Jürgen Theobaldy (born 7 March 1944) is a German writer who lives in Bern, Switzerland.[1]
Jürgen Theobaldy | |
|---|---|
| Born | 7 March 1944 Strasbourg, France |
| Occupation | Author |
| Nationality | German |
Early life and education
editJürgen Theobaldy was born in Strasbourg (then under German occupation) and grew up in Mannheim in a working class family.[2] During World War II, Mannheim was heavily bombed, but it was rebuilt quickly after the war.
After completing a commercial apprenticeship, Theobaldy studied at the Universities of Education at Freiburg im Breisgau and Heidelberg, hoping perhaps, at least initially, to become a primary or secondary school teacher.[3][4] He then studied literature at Universities of Heidelberg and Cologne and, from 1974, at the Free University of Berlin. He has lived in Switzerland since 1984.
Career
editHis literary career began in the student movement in the late 1960s when he wrote "Die Freiheit für Bobby Seale" ("Freedom for Bobby Seale"), a poem about an anti-war demonstration which gained significant attention.[5]
In the late 1960s or early 1970s, Theobaldy became interested in the poetry of the Beat movement and Britain's "angry young men". Theobaldy translated poems by Jim Burns, as well as Latin American poets like Roque Dalton and Ernesto Cardenal. From 1971 to 1973, he edited the poetry journal Benzin.
During the early 1970s, Theobaldy belonged to a circle of poets in Cologne that included Rolf Dieter Brinkmann, Ralf-Rainer Rygulla, and Rolf Eckart John. His poetry from this period shifted towards an "anti-ideological" focus on everyday reality, similar to the approach of Nicolas Born and Michael Buselmeier.[6][7]
In 1974, Theobaldy and Rolf Dieter Brinkmann were both living in the London home of the author John James. Through James, they got acquainted with poets Peter Riley and Andrew Crozier.[8] In 1975, Theobaldy accompanied Brinkmann on the trip to London where Brinkmann dies in a traffict accident, and was present at his death.[8][9] By the mid-to-late 1970s, Theobaldy became known as a key figure of the Neue Subjektivität ("New Subjectivity") movement in late 20th-century German poetry.
There was a poetological and political division between German Beat poets like Hadayatullah Hübsch, Jörg Fauser and Jürgen Ploog, and poets like Theobaldy and Born.[10] Confronted with the views of left-wing literary critics, Theobaldy maintained that his approach of embracing a "new" subjectivity was not political.[11]
Later, Theobaldy began to experiment with stricter, more traditional forms. However, his more recent poetry collection Wilde Nelken (2005) and Hin und wieder hin: Gedichte aus Japan (2015) returns to the free, subjective style and air of his poetry of the 1970s.[12]
In addition to poetry, Theobaldy has published several novels and volumes with stories, most of which reflect his experiences in places like Heidelberg, Berlin, and Bern.
In 2010, his archives, including a dossier on Brinkmann, was obtained by the Swiss Literary Archives.
Critical Perspectives
editMichael Kämper-van den Boogart describes novels and prose of Theobaldy, as well as those of his colleagues Botho Strauss and Uwe Timm, as seeing an "aesthetic" that mirrors the experience of human failures and defeats, as accomplished in their socially critical works.[13]
Gregory Divers notes that the style of Theobaldy's early 1960s works reveals the author's indebtedness to contemporary, often provocative American and British poetry.[5]
Works
editPoetry collections
edit- Sperrsitz (1973)
- Blaue Flecken (1974)
- Zweiter Klasse (1976)
- Drinks (1979)
- Schwere Erde, Rauch (1980)
- Die Sommertour (1983)
- Midlands, Drinks (1984)
- In den Aufwind (1990)
- Der Nachtbildsammler (1992)
- Mehrstimmiges Grün (1994; with proses)
- Immer wieder alles (2000)
- Wilde Nelken (2005)
- 24 Stunden offen (2006)
- Suchen ist schwer (2012)
- Hin und wieder hin. Gedichte aus Japan (2015)
- Auf dem unberührten Tisch (2019)
- Einfach um die Sonne (2021)
- Poesiealbum 368 (2022; illustrated by Johannes Vennekamp)
- Guten Tag in Kyōto. Zwei Reisen in Tanka (2022)
Novels and story collections
edit- Sonntags Kino (1978)
- Spanische Wände (1981)
- Das Festival im Hof (1985)
- Ein Glücksfall (1996; illustrated by Thomas Weber)
- In der Ferne zitternde Häuser (2000)
- Trilogie der nächsten Ziele (2003)
- Aus nächster Nähe (2013)
- Rückvergütung (2015)
- Geschichten im Vorübergehen (2020)
- Bis es passt. Zehn Erzählungen (2023)
- Mein Schützling (2023)
Critical work
edit- Veränderung der Lyrik (1976; with Gustav Zürcher)
As an editor
edit- Benzin (1971–1973)
- Und ich bewege mich doch (1977)
Translations into German
edit- Aras Ören: Der kurze Traum aus Kagithane (1974; adaptation of a translation by H. Achmed Schmiede)
- Jim Burns: Leben in Preston (1973; with Rolf Eckart John)
- Jim Burns: Fred Engels bei Woolworth (1977; with Rolf Eckart John)
- Lu Xun: Kein Ort zum Schreiben (1983; with Egbert Baqué)
- Liu Zongyuan: Am törichten Bach (2005; with Raffael Keller)
References
edit- ^ "Theobaldy, Jürgen: Archiv Jürgen Theobaldy". ead.nb.admin.ch. Retrieved 2024-09-11.
- ^ Who's who in Germany. Intercontinental Book and Publishing Company. 1974. p. 1666.
- ^ Ralf Schnell (2016). Geschichte der deutschsprachigen Literatur seit 1945. Metzler. p. 588.
- ^ Wolfgang Beutin; Klaus Ehlert; Wolfgang Emmerich; Helmut Hoffacker (1993). A History of German Literature: From the Beginnings to the Present Day. Routledge. pp. 627–628.
- ^ a b Gregory Divers (2002). The Image and Influence of America in German Poetry Since 1945. Rochester, NY: Camden House. p. 120.
- ^ Sandford, John (2013-04-03). Encyclopedia of Contemporary German Culture. Routledge. ISBN 978-1-136-81610-9.
- ^ "Michael Buselmeier - Kritisches Lexikon der deutschsprachigen Gegenwartsliteratur (KLG)". www.munzinger.de. Retrieved 2024-09-10.
- ^ a b Fauser, Markus; Niefanger, Dirk; Schönborn, Sibylle, eds. (2020). Brinkmann-Handbuch: Leben--Werk--Wirkung. Berlin: J.B. Metzler Verlag. p. 15. ISBN 978-3-476-02590-6. OCLC 1184119289.
- ^ ibid., p. 352.
- ^ ibid., p. 360.
- ^ DeMeritt, Linda C. (1987). New subjectivity and prose forms of alienation: Peter Handke and Botho Strauss. Studies in modern German literature. New York: P. Lang. p. 65. ISBN 978-0-8204-0423-3.
- ^ Weiland, Andreas (2007). "Blicke, nicht nur in frühe Fernen / 'Wilde Nelken' - Gedichte von Jürgen Theobaldy". Weimarer Beiträge. 53 (1): 142–147.
- ^ Kämper-Van den Boogaart, Michael (1992). Ästhetik des Scheiterns: Studien zu Erzähltexten von Botho Strauss, Jürgen Theobaldy, Uwe Timm u.a. Metzler Studienausgabe. Stuttgart: Metzler. ISBN 978-3-476-00857-2.