Ingeborg Bronsart von Schellendorf

Ingeborg Bronsart von Schellendorf (born Ingeborg Maria Wilhelmina Starck,[1] 24 August 1840 in Saint Petersburg, died 17 June 1913 in Munich) was a Finland-Swedish and German composer.

Ingeborg Bronsart von Schellendorf
Ingeborg Bronsart
Born
Ingeborg Maria Wilhelmina Starck

24 August 1840
Died17 June 1913
Munich, Bavaria, Germany
OccupationComposer

Life

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Ingeborg Starck was the daughter of Finland-Swedish parents Margareta Åkerman and Otto Starck (originally Tarkiain[en])[clarification needed] who were living in Saint Petersburg, Russia, where her father, a court saddle-maker,[1] was involved in commerce. Her native language was Swedish.[2] Having shown musical gifts from a young age, she studied piano with Nicolas von Martinoff and Adolf Henselt, as well as composition with Constantin Decker. She completed her studies in Weimar with Franz Liszt. During a stay in Paris in 1861 her friends included composers such as Auber, Berlioz, Rossini and Wagner. In September of the same year, she married fellow pianist-composer Hans Bronsart von Schellendorff, a member of Liszt's circle whom she had met in Weimar.[3]

Ingeborg Bronsart von Schellendorf toured Europe as a concert pianist until 1867, when she was expected to cease work due to her husband's appointment as general manager of the Royal Theatre in Hanover. She remained musically active as a composer of opera, chamber and instrumental music and a large number of songs. Earlier, she had composed a piano concerto (1863), now lost. During her lifetime her operas were successfully produced in many theatres in Germany.[3] Pieces composed by her which were popular at the time included her Kaiser Wilhelm March (1871), the Singspiel Jery und Bätely (1873) and the opera Hiarne (1891).

Works

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Operas

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  • Die Göttin von Sais (1867)
  • Jery und Bätely (1873)
  • König Hiarne (1891)
  • Die Sühne (1909)

Concertos

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  • Concerto for Piano and Orchestra in F-minor (1863)

Orchestral works

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  • Kaiser Wilhelm March (1872)

Chamber music

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  • Romanze in A minor for violin and piano (1873)
  • Notturno in A minor for cello and piano, op. 13 (1879)
  • Elegie in C major for cello and piano, op. 14 (1879)
  • Romanze in B-flat major for cello and piano, op. 15 (1879)
  • Phantasie for violin and piano, op. 21 (1891)

Piano music

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  • Trois études (1855)
  • Nocturne (1855)
  • Tarantella (1855)
  • Fuge über die Namen Maria und Martha (von Sabinin) (1859)
  • Fugues (1859)
  • Variations on themes by Bach (1859)
  • Variations (1859)
  • Toccatas (1859)
  • Sonata (1859)
  • Kaiser Wilhelm March (1871)
  • Vier Clavierstücke (1874)
  • Drei Phantasie in G-sharp minor, op. 18 (1891)

Choral music

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  • Hurrah Germania! for male choir (1871)
  • Kennst du die rothe Rose? for soloists male choir and mixed choir (1873)
  • Easter Lied, for choir, op. 27 (1903)

Songs

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  • Die Loreley (1865)
(Text: Heinrich Heine)
  • Und ob der holde Tag vergangen (1870)
  • Three Lieder (1871)
(Text: A. Dunker, E. Neubauer, H. Zeise)
  • Three Lieder (1872)
(Text: Heine, O. Roquette)
... 3. Ich hab' im Traum geweinet
  • Five Lieder (1878)
(Text: Johann Wolfgang von Goethe, August von Platen, Friedrich Rückert)
  • Six Lieder by Mirza Schaffy, op. 8 (1879)
(Text: Friedrich Martin von Bodenstedt after Mirza Shafi Vazeh)
1. Zuléikha; 2. Im Garten klagt die Nachtigall; 3. Wenn der Frühling auf die Berge steigt; 4. Gelb rollt mir zu Füßen; 5. Die helle Sonne leuchtet; 6. Ich fühle deinen Odem
  • Hafisa: Three Lieder by Mirza Schaffy, op. 9 (1879)
(Text: Bodenstedt after Mirza Shafi)
  • 6 Poems, op. 10 (1879)
(Text: Bodenstedt)
1. Mir träumte einst ein schöner Traum; 2. Abschied vom Kaukasus; 3. Wie lächeln die Augen; 4. Nachtigall, o Nachtigall; 5. Das Vöglein; 6. Sing, mit Sonnenaufgang singe
  • Five Christmas Lieder, op. 11 (1880)
(Text: Jakobi)
  • Five Poems, op. 12 (1880)
(Text: Bodenstedt)
  • Röslein auf Haiden (1880–1885)
(Text: Richard Voss)
  • Five Poems, op. 16 (1882)
(Text: Ernst von Wildenbruch)
1. Abendlied; 2. Ständchen; 3. Zwei Sträusse; 4. Der Blumenstrauss 5. Letzte Bitte
  • Twelve Nursery Rhymes, op. 17 (1882)
(Text: Klaus Groth)
  • Wie dich die warme Luft umscherzt“ (?)
  • Blumengruss (1888)
(Text: Goethe)
  • Six Poems, op. 20 (1891)
(Text: Michail Lermontov)
  • Three Poems, op. 22 (1891)
(Text: Peter Cornelius)
  • Three Lieder, op. 23 (1892)
(Text: Goethe, Nikolaus Lenau, Platen)
  • Im Lenz (1898)
(Text: Paul Heyse)
  • Rappelle-toi! op. 24 (1902)
(Text: Alfred de Musset)
  • Three Lieder, op. 25 (1902)
(Text: Bodenstedt, Goethe, Heine)
... 3. Ich stand in dunkeln Träumen (Heine)
  • Abschied, op. 26 (1902)
(Text: Felix Dahn)
  • Lieder, (c. 1903)
(Text: Bodenstedt)
  • Verwandlung (1910)
(Text: Paul Heyse)
  • Lieder (1910)

References

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  1. ^ a b Pieniä löytöjä – Starck. Genos, 1965 (vol. 36), pp. 68–69. (In Finnish.)
  2. ^ Välimäki, Susanna (7 October 2020). "Pidättekö Bronsartista?". Helsingin Sanomat (in Finnish). p. B4.
  3. ^ a b "Obituary: Ingeborg von Bronsart (Née Stark)". The Musical Times. 54 (847). Musical Times Publications Ltd.: 607 1 September 1913. JSTOR 908070. (subscription required)

Sources

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