Kopernikus (sub. Rituel de mort; translated as Ritual of Death) is a 1979 opera in two acts by Canadian composer Claude Vivier, inspired by the astronomer of the same name.[1][2][3] It is the only opera of three that Vivier completed prior to his death in 1983.[4] A typical performance lasts around seventy minutes.
History
editThe opera was completed on 14 May 1979, and first premiered only in its musical form on 8 May 1980 at the Théâtre du Monument National in Montréal, under the conductor Lorraine Vaillancourt.[2] Vivier dedicated the piece to his "maître and friend" Gilles Tremblay, whom he had studied composition with for four years.[3]
Composition
editAnalysis
editThe libretto of Kopernikus, written entirely by Vivier, is composed of sections in German, French, and Vivier's langue inventées — an example of his preoccupation with linguistics and musical multilingualism.[2]
Program notes
editThe notes given by Vivier in the finished manuscript, with English translation below:
Le personnage central est Agni; autour d’elle gravitent des êtres mythiques (représentés par les six autres chanteurs) tirés de l'histoire: Lewis Carroll, Merlin, une sorcière, la Reine de la nuit, un aveugle prophète, un vieux moine, Tristan et Isolde, Mozart, le Maître des eaux, Copernic et sa mère. Ces personnages sont peut-être les rêves d'Agni qui l'accompagnent dans son initiation et finalement dans sa dématérialisation.[2]
The main character is Agni; mystical beings borrowed from stories (represented by the other six singers) gravitate around her: Lewis Carroll, Merlin, a witch, the Queen of the Night, a blind prophet, an old monk, Tristan and Isolde, Mozart, the Master of the Waters, Copernicus and his mother. These characters could be Agni's dreams that follow her during her initiation and finally into her dematerialization.[2]
Instrumentation
editThe opera is in a smaller scale compared to other classical operas. It is scored for seven vocalists who double as percussionists (similar to the chamber compositions of George Crumb), and pre-recorded tape.[3]
Synopsis and structure
editScene | English translation | ||
---|---|---|---|
Act One | |||
Prélude | Prelude | ||
La Salution | The Greeting | ||
L'agrégation d'Agni | The Union of Agni | ||
La Quête | The Collection | ||
Les Visions | The Visions | ||
La Proclamation de la prière | The Call to Prayer | ||
Discours du sage et préparation à la méditation | Speech of the Sage and Preparation for Meditation | ||
La Solitude d'Agni | The Solitude of Agni | ||
La Meditation | The Meditation | ||
Act Two | |||
Préparation et l'Ultime èpreuve | Preparation and the Final Proof | ||
La Grande Transe de initiés | The Great Trance of the Initiates | ||
Le Duo d'amour | The Love Duet | ||
La Purification | The Purification | ||
L'Ultime Épreuve | The Final Proof | ||
Les Étoiles | The Stars | ||
La Sortie : vers la démáterialisation | The Departure: to Dematerialization |
References
editCitations
edit- ^ Gilmore (2014), p. 14.
- ^ a b c d e Lankenau et al. (2012), p. 15.
- ^ a b c Gilmore (2014), p. 258.
- ^ Gilmore (2014), p. 4.
Sources
edit- Braes, Ross (2003). An Investigation of the Jeux De Timbres in Claude Vivier's Orion and His Other Instrumental Works of 1979-80. University of British Columbia Press.
- Gilmore, Bob (2014). Claude Vivier: A Composer's Life. University of Rochester Press. ISBN 978-1-58046-841-1.
- Lankenau, Steven; Chan, Trudy; Gewirtz, Eric (2012). Vivier Works: Claude Vivier (PDF). Boosey and Hawkes.
Further reading
edit- Bail, Louise (2008). "Introduction à Kopernikus: Pistes de réflexion autour du sacré". Circuit. 18 (3). Les Presses de l'Université de Montréal: 9–26. doi:10.7202/019137ar. S2CID 162011506.
- Bisson, Sophie (2019). "Claude Vivier’s Kopernikus: An Extramusical Postmortem". The WholeNote. Retrieved 2 August 2022.
- Bonfield, Stephan (2017). "Review: Vivier's Kopernikus at Banff Centre the ideal opera of the future". Calgary Herald. Retrieved 25 July 2022.
- Bratishenko, Lev (2017). "SCRUTINY | Kopernikus Heralds Opera In The 21st Century" Ludwig Van Toronto. Retrieved 6 August 2022.
- Moisan, Daniel (1980). "Kopernikus ou l'histoire d'une oeuvre lyrique québécoise". Aria. 2 (1).
- Potvin, Gilles (1980). "Kopernikus: un coup d’audace de Claude Vivier." Le Devoir.
- Simeonov, Jenna (2019). "Against the Grain Theatre’s production of Kopernikus is a true operatic ritual". The Globe and Mail. Retrieved 6 August 2022.