List of Cultural Properties of Japan – paintings (Okayama)

This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Prefecture of Okayama.[1]

National Cultural Properties

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As of 1 June 2020, twenty-nine Important Cultural Properties (including two *National Treasures) have been designated, being of national significance.[2][3][4]

Property Date Municipality Ownership Comments Image Dimensions Coordinates Ref.
*Court Lady, colour on silk
絹本著色宮女図〈/伝桓野王図〉
kenpon chakushoku kyūjo zu (den-Kanya ō zu)
Yuan dynasty Kurashiki private wearing a red gown and diaphanous black headdress, and with a flute tucked in her girdle; sometimes identified as the Eastern Jin Prince Huan Ye, known for his flute playing, based on a paper slip on a copy of the painting by Kanō Seisen'in Osanobu (狩野養信) in Tokyo National Museum; however labels by Kanō Tan'yū and Kanō Yasunobu and a document by Osanobu identify the subject as a court lady; the authenticity of the imprint "seal of Qian Xuan" (錢選之印) is uncertain[5]   86.1 centimetres (33.9 in) by 29.9 centimetres (11.8 in) [1]
*Landscape, ink and light colour on paper, by Sesshū
紙本墨画淡彩山水図〈雪舟筆/〉
shihon bokuga tansai sansui zu (Sesshū hitsu)
Muromachi period Kurashiki private   118.0 centimetres (46.5 in) by 35.5 centimetres (14.0 in) [2]
N Family, oil on hemp cloth, by Koide Narashige
Nの家族(小出楢重筆 一九一九/油絵 麻布)
enu no kazoku (Koide Narashige hitsu 1919 abura-e mafu)
1919 Kurashiki Ohara Museum of Art   79.0 centimetres (31.1 in) by 91.0 centimetres (35.8 in) 34°35′46″N 133°46′14″E / 34.5961746°N 133.77062178°E / 34.5961746; 133.77062178 (Ohara Museum of Art) [3]
Aizen Myōō, colour on silk
絹本著色愛染明王像
kenpon chakushoku Aizen Myōō zō
Nanboku-chō period Okayama Hōtaku-ji (捧沢寺)
(kept at Okayama Prefectural Museum)
  109.4 centimetres (43.1 in) by 41.0 centimetres (16.1 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [4]
Aizen Myōō, colour on silk
絹本著色愛染明王像
kenpon chakushoku Aizen Myōō zō
Nanboku-chō period Okayama Hōtaku-ji (捧沢寺)
(kept at Okayama Prefectural Museum)
  88 centimetres (35 in) by 40 centimetres (16 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [5]
Ukita Yoshie, colour on silk
絹本著色宇喜多能家
kenpon chakushoku Ukita Yoshie zō
1524 Okayama Okayama Prefectural Museum   34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [6]
Shaka Triad, colour on silk
絹本著色釈迦三尊像
kenpon chakushoku Shakan sanzon zō
Kamakura period Nara Raikyū-ji
(kept at Nara National Museum)
  34°41′01″N 135°50′11″E / 34.6837°N 135.8364°E / 34.6837; 135.8364 (Nara National Museum) [7]
Ten Kings of Hell, colour on silk
絹本著色十王像
kenpon chakushoku jūō zu
Yuan dynasty Okayama Hōfuku-ji (宝福寺)
(kept at Okayama Prefectural Museum)
ten scrolls  
 
 
 
 
 
 
 
 
 
98.8 centimetres (38.9 in) by 41.5 centimetres (16.3 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [8]
Twelve Deities, colour on silk, attributed to Zōun
絹本著色十二天像〈(伝増吽筆)/〉
kenpon chakushoku jūniten zō (den-Zōun hitsu)
Kamakura period Mimasaka Chōfuku-ji (長福寺) twelve scrolls  
 
34°55′36″N 134°09′02″E / 34.926655°N 134.150491°E / 34.926655; 134.150491 (Chōfukuji) [9]
Along the River During the Qingming Festival, colour on silk
絹本著色清明上河図〈趙浙筆/萬暦五年十月の年記がある〉
kenpon chakushoku seimei jōga zu
Ming dynasty Okayama Hayashibara Museum of Art one emakimono   28.7 centimetres (11.3 in) by 576 centimetres (18 ft 11 in) 34°39′49″N 133°56′00″E / 34.66358372°N 133.93324308°E / 34.66358372; 133.93324308 (Hayashibara Museum of Art) [10]
Jizō with the Ten Kings of Hell, colour on silk
絹本著色地蔵十王像
kenpon chakushoku Jizō jūō zu
late Goryeo Kasaoka Nikkō-ji (日光寺) Goryeo Buddhist painting   117.1 centimetres (46.1 in) by 59.2 centimetres (23.3 in) 34°27′08″N 133°30′41″E / 34.452170°N 133.511310°E / 34.452170; 133.511310 (Nikkōji) [11]
Jizō Bosatsu, colour on silk
絹本著色地蔵菩薩像
kenpon chakushoku Jizō Bosatsu zō
Yuan dynasty Okayama Hōfuku-ji (宝福寺)
(kept at Okayama Prefectural Museum)
  111.0 centimetres (43.7 in) by 58.5 centimetres (23.0 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [12]
Jizō Bosatsu, colour on silk
絹本著色地蔵菩薩像
kenpon chakushoku Jizō Bosatsu zō
Nanboku-chō period Okayama Hōtaku-ji (捧沢寺)
(kept at Okayama Prefectural Museum)
  91.6 centimetres (36.1 in) by 36.2 centimetres (14.3 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [13]
Fudō with Three Attendants flanked by the Mandala of the Two Realms, colour on silk
絹本著色中不動三十六童子左右両界曼荼羅図
kenpon chakushoku Fudō sanjūroku dōji sayū ryōkai mandara zu
Nanboku-chō period Okayama Hōkō-ji (宝光寺)
(kept at Okayama Prefectural Museum)
three scrolls     34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [14]
Fudō Myōō, colour on silk
絹本著色不動明王像
kenpon chakushoku Fudō Myōō zō
Kamakura period Okayama Chōfuku-ji (長福寺)
(kept at Okayama Prefectural Museum)
  34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [15]
Nirvana painting, colour on silk
絹本著色仏涅槃図
kenpon chakushoku Butsu nehan zu
Kamakura period Okayama Anyō-in (安養院)
(kept at Okayama Prefectural Museum)
  34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [16]
Nirvana painting, colour on silk
絹本著色仏涅槃図
kenpon chakushoku Butsu nehan zu
Kamakura period Kyoto Henmyō-in (遍明院)
(kept at Kyoto National Museum)
  34°59′24″N 135°46′23″E / 34.99°N 135.773°E / 34.99; 135.773 (Kyoto National Museum) [17]
Descent of Amida with Twenty-Five Bodhisattvas, colour on silk
絹本著色弥陀二十五菩薩来迎図
kenpon chakushoku Mida nijūgo bosatsu raigō zu
Kamakura period Okayama Henmyō-in (遍明院)
(kept at Okayama Prefectural Museum)
  34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [18]
Mandala of the Two Realms, colour on silk
絹本著色弥陀二十五菩薩来迎図
kenpon chakushoku ryōkai mandara zu
Nanboku-chō period Mimasaka Chōfuku-ji (長福寺)  
 
34°55′33″N 134°09′00″E / 34.925877°N 134.150105°E / 34.925877; 134.150105 (Chōfukuji) [19]
Mount Lu, ink on silk, by Yujian
絹本墨画廬山図〈玉澗筆/自賛がある〉
kenpon bokuga rosan zu (Gyokkan hitsu)
Southern Song Okayama Okayama Prefectural Museum of Art   34°40′04″N 133°55′47″E / 34.66764736°N 133.92979593°E / 34.66764736; 133.92979593 (Okayama Prefectural Museum of Art) [20]
Scenes in and around the Capital, colour on paper with gold ground, six-panel byōbu
紙本金地著色洛中洛外図〈/六曲屏風〉
shihon kinji chakushoku rakuchū rakugai zu (rokkyoku byōbu)
Edo period Okayama Hayashibara Museum of Art pair of screens    159.1 centimetres (62.6 in) by 362.9 centimetres (142.9 in) 34°39′49″N 133°56′00″E / 34.66358372°N 133.93324308°E / 34.66358372; 133.93324308 (Hayashibara Museum of Art) [21]
Mountains clad in rain, light colour on paper, by Uragami Gyokudō
紙本淡彩山雨染衣図〈浦上玉堂筆/〉
shihon tansai sanu seni zu (Uragami Gyokudō hitsu)
Edo period Kurashiki private   [22]
Flowers and Birds, colour on paper, by Hasegawa Tōhaku, six-panel byōbu
紙本著色花鳥図〈長谷川信春筆/六曲屏風〉
shihon chakushoku kachō zu (rokkyoku byōbu)
Momoyama period Okayama Myōkaku-ji (妙覚寺)
(kept at Okayama Prefectural Museum)
pair of screens   149.5 centimetres (58.9 in) by 360 centimetres (140 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [23]
Illustrated Sutra of Cause and Effect, colour on paper
紙本著色絵過去現在因果経〈残闕/〉
shihon chakushoku e-kako genzai inga-kyō
Nara period Kurashiki Ohara Museum of Art   34°35′46″N 133°46′14″E / 34.5961746°N 133.77062178°E / 34.5961746; 133.77062178 (Ohara Museum of Art) [24]
Morning View of the Uji River, colour on paper, by Aoki Mokubei
紙本著色兎道朝暾図〈青木木米筆/〉
shihon chakushoku Uji chōton zu (Aoki Mokubei hitsu)
Edo period Kurashiki [25]
Landscape, ink on paper, by Sesshū
紙本墨画山水図〈雪舟筆/(仿玉澗)〉
shihon bokuga sansui zu (Sesshū hitsu)
Muromachi period Okayama Okayama Prefectural Museum of Art   30.3 centimetres (11.9 in) by 31.5 centimetres (12.4 in) 34°40′04″N 133°55′47″E / 34.66764736°N 133.92979593°E / 34.66764736; 133.92979593 (Okayama Prefectural Museum of Art) [26]
Dragon, colour on paper, by Aoki Mokubei
紙本墨画騰竜図〈青木木米筆/癸未(文政六年)の款記がある〉
shihon chakushoku tōryū zu (Aoki Mokubei hitsu)
Edo period Kurashiki [27]
Sorrow of Faith, oil on hemp cloth, by Sekine Shōji
信仰の悲しみ(関根正二筆 一九一八年/油絵 麻布)
shinkō no kanashimi (Sekine Shōji hitsu 1918 abura-e mafu)
1918 Kurashiki Ohara Museum of Art   73.0 centimetres (28.7 in) by 100.0 centimetres (39.4 in) 34°35′46″N 133°46′14″E / 34.5961746°N 133.77062178°E / 34.5961746; 133.77062178 (Ohara Museum of Art) [28]
Laozi, ink on paper, by Mokkei
紙本墨画老子像 牧𧮾筆
shihon bokuga Rōshi zu (Mōkkei hitsu)
C13 Okayama Okayama Prefectural Museum of Art   34°40′04″N 133°55′47″E / 34.66764736°N 133.92979593°E / 34.66764736; 133.92979593 (Okayama Prefectural Museum of Art) [29]

Prefectural Cultural Properties

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As of 22 January 2020, twenty-six properties have been designated at a prefectural level.[4][6]

Property Date Municipality Ownership Comments Image Dimensions Coordinates Ref.
Thirteen Buddhas, colour on silk
絹本著色十三仏図
kenpon chakushoku jūsan Butsu zu
Nanboku-chō period Okayama Okayama Prefectural Museum   95.3 centimetres (37.5 in) by 38.1 centimetres (15.0 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [30]
Portrait of the Temple Founder, colour on silk
絹本著色開山別峰国師頂相
kenpon chakushoku kaizan beppō kokushi chinzō
Muromachi period Okayama Shōrin-ji (松林寺)   94.5 centimetres (37.2 in) by 56.5 centimetres (22.2 in) 34°38′42″N 133°51′03″E / 34.644990°N 133.850741°E / 34.644990; 133.850741 (Shōrinji) [31]
Saidai-ji Engi, colour on paper
紙本著色金陵山古本縁起(西大寺縁起) [二帖 附一帖]
shihon chakushoku Kinryōzan furuhon engi (Saidaiji engi)
1507 Okayama Saidai-ji (西大寺)
(kept at Okayama Prefectural Museum)
two scrolls, with supplementary designation of a scroll dating from after 1661   34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [32]
Map of the World, light colour on paper, six-panel byōbu
紙本淡彩世界図屏風[六曲一双]
shihon tansai sekai zu byōbu (rokkyoku issō)
early Edo period Okayama Myōkaku-ji (妙覚寺)
(kept at Okayama Prefectural Museum)
pair of screens 97 centimetres (38 in) by 270 centimetres (110 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [33]
Along the River During the Qingming Festival, ink on paper, emaki
紙本墨画清明上河図巻
shihon bokuga seimei jōga zu maki
late Edo period Okayama Myōkaku-ji (妙覚寺)
(kept at Okayama Prefectural Museum)
30.3 centimetres (11.9 in) by 571.2 centimetres (18 ft 8.9 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [34]
Chrysanthemum Boy, six-panel byōbu
菊慈童図屏風[六曲一雙]
kiku jidō zu byōbu
early Edo period Kurashiki Rendai-ji (蓮台寺) pair of screens   152.6 centimetres (60.1 in) by 351 centimetres (138 in) 34°30′20″N 133°51′02″E / 34.505544°N 133.850512°E / 34.505544; 133.850512 (Rendaiji) [35]
Myōkōni
妙向尼画像附妙向尼消息
Myōkōni gazō tsuketari Myōkōni shōzō
Momoyama period Tsuyama private designation includes a related document   96.8 centimetres (38.1 in) by 39.5 centimetres (15.6 in) [36]
View of Edo, ink on paper, byōbu
紙本墨画淡彩江戸一目図屏風
shihon bokuga tansai Edo hitome zu byōbu
1809 Tsuyama Tsuyama City Museum (津山郷土博物館)   176.0 centimetres (69.3 in) by 352.8 centimetres (138.9 in) 35°03′39″N 134°00′20″E / 35.060772°N 134.005671°E / 35.060772; 134.005671 (Tsuyama City Museum) [37]
Fudō Myōō with two attendants, ink on silk
絹本墨画不動明王二童子像
kenpon bokuga Fudō Myōō ni dōji zō
Nanboku-chō period Tamano Renge-an (蓮華庵) 75.0 centimetres (29.5 in) by 35.7 centimetres (14.1 in) 34°31′26″N 133°56′39″E / 34.523921°N 133.944050°E / 34.523921; 133.944050 (Renge-an) [38]
Mandala of the Two Realms, ink on silk
絹本著色両界曼荼羅図
kenpon chakushoku ryōkai mandara zu
Kamakura period Okayama Jihō-in (持宝院)
(kept at Okayama Prefectural Museum)
two scrolls 140.0 centimetres (55.1 in) by 124.2 centimetres (48.9 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [39]
Fugen Bosatsu, ink on silk
Monju Bosatsu, ink on silk
絹本著色普賢菩薩像
絹本著色文殊菩薩像

kenpon chakushoku Fugen Bosatsu zō
kenpon chakushoku Monju Bosatsu zō
Kamakura period Okayama Chishō-in (智勝院)
(kept at Okayama Prefectural Museum)
two scrolls 133 centimetres (52 in) by 53 centimetres (21 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [40]
Parinirvana of the Buddha, ink on silk
絹本著色仏涅槃図
kenpon chakushoku Butsu nehan zu
Nanboku-chō period Okayama Hōfuku-ji (寳福寺)
(kept at Okayama Prefectural Museum)
34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [41]
Jakushitsu Genkō, ink on silk
絹本著色寂室元光頂相
kenpon chakushoku Jakushitsu Genkō chinzō
C14 Takahashi Raikyū-ji
(kept at Takahashi History and Art Museum (高梁市歴史美術館))
  34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Takahashi History and Art Museum) [42]
Shaka Triad, colour on silk
絹本著色釈迦三尊像
kenpon chakushoku Shaka sanzon zō
Nanboku-chō period Okayama Jōmyō-ji (浄明寺)
(kept at Okayama Prefectural Museum)
  108 centimetres (43 in) by 64 centimetres (25 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [43]
White-Robed Kannon, ink on silk
絹本墨画白衣観音図
kenpon bokuga Byakue Kannon zu
Muromachi period Bizen Senju-in (千手院) 34°45′39″N 134°15′23″E / 34.760756°N 134.256285°E / 34.760756; 134.256285 (Senju-in) [44]
Sixteen Arhats, colour on silk
絹本著色十六羅漢像
kenpon chakushoku jūroku Rakan zō
C14 Okayama Chōbō-ji (長法寺)
(kept at Okayama Prefectural Museum)
sixteen scrolls 131.4 centimetres (51.7 in) by 53.8 centimetres (21.2 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [45]
Western-style Ema from Wakamiya Hachimangū
若宮八幡宮欧風絵馬
Wakamiya Hachimangū ōfū ema
1792 Okayama Wakamiya Hachimangū (若宮八幡宮)
(kept at Okayama Prefectural Museum)
depicts Gan Jiang and Mo Ye, with western perspective; the inscription 暁嶽国綱 to the left is a nom de plume of Akita ranga artist Tashiro Tadakuni   109.5 centimetres (43.1 in) by 198.5 centimetres (78.1 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [46]
Fugen Bosatsu, white drawing on silk
絹本白描普賢菩薩像
kenpon hakubyō Fugen Bosatsu zō
Yuan Okayama Kiyama-ji (木山寺)
(kept at Okayama Prefectural Museum)
78.6 centimetres (30.9 in) by 36.4 centimetres (14.3 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [47]
Ten Kings and Ten Buddhas, colour on silk
絹本著色遣迎二尊十王十仏図
kenpon chakushoku kengō ni son jū ō jū Butsu zu
Kamakura period Okayama Kiyama-ji (木山寺)
(kept at Okayama Prefectural Museum)
121.2 centimetres (47.7 in) by 56.0 centimetres (22.0 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [48]
Descent of the Amida Triad with Ten Buddhas, colour on silk
絹本著色阿弥陀三尊十仏来迎図
kenpon chakushoku Amida sanzon jū Butsu raigō zu
Nanboku-chō period Okayama Kiyama-ji (木山寺)
(kept at Okayama Prefectural Museum)
105 centimetres (41 in) by 40 centimetres (16 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [49]
Thirteen Buddhas, colour on silk
絹本著色十三仏図
kenpon chakushoku jūsan Butsu zu
C15 Okayama Kiyama-ji (木山寺)
(kept at Okayama Prefectural Museum)
93.0 centimetres (36.6 in) by 37.8 centimetres (14.9 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [50]
Parinirvana of the Buddha, colour on silk
絹本著色仏涅槃図
kenpon chakushoku Butsu nehan zu
C15 Asakuchi Myōō-in (明王院) 188.0 centimetres (74.0 in) by 161.1 centimetres (63.4 in) 34°31′10″N 133°35′32″E / 34.519359°N 133.592099°E / 34.519359; 133.592099 (Myōō-in Prefectural Museum) [51]
Descent of the Amida Triad, colour on silk
絹本著色阿弥陀三尊来迎図
kenpon chakushoku Amida sanzon raigō zu
C14 Okayama Gion-ji (元恩寺)
(kept at Okayama Prefectural Museum)
34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [52]
Descent of the Amida Triad, embroidered silk
繍帳阿弥陀三尊来迎図
shūchō Amida sanzon raigō zu
early Muromachi period Kumenan Tanjō-ji (誕生寺) 64 centimetres (25 in) by 27 centimetres (11 in) 34°57′19″N 133°57′11″E / 34.95525°N 133.953°E / 34.95525; 133.953 (Tanjōji) [53]
Mandala of the Two Realms, colour on silk
絹本著色両界曼荼羅図
kenpon chakushoku ryōkai mandara zu
Kamakura period Okayama Honsan-ji (本山寺)
(kept at Okayama Prefectural Museum)
two scrolls 150.2 centimetres (59.1 in) by 136.8 centimetres (53.9 in) and 148.2 centimetres (58.3 in) by 136.7 centimetres (53.8 in) 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [54]
Thirty-Three Forms of Kannon Bosatsu, Fudō Myōō, Bishamon, painted wooden panels
板絵観世音菩薩三十三身応現図及び板絵不動・毘沙門図
ita-e Kanzeon Bosatsu sanjūsanshin ōgen zu oyobi ita-e Fudō Bishamon zu
early Muromachi period Okayama Honsan-ji (本山寺)
(kept at Okayama Prefectural Museum)
thirty-five painted panels; restored in 1690 according to an ink inscription on the reverse 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E / 34.668209; 133.933863 (Okayama Prefectural Museum) [55]

See also

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References

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  1. ^ "Cultural Properties for Future Generations". Agency for Cultural Affairs. Retrieved 27 June 2020.
  2. ^ 国宝・重要文化財 [Number of National Treasures and Important Cultural Properties by Prefecture] (in Japanese). Agency for Cultural Affairs. 1 June 2020. Retrieved 27 June 2020.
  3. ^ 国宝・重要文化財(美術品)(絵画 岡山県) [Database of National Cultural Properties] (in Japanese). Agency for Cultural Affairs. Retrieved 26 June 2020.
  4. ^ a b "岡山県内指定文化財等件数一覧" [Cultural Properties in Okayama Prefecture]. Okayama Prefecture. 22 January 2020. Retrieved 27 June 2020.
  5. ^ 国宝 [National Treasures of Japan] (in Japanese and English). Vol. 5. The Mainichi Newspapers. 1966. p. 54.
  6. ^ 都道府県別指定等文化財件数(都道府県分) [Number of Prefectural Cultural Properties by Prefecture] (in Japanese). Agency for Cultural Affairs. 1 May 2019. Retrieved 20 June 2020.
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