Joséphine de Reszke (née Józefina Reszke; 4 June 1855 – 22 February 1891) was a Polish operatic dramatic soprano.[1] She and her brothers, Jean and Édouard de Reszke, learned to sing from their mother Emilja. Josephine also had lessons with Mme. Nissen-Salomon. She made her debut in Paris as Ophelia in Hamlet on 21 June 1875.
Josephine de Reszke | |
|---|---|
Józefina Reszke | |
 | |
| Born | 4 June 1855 |
| Died | 22 February 1891 (aged 35) |
| Occupation | dramatic soprano |
| Spouse | Leopold Julian Kronenberg |
| Parents |
|
She performed in Western Europe. She was with the Paris Opera for several years, during which time she became known for her performances in Italian and French operas. She retired from the stage after she married Baron Leopold Julian Kronenberg, yet she stayed in the arena as a voice teacher.
Early years
editReske was the daughter of Emilja (also Emilie) Ufniarska (born ca. 1827) and Jan Reszke.[2] Emilja was an amateur soprano who had studied under Manuel García II and Pauline Viardot, his sister. She had a clear, powerful voice. She traveled throughout Italy and attended performances by the great masters of the opera. In Warsaw, she performed the role of Desdemona in William Shakespeare's Otello by Gioachino Rossini at an event for the Benevolent Society at the Grand Theatre.[3]
The Reszkes built and operated the Hotel Saski, which catered to artists from Moscow, Berlin, and Paris, adjoined their residence. Impromptu performances with Emilja, as well as artist's rehearsals for upcoming performances, were held in their house.[4]
Her siblings were Jean and Édouard de Reszke. Emilja taught her children to sing.[5] and Josephine also studied with a Mme. Nissen-Salomon.[1] She studied music at the Conservatorium in St. Petersburg.[6] Josephine, Jean, and Édouard performed at a soirée in 1869.[5]
Career
edit
She made her debut in Paris as Ophelia in Hamlet on 21 June 1875.[6] Josephine, a soprano, and her younger brother Édouard de Reszke performed in Western Europe beginning in the 1870s.[7][8][9] Jean sang soprano solos as a boy in Warsaw Cathedral.[7] [10] Édouard, a bass, debuted in Aida in Paris in April 1876.[10]
She remained at the Opéra in Paris, France for several years,[1][6] during which time she became known for her performances in Italian and French operas; she also created the role of Sita in Jules Massenet's Le roi de Lahore.[1][6] She was a success in Madrid, Spain in Les Huguenots, L'Africaine, La favorite, and Don Giovanni.[11] She also performed in Lisbon, Portugal[1] but turned down an offer to appear in the United States. She remained in Europe—including Italy and Great Britain[12] — for the duration of her career.[1]
Reszke debuted in England on 18 April 1881 at Covent Garden where she played the title role in Aida and her brother Édouard was also a performer.[6]
Reszke appeared with her brother Jean on the occasion of his debut; the two, along with Edouard, participated in the Paris premiere of Hérodiade in 1884.[1][6] Josephine played Salome and Jean was John the Baptist.[6]
At the end of the opera seasons, Josephine returned to Warsaw where she performed for charities, as her mother had. She gave any income that she made in Poland to charity. She became the darling of established poets and composers who dedicated poems and songs to her. Audience members gave her flowers and honored her by singing the Poland national anthem, Jescze Polska nie zginęła (English: Poland Is Not Yet Lost) to her. Fans from Krakow had a portrait of her painted by Tadeusz Ajdukiewicz and placed in the National Museum, Warsaw.[13][a]
She retired from the stage after her marriage, and she was then a voice teacher.[15]
Personal life
editIn 1885, she was married to Baron Leopold Julian Kronenberg.[12] At the peak of her career, she retired from the stage almost completely, giving only charity performances thereafter. For this she was awarded with a diamond from the city of Poznań.[1]
Death
editNotes
editReferences
edit- ^ a b c d e f g h i Ewen 1963.
- ^ Leiser 1934, p. 15.
- ^ Leiser 1934, p. 14.
- ^ Leiser 1934, pp. 12–14.
- ^ a b Potter, John (2009-06-02). "Jean de Reszke". Tenor: History of a Voice. Yale University Press. ISBN 978-0-300-16002-4.
- ^ a b c d e f g "Memorial Notices - Mlle. Josephine de Reszke". The Guardian. 26 February 1891. p. 6. Retrieved 9 November 2021.
- ^ a b "Jean de Reszke, Great Tenor Dies". The New York Times. 4 April 1925. Retrieved 9 November 2021 – via ProQuest Historical Newspapers.
- ^ "Jean de Reszke, Noted Tenor, Dies at 75 in Nice". Times Union. 4 April 1925. p. 2. Retrieved 9 November 2021.
- ^ Klein 1925, p. 405.
- ^ a b This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Reszke, Jean de". Encyclopædia Britannica. Vol. 23 (11th ed.). Cambridge University Press. p. 201.
- ^ Leiser 1934, p. 32.
- ^ a b "The artistic and landed-gentry activities of the Reszke family in the late 19th/early 20th century'". Polish Historical Society and Polish History Museum's "Patriotism of Tomorrow" program. Retrieved 14 November 2021.
- ^ Leiser 1934, p. 31.
- ^ "Tadeusz Ajdukiewicz - 19th Century Paintings". dorotheum.com. Retrieved 11 November 2021.
- ^ "Signor Lagos Opera Season". The Pall Mall Gazette. 8 October 1890. p. 6. Retrieved 9 November 2021.
- ^ "Other Deaths - Barronne De Kronenberg, formerly Mlle. Josephine de Reszke". Boston Post. 26 February 1891. p. 5. Retrieved 9 November 2021.
Sources
edit- Ewen, David (1963). Encyclopedia of the Opera (New enlarged ed.). New York: Hill and Wang.
- Klein, Herman (1925). "Jean de Reszke and Marie Brema: Some Reminiscences". The Musical Times. 66 (987): 405–408. doi:10.2307/912989. ISSN 0027-4666. JSTOR 912989.
- Leiser, Clara (1934). Jean de Reszke and the Great Days of Opera. Minton, Balch & Company.
External links
edit
Media related to Josephine de Reszke at Wikimedia Commons
