| Title
|
Director
|
Cast
|
Genre
|
Notes
|
| 1990
|
| The Bet |
Teresa Kotlarczyk |
|
|
Entered into the 17th Moscow International Film Festival
|
| Burial of a Potato |
Jan Jakub Kolski |
|
|
Screened at the 1991 Cannes Film Festival
|
| Escape from the 'Liberty' Cinema |
Wojciech Marczewski |
|
|
Screened at the 1991 Cannes Film Festival
|
| Korczak |
Andrzej Wajda |
|
|
Screened at the 1990 Cannes Film Festival
|
| 1991
|
| Calls Controlled |
Sylwester Chęciński |
Stanisław Tym, Krzysztof Kowalewski |
Black Comedy |
|
| Diabły, diabły |
Dorota Kędzierzawska |
|
|
|
| Europa Europa |
Agnieszka Holland |
|
|
|
| The Double Life of Véronique |
Krzysztof Kieślowski |
Irène Jacob |
|
Won three awards at Cannes: Prize of the Ecumenical Jury (Krzysztof Kieślowski), FIPRESCI Prize (Krzysztof Kieślowski) and Best Actress (Irène Jacob)
|
| 1992
|
| A Bachelor's Life Abroad |
Andrzej Barański |
|
|
Entered into the 18th Moscow International Film Festival
|
| All That Really Matters |
Robert Gliński |
|
|
|
| Just Beyond That Forest |
Jan Łomnicki |
Ryszarda Hanin, Joanna Friedman, Marta Klubowicz, Marzena Trybała, Marek Bargielowski, Bogusław Sochnacki |
War |
|
| Warszawa. Année 5703 |
Janusz Kijowski |
Lambert Wilson, Julie Delpy, Hanna Schygulla |
|
Polish-French-German co-production
|
| 1993
|
| Three Colours: Blue |
Krzysztof Kieślowski |
Juliette Binoche, Benoît Régent, Emmanuelle Riva |
Drama |
Polish-French-Swiss co-production
1993 Venice Film Festival: Best Film, Best Actress (Juliette Binoche), Best Cinematography (Sławomir Idziak)
1993 César Award : Best Actress (Juliette Binoche), Best Sound, Best Film Editing
|
| Two Moons |
Andrzej Barański |
|
|
Based on 1930 novel by Maria Kuncewiczowa
|
| 1994
|
| Johnnie Waterman |
Jan Jakub Kolski |
|
|
Screened at the 1994 Cannes Film Festival
|
| Reverted |
Kazimierz Kutz |
|
|
Entered into the 19th Moscow International Film Festival
|
| Three Colours: Red |
Krzysztof Kieślowski |
Irène Jacob |
Drama |
Polish-French-Swiss co-production
Entered into the 1994 Cannes Film Festival
|
| Three Colors: White |
Krzysztof Kieślowski |
Zbigniew Zamachowski, Julie Delpy |
Drama |
Polish-French-Swiss co-production
Silver Bear for Best Director at the 44th Berlin International Film Festival in 1994
|
| Wrony |
Dorota Kędzierzawska |
|
|
|
| Śmierć jak kromka chleba |
Kazimierz Kutz |
|
Drama, History |
|
| 1995
|
| Argument About Basia |
Kazimierz Tarnas |
Paulina Tworzyańska
|
| Holy Week |
Andrzej Wajda |
|
|
Entered into the 46th Berlin International Film Festival
|
| Polish Death |
Waldemar Krzystek |
Cezary Pazura, Agnieszka Pilaszewska, Jan Machulski, Henryk Bista, Igor Przegrodzki |
|
|
| Szczur |
Jan Łomnicki |
|
Drama |
|
| 1996
|
| At Full Gallop |
Krzysztof Zanussi |
|
|
Screened at the 1996 Cannes Film Festival
|
| Miss Nobody |
Andrzej Wajda |
|
|
Entered into the 47th Berlin International Film Festival
|
| Szamanka |
Andrzej Zulawski |
|
Drama |
|
| 1997
|
| Bandyta |
Maciej Dejczer |
Til Schweiger, John Hurt |
|
|
| Kiler |
Juliusz Machulski |
|
|
|
| Love Stories |
Jerzy Stuhr |
|
|
|
| A Trap |
Adek Drabiński |
|
|
Entered into the 20th Moscow International Film Festival
|
| 1998
|
| Fotoamator |
Dariusz Jabłoński |
|
Documentary |
|
| Nic |
Dorota Kędzierzawska |
|
|
|
| 1999
|
| The Debt |
Krzysztof Krauze |
Robert Gonera, Jacek Borcuch, Andrzej Chyra, Cezary Kosiński, Agnieszka Warchulska |
Drama |
|
| Kiler-ów 2-óch |
Juliusz Machulski |
Cezary Pazura |
Action, drama-comedy |
|
