Le donne letterate

*Le donne letterate*
Le donne letterate
Opera by Antonio Salieri
	Antonio Salieri, engraving by Carl Traugott Riedel, 1802
Translation	The Learned Ladies
Librettist	Giovanni Gastone Boccherini
Language	Italian
Based on	Molière's Les Femmes Savantes
Premiere	1770; Imperial theatre, Vienna

Le donne letterate, composed by Antonio Salieri, is an Italian opera in three acts. Stylistically it is an opera buffa and is very similar to the mid-18th century librettos of Carlo Goldoni. The libretto by Giovanni Gastone Boccherini [it], dancer, poet and stage manager, brother of the composer Luigi Boccherini, was based on Molière's Les Femmes Savantes (The Learned Ladies).

This opera was the first of Salieri's to be publicly performed, as well as his first collaboration with Boccherini. This was Salieri's second complete opera.^[1]^[2]

Performance history

Salieri, wrote Le donne letterate in Vienna in late 1769 and early 1770. It received its first performance during Carnival that same year at one of the Imperial theaters in Vienna. There is some dispute among scholars as to the date and place of the premiere. Rudolph Angermüller lists 10 January 1770 in the Burgtheater as the first performance. The opera was apparently revived only once, in Prague in 1773. There is no known modern performance history.

Roles

Role	Voice type	Premiere cast, Carnival, 1770 (Conductor: Antonio Salieri)^[3]
Don Baggeo, A wealthy old man	bass
Donna Artemia, Don Baggeo's wife	soprano	Clementina Baglioni^[3]
Donna Elvira, Sister of Artemia	soprano
Corilla, Daughter of Donna Elvira, and the niece of Donna Aremia, a pupil of Don Baggeo	soprano
Don Prudenzio, Brother of Don Baggeo in love with Corilla	tenor
Don Vertiginie, An effeminate and ridiculous poet, also in love with Corilla	tenor	Gioachino Caribaldi?^[3]
Don Trimetro (sp?), A Scholar and Professor, also in love with Corilla	bass
Don Filiberto, Don Baggeo's tutor	Unknown
Commissioner of the Curiale, The local head of police	Unknown
Choruses: Depicting servants of Don Baggeo, the local literati, friends of Don Prudenzio dressed in doctoral gowns, students of Don Trimetro dressed in the red gowns, and the local police	mixed voices

Recordings

There is no known studio recording of the complete opera, or excerpts.

Notes

^ Rice, pp. 105–6
^ Mosel, p. XXXXXX
^ ^a ^b ^c Mosel, p. 25, n. by Angermüller, quoting original printed libretto

References

Rudolph Angermüller, Antonio Salieri 3 Vol. (Munich 1971–74)
Volkmar Braunbehrens, Maligned Master – the Real Story of Antonio Salieri, transl. Eveline L. Kanes (New York 1992)
V. Della Croce/F. Blanchetti, Il caso Salieri (Torino 1994)
Ignaz Franz von Mosel [de], Über das Leben und die Werke des Anton Salieri (Vienna 1827) (reprinted 1999, edited with notes by Rudolph Angermüller)
John A. Rice, Antonio Salieri and Viennese Opera (Chicago 1998), ISBN 0-226-71125-0 ISBN 978-0-226-71125-6
Alexander Wheelock Thayer, Salieri: Rival of Mozart (Kansas City 1989)

External links

Article on the Roman Intermezzo by John Rice, 2008

[1] Rice, pp. 105–6

[2] Mosel, p. XXXXXX

[Mosel25-3] Mosel, p. 25, n. by Angermüller, quoting original printed libretto

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