José Pérez Ocaña (Cantillana, Seville, 24 March 1947 - 18 September 1983), also known as Ocaña, was a performer artist, painter, and Spanish LGBT rights activist.

José Pérez Ocaña
Commemorative plaque in Murcia's Plaza de la Diversidad
Born24 March 1947
Cantillana, Seville, Spain
Died18 September 1983 (36 years old)
Cantillana, Seville, Spain
Other namesOcaña
CitizenshipSpain
Occupation(s)Painter and LGBT rights activist
MovementAnarchism

Ocaña was a central figure in Barcelona's counter-culture movement during the Spanish transition to democracy, at a time of particular vitality.[1] His performances and artistic endeavours, much like his own life, have been considered pioneers of sexual and gender disobedience practices in Spain, in the fields of both queer activism and art history.[2][3][4] He also stood out as an icon of opposition to Francoism and its social conventions in the final years of the regime, from an anarchist perspective.[5][6][7]

Biography

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Born in Cantillana, a town in the province of Seville. As a visible homosexual, he abandoned his home town in 1971 and moved to Barcelona, where he would develop his artistic life and work as a decorative painter in order to make a living.

His work encompassed painting, handicrafts, installations and public actions. The latter, combined with his life as a visible figure in Barcelona's contemporary counter-cultural scene, were especially popular.[8] He was known to frequent las Ramblas, where he walked around cross-dressing with friends and collaborators such as Camilo or Nazario. His performances were disruptive to the social conventions and gender stereotypes of late Francoism, which has led him to be considered a precedent for queer activism.[9][8]

Identifying as an anarchist, Ocaña, alongside Camilo and Nazario, performed an unscheduled ballet during the 1977 Jornadas Libertarias Internacionales, held in Parc Güell and organised by the CNT. The performance, which contained several sexual, satirical and Andalusian folklore elements, was condemned by the state leadership of the CNT, to which the organisers responded by threatening to resign if they were not allowed to repeat it for the remaining days. After that, Ocaña began to define himself as "libertarian" in order to distance himself from the anarcho-syndicalist orthodoxy.[8][10][11][12]

In 1977 he further participated in the first Pride demonstration in Barcelona, where his non-normative appearance was also controversial. The following year he was detained on the Ramblas alongside Nazario and subsequently beaten, triggering a protest for his release and that of his fellow companions.[8][13]

In his work and aesthetic he embedded numerous elements of Andalusian folk religion, redefining them as counter-cultural elements and incorporating them into his art. In addition to his performances, the centrality of these elements in the exhibitions Un poco de Andalucía (Galería Mec-Mec, 1977) and La Primavera (Antiguo Hospital de la Santa Creu, 1982).[8][14]

In the field of cinema, he was the protagonist of the documentaries Ocaña: an Intermittent Portrait (Ocaña, retrato intermitente, 1978), directed by Ventura Pons and Ocaña, der engel in er qual singt (1979), directed by Gérard Courant.[15] In the following years he starred in the film Manderley (1981) and the short film Silencis (1982).[16] The posthumous documentary Ocaña: la memoria del sol (2009) analysed his persona based on archive material, images and unpublished testimonies.[17]

In September 1983 he returned to Cantillana to celebrate the youth festivities of the Semana de la Juventud and to be reunited with his family. There he made and wore a costume made of paper and cloth, which included a papier-mâché sun with sparklers attached. It caught fire and he was badly burned.[18] Although his burns were progressively healing, the general weakening of his body led to a resurgence of his longstanding hepatitis, which led to his death on 18 September 1983.[19]

Homages

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Plaque on the house of the Royal Square (in Spanish: Plaza Real; in Catalan: Plaça Reial) in Barcelona, where Ocaña lived.

In the artistic world, Ocaña has been the object of various tributes on behalf of contemporary artists and later generations. The cartoonist Nazario paid tribute to him in the comic Alí Babá y los 40 maricones. Carlos Cano dedicated the song "Romance a Ocaña" (1985) to the artist, later covered by María Dolores Pradera.

In the field of theatre, Marc Rosich dedicated the work Copi i Ocaña al Purgatori (2015),[20] and Unai Izquierdo, Ocaña (2017).[21] In 2019, the musical piece Ocaña Königin der Ramblas, conducted by Rosich, premiered at the Neukölln Opera.[22] Since 2010 the Reina Sofía Museum has housed the José Pérez Ocaña Archive.[14]

At an institutional level, he was awarded the Adriano Antinoo Honorary Prize in 2014 in recognition of his activism.[23]

In 2018 the Ocaña Exhibition Centre was inaugurated in his native town,[24] which hosts 54 of the artists paintings, photos, sculptures and posters, personal objects and videos of the works and installations.[25] A good part of his photos are from the photographer Colita, who donated them to the museum in 2020.[26] In 2019 the town council created the Ocaña National Painting Prize.[27]

On 15 October 2020 the City Council of Seville agreed to grant him a street in the Andalusian capital, where a monolith was installed in tribute to his life.[28]

In 2024, "Yo, Ocaña", a documentary on his life and work, directed by Gemma Soriano and Pilar Granero, was released on TVE, featuring information previously unknown until now. Among those taking part are the artist's brothers, Jesús and Rafael Pérez Ocaña, Nazario Luque, the photographer Marta Sentís and French gallery owner and friend Annick Jaccard-Beugnet, who contributed unpublished sound recordings of Ocaña to the film for a book of his memories that never saw the light of day.[29]

Works

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Film

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  • Show de otoño (Carles Comas, 1976).
  • Ocaña, retrato intermitente (Ventura Pons, 1978).
  • Ocaña, der engel in er qual singt (Gérard Courant, 1979).
  • Manderley (Jesús Garay, 1981).
  • Silencis (Xavier-Daniel, 1982).

Expositions

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Bibliography

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  • Barea, Carlos (ed.). (2023). Ocaña. El eterno brillo del Sol de Cantillana. Dos Bigotes. ISBN 978-84-126535-7-1
  • García Romero, Pedro (ed.). (2011). Ocaña, 1973-1983: Acciones, Actuaciones, Activismo. Polígrafa. ISBN 9788498503579
  • Jaccard-Beugnet, Annick (ed.). (1984). Jose-Luis Perez Ocaña: 1947-1983. Artemis. ISBN 2950065007
  • Mérida Jiménez, Rafael M. (ed.). (2018). Ocaña. Voces, ecos y distorsiones. Bellaterra. ISBN 9788472908826
  • Naranjo-Ferrari, José. (2013). Ocaña, artista y mito contracultural, análisis de la figura y legado artístico de José Pérez Ocaña (1947-1983) como testimonio y producto sociocultural de la transición española (tesis doctoral). Universidad de Sevilla.
  • V.V. A.A. (2017). La gran primavera andaluza de Ocaña. Antología de la obra pictórica de José Pérez Ocaña 1947-1983. Diputación de Córdoba. ISBN 8481545309

References

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  1. ^ Naranjo-Ferrari, José (2013-09-18). "Ocaña, artista y mito contracultural, análisis de la figura y legado artístico de José Pérez Ocaña (1947-1983) como testimonio y producto sociocultural de la transición española". Universidad de Sevilla. Retrieved 2023-09-04.
  2. ^ Rafael M. Mérida Jiménez, ed. (2018). Ocaña: voces, ecos y distorsiones. Bellaterra.
  3. ^ Pepe, Paulo (2017-11-17). Do Pop ao Teatro de Rua: Revoluções Ibéricas de Género em António Variações e José Pérez Ocaña (in Portuguese). . ISBN 978-989-52-0800-5. Retrieved 2023-09-04.
  4. ^ "The Ocaña We Deserve - Stedelijk Studies". Stedelijk Studies. Retrieved 2018-03-08.
  5. ^ Pérez Rufí, J. P.; Expósito-Barea, M.; Gómez Pérez, F. J. (2023). "El pintor Ocaña como construcción audiovisual: identidad queer y documental" (PDF). Prisma Social: Revista de investigación social (40).
  6. ^ Aliaga, Juan Vicente (2013-11-01). "Ocaña, 1973-1983: Acciones, Actuaciones, Activismo". Critique d'art. Actualité internationale de la littérature critique sur l'art contemporain (in Spanish). doi:10.4000/critiquedart.6310. ISSN 1246-8258. Retrieved 2023-09-04.
  7. ^ Ossorno, Mirena. "Recordamos a Ocaña, el artista pionero en la lucha por los derechos LGBTI en España". i-d - Vice (in Spanish). Retrieved 2023-09-04.
  8. ^ a b c d e Marzo, Jorge Luis; Mayayo, Patricia (2015). Arte en España (1939-2015). Ideas, prácticas, políticas. Cátedra. pp. 374–380.
  9. ^ Preciado, Beatriz (2011). "La Ocaña que merecemos. Campceptualismo, subalternidad y políticas performativas". Ocaña 1973-1983: acciones, actuaciones, activismo. Ajuntament de Barcelona.
  10. ^ PEPE RIBAS. "Jornadas Libertarias". Ajoblanco.
  11. ^ J. M. MARTÍ FONT (2021-05-22). "La Barcelona de la contracultura". La Vanguardia.
  12. ^ César G. Calero (2022-11-30). "Durruti se cita con King Crimson". CTXT.
  13. ^ "El travestí Ocaña, detenido en las Ramblas de Barcelona". El País (in Spanish). 1978-07-26. ISSN 1134-6582. Retrieved 2023-10-29.
  14. ^ a b c d "Archivo José Pérez Ocaña". Museo Nacional Centro de Arte Reina Sofía. Retrieved 2023-09-04.
  15. ^ Álvarez Solís, Antonio; Trueba, Fernando. "Ocaña, retrato intermitente". Dosier de Prensa. Archived from the original on 1 October 2007. Retrieved 18 September 2007.
  16. ^ Corominas i Julián, Jordi (2021-07-18). "Ocaña, Nazario y otras chicas no tan del montón: los 'indeseables' que revolucionaron Barcelona en los 70". El Confidencial (in Spanish). Retrieved 2023-09-04.
  17. ^ "Ocaña, en carne documental". El Mundo. Retrieved 2023-09-04.
  18. ^ Álvarez lvarez Solís, Antonio; Trueba, Fernando. "José Pérez Ocaña". El País. Retrieved 18 September 2007.
  19. ^ Aguilar, José (1983-09-18). "El actor y pintor Ocaña murió en Sevilla víctima de una hepatitis". El País (in Spanish). ISSN 1134-6582. Retrieved 2022-03-28.
  20. ^ "Copi y Ocaña se encuentran en el purgatorio gracias al teatro". La Vanguardia (in Spanish). 2015-02-19. Retrieved 2023-09-04.
  21. ^ López, Ane (2019-09-02). ""Ocaña' ha marcado un antes y un después en mi carrera teatral"". Deia (in Spanish). Retrieved 2023-09-04.
  22. ^ "Ocaña – Königin der Ramblas kehrt an die Neuköllner Ope". Institut Ramon Llul (in German). Retrieved 2024-05-07.
  23. ^ "PREMIOS ADRIANO ANTINOO: MH: JOSÉ PEREZ "OCAÑA"". PREMIOS ADRIANO ANTINOO. Retrieved 20 April 2019.
  24. ^ ""Día grande" en Cantillana con la apertura del centro de interpretación de Ocaña". Europa Press. 2018-02-08. Retrieved 2023-08-24.
  25. ^ "El 39 aniversario de la muerte de Ocaña en el Centro de Interpretación de Cantillana".
  26. ^ Resources, Nautalis. "TELEVISIÓN CARMONA: 'COLITA' DONA SU COLECCIÓN DE FOTOGRAFÍAS DEL PINTOR JOSÉ PÉREZ OCAÑA AL AYUNTAMIENTO DE CANTILLANA". RTVL. Retrieved 2024-06-28.
  27. ^ "El museo Ocaña de Cantillana se enriquece con las fotos de 'Colita'". El Correo de Andalucía (in European Spanish). Retrieved 2023-08-24.
  28. ^ "Sevilla refuerza la memoria del pintor Ocaña con un monolito en la calle de Santa Justa nominada en su honor". Europa Press. 2022-12-19. Retrieved 2023-09-04.
  29. ^ CATALUNYA, COMUNICACIÓ-RTVE (2024-06-28). "'Imprescindibles' recupera la figura d'Ocaña, una de les icones emblemàtiques del col·lectiu LGTBI". RTVE.es (in Catalan). Retrieved 2024-06-28.
  30. ^ Llano, Rafael Pérez (2017-12-13). "Desaparición de una vaca de papel". elDiario.es (in Spanish). Retrieved 2024-04-22.
  31. ^ "Ocaña : 1973-1983: acciones, actuaciones, activismo = 1973-1983: accions, actuacions, activisme". BNE (in Spanish). Retrieved 2023-09-04.
  32. ^ ARTEINFORMADO (2014-06-03). "Entorn Ocaña, Exposición, feb 2009". ARTEINFORMADO (in Spanish). Retrieved 2023-09-04.
  33. ^ "La sala Setba recupera al Ocaña más artista". elperiodico (in Spanish). 2012-03-07. Retrieved 2023-09-04.
  34. ^ "Ocaña, el artista "emergente"". Diario de Sevilla (in European Spanish). 2014-04-03. Retrieved 2023-09-04.
  35. ^ "La Diputación acogerá hasta el próximo mes de septiembre la exposición La gran primavera andaluza de Ocaña". Diputación de Córdoba (in Spanish). 2016-06-28. Retrieved 2023-09-04.
  36. ^ "«Ocaña, la pintura travestida», la muestra que pone en valor al artista por encima del personaje". ABC de Sevilla (in Spanish). 2017-06-29. Retrieved 2023-09-04.
  37. ^ "Una muestra vindica la obra plástica de Ocaña, eclipsada por el personaje transgresor". El Periódico (in Spanish). 2024-04-09. Retrieved 2024-04-22.
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