows Kishan (Shroff), who works for the underworld chieftain Anna (Patekar). Kishan's brother Karan (Kapoor) returns home after completing his studies in the United States. The two brothers are caught on different sides of a gang war after Karan decides to avenge his friend's death by Anna. (Full article...)
    Parinda (transl. Bird) is a 1989 Indian Hindi-language crime drama film directed, produced and distributed by Vidhu Vinod Chopra. The film stars Jackie Shroff, Anil Kapoor, Nana Patekar and Madhuri Dixit. The story and scenario were written by Chopra, while Shiv Kumar Subramaniam and Imtiyaz Husain wrote the screenplay and dialogues, respectively. R. D. Burman composed the music and Khurshid Hallauri wrote the lyrics. Binod Pradhan served as the film's cinematographer and Renu Saluja was its editor.
    Parinda follows Kishan (Shroff), who works for the underworld chieftain Anna (Patekar). Kishan's brother Karan (Kapoor) returns home after completing his studies in the United States. The two brothers are caught on different sides of a gang war after Karan decides to avenge his friend's death by Anna. (Full article...)
  • Image 4 Jinnah in 1945 Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as Pakistan's first governor-general until his death. Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...)

    Jinnah in 1945

    Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as Pakistan's first governor-general until his death.

    Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...)
  • Image 5 Sorabji in 1917 Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion. Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)

    Sorabji in 1917

    Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion.

    Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)
  • Image 6 Nanakramguda skyline Hyderabad (/ˈhaɪdərəbæd/ HY-dər-ə-bad; ISO: Haidarābād, Telugu: [ˈɦaɪ̯daɾaːbaːd] ⓘ, Urdu: [ˈɦɛːdəɾaːbaːd]) is the capital and largest city of the Indian state of Telangana. It occupies 650 km2 (250 sq mi) on the Deccan Plateau along the banks of the Musi River, in the northern part of Southern India. With an average altitude of 542 m (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including the Hussain Sagar lake, predating the city's founding, in the north of the city centre. According to the 2011 census of India, Hyderabad is the fourth-most populous city in India with a population of 6.9 million residents within the city limits, and has a population of 9.7 million residents in the metropolitan region, making it the sixth-most populous metropolitan area in India. With an output of US$ 95 billion, Hyderabad has the sixth-largest urban economy in India. The Qutb Shahi dynasty's Muhammad Quli Qutb Shah established Hyderabad in 1591 to extend the capital beyond the fortified Golconda. In 1687, the city was annexed by the Mughals. In 1724, Asaf Jah I, the Mughal viceroy, declared his sovereignty and founded the Asaf Jahi dynasty, also known as the Nizams. Hyderabad served as the imperial capital of the Asaf Jahis from 1769 to 1948. As the capital of the princely state of Hyderabad, the city housed the British Residency and cantonment until Indian independence in 1947. Hyderabad was annexed by the Indian Union in 1948 and continued as a capital of Hyderabad State from 1948 to 1956. After the introduction of the States Reorganisation Act of 1956, Hyderabad was made the capital of the newly formed Andhra Pradesh. In 2014, Andhra Pradesh was split to form the state of Telangana, and Hyderabad became the joint capital of the two states with a transitional arrangement scheduled to end in 2024. Since 1956, the city has housed the Rashtrapati Nilayam, the winter office of the president of India. (Full article...)

    Nanakramguda skyline

    Hyderabad (/ˈhaɪdərəbæd/ HY-dər-ə-bad; ISO: Haidarābād, Telugu: [ˈɦaɪ̯daɾaːbaːd] ⓘ, Urdu: [ˈɦɛːdəɾaːbaːd]) is the capital and largest city of the Indian state of Telangana. It occupies 650 km2 (250 sq mi) on the Deccan Plateau along the banks of the Musi River, in the northern part of Southern India. With an average altitude of 542 m (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including the Hussain Sagar lake, predating the city's founding, in the north of the city centre. According to the 2011 census of India, Hyderabad is the fourth-most populous city in India with a population of 6.9 million residents within the city limits, and has a population of 9.7 million residents in the metropolitan region, making it the sixth-most populous metropolitan area in India. With an output of US$ 95 billion, Hyderabad has the sixth-largest urban economy in India.

    The Qutb Shahi dynasty's Muhammad Quli Qutb Shah established Hyderabad in 1591 to extend the capital beyond the fortified Golconda. In 1687, the city was annexed by the Mughals. In 1724, Asaf Jah I, the Mughal viceroy, declared his sovereignty and founded the Asaf Jahi dynasty, also known as the Nizams. Hyderabad served as the imperial capital of the Asaf Jahis from 1769 to 1948. As the capital of the princely state of Hyderabad, the city housed the British Residency and cantonment until Indian independence in 1947. Hyderabad was annexed by the Indian Union in 1948 and continued as a capital of Hyderabad State from 1948 to 1956. After the introduction of the States Reorganisation Act of 1956, Hyderabad was made the capital of the newly formed Andhra Pradesh. In 2014, Andhra Pradesh was split to form the state of Telangana, and Hyderabad became the joint capital of the two states with a transitional arrangement scheduled to end in 2024. Since 1956, the city has housed the Rashtrapati Nilayam, the winter office of the president of India. (Full article...)
  • Image 7 Zinta in 2018 Preity G Zinta (pronounced [ˈpriːt̪i ˈzɪɳʈa]; born 31 January 1975) is an Indian actress and entrepreneur primarily known for her work in Hindi films. After graduating with degrees in English honours and criminal psychology, Zinta made her acting debut in Dil Se.. in 1998, followed by a role in Soldier in the same year. These performances earned her the Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She established a career as a leading Hindi film actress of the decade with a variety of character types. Her roles, often deemed culturally defiant, along with her unconventional screen persona won her recognition and several accolades. Following critically appreciated roles in Chori Chori Chupke Chupke (2001), Dil Chahta Hai (2001), Dil Hai Tumhaara (2002), and Armaan (2003), Zinta received the Filmfare Award for Best Actress for her performance in Kal Ho Naa Ho (2003). She starred in two consecutive annual top-grossing films in India, Koi... Mil Gaya (2003) and Veer-Zaara (2004), and was noted for her portrayal of independent, modern Indian women in Salaam Namaste (2005) and Kabhi Alvida Naa Kehna (2006), top-grossing productions in domestic and overseas markets. For her first international role in the Canadian drama Heaven on Earth (2008) she was awarded the Silver Hugo Award for Best Actress and nominated for the Genie Award for Best Actress. She followed this with a hiatus from acting work for several years, with intermittent appearances such as in her self-produced comeback film, Ishkq in Paris (2013), which failed to leave a mark. (Full article...)

    Zinta in 2018

    Preity G Zinta (pronounced [ˈpriːt̪i ˈzɪɳʈa]; born 31 January 1975) is an Indian actress and entrepreneur primarily known for her work in Hindi films. After graduating with degrees in English honours and criminal psychology, Zinta made her acting debut in Dil Se.. in 1998, followed by a role in Soldier in the same year. These performances earned her the Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She established a career as a leading Hindi film actress of the decade with a variety of character types. Her roles, often deemed culturally defiant, along with her unconventional screen persona won her recognition and several accolades.

    Following critically appreciated roles in Chori Chori Chupke Chupke (2001), Dil Chahta Hai (2001), Dil Hai Tumhaara (2002), and Armaan (2003), Zinta received the Filmfare Award for Best Actress for her performance in Kal Ho Naa Ho (2003). She starred in two consecutive annual top-grossing films in India, Koi... Mil Gaya (2003) and Veer-Zaara (2004), and was noted for her portrayal of independent, modern Indian women in Salaam Namaste (2005) and Kabhi Alvida Naa Kehna (2006), top-grossing productions in domestic and overseas markets. For her first international role in the Canadian drama Heaven on Earth (2008) she was awarded the Silver Hugo Award for Best Actress and nominated for the Genie Award for Best Actress. She followed this with a hiatus from acting work for several years, with intermittent appearances such as in her self-produced comeback film, Ishkq in Paris (2013), which failed to leave a mark. (Full article...)
  • Image 8 Basohli miniature, c. 1730. National Museum, New Delhi Ganesha (Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Lambodara and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)

    Basohli miniature, c. 1730. National Museum, New Delhi

    Ganesha (Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Lambodara and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India.

    Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)
  • Image 9 Lage Raho Munna Bhai (pronounced [ləˈɡeː rəˈɦoː mʊnːaːˈbʱaːi] ⓘ; translation: Keep Going, Munna Bro) is a 2006 Indian Hindi-language satirical comedy drama film written, edited and directed by Rajkumar Hirani, who also co-wrote the screenplay with Abhijat Joshi, and produced by Vidhu Vinod Chopra under the banner Vinod Chopra Films. A sequel to Munna Bhai M.B.B.S. (2003), the film is the second installment of the Munna Bhai series. Sanjay Dutt and Arshad Warsi reprised their roles as the titular Munna Bhai and Circuit, respectively. New additions to the cast include Vidya Balan, Dilip Prabhavalkar and Dia Mirza, while several actors from the original, notably Jimmy Sheirgill and Boman Irani, appear in new roles. In this film, the eponymous lead character, a don in the Mumbai underworld, begins to see visions of Mahatma Gandhi. Through his interactions with Gandhi, he begins to practice what he refers to as "Gandhigiri" (a neologism for "Gandhism") to help ordinary people solve their problems. (Full article...)
    Lage Raho Munna Bhai (pronounced [ləˈɡeː rəˈɦoː mʊnːaːˈbʱaːi] ⓘ; translation: Keep Going, Munna Bro) is a 2006 Indian Hindi-language satirical comedy drama film written, edited and directed by Rajkumar Hirani, who also co-wrote the screenplay with Abhijat Joshi, and produced by Vidhu Vinod Chopra under the banner Vinod Chopra Films. A sequel to Munna Bhai M.B.B.S. (2003), the film is the second installment of the Munna Bhai series. Sanjay Dutt and Arshad Warsi reprised their roles as the titular Munna Bhai and Circuit, respectively. New additions to the cast include Vidya Balan, Dilip Prabhavalkar and Dia Mirza, while several actors from the original, notably Jimmy Sheirgill and Boman Irani, appear in new roles.

    In this film, the eponymous lead character, a don in the Mumbai underworld, begins to see visions of Mahatma Gandhi. Through his interactions with Gandhi, he begins to practice what he refers to as "Gandhigiri" (a neologism for "Gandhism") to help ordinary people solve their problems. (Full article...)
  • Image 10 The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of Open and Women's tournaments, as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India. The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
    The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of Open and Women's tournaments, as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India.

    The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
  • Image 11 Male in Serengeti National Park, Tanzania The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator. The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)

    Male in Serengeti National Park, Tanzania

    The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator.

    The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)
  • Image 12 Procession march held on 21 February 1952 in Dhaka The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)

    Procession march held on 21 February 1952 in Dhaka

    The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script

    When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)
  • Image 13 Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
    Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.

    The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
  • Image 14 Portrait by Charles Dana Gibson, c. 1903 Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. (Although, the first woman ever to win an Olympic event, Hélène de Pourtalès, was American-born, but married into Swiss nobility.) Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)

    Portrait by Charles Dana Gibson, c. 1903

    Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. (Although, the first woman ever to win an Olympic event, Hélène de Pourtalès, was American-born, but married into Swiss nobility.)

    Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)
  • Image 15 Chopra Jonas in 2024 Priyanka Chopra Jonas (pronounced [pɾɪˈjəŋka ˈtʃoːpɽa]; née Chopra; born 18 July 1982) is an Indian actress and producer. The winner of the Miss World 2000 pageant, Chopra is one of India's highest-paid actresses and has received numerous accolades, including two National Film Awards and five Filmfare Awards. In 2016, the Government of India honoured her with the Padma Shri, and Time named her one of the 100 most influential people in the world. In the next two years, Forbes listed her among the World's 100 Most Powerful Women, and in 2022, she was named in the BBC 100 Women list. Chopra accepted offers to join the Indian film industry following her pageant wins. Her acting debut came in the Tamil film Thamizhan (2002), followed by her first Bollywood feature in The Hero: Love Story of a Spy (2003). She played the leading lady in the box-office hits Andaaz (2003) and Mujhse Shaadi Karogi (2004) and had her breakout role in the 2004 romantic thriller Aitraaz. Chopra established herself with starring roles in the top-grossing productions Krrish and Don (both 2006), and later reprised her role in their sequels. For playing a troubled model in the drama Fashion (2008), Chopra won a National Film Award and a Filmfare Award for Best Actress. Chopra gained further praise for portraying a range of characters in the films Kaminey (2009), 7 Khoon Maaf (2011), Barfi! (2012), Mary Kom (2014), Dil Dhadakne Do (2015) and Bajirao Mastani (2015). (Full article...)

    Chopra Jonas in 2024

    Priyanka Chopra Jonas (pronounced [pɾɪˈjəŋka ˈtʃoːpɽa]; née Chopra; born 18 July 1982) is an Indian actress and producer. The winner of the Miss World 2000 pageant, Chopra is one of India's highest-paid actresses and has received numerous accolades, including two National Film Awards and five Filmfare Awards. In 2016, the Government of India honoured her with the Padma Shri, and Time named her one of the 100 most influential people in the world. In the next two years, Forbes listed her among the World's 100 Most Powerful Women, and in 2022, she was named in the BBC 100 Women list.

    Chopra accepted offers to join the Indian film industry following her pageant wins. Her acting debut came in the Tamil film Thamizhan (2002), followed by her first Bollywood feature in The Hero: Love Story of a Spy (2003). She played the leading lady in the box-office hits Andaaz (2003) and Mujhse Shaadi Karogi (2004) and had her breakout role in the 2004 romantic thriller Aitraaz. Chopra established herself with starring roles in the top-grossing productions Krrish and Don (both 2006), and later reprised her role in their sequels. For playing a troubled model in the drama Fashion (2008), Chopra won a National Film Award and a Filmfare Award for Best Actress. Chopra gained further praise for portraying a range of characters in the films Kaminey (2009), 7 Khoon Maaf (2011), Barfi! (2012), Mary Kom (2014), Dil Dhadakne Do (2015) and Bajirao Mastani (2015). (Full article...)
  • Image 16 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
  • Image 17 Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages. The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)

    Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages.

    The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)
  • Image 18 Gay at peak intensity before making landfall on India, on 8 November Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November. The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)

    Gay at peak intensity before making landfall on India, on 8 November

    Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November.

    The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)
  • Image 19 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 20 Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status. Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$830,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
    Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status.

    Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$830,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
  • Image 21 Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 22 Khan in 1991 Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art. Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)

    Khan in 1991

    Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art.

    Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)
  • Image 23 Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial. Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
    Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial.

    Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
  • Image 24 Ahalya by Raja Ravi Varma (1848–1906) In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama. Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)

    Ahalya by Raja Ravi Varma (1848–1906)

    In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama.

    Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)
  • Image 25 Koechlin in 2017 Kalki Koechlin (/ˈkʌlki kɛˈklæ̃/ ⓘ; born 10 January 1984) is a French actress and writer who works in films and stage. Known for her unconventional body of work, particularly in Hindi films, she is the recipient of several accolades, including a National Film Award and a Filmfare Award. Although a French citizen, she has been raised and lived most of her life in India. Born in Pondicherry, India, Koechlin was drawn to theater from a young age. She studied drama at Goldsmiths, University of London, and worked simultaneously with a local theater company. After returning to India, she made her Hindi film debut as Chanda in the black comedy-drama Dev.D. (2009), winning the Filmfare Award for Best Supporting Actress. She subsequently starred in two of the highest-grossing Hindi films of their respective years, the comedy-dramas Zindagi Na Milegi Dobara (2011) and Yeh Jawaani Hai Deewani (2013), both of which garnered her nominations for the Filmfare Award for Best Supporting Actress. Koechlin also starred in and co-write the crime thriller That Girl in Yellow Boots (2011). (Full article...)

    Koechlin in 2017

    Kalki Koechlin (/ˈkʌlki kɛˈklæ̃/ ⓘ; born 10 January 1984) is a French actress and writer who works in films and stage. Known for her unconventional body of work, particularly in Hindi films, she is the recipient of several accolades, including a National Film Award and a Filmfare Award. Although a French citizen, she has been raised and lived most of her life in India.

    Born in Pondicherry, India, Koechlin was drawn to theater from a young age. She studied drama at Goldsmiths, University of London, and worked simultaneously with a local theater company. After returning to India, she made her Hindi film debut as Chanda in the black comedy-drama Dev.D. (2009), winning the Filmfare Award for Best Supporting Actress. She subsequently starred in two of the highest-grossing Hindi films of their respective years, the comedy-dramas Zindagi Na Milegi Dobara (2011) and Yeh Jawaani Hai Deewani (2013), both of which garnered her nominations for the Filmfare Award for Best Supporting Actress. Koechlin also starred in and co-write the crime thriller That Girl in Yellow Boots (2011). (Full article...)
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  • Image 1 Location in Delhi, India Masjid-i-Jehan-Numa (Persian: مسجدِ جهان نما), commonly known as the Jama Masjid (Urdu: جامع مسجد, romanized: jāme masjid) of Delhi, is one of the largest mosques in India. Its builder is the Mughal emperor Shah Jahan, between 1644 and 1656, and inaugurated by its first Imam, Syed Abdul Ghafoor Shah Bukhari. Situated in the Mughal capital of Shahjahanabad (today Old Delhi), it served as the imperial mosque of the Mughal emperors until the demise of the empire in 1857. The Jama Masjid was regarded as a symbolic gesture of Islamic power across India, well into the colonial era. It was also a site of political significance during several key periods of British rule. It remains in active use, and is one of Delhi's most iconic sites, closely identified with the ethos of Old Delhi. (Full article...)

    Location in Delhi, India

    Masjid-i-Jehan-Numa (Persian: مسجدِ جهان نما), commonly known as the Jama Masjid (Urdu: جامع مسجد, romanized: jāme masjid) of Delhi, is one of the largest mosques in India.

    Its builder is the Mughal emperor Shah Jahan, between 1644 and 1656, and inaugurated by its first Imam, Syed Abdul Ghafoor Shah Bukhari. Situated in the Mughal capital of Shahjahanabad (today Old Delhi), it served as the imperial mosque of the Mughal emperors until the demise of the empire in 1857. The Jama Masjid was regarded as a symbolic gesture of Islamic power across India, well into the colonial era. It was also a site of political significance during several key periods of British rule. It remains in active use, and is one of Delhi's most iconic sites, closely identified with the ethos of Old Delhi. (Full article...)
  • Image 2 Rekha: The Untold Story is a 2016 Indian biographical book by Yasser Usman, detailing the life of Indian film actress Rekha. The book chronicles her birth to South Indian actors Gemini Ganesan and Pushpavalli, which generated rumors in the media at the time, her well-publicised marriage to Delhi-based industrialist Mukesh Agarwal, who died by suicide in seventh months of marriage, and her fifty-year-long acting career. After the success of his first book, Rajesh Khanna: The Untold Story of India's First Superstar (2014), Usman was motivated to write a biography about Rekha. He collected archives of pre-2000s magazines and her interviews at the National Film Archive of India. While writing the book, Usman faced difficulties since mostly Rekha's collaborator forgot or refused to talk about her; it took more than a year for him to finish it. Rekha: The Untold Story was released on 29 August 2016 by Juggernaut Books, and was critically praised. (Full article...)
    Rekha: The Untold Story is a 2016 Indian biographical book by Yasser Usman, detailing the life of Indian film actress Rekha. The book chronicles her birth to South Indian actors Gemini Ganesan and Pushpavalli, which generated rumors in the media at the time, her well-publicised marriage to Delhi-based industrialist Mukesh Agarwal, who died by suicide in seventh months of marriage, and her fifty-year-long acting career.

    After the success of his first book, Rajesh Khanna: The Untold Story of India's First Superstar (2014), Usman was motivated to write a biography about Rekha. He collected archives of pre-2000s magazines and her interviews at the National Film Archive of India. While writing the book, Usman faced difficulties since mostly Rekha's collaborator forgot or refused to talk about her; it took more than a year for him to finish it. Rekha: The Untold Story was released on 29 August 2016 by Juggernaut Books, and was critically praised. (Full article...)
  • Image 3 The 7 metres (23 ft) high Trimurti sculpture The Elephanta Caves are a collection of cave temples predominantly dedicated to the Hindu god Shiva, which have been designated a UNESCO World Heritage Site. They are on Elephanta Island, or Gharapuri (literally meaning "the city of caves"), in Mumbai Harbour, 10 kilometres (6.2 mi) east of Mumbai in the Indian state of Mahārāshtra. The island, about 2 kilometres (1.2 mi) west of the Jawaharlal Nehru Port, consists of five Hindu caves, a few Buddhist stupa mounds that date back to the 2nd century BCE, and two Buddhist caves with water tanks. The Elephanta Caves contain rock-cut stone sculptures, mostly in high relief, that show syncretism of Hindu and Buddhist ideas and iconography. The caves are hewn from solid basalt rock. Except for a few exceptions, much of the artwork is defaced and damaged. The main temple's orientation as well as the relative location of other temples are placed in a mandala pattern. The carvings narrate Hindu legends, with the large monolithic 5.45 metres (17.9 ft) Trimurti Sadashiva (three-faced Shiva), Nataraja (Lord of dance) and Yogishvara (Lord of Yogis) being the most celebrated. (Full article...)

    The 7 metres (23 ft) high Trimurti sculpture

    The Elephanta Caves are a collection of cave temples predominantly dedicated to the Hindu god Shiva, which have been designated a UNESCO World Heritage Site. They are on Elephanta Island, or Gharapuri (literally meaning "the city of caves"), in Mumbai Harbour, 10 kilometres (6.2 mi) east of Mumbai in the Indian state of Mahārāshtra. The island, about 2 kilometres (1.2 mi) west of the Jawaharlal Nehru Port, consists of five Hindu caves, a few Buddhist stupa mounds that date back to the 2nd century BCE, and two Buddhist caves with water tanks.

    The Elephanta Caves contain rock-cut stone sculptures, mostly in high relief, that show syncretism of Hindu and Buddhist ideas and iconography. The caves are hewn from solid basalt rock. Except for a few exceptions, much of the artwork is defaced and damaged. The main temple's orientation as well as the relative location of other temples are placed in a mandala pattern. The carvings narrate Hindu legends, with the large monolithic 5.45 metres (17.9 ft) Trimurti Sadashiva (three-faced Shiva), Nataraja (Lord of dance) and Yogishvara (Lord of Yogis) being the most celebrated. (Full article...)
  • Image 4 Kapoor at the 2017 International Indian Film Academy Awards Shahid Kapoor (pronounced [ʃaːɦɪd̪ kəˈpuːr]; born 25 February 1981) is an Indian actor who appears in Hindi films. Initially recognised for portraying romantic roles, he has since taken on parts in action films and thrillers, and is the recipient of several awards, including three Filmfare Awards. The son of actors Pankaj Kapur and Neelima Azeem, Kapoor trained as a dancer at Shiamak Davar's academy. He appeared as a background dancer in a few films of the 1990s, and featured in music videos and television commercials. He made his film debut in 2003 with a leading role in the romantic comedy Ishq Vishk, a sleeper hit for which he won the Filmfare Award for Best Male Debut. He followed it with roles in several commercial failures before starring in Sooraj Barjatya's top-grossing family drama Vivah (2006). (Full article...)

    Kapoor at the 2017 International Indian Film Academy Awards

    Shahid Kapoor (pronounced [ʃaːɦɪd̪ kəˈpuːr]; born 25 February 1981) is an Indian actor who appears in Hindi films. Initially recognised for portraying romantic roles, he has since taken on parts in action films and thrillers, and is the recipient of several awards, including three Filmfare Awards.

    The son of actors Pankaj Kapur and Neelima Azeem, Kapoor trained as a dancer at Shiamak Davar's academy. He appeared as a background dancer in a few films of the 1990s, and featured in music videos and television commercials. He made his film debut in 2003 with a leading role in the romantic comedy Ishq Vishk, a sleeper hit for which he won the Filmfare Award for Best Male Debut. He followed it with roles in several commercial failures before starring in Sooraj Barjatya's top-grossing family drama Vivah (2006). (Full article...)
  • Image 5 The synagogue in 2020, post restoration The Knesset Eliyahoo Synagogue (Hebrew: בית הכנסת אליהו, lit. 'Gathering of Elijah'), also Knesset Eliyahu and the Blue Synagogue, is an Orthodox Jewish congregation and synagogue, located at 55, Dr. V.B. Gandhi Marg, in the Kala Ghoda neighborhood, Fort, in downtown Mumbai, in the state of Maharashtra, India. Completed in 1884, it is the second oldest Sephardic synagogue in Mumbai. The Taj Mahal Palace Hotel, and Oberoi Trident are nearby. The synagogue was established by Jacob Elias Sassoon and the building is maintained by the Jacob Sassoon Trust. The building's significance is attributed to its Jewish traditions as well as Indian and English colonial influences. It was designed by the British architectural firm Gostling & Morris of Bombay. The basement part of the edifice is built in stone masonry and the superstructure is built in brick masonry. The exterior facade of the synagogue was painted turquoise, was returned to its original colour of white, with bright indigo boarders during a restoration process in 2018–2019. The sanctuary within the interior of the building is in western direction, towards Jerusalem. (Full article...)

    The synagogue in 2020, post restoration

    The Knesset Eliyahoo Synagogue (Hebrew: בית הכנסת אליהו, lit. 'Gathering of Elijah'), also Knesset Eliyahu and the Blue Synagogue, is an Orthodox Jewish congregation and synagogue, located at 55, Dr. V.B. Gandhi Marg, in the Kala Ghoda neighborhood, Fort, in downtown Mumbai, in the state of Maharashtra, India. Completed in 1884, it is the second oldest Sephardic synagogue in Mumbai. The Taj Mahal Palace Hotel, and Oberoi Trident are nearby.

    The synagogue was established by Jacob Elias Sassoon and the building is maintained by the Jacob Sassoon Trust. The building's significance is attributed to its Jewish traditions as well as Indian and English colonial influences. It was designed by the British architectural firm Gostling & Morris of Bombay. The basement part of the edifice is built in stone masonry and the superstructure is built in brick masonry. The exterior facade of the synagogue was painted turquoise, was returned to its original colour of white, with bright indigo boarders during a restoration process in 2018–2019. The sanctuary within the interior of the building is in western direction, towards Jerusalem. (Full article...)
  • Image 6 Pushkar Lake or Pushkar Sarovar is located in the town of Pushkar near Ajmer city in Ajmer district of the Rajasthan state of western India. Pushkar Lake is a sacred lake of the Hindus. The Hindu scriptures describe it as "Tirtha-Guru" [Thirtha Raj]– the perceptor of pilgrimage sites related to a water-body and relate it to the mythology of the creator-god Brahma, whose most prominent temple stands in Pushkar. The Pushkar Lake finds mention on coins as early as the 4th century BC. Pushkar Lake is surrounded by 52 bathing ghats (a series of steps leading to the lake), where pilgrims throng in large numbers to take a sacred bath, especially around Kartik Poornima (October–November) when the Pushkar Fair is held. A dip in the sacred lake is believed to cleanse sins and cure skin diseases. Over 500 Hindu temples are situated around the lake precincts. (Full article...)

    Pushkar Lake or Pushkar Sarovar is located in the town of Pushkar near Ajmer city in Ajmer district of the Rajasthan state of western India. Pushkar Lake is a sacred lake of the Hindus. The Hindu scriptures describe it as "Tirtha-Guru" [Thirtha Raj]– the perceptor of pilgrimage sites related to a water-body and relate it to the mythology of the creator-god Brahma, whose most prominent temple stands in Pushkar. The Pushkar Lake finds mention on coins as early as the 4th century BC.

    Pushkar Lake is surrounded by 52 bathing ghats (a series of steps leading to the lake), where pilgrims throng in large numbers to take a sacred bath, especially around Kartik Poornima (October–November) when the Pushkar Fair is held. A dip in the sacred lake is believed to cleanse sins and cure skin diseases. Over 500 Hindu temples are situated around the lake precincts. (Full article...)
  • Image 7 Imsai Arasan 23rd Pulikecei (transl. Pulikesi XXIII, the king of nuisance) is a 2006 Indian Tamil-language historical-comedy film written and directed by Chimbu Deven in his directoral debut .The film stars Vadivelu in his debut as a solo lead actor. Monica and Tejashree play the female leads, while Manorama, Nassar, Ilavarasu, Sreeman and Nagesh play supporting roles. Sabesh–Murali composed the soundtrack album and background score. S. Shankar produced and distributed the film under his production banner S Pictures. Set in the late 18th century during the early stages of the British Raj, the film tells the story of twin brothers separated at birth. Pulikesi XXIII, the foolish elder brother, becomes a puppet of his uncle, the Chief Minister, while Ukraputhan, the wise younger brother, becomes a patriot intent on saving his land and his brother. (Full article...)
    Imsai Arasan 23rd Pulikecei (transl. Pulikesi XXIII, the king of nuisance) is a 2006 Indian Tamil-language historical-comedy film written and directed by Chimbu Deven in his directoral debut .The film stars Vadivelu in his debut as a solo lead actor. Monica and Tejashree play the female leads, while Manorama, Nassar, Ilavarasu, Sreeman and Nagesh play supporting roles. Sabesh–Murali composed the soundtrack album and background score. S. Shankar produced and distributed the film under his production banner S Pictures.

    Set in the late 18th century during the early stages of the British Raj, the film tells the story of twin brothers separated at birth. Pulikesi XXIII, the foolish elder brother, becomes a puppet of his uncle, the Chief Minister, while Ukraputhan, the wise younger brother, becomes a patriot intent on saving his land and his brother. (Full article...)
  • Image 8 "Didi Tera Devar Deewana" (transl. Sister, your brother-in-law is crazy) is a 1994 Hindi-language filmi song performed by Lata Mangeshkar and S. P. Balasubrahmanyam for the soundtrack of the 1994 Indian musical romantic drama film Hum Aapke Hain Koun..!. The track was composed by Raamlaxman, while lyrics were written by Dev Kohli. Hum Aapke Hain Koun..! was written and directed by Sooraj R. Barjatya and produced under the banner of Rajshri Productions. The music video of "Didi Tera Devar Deewana" shows the film's ensemble cast and leads Madhuri Dixit and Salman Khan dancing at a baby shower ceremony. The song became very famous after its release, with it reaching various music charts and bagging the Filmfare Special Award for Mangeshkar. The purple jaded satin saree designed by Anna Singh and sported by Dixit in the video trended in the markets, being also merchandised. Dixit's dance and looks throughout the clip were met with highly positive reviews. After watching the song's video, artist M. F. Husain found his muse in Dixit and went on to paint a series of paintings on her. The song is also featured on the dance rhythm video game Just Dance 3 with the song credited as Kurio ko uddah le jana by Bollywood Rainbow. (Full article...)
    "Didi Tera Devar Deewana" (transl. Sister, your brother-in-law is crazy) is a 1994 Hindi-language filmi song performed by Lata Mangeshkar and S. P. Balasubrahmanyam for the soundtrack of the 1994 Indian musical romantic drama film Hum Aapke Hain Koun..!. The track was composed by Raamlaxman, while lyrics were written by Dev Kohli. Hum Aapke Hain Koun..! was written and directed by Sooraj R. Barjatya and produced under the banner of Rajshri Productions. The music video of "Didi Tera Devar Deewana" shows the film's ensemble cast and leads Madhuri Dixit and Salman Khan dancing at a baby shower ceremony.

    The song became very famous after its release, with it reaching various music charts and bagging the Filmfare Special Award for Mangeshkar. The purple jaded satin saree designed by Anna Singh and sported by Dixit in the video trended in the markets, being also merchandised. Dixit's dance and looks throughout the clip were met with highly positive reviews. After watching the song's video, artist M. F. Husain found his muse in Dixit and went on to paint a series of paintings on her. The song is also featured on the dance rhythm video game Just Dance 3 with the song credited as Kurio ko uddah le jana by Bollywood Rainbow. (Full article...)
  • Image 9 Trijata, depicted as Vibhishana's daughter in a Sundanese Wayang golek puppet Trijata (Sanskrit: त्रिजटा, IAST: Trijaṭā) is a rakshasi (demoness) in the Hindu epic Ramayana who is assigned the duty of guarding Sita who was kidnapped by the demon-king of Lanka Ravana. In later adaptions of Ramayana, Trijata is described as a daughter of Vibhishana, the brother of Ravana. In the Ramayana, Trijata appears as a wise old rakshasi, who dreams of Ravana's destruction and the victory of Rama, the husband of Sita who wages war against Ravana to rescue Sita. Trijata accompanies Sita on a survey of the battlefield of the war between Rama and Ravana, and reassures Sita of Rama's well-being when Sita sees her husband unconscious and presumes him dead. In later Ramayana adaptations, Trijata becomes the daughter of Vibhishana, the brother of Ravana who sides with Rama. She plays a much greater role in later versions, especially Southeast Asian ones. (Full article...)

    Trijata, depicted as Vibhishana's daughter in a Sundanese Wayang golek puppet

    Trijata (Sanskrit: त्रिजटा, IAST: Trijaṭā) is a rakshasi (demoness) in the Hindu epic Ramayana who is assigned the duty of guarding Sita who was kidnapped by the demon-king of Lanka Ravana. In later adaptions of Ramayana, Trijata is described as a daughter of Vibhishana, the brother of Ravana.

    In the Ramayana, Trijata appears as a wise old rakshasi, who dreams of Ravana's destruction and the victory of Rama, the husband of Sita who wages war against Ravana to rescue Sita. Trijata accompanies Sita on a survey of the battlefield of the war between Rama and Ravana, and reassures Sita of Rama's well-being when Sita sees her husband unconscious and presumes him dead. In later Ramayana adaptations, Trijata becomes the daughter of Vibhishana, the brother of Ravana who sides with Rama. She plays a much greater role in later versions, especially Southeast Asian ones. (Full article...)
  • Image 10 Don: The Chase Begins Again, better known simply as Don, is a 2006 Indian Hindi-language action thriller film directed by Farhan Akhtar. The film was produced by Ritesh Sidhwani and Akhtar's production company Excel Entertainment. The film stars Shah Rukh Khan as the titular anti-hero and Priyanka Chopra as Roma, while Arjun Rampal, Isha Koppikar, Boman Irani, Pavan Malhotra, and Om Puri appears in supporting roles. Kareena Kapoor makes a special appearance. Don is a remake of the 1978 film of the same title, and follows the titular criminal's look-alike who has been sent on a clandestine mission to impersonate Don after he is wounded in a chase, and to gather intelligence on the drug mafia. In remaking the film from a new perspective, Akhtar wanted to give a contemporary style and treatment to the original film and make a film that he believed would be perfectly suited to modern times. The director later bought the rights and conceived his adaptation as an homage to the original film and its cast and crew, and to the 1970s era in general. He co-wrote the screenplay with his father, Javed Akhtar, who had also written the original script with Salim Khan. He kept the basic plot but introduced some changes that included an international setting and a different ending. Principal photography commenced in Mumbai, before moving to Malaysia, where 80% of the filming was done. The soundtrack was composed by Shankar–Ehsaan–Loy, with lyrics by Javed Akhtar. (Full article...)
    Don: The Chase Begins Again, better known simply as Don, is a 2006 Indian Hindi-language action thriller film directed by Farhan Akhtar. The film was produced by Ritesh Sidhwani and Akhtar's production company Excel Entertainment. The film stars Shah Rukh Khan as the titular anti-hero and Priyanka Chopra as Roma, while Arjun Rampal, Isha Koppikar, Boman Irani, Pavan Malhotra, and Om Puri appears in supporting roles. Kareena Kapoor makes a special appearance. Don is a remake of the 1978 film of the same title, and follows the titular criminal's look-alike who has been sent on a clandestine mission to impersonate Don after he is wounded in a chase, and to gather intelligence on the drug mafia.

    In remaking the film from a new perspective, Akhtar wanted to give a contemporary style and treatment to the original film and make a film that he believed would be perfectly suited to modern times. The director later bought the rights and conceived his adaptation as an homage to the original film and its cast and crew, and to the 1970s era in general. He co-wrote the screenplay with his father, Javed Akhtar, who had also written the original script with Salim Khan. He kept the basic plot but introduced some changes that included an international setting and a different ending. Principal photography commenced in Mumbai, before moving to Malaysia, where 80% of the filming was done. The soundtrack was composed by Shankar–Ehsaan–Loy, with lyrics by Javed Akhtar. (Full article...)
  • Image 11 Statue of Krishna at Sri Mariamman Temple, Singapore Krishna (/ˈkrɪʃnə/; Sanskrit: कृष्ण, IAST: Kṛṣṇa [ˈkr̩ʂɳɐ]) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as Krishna Līlā. He is a central figure in the Mahabharata, the Bhagavata Purana, the Brahma Vaivarta Purana, and the Bhagavad Gita, and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a mischievous yet endearing god-child, a teenage prankster, a model lover, an astute military strategist, a divine hero, and the universal supreme being. His iconography reflects these legends and shows him in different stages of his life, such as an infant eating butter, a young cowherd boy playing a flute, a young boy with Radha or surrounded by love-struck milkmaids in Vrindavan, or a friendly charioteer giving spiritual counsel to Arjuna in the midst of battle. (Full article...)

    Statue of Krishna at Sri Mariamman Temple, Singapore

    Krishna (/ˈkrɪʃnə/; Sanskrit: कृष्ण, IAST: Kṛṣṇa [ˈkr̩ʂɳɐ]) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar.

    The anecdotes and narratives of Krishna's life are generally titled as Krishna Līlā. He is a central figure in the Mahabharata, the Bhagavata Purana, the Brahma Vaivarta Purana, and the Bhagavad Gita, and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a mischievous yet endearing god-child, a teenage prankster, a model lover, an astute military strategist, a divine hero, and the universal supreme being. His iconography reflects these legends and shows him in different stages of his life, such as an infant eating butter, a young cowherd boy playing a flute, a young boy with Radha or surrounded by love-struck milkmaids in Vrindavan, or a friendly charioteer giving spiritual counsel to Arjuna in the midst of battle. (Full article...)
  • Image 12 Vizianagaram fort main entrance Vizianagaram fort is an early 18th-century fort in the city of Vizianagaram in northeastern Andhra Pradesh, South India. It was built by Vijaya Rama Raju, the Maharaja of Vizianagaram in 1713. The formal ceremony, while laying the foundation for the fort, was very auspicious as it represented five signs of victory. The square-shaped fort has two main gates, of which the main entry gate (the "Nagar khana") has elaborate architectural features. There are many temples and palaces within the fort and a victory tower. This alternative name is Pusapati.[citation needed] (Full article...)

    Vizianagaram fort main entrance

    Vizianagaram fort is an early 18th-century fort in the city of Vizianagaram in northeastern Andhra Pradesh, South India. It was built by Vijaya Rama Raju, the Maharaja of Vizianagaram in 1713. The formal ceremony, while laying the foundation for the fort, was very auspicious as it represented five signs of victory. The square-shaped fort has two main gates, of which the main entry gate (the "Nagar khana") has elaborate architectural features. There are many temples and palaces within the fort and a victory tower. This alternative name is Pusapati.[citation needed] (Full article...)
  • Image 13 Roman trade in the subcontinent according to the Periplus Maris Erythraei 1st century CE Indo-Roman trade relations (see also the spice trade and incense road) was trade between the Indian subcontinent and the Roman Empire in Europe and the Mediterranean Sea. Trade through the overland caravan routes via Asia Minor and the Middle East, though at a relative trickle compared to later times, preceded the southern trade route via the Red Sea which started around the beginning of the Common Era (CE) following the reign of Augustus and his conquest of Egypt in 30 BCE. The southern route so helped enhance trade between the ancient Roman Empire and the Indian subcontinent, that Roman politicians and historians are on record decrying the loss of silver and gold to buy silk to pamper Roman wives, and the southern route grew to eclipse and then totally supplant the overland trade route. Roman and Greek traders frequented the ancient Tamil country, present day Southern India and Sri Lanka, securing trade with the seafaring Tamil states of the Pandyan, Chola and Chera dynasties and establishing trading settlements which secured trade with the Indian subcontinent by the Greco-Roman world since the time of the Ptolemaic dynasty a few decades before the start of the Common Era and remained long after the fall of the Western Roman Empire. (Full article...)
    Roman trade in the subcontinent according to the Periplus Maris Erythraei 1st century CE

    Indo-Roman trade relations (see also the spice trade and incense road) was trade between the Indian subcontinent and the Roman Empire in Europe and the Mediterranean Sea. Trade through the overland caravan routes via Asia Minor and the Middle East, though at a relative trickle compared to later times, preceded the southern trade route via the Red Sea which started around the beginning of the Common Era (CE) following the reign of Augustus and his conquest of Egypt in 30 BCE.

    The southern route so helped enhance trade between the ancient Roman Empire and the Indian subcontinent, that Roman politicians and historians are on record decrying the loss of silver and gold to buy silk to pamper Roman wives, and the southern route grew to eclipse and then totally supplant the overland trade route. Roman and Greek traders frequented the ancient Tamil country, present day Southern India and Sri Lanka, securing trade with the seafaring Tamil states of the Pandyan, Chola and Chera dynasties and establishing trading settlements which secured trade with the Indian subcontinent by the Greco-Roman world since the time of the Ptolemaic dynasty a few decades before the start of the Common Era and remained long after the fall of the Western Roman Empire. (Full article...)
  • Image 14 Major Rama Raghoba Rane, PVC (26 June 1918 – 11 July 1994) was an Indian military officer. He was the first living recipient of India's highest military decoration, the Param Vir Chakra, which he was awarded along with Karam Singh. Born in 1918, Rane served in the British Indian Army during the Second World War. He remained in the military during the post-war period and was commissioned in the Bombay Sappers Regiment of the Indian Army's Corps of Engineers on 15 December 1947. In April 1948, during the Indo-Pakistani War of 1947, Rane played a key role in the capture of Rajauri by Indian forces by being instrumental in clearing several roadblocks and minefields. His actions helped clear the way for advancing Indian tanks. He was awarded the Param Vir Chakra on 8 April 1948 for his gallantry. He retired as a major from the Indian Army in 1968. During his 28 years' service with the army, he was mentioned in despatches five times. He died in 1994 at the age of 76. (Full article...)
    Major Rama Raghoba Rane, PVC (26 June 1918 – 11 July 1994) was an Indian military officer. He was the first living recipient of India's highest military decoration, the Param Vir Chakra, which he was awarded along with Karam Singh.

    Born in 1918, Rane served in the British Indian Army during the Second World War. He remained in the military during the post-war period and was commissioned in the Bombay Sappers Regiment of the Indian Army's Corps of Engineers on 15 December 1947. In April 1948, during the Indo-Pakistani War of 1947, Rane played a key role in the capture of Rajauri by Indian forces by being instrumental in clearing several roadblocks and minefields. His actions helped clear the way for advancing Indian tanks. He was awarded the Param Vir Chakra on 8 April 1948 for his gallantry. He retired as a major from the Indian Army in 1968. During his 28 years' service with the army, he was mentioned in despatches five times. He died in 1994 at the age of 76. (Full article...)
  • Image 15 Kazi Nazrul Islam in 1926, Chittagong Kazi Nazrul Islam (Bengali: কাজী নজরুল ইসলাম, pronounced [kad͡ʒi ˈnod͡ʒɾul islam] ⓘ; 24 May 1899 – 29 August 1976) was a Bengali poet, short story writer, journalist, lyricist and musician. He is the national poet of Bangladesh. Nazrul produced a large body of poetry, music, messages, novels, and stories with themes, that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion. Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi" (Rebel Poet). His compositions form the avant-garde music genre of Nazrul Gīti (Music of Nazrul). Born into a Bengali Muslim Kazi family hailing from Churulia in Burdwan district in Bengal Presidency (now in West Bengal, India), Nazrul Islam received religious education and as a young man worked as a muezzin at a local mosque. He learned about poetry, drama, and literature while working with the rural theatrical group Leṭor Dôl, Leṭo being a folk song genre of West Bengal usually performed by the people from Muslim community of the region. He joined the British Indian Army in 1917 and was posted in Karachi. Nazrul Islam established himself as a journalist in Calcutta after the war ended. He criticised the British Raj and called for revolution through his famous poetic works, such as "Bidrohī" ('The Rebel') and "Bhangar Gan" ('The Song of Destruction'), as well as in his publication Dhūmketu ('The Comet'). His nationalist activism in Indian independence movement led to his frequent imprisonment by the colonial British authorities. While in prison, Nazrul Islam wrote the "Rajbôndīr Jôbanbôndī" ('Deposition of a Political Prisoner'). His writings greatly inspired Bengalis of East Pakistan during the Bangladesh Liberation War. (Full article...)

    Kazi Nazrul Islam in 1926, Chittagong

    Kazi Nazrul Islam (Bengali: কাজী নজরুল ইসলাম, pronounced [kad͡ʒi ˈnod͡ʒɾul islam] ⓘ; 24 May 1899 – 29 August 1976) was a Bengali poet, short story writer, journalist, lyricist and musician. He is the national poet of Bangladesh. Nazrul produced a large body of poetry, music, messages, novels, and stories with themes, that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion. Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi" (Rebel Poet). His compositions form the avant-garde music genre of Nazrul Gīti (Music of Nazrul).

    Born into a Bengali Muslim Kazi family hailing from Churulia in Burdwan district in Bengal Presidency (now in West Bengal, India), Nazrul Islam received religious education and as a young man worked as a muezzin at a local mosque. He learned about poetry, drama, and literature while working with the rural theatrical group Leṭor Dôl, Leṭo being a folk song genre of West Bengal usually performed by the people from Muslim community of the region. He joined the British Indian Army in 1917 and was posted in Karachi. Nazrul Islam established himself as a journalist in Calcutta after the war ended. He criticised the British Raj and called for revolution through his famous poetic works, such as "Bidrohī" ('The Rebel') and "Bhangar Gan" ('The Song of Destruction'), as well as in his publication Dhūmketu ('The Comet'). His nationalist activism in Indian independence movement led to his frequent imprisonment by the colonial British authorities. While in prison, Nazrul Islam wrote the "Rajbôndīr Jôbanbôndī" ('Deposition of a Political Prisoner'). His writings greatly inspired Bengalis of East Pakistan during the Bangladesh Liberation War. (Full article...)
  • Image 16 Maria Mies (6 February 1931 – 15 May 2023) was a German professor of sociology, a Marxist feminist, an activist for women's rights, and an author. She came from a rural background in the Volcanic Eifel, and initially trained to be a teacher. After working for several years as a primary school teacher and qualifying as a high school instructor, she applied to the Goethe Institute, hoping to work in Africa or Asia. Assigned to a school in Pune, India, she discovered that while her male students took German courses to further their education, women for the most part took her classes to avoid marriage. Returning to study at the University of Cologne, she prepared her dissertation about contradictions of social expectations for women in India in 1971, earning her PhD the following year. Mies was active in social movements from the late 1960s. Her activism was in favour of women's liberation and pacifism and against the Vietnam War and nuclear armaments. She taught sociology at the Cologne University of Applied Sciences and University of Frankfurt Institute for Social Research in the 1970s. Becoming aware of the lack of knowledge about women's history, she helped found and then gave lectures at the first women's shelter in Germany. In 1979, she began teaching women's studies at the International Institute of Social Studies in The Hague and founded a master's degree programme for women from developing countries, based on feminist theory. (Full article...)
    Maria Mies (6 February 1931 – 15 May 2023) was a German professor of sociology, a Marxist feminist, an activist for women's rights, and an author. She came from a rural background in the Volcanic Eifel, and initially trained to be a teacher. After working for several years as a primary school teacher and qualifying as a high school instructor, she applied to the Goethe Institute, hoping to work in Africa or Asia. Assigned to a school in Pune, India, she discovered that while her male students took German courses to further their education, women for the most part took her classes to avoid marriage. Returning to study at the University of Cologne, she prepared her dissertation about contradictions of social expectations for women in India in 1971, earning her PhD the following year.

    Mies was active in social movements from the late 1960s. Her activism was in favour of women's liberation and pacifism and against the Vietnam War and nuclear armaments. She taught sociology at the Cologne University of Applied Sciences and University of Frankfurt Institute for Social Research in the 1970s. Becoming aware of the lack of knowledge about women's history, she helped found and then gave lectures at the first women's shelter in Germany. In 1979, she began teaching women's studies at the International Institute of Social Studies in The Hague and founded a master's degree programme for women from developing countries, based on feminist theory. (Full article...)
  • Image 17 Gurkha paratroopers check their equipment before being dropped on a series of strategic points around Rangoon The Battle of Elephant Point was an airborne operation at the mouth of the Rangoon River conducted by a composite Gurkha airborne battalion that took place on 1 May 1945. In March 1945, plans were made for an assault on Rangoon, the capital of Burma, as a stepping-stone on the way to recapturing Malaya and Singapore. Initial plans for the assault on the city had called for a purely land-based approach by British Fourteenth Army, but concerns about heavy Japanese resistance led to this being modified with the addition of a joint amphibious-airborne assault. This assault, led by 26th Indian Division, would sail up the Rangoon River, but before it could do so, the river would have to be cleared of Japanese and British mines. In order to achieve this, coastal defences along the river would have to be neutralized, including a battery at Elephant Point. This task was given to the 44th Indian Airborne Division. However, as the division was in the middle of a reorganisation, a composite battalion was formed from two Gurkha parachute battalions. The battalion assembled and trained throughout April, and was then dropped near Elephant Point early in the morning of 1 May. As it advanced towards the battery one of the battalion's companies was attacked by American bombers, causing a number of casualties. Despite this friendly fire incident, and torrential rain, the battalion successfully assaulted Elephant Point, neutralising the battery there after a fierce firefight. The battalion held the area around Elephant Point until 2 May, when the 26th Indian Division conducted its amphibious assault up the river and secured Rangoon. (Full article...)

    Gurkha paratroopers check their equipment before being dropped on a series of strategic points around Rangoon

    The Battle of Elephant Point was an airborne operation at the mouth of the Rangoon River conducted by a composite Gurkha airborne battalion that took place on 1 May 1945. In March 1945, plans were made for an assault on Rangoon, the capital of Burma, as a stepping-stone on the way to recapturing Malaya and Singapore. Initial plans for the assault on the city had called for a purely land-based approach by British Fourteenth Army, but concerns about heavy Japanese resistance led to this being modified with the addition of a joint amphibious-airborne assault. This assault, led by 26th Indian Division, would sail up the Rangoon River, but before it could do so, the river would have to be cleared of Japanese and British mines. In order to achieve this, coastal defences along the river would have to be neutralized, including a battery at Elephant Point.

    This task was given to the 44th Indian Airborne Division. However, as the division was in the middle of a reorganisation, a composite battalion was formed from two Gurkha parachute battalions. The battalion assembled and trained throughout April, and was then dropped near Elephant Point early in the morning of 1 May. As it advanced towards the battery one of the battalion's companies was attacked by American bombers, causing a number of casualties. Despite this friendly fire incident, and torrential rain, the battalion successfully assaulted Elephant Point, neutralising the battery there after a fierce firefight. The battalion held the area around Elephant Point until 2 May, when the 26th Indian Division conducted its amphibious assault up the river and secured Rangoon. (Full article...)
  • Image 18 Agneepath (Hindi pronunciation: [əɡnɪpətʰ], transl. The Path of Fire) is a 2012 Indian Hindi-language action crime film produced by Hiroo Yash Johar and Karan Johar under Dharma Productions and directed by Karan Malhotra in his directorial debut. Adaptation of the 1990 film of the same name directed by Mukul S. Anand and starring Amitabh Bachchan, it centers on a screenplay written by Malhotra and Ila Dutta Bedi, with dialogues written by Piyush Mishra. The film stars Hrithik Roshan and Sanjay Dutt along with Rishi Kapoor, Priyanka Chopra, Om Puri and Zarina Wahab in supporting roles. Similar to the original, In the film, Vijay Deenanath Chauhan (Hrithik Roshan), a common man from the island village of Mandwa who seeks revenge for his father's humiliation and murder at the hands of Kancha Cheena (Sanjay Dutt); in the process, he befriends Rauf Lala (Rishi Kapoor), an underworld gangster, and falls in love with a loquacious girl, Kaali Gawde (Priyanka Chopra). Karan Johar had harboured intentions of remaking the original Agneepath ever since its release, which was produced by his father Yash Johar. Despite receiving critical acclaim, the film was a commercial failure and brought Yash to financial ruin. Believing that he was not qualified to direct an action film, Karan Johar approached Karan Malhotra, his associate director on My Name is Khan (2010), to helm the project. He considered the film to be a tribute to his father. Principal photography of Agneepath took place in Diu and Mumbai, with several accidents taking place on the sets. The music of the film was composed by Ajay–Atul, with lyrics written by Amitabh Bhattacharya. As with the original, the title is taken from a poem of the same name by Harivansh Rai Bachchan, which forms a thematic link through the film, both literally and metaphorically. (Full article...)
    Agneepath (Hindi pronunciation: [əɡnɪpətʰ], transl. The Path of Fire) is a 2012 Indian Hindi-language action crime film produced by Hiroo Yash Johar and Karan Johar under Dharma Productions and directed by Karan Malhotra in his directorial debut. Adaptation of the 1990 film of the same name directed by Mukul S. Anand and starring Amitabh Bachchan, it centers on a screenplay written by Malhotra and Ila Dutta Bedi, with dialogues written by Piyush Mishra. The film stars Hrithik Roshan and Sanjay Dutt along with Rishi Kapoor, Priyanka Chopra, Om Puri and Zarina Wahab in supporting roles. Similar to the original, In the film, Vijay Deenanath Chauhan (Hrithik Roshan), a common man from the island village of Mandwa who seeks revenge for his father's humiliation and murder at the hands of Kancha Cheena (Sanjay Dutt); in the process, he befriends Rauf Lala (Rishi Kapoor), an underworld gangster, and falls in love with a loquacious girl, Kaali Gawde (Priyanka Chopra).

    Karan Johar had harboured intentions of remaking the original Agneepath ever since its release, which was produced by his father Yash Johar. Despite receiving critical acclaim, the film was a commercial failure and brought Yash to financial ruin. Believing that he was not qualified to direct an action film, Karan Johar approached Karan Malhotra, his associate director on My Name is Khan (2010), to helm the project. He considered the film to be a tribute to his father. Principal photography of Agneepath took place in Diu and Mumbai, with several accidents taking place on the sets. The music of the film was composed by Ajay–Atul, with lyrics written by Amitabh Bhattacharya. As with the original, the title is taken from a poem of the same name by Harivansh Rai Bachchan, which forms a thematic link through the film, both literally and metaphorically. (Full article...)
  • Image 19 The Royal Calcutta Turf Club in 2015 The Royal Calcutta Turf Club (RCTC) is a horse racing organisation which was founded in 1847 in Calcutta, British India (now Kolkata). Horse events and sports were initially organised for the British cavalry at Akra before they were moved to the Maidan. The RCTC became the foremost horse-racing organization in India during the British Raj. At one time it was the governing body for nearly all racecourses in the subcontinent, defining and applying the rules governing the sport. During its heyday, RCTC-organised races were among the most important social events of the bigwigs' calendar and were opened by the Viceroy of India. Still a private club, the RCTC operates Kolkata Race Course in the Maidan. The club also held polo matches during the late 19th century, and hosted English-style gambling; the Calcutta Derby Sweeps, organised by the RCTC, was the world's largest sweepstake in the 1930s. After the closure of the Tollygunge racecourse, a new racecourse was opened by the club in Barrackpore during the 1920s; it was unsuccessful due to poor attendance. Grandstands were built at the Maidan racecourse; Kolkata Race Course had three in 2020, including a three-tier main grandstand. (Full article...)

    The Royal Calcutta Turf Club in 2015

    The Royal Calcutta Turf Club (RCTC) is a horse racing organisation which was founded in 1847 in Calcutta, British India (now Kolkata). Horse events and sports were initially organised for the British cavalry at Akra before they were moved to the Maidan. The RCTC became the foremost horse-racing organization in India during the British Raj. At one time it was the governing body for nearly all racecourses in the subcontinent, defining and applying the rules governing the sport. During its heyday, RCTC-organised races were among the most important social events of the bigwigs' calendar and were opened by the Viceroy of India. Still a private club, the RCTC operates Kolkata Race Course in the Maidan.

    The club also held polo matches during the late 19th century, and hosted English-style gambling; the Calcutta Derby Sweeps, organised by the RCTC, was the world's largest sweepstake in the 1930s. After the closure of the Tollygunge racecourse, a new racecourse was opened by the club in Barrackpore during the 1920s; it was unsuccessful due to poor attendance. Grandstands were built at the Maidan racecourse; Kolkata Race Course had three in 2020, including a three-tier main grandstand. (Full article...)
  • Image 20 Defence of the Centurion in Vizagapatam Road, Septr. 15th 1804, Thomas Sutherland The Battle of Vizagapatam was a minor naval engagement fought in the approaches to Vizagapatam harbour in the Coastal Andhra region of British India on the Bay of Bengal on 15 September 1804 during the Napoleonic Wars. A French squadron under Contre-Admiral Charles-Alexandre Léon Durand Linois in the ship of the line Marengo attacked the British Royal Navy fourth rate ship HMS Centurion and two East Indiaman merchant ships anchored in the harbour roads. Linois was engaged in an extended raiding campaign, which had already involved operations in the South China Sea, in the Mozambique Channel, off Ceylon and along the Indian coast of the Bay of Bengal. The French squadron had fought one notable engagement, at the Battle of Pulo Aura on 15 February 1804, in which Linois had attacked the Honourable East India Company's (HEIC) China Fleet, a large convoy of well-armed merchant ships carrying cargo worth £8 million. Linois failed to press the attack and withdrew with the convoy at his mercy, invoking the anger of Napoleon when the news reached France. Since his failure at Pulo Aura, Linois had been cruising the Indian Ocean, and during August and September 1804 had seized a number of valuable merchant ships as his squadron travelled north from Ceylon along the Indian coast of the Bay of Bengal. From a ship captured off Masulipatam, Linois learned of the presence of the East Indiamen at Vizagapatam and determined to attack, unaware that British Rear-Admiral Peter Rainier had replaced the small frigate HMS Wilhelmina with the larger Centurion as the convoy's escort. Arriving off the port at 06:00, Linois advanced on the convoy, causing one of the East Indiamen to drive ashore in panic. The other merchant vessel failed to support the outnumbered Centurion and was captured, but Centurion continued fighting alone. Initially supported by the fire of gun batteries on shore, Centurion later moved out of their range while engaging the French flagship Marengo, which remained well offshore to avoid the coastal shoals. After an engagement lasting four hours Marengo withdrew, the badly damaged Centurion attempting to pursue but without success. Linois's squadron was forced to return to Île de France in the aftermath of the engagement, where Marengo required six months of repairs. (Full article...)

    Defence of the Centurion in Vizagapatam Road, Septr. 15th 1804, Thomas Sutherland

    The Battle of Vizagapatam was a minor naval engagement fought in the approaches to Vizagapatam harbour in the Coastal Andhra region of British India on the Bay of Bengal on 15 September 1804 during the Napoleonic Wars. A French squadron under Contre-Admiral Charles-Alexandre Léon Durand Linois in the ship of the line Marengo attacked the British Royal Navy fourth rate ship HMS Centurion and two East Indiaman merchant ships anchored in the harbour roads. Linois was engaged in an extended raiding campaign, which had already involved operations in the South China Sea, in the Mozambique Channel, off Ceylon and along the Indian coast of the Bay of Bengal. The French squadron had fought one notable engagement, at the Battle of Pulo Aura on 15 February 1804, in which Linois had attacked the Honourable East India Company's (HEIC) China Fleet, a large convoy of well-armed merchant ships carrying cargo worth £8 million. Linois failed to press the attack and withdrew with the convoy at his mercy, invoking the anger of Napoleon when the news reached France.

    Since his failure at Pulo Aura, Linois had been cruising the Indian Ocean, and during August and September 1804 had seized a number of valuable merchant ships as his squadron travelled north from Ceylon along the Indian coast of the Bay of Bengal. From a ship captured off Masulipatam, Linois learned of the presence of the East Indiamen at Vizagapatam and determined to attack, unaware that British Rear-Admiral Peter Rainier had replaced the small frigate HMS Wilhelmina with the larger Centurion as the convoy's escort. Arriving off the port at 06:00, Linois advanced on the convoy, causing one of the East Indiamen to drive ashore in panic. The other merchant vessel failed to support the outnumbered Centurion and was captured, but Centurion continued fighting alone. Initially supported by the fire of gun batteries on shore, Centurion later moved out of their range while engaging the French flagship Marengo, which remained well offshore to avoid the coastal shoals. After an engagement lasting four hours Marengo withdrew, the badly damaged Centurion attempting to pursue but without success. Linois's squadron was forced to return to Île de France in the aftermath of the engagement, where Marengo required six months of repairs. (Full article...)
  • Image 21 Deshmukh in 2012 Genelia Deshmukh, née D'Souza (born 5 August 1987), also credited professionally as Genelia, is an Indian actress who predominantly appears in Hindi, Telugu and Tamil language films. Described in the media as one of the leading South Indian actresses of the 2000s, Deshmukh has received a Filmfare Award South and two Nandi Awards. After gaining attention in a Parker Pen commercial with Amitabh Bachchan, D'Souza began her acting career with the Hindi film Tujhe Meri Kasam in 2003. She was recognised for her role in the Tamil film Boys the same year. D'Souza received the Filmfare Award for Best Actress – Telugu for her performance in the romantic comedy Bommarillu (2006). She gave two notable performances in the 2008 romantic comedies Santosh Subramaniam and Jaane Tu... Ya Jaane Na. D'Souza went onto appear in such commercially successful films as Masti (2004), Sachein (2005), Happy (2006), Dhee (2007), Mr. Medhavi (2008), Ready (2008), Katha (2009), Urumi (2011), Force (2011), Velayudham (2011) and Tere Naal Love Ho Gaya (2012). (Full article...)

    Deshmukh in 2012

    Genelia Deshmukh, née D'Souza (born 5 August 1987), also credited professionally as Genelia, is an Indian actress who predominantly appears in Hindi, Telugu and Tamil language films. Described in the media as one of the leading South Indian actresses of the 2000s, Deshmukh has received a Filmfare Award South and two Nandi Awards.

    After gaining attention in a Parker Pen commercial with Amitabh Bachchan, D'Souza began her acting career with the Hindi film Tujhe Meri Kasam in 2003. She was recognised for her role in the Tamil film Boys the same year. D'Souza received the Filmfare Award for Best Actress – Telugu for her performance in the romantic comedy Bommarillu (2006). She gave two notable performances in the 2008 romantic comedies Santosh Subramaniam and Jaane Tu... Ya Jaane Na. D'Souza went onto appear in such commercially successful films as Masti (2004), Sachein (2005), Happy (2006), Dhee (2007), Mr. Medhavi (2008), Ready (2008), Katha (2009), Urumi (2011), Force (2011), Velayudham (2011) and Tere Naal Love Ho Gaya (2012). (Full article...)
  • Image 22 Ugly is a 2013 Indian Hindi-language thriller film written, co-produced and directed by Anurag Kashyap. Jointly produced by Phantom Films and DAR Motion Pictures, the film stars Rahul Bhat, Ronit Roy, Tejaswini Kolhapure, Vineet Kumar Singh, Girish Kulkarni, Surveen Chawla and Anshika Shrivastava in the lead roles. It also features TV actor Abir Goswami in his last film appearance before his death in 2013. Told in the course of a week, Ugly follows the story of a struggling actor Rahul Varshney (Bhat), whose daughter Kali (Shrivastava) disappears, and the events that follow. Kashyap had the idea for the film since 2006 and started writing the script after talking to one of his friends, who was in the Special Task Force, Lucknow, about kidnapping cases. He chose actors who could connect with the characters in the film. The film's background score and music were composed by Brian McOmber and G. V. Prakash Kumar respectively, while Gaurav Solanki wrote the lyrics. Nikos Andritsakis served as the film's cinematographer and Aarti Bajaj was its editor. (Full article...)
    Ugly is a 2013 Indian Hindi-language thriller film written, co-produced and directed by Anurag Kashyap. Jointly produced by Phantom Films and DAR Motion Pictures, the film stars Rahul Bhat, Ronit Roy, Tejaswini Kolhapure, Vineet Kumar Singh, Girish Kulkarni, Surveen Chawla and Anshika Shrivastava in the lead roles. It also features TV actor Abir Goswami in his last film appearance before his death in 2013. Told in the course of a week, Ugly follows the story of a struggling actor Rahul Varshney (Bhat), whose daughter Kali (Shrivastava) disappears, and the events that follow.

    Kashyap had the idea for the film since 2006 and started writing the script after talking to one of his friends, who was in the Special Task Force, Lucknow, about kidnapping cases. He chose actors who could connect with the characters in the film. The film's background score and music were composed by Brian McOmber and G. V. Prakash Kumar respectively, while Gaurav Solanki wrote the lyrics. Nikos Andritsakis served as the film's cinematographer and Aarti Bajaj was its editor. (Full article...)
  • Image 23 Bahadur Shah I c. 1670 Mirza Muhammad Mu'azzam (14 October 1643 – 27 February 1712), commonly known as Bahadur Shah I and Shah Alam I, was the eighth Mughal Emperor from 1707 to 1712. He was the second son of the sixth Mughal emperor Aurangzeb, who he conspired to overthrow in his youth. He was also governor of the imperial provinces of Agra, Kabul and Lahore and had to face revolts of Rajputs and Sikhs. After Aurangzeb's death, Muhammad Azam Shah, his third son by his chief consort declared himself successor, but was shortly defeated in one of the largest battles of India, the Battle of Jajau and overthrown by Bahadur Shah. During the reign of Bahadur Shah, the Rajput kingdoms of Jodhpur and Amber were annexed again after they had declared independence a few years prior. (Full article...)

    Bahadur Shah I c. 1670

    Mirza Muhammad Mu'azzam (14 October 1643 – 27 February 1712), commonly known as Bahadur Shah I and Shah Alam I, was the eighth Mughal Emperor from 1707 to 1712. He was the second son of the sixth Mughal emperor Aurangzeb, who he conspired to overthrow in his youth. He was also governor of the imperial provinces of Agra, Kabul and Lahore and had to face revolts of Rajputs and Sikhs.

    After Aurangzeb's death, Muhammad Azam Shah, his third son by his chief consort declared himself successor, but was shortly defeated in one of the largest battles of India, the Battle of Jajau and overthrown by Bahadur Shah. During the reign of Bahadur Shah, the Rajput kingdoms of Jodhpur and Amber were annexed again after they had declared independence a few years prior. (Full article...)
  • Image 24 Mouna Ragam (/ˈmaʊnə ˈrɑːɡəm/ transl. Silent Symphony) is a 1986 Indian Tamil-language romantic drama film written and directed by Mani Ratnam, and produced by G. Venkateswaran. The film stars Mohan and Revathi, with Karthik in a guest appearance. V. K. Ramasamy, Ra. Sankaran, Bhaskar, Kanchana, Vani, Kalaiselvi and Sonia play supporting roles. It narrates the life of Divya (Revathi), a free-spirited college girl who is forced into an arranged marriage with Chandrakumar (Mohan) by her father (Sankaran) though she still lives with the memory of her deceased lover Manohar (Karthik). The story follows Divya's inner conflict between holding on to her past and coming to terms with the present. The film's development began when Ratnam began writing a short story titled "Divya" with no cinematic plans until he finished it. Since production on his directorial debut Pallavi Anu Pallavi (1983) was delayed, he took a break for a month and developed "Divya" into a film script, which would eventually be renamed Mouna Ragam. Although Ratnam began work on the script during Pallavi Anu Pallavi, it languished in development hell and ended up becoming his fifth film. Mouna Ragam was the first film produced by Venkateswaran's Sujatha Films, and was shot primarily in Madras, with additional filming taking place in Delhi and Agra. The music was composed by Ilaiyaraaja, with lyrics by Vaali. P. C. Sreeram was the cinematographer, and the art director was Thota Tharani. The film was edited by B. Lenin and V. T. Vijayan. (Full article...)
    Mouna Ragam (/ˈmaʊnə ˈrɑːɡəm/ transl. Silent Symphony) is a 1986 Indian Tamil-language romantic drama film written and directed by Mani Ratnam, and produced by G. Venkateswaran. The film stars Mohan and Revathi, with Karthik in a guest appearance. V. K. Ramasamy, Ra. Sankaran, Bhaskar, Kanchana, Vani, Kalaiselvi and Sonia play supporting roles. It narrates the life of Divya (Revathi), a free-spirited college girl who is forced into an arranged marriage with Chandrakumar (Mohan) by her father (Sankaran) though she still lives with the memory of her deceased lover Manohar (Karthik). The story follows Divya's inner conflict between holding on to her past and coming to terms with the present.

    The film's development began when Ratnam began writing a short story titled "Divya" with no cinematic plans until he finished it. Since production on his directorial debut Pallavi Anu Pallavi (1983) was delayed, he took a break for a month and developed "Divya" into a film script, which would eventually be renamed Mouna Ragam. Although Ratnam began work on the script during Pallavi Anu Pallavi, it languished in development hell and ended up becoming his fifth film. Mouna Ragam was the first film produced by Venkateswaran's Sujatha Films, and was shot primarily in Madras, with additional filming taking place in Delhi and Agra. The music was composed by Ilaiyaraaja, with lyrics by Vaali. P. C. Sreeram was the cinematographer, and the art director was Thota Tharani. The film was edited by B. Lenin and V. T. Vijayan. (Full article...)
  • Image 25 Pair of ruddy shelducks The ruddy shelduck (Tadorna ferruginea), known in India as the Brahminy duck, is a member of the family Anatidae. It is a distinctive waterfowl, 58 to 70 cm (23 to 28 in) in length with a wingspan of 110 to 135 cm (43 to 53 in). It has orange-brown body plumage with a paler head, while the tail and the flight feathers in the wings are black, contrasting with the white wing-coverts. It is a migratory bird, wintering in the Indian subcontinent and breeding in southeastern Europe and central Asia, though there are small resident populations in North Africa. It has a loud honking call. The ruddy shelduck mostly inhabits inland water-bodies such as lakes, reservoirs and rivers. The male and female form a lasting pair bond and the nest may be well away from water, in a crevice or hole in a cliff, tree or similar site. A clutch of about eight eggs is laid and is incubated solely by the female for about four weeks. The young are cared for by both parents and fledge about eight weeks after hatching. (Full article...)

    Pair of ruddy shelducks

    The ruddy shelduck (Tadorna ferruginea), known in India as the Brahminy duck, is a member of the family Anatidae. It is a distinctive waterfowl, 58 to 70 cm (23 to 28 in) in length with a wingspan of 110 to 135 cm (43 to 53 in). It has orange-brown body plumage with a paler head, while the tail and the flight feathers in the wings are black, contrasting with the white wing-coverts. It is a migratory bird, wintering in the Indian subcontinent and breeding in southeastern Europe and central Asia, though there are small resident populations in North Africa. It has a loud honking call.

    The ruddy shelduck mostly inhabits inland water-bodies such as lakes, reservoirs and rivers. The male and female form a lasting pair bond and the nest may be well away from water, in a crevice or hole in a cliff, tree or similar site. A clutch of about eight eggs is laid and is incubated solely by the female for about four weeks. The young are cared for by both parents and fledge about eight weeks after hatching. (Full article...)
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12 December 2024 – 2024–25 South-West Indian Ocean cyclone season
Tropical Cyclone Chido makes landfall over Agaléga, Mauritius. (Crisis24)
9 December 2024 –
At least seven people are killed and 42 others are injured when a bus rams into several vehicles and pedestrians in Mumbai, Maharashtra, India. The bus driver is detained by local police. (DW) (The Indian Express)
9 December 2024 – 2024 Indian bomb hoaxes
At least 40 schools in New Delhi, India, receive bomb threats and a $30,000 ransom demand via e-mail on the same day. No evidence of explosives are found. (DW) (BBC News)
7 December 2024 – 2024 Indian farmers' protest
Over 100 Indian farmers march from Punjab to the capital city New Delhi to demand for the legal assurance of a minimum support price for all crops as well as loan forgiveness for farmers. (DW)
Punjab Police set up barricades and fire tear gas at the marching farmers as they enter Haryana, causing them to turn around and return to Shambhu, Punjab. (Hindustan Times) (Anadolu Agency)

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