Julien Belin was a French composer and lutenist active in the second half of the 16th century; he died after 1584.
Biography
editThe only information about his life comes from the Bibliothèque de La Croix Du Maine,[1] in which he is said to be a Manceau, therefore a native of Le Mans or surroundings in 1584 in the Maine.
His collection, published in 1556, gives René de Saint-François, archdeacon of Le Mans, as a probable protector, and shows him as a capable lutenist, developing his own style, notwithstanding the influence of lutenists Francesco Canova da Milano and Albert de Rippe.[2]
Works
edit
In 1556, he published his Premier livre contenant plusieurs motetz, chansons & fantasies reduictz en tabulature de leut by Nicolas Du Chemin in Paris[3] with a dedication to René de Saint-François.[4] (read online here). Modern edition by Michel Renault: Éditions du CNRS, 1976 (series Le Chœur des Muses : Corpus des luthistes français).
The collection contains:
- Six very ornamented songs transcribed for the lute, by Jacques Arcadelt, Pierre Certon, Roger Pathie called Rogier (2) and Pierre Sandrin (2).
- A transcript of the motet Cantate Domino (Anonymous, not ornamented and probably attributable to Belin himself);
- A transcription of the song Les Bourguignons (same remarks);
- Seven fantasies, fairly short, two of which are described as "trio" and written in three parts. They are less ornamented than the transcriptions of the songs and written in a rigorous polyphony. Five of the fantasies have been taken up, grouped and in the same order, in the Thesaurus musicus continens selectissima Alberti Ripae, Valentini Bacfari et aliorum praestantissimorum carmina ad usum chelys... published in Louvain by Petrus Phalesius the Elder, publisher, in 1574.[5]
The analysis of the pieces reveals that Belin was influenced by the style of Albert de Rippe (of whom he was perhaps a pupil).[6]
Discography
edit- Four pièces are recorded in Julien Belin & Robert Meigret : compositeurs du Maine au XVIe siècle, by the Ensemble vocal du Maine; Jean-Dominique Abrell, choir leader; Michel Amoric, lute. A CD in addition to the article Amoric 2002, quoted in reference.
- The Second trio is recorded in La Magdalena: lute music of Renaissance France, performed by Christopher Wilson. A CD Virgin Veritas, réf. B000005GGS, EAN 0724354514029 (2000).
- ’Mille ans de musique. Mastership of the Cathedral of Le Mans, dir. Philippe Lenoble. Pieces by Jehan Daniel, Jacques Peltier, Julien Belin, André Pechon, Innocent Boutry, Pierre Bouteiller and others. 1 CD Editions Art et Musique, 2006, réf. B00139P31G.
References
edit- ^ La Croix du Maine 1772, vol. II p. 11.
- ^ Cf. Renault, in Grove.
- ^ Cf. Lesure-Thibault 1953 No 59, with dedication transcribed (p. 283). Unique copy in Munich BSB.
- ^ He is a great archdeacon of Le Mans, prior of Roëzé, parish priest of Thorigné, founder of the chapel of Saint-René at the Château du Ronceray in Marigné.
- ^ Cf. RISM 1574 copy 12. Belin's pieces numbered f. B3r, D1r, D3v, D4v and E2r numbered in 1572 f. 14r, 15r, 15v, 16v and 17r.
- ^ Amoric (pp. 249-254).
Bibliography
edit- François Grudé de La Croix du Maine. La Bibliothèque... (1584). Reissue of Paris, 1772, ed. Rigoley de Juvigny.
- Michel Renault. "Julien Belin" in Grove Dictionary of Music, online edition.
- Michel Amoric, Robert Meigret, Julien Belin : deux compositeurs manceaux de musique profane de la Renaissance, Revue historique et archéologique du Maine, série 4, volume 2 (2002), (pp. 243–260).
- François Lesure and Geneviève Thibault de Chambure. Bibliographie des éditions musicales publiées par Nicolas Du Chemin (1549-1576), Annales musicologiques 1 (1953) (pp. 269–273) + suppl.
