List of Cultural Properties of Japan – paintings (Toyama)

This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Prefecture of Toyama.[1]

National Cultural Properties

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As of 1 January 2015, three Important Cultural Properties have been designated, being of national significance.[2][3]

Property Date Municipality Ownership Comments Image Dimensions Coordinates Ref.
Lotus Sutra Mandala, colour on silk
絹本著色法華経曼荼羅図
kenpon chakushoku Hoke-kyō mandara zu
1326-28 Toyama Honpō-ji (本法寺) 21 scrolls   36°33′11″N 137°09′45″E / 36.553120°N 137.162547°E / 36.553120; 137.162547 (Honpōji) [1]
Scenes in and around the Capital, colours on paper with gold ground
紙本金地著色洛中洛外図〈/六曲屏風〉
shihon kinji chakushoku rakuchū rakugai zu (rokkyoku byōbu)
Momoyama period Takaoka Shōkō-ji (勝興寺)
(kept at the Takaoka Municipal Museum (高岡市立博物館))
pair of six-panel screens     36°44′47″N 137°01′16″E / 36.746450°N 137.021055°E / 36.746450; 137.021055 (Takaoka Municipal Museum) [2]
Ittō Ryōson (one stupa two deities) - Nichiren - Kishimojin and the Ten Rasetsunyo - Thirty Guardian Deities
colour on silk, by Hasegawa Tōhaku
紙本著色一塔両尊像〈長谷川信春筆/〉
紙本著色日蓮像〈長谷川信春筆/〉
紙本著色鬼子母神十羅刹女像〈長谷川信春筆/〉
絹本著色三十番神像〈長谷川信春筆/〉

kenpon chakushoku ittō ryōson zō (Hasegawa Tōhaku hitsu)
kenpon chakushoku Nichiren zō (Hasegawa Tōhaku hitsu)
kenpon chakushoku Kishimojin jū-rasetsunyo zō (Hasegawa Tōhaku hitsu)
kenpon chakushoku sanjū banshin zō (Hasegawa Tōhaku hitsu)
1564-66 Takaoka Daihō-ji (大法寺) four scrolls         86.0 centimetres (2 ft 9.9 in) by 40.0 centimetres (1 ft 3.7 in); 85.7 centimetres (2 ft 9.7 in) by 40.5 centimetres (1 ft 3.9 in); 86.4 centimetres (2 ft 10.0 in) by 39.9 centimetres (1 ft 3.7 in); 94.7 centimetres (3 ft 1.3 in) by 39.0 centimetres (1 ft 3.4 in) 36°44′48″N 137°00′27″E / 36.746648°N 137.007483°E / 36.746648; 137.007483 (Daihōji) [3] [4] [5] [6]

Prefectural Cultural Properties

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As of 1 January 2015, twelve properties have been designated at a prefectural level.[4]

Property Date Municipality Ownership Comments Image Dimensions Coordinates Ref.
Monju Bosatsu Riding a Lion, colour on silk
絹本著色騎獅文殊菩薩像
kenpon chakushoku kishi Monju bosatsu zō
early Kamakura period Toyama Raikō-ji (来迎寺)   36°40′59″N 137°13′16″E / 36.683125°N 137.220987°E / 36.683125; 137.220987 (Raikōji) [7]
Shōtoku Taishi Aged 16, colour on silk
絹本著色聖徳太子孝養像図
kenpon chakushoku Shōtoku Taishi kōyō-zō zu
Toyama private   36°41′02″N 137°12′54″E / 36.683770°N 137.214893°E / 36.683770; 137.214893 (Nishinakanomachi, Toyama) [8]
Nichiren Shū Honzon Mandala, colour on silk
絹本著色日蓮宗本尊曼荼羅図
kenpon chakushoku Nichiren-shū honzon mandara zu
Momoyama period Takaoka Daihō-ji (大法寺) the title of the 南無妙法蓮華経; by Hasegawa Tōhaku   36°44′48″N 137°00′27″E / 36.746648°N 137.007483°E / 36.746648; 137.007483 (Daihōji) [9]
Pure Land based on the Amitayurdhyana Sutra, colour on silk
絹本著色観経浄土変相図
kenpon chakushoku kangyō jōdo hensō zu
Kamakura period Imizu Mandara-ji (曼陀羅寺)   36°46′46″N 137°05′21″E / 36.779446°N 137.089269°E / 36.779446; 137.089269 (Mandaraji) [10]
Blue Fudō, colour on silk
絹本著色青不動
kenpon chakushoku ao Fudō
late Kamakura period Imizu Mandara-ji (曼陀羅寺)   36°46′46″N 137°05′21″E / 36.779446°N 137.089269°E / 36.779446; 137.089269 (Mandaraji) [11]
Standing Yakushi Nyorai, colour on silk
絹本著色薬師如来立像
kenpon chakushoku Yakushi Nyorai ryū-zō
Kamakura period Tonami Jōfuku-ji (常福寺)   36°39′14″N 136°58′59″E / 36.653865°N 136.983075°E / 36.653865; 136.983075 (Mandaraji) [12]
Daiitoku Myōō, colour on silk
絹本著色大威徳明王図
kenpon chakushoku Daiitoku Myōō zu
early Muromachi period Tonami Senkō-ji (千光寺)   36°38′10″N 137°01′55″E / 36.636158°N 137.031806°E / 36.636158; 137.031806 (Senkōji) [13]
Mandala of the Two Realms, colour on silk
絹本著色両界曼荼羅図
kenpon chakushoku ryōkai mandara zu
late Kamakura period Tonami Senkō-ji (千光寺) pair of scrolls with supplementary scroll     36°38′10″N 137°01′55″E / 36.636158°N 137.031806°E / 36.636158; 137.031806 (Senkōji) [14]
Nirvana Painting, colour on silk
絹本著色仏涅槃図
kenpon chakushoku Butsu nehan zu
Nanboku-chō period Toyama Ōyama Centre for Administration (大山総合行政センター)   36°36′08″N 136°53′08″E / 36.602110°N 136.885679°E / 36.602110; 136.885679 (Ōyama Centre for Administration) [15]
Ema at Angō-ji
安居寺の絵馬
Angōji no ema
Momoyama period Nanto Angō-ji (安居寺) three ema; said to be the work of Kanō Eitoku and his pupil Sanraku       36°36′08″N 136°53′08″E / 36.602110°N 136.885679°E / 36.602110; 136.885679 (Angōji) [16]
Kitano Shrine Okuni Kabuki Byōbu
北野神社阿国歌舞伎図
Kitano Jinja Okuni kabuki zu
early Edo period Nanto Fukuno Shimeisha (福野神明社)   36°35′36″N 136°55′19″E / 36.593419°N 136.921996°E / 36.593419; 136.921996 (Fukuno Shinmeisha) [17]
Three Thousand Buddhas, colour on silk
絹本著色三千仏図
kenpon chakushoku sanzen butsu zu
Muromachi period Toyama split between Tairyū-ji (帝龍寺), Ōyama Historical Folk Material Museum (富山市大山歴史民俗資料館), and Ōyama Centre for Administration (大山総合行政センター) three scrolls       36°33′48″N 137°13′52″E / 36.563272°N 137.231244°E / 36.563272; 137.231244 (Tairyūji) [18]

See also

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References

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  1. ^ "Cultural Properties for Future Generations". Agency for Cultural Affairs. Archived from the original on 26 October 2014. Retrieved 5 January 2015.
  2. ^ 国宝・重要文化財 [Number of National Treasures and Important Cultural Properties by Prefecture] (in Japanese). Agency for Cultural Affairs. 1 January 2015. Archived from the original on 30 June 2011. Retrieved 5 January 2015.
  3. ^ "Database of National Cultural Properties: 国宝・重要文化財(美術品)(絵画 富山県)" (in Japanese). Agency for Cultural Affairs. Archived from the original on 4 December 2015. Retrieved 5 January 2015.
  4. ^ 絵画 [Paintings] (in Japanese). Toyama Prefecture. Retrieved 5 January 2015.
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