"James" is a song written and performed by Billy Joel from his fourth studio album Turnstiles (1976). It was released as the album's first single in July 1976, backed with "Travelin' Prayer".[2] One Final serenade described the song as "a wistful song about growing up and trying to balance pursuing one's dreams while balancing family and societal expectations."
| "James" | ||||
|---|---|---|---|---|
| Single by Billy Joel | ||||
| from the album Turnstiles | ||||
| B-side | "Travelin' Prayer" | |||
| Released | July 1976[1] | |||
| Recorded | 1975–1976 | |||
| Length | 3:56 3:53 (single) | |||
| Label | ||||
| Songwriter(s) | Billy Joel | |||
| Producer(s) | Billy Joel | |||
| Billy Joel singles chronology | ||||
| ||||
"James" was later released on the live album "Live at the Great American Music Hall 1975", placed as the 15th track on the album.
Lyrics and music
editThe lyrics of "James" narrate a heartfelt conversation between two friends who chose different paths in life, reflecting on the choices they've made and the pressures of societal and familial expectations. The lyrics are directed at "James," a friend who has taken a more traditional, stable path by prioritizing education and responsibility. In contrast, the narrator pursued a less conventional, perhaps riskier life on the road.
The lyrics express admiration for James' dedication and perseverance, noting that he has "carried the weight of family pride" and "lived up to expectations." However, they also raise questions about James' true happiness and fulfillment, asking if he has found "release" and if he feels he is living his own dream or merely fulfilling others' expectations. There’s a recurring theme of internal conflict, questioning whether James has the freedom to pursue his authentic self or if he's conforming to what others envision for him.
The refrain, "Do what's good for you, or you're not good for anybody, James," suggests that living for others' approval can be unsustainable and encourages James to consider his own needs and desires. The narrator’s questioning tone implies concern that James may never reach his full potential—symbolized as writing his "masterpiece"—if he continues on a path that may not truly fulfill him.
Reception
edit"Analog planet" describes the song as "a cross between Paul McCartney and James Taylor. It's certainly judgmental as hell but that soprano sax solo is a treat and Joel's Wurlitzer electric piano (or Fender Rhodes?) part is deftly played and the overall arrangement perfectly fits the mood." [3]
References
edit- ^ Strong, Martin Charles (1995). Great Rock Discography. Canongate Press. p. 436. ISBN 978-0-86241-541-9.
- ^ Strong, Martin Charles (1995). Great Rock Discography. Canongate Press. p. 436. ISBN 978-0-86241-541-9. Retrieved 19 January 2024.
- ^ Fremer, Michael (2011). It's still Schlock and Roll to Me!. Analog Planet. Retrieved 26 October 2024.