John Quested (born 1935) is an English film producer and director. He has been the owner and chairman of Goldcrest Films since the early 1990s. He began his career as a third assistant director on The Concrete Jungle in 1960 and has gone on to produce numerous feature films over the course of his career.[1]
John Quested | |
---|---|
Born | 1935 (age 88–89) |
Occupation(s) | Film producer, film director |
Filmography
editProducer
edit- Elvis and Anabelle (2007) (executive producer)
- Milk and Honey (2003) (executive producer)
- To End All Wars (2001) (executive producer)
- Bring Me the Head of Mavis Davis (1997) (executive producer)
- Clockwatchers (1997) (co-executive producer) (uncredited)
- Driftwood (1997) (executive producer)
- No Way Home (1996) (executive producer)
- Scorchers (1991) (executive producer)
- Rock-a-Doodle (1991) (executive producer)
- Black Rainbow (1989) (producer)
- American Gothic (1987) (producer)
- The Return of the Soldier (1982) (executive producer)
- Sunburn (1979) (executive producer)
- The Passage (1979) (producer)
- The Bitch (1979) (producer)
- Leopard in the Snow (1978) (producer)
- The Brute (1977) (producer)
- All the Right Noises (1969) (producer)
Second Unit Director or Assistant Director
edit- Bedazzled (1967) (assistant director)
- You Only Live Twice (1967) (first assistant director: second unit) (uncredited)
- Sands of Beersheba (1966) (assistant director)
- The Heroes of Telemark (1965) (assistant director) (uncredited)
- Young Cassidy (1965) (assistant director)
- Of Human Bondage (1964) (assistant director)
- The Ceremony (1963) (assistant director)
- The L-Shaped Room (1962) (assistant director)
- Spare the Rod (1961) (second assistant director) (uncredited)
- The Concrete Jungle (1960) (third assistant director) (uncredited)
Director
edit- Loophole (1981)
- Philadelphia, Here I Come (1975)
Production Manager
edit- The Lion in Winter (production supervisor)
- The Running Man (1963) (unit manager)
References
edit- ^ Canby, Vincent (24 October 1986). "THE SCREEN: 'LOOPHOLE'". The New York Times.