List of academic publishing works on Madonna

Madonna's life and work has generated various academics works,[1][2][3] which includes scholarly articles and other published works, mostly covered by literary and academic journals as well as by others educational publishers like those from university pressess. The list is limited to only those that appeared first by a peer-reviewed outlet, or published in compendiums.[a] Also, these works have been published in different languages other than English.

Madonna seen on her Rebel Heart Tour, in 2015.

First scholarly articles about her is believed to be dated on 1985.[4] Scholar Suzanna Danuta Walters commented that academic writings about her, "has produced at least one major academic text devoted to Madonna",[5] while for professor Jane Desmond, "the relevant bibliography is vast".[6] Australian historian Robert Aldrich once commented she is a "performer of inimitable ubiquity" in the academia as she "has saturated the pages of academic journals".[7] To Alina Simone, in her academic studies "there is no dearth of material about Madonna, but an overwhelming excess".[8] Associate professor José F. Blanco, wrote in The Journal of Popular Culture that "it can be argued that Madonna is overexposed in academic research".[9]

Thesis such as Like a thesis: postmodern readings of Madonna music videos (1991) by Madonna scholar, Charles W Wells are included because they received academic and press coverage. In 1998, French academic Georges-Claude Guilbert wrote his thesis Madonna: un mythe postmoderne.[10] Others of these publications received citations from other scholars and observers appearing in citation indexes, or were preserved by university libraries. In addition, others thesis were published as books. Music professor Antoni Pizà noted that during the late 20th century, it became a fad in the United States to write doctoral dissertations on Madonna.[11] American journalist Hank Stuever said that Madonna's dissertations piled up and some were collected into a tome called The Madonna Connection (1993).[12] She has been part of multiple lectures around the world.

Academic and critical journal articles

edit

In English

edit
Title Year Author(s) Journal Pages Identifiers Notes Ref(s).
Madonna 1987 Harold Jaffe Performing Arts Journal 17–20 ISSN 0735-8393 OCLC 5547996728
Vol. 10
issue 3
An essay about Madonna. [13]
Living to Tell: Madonna’s Resurrection of the Fleshly 1990 Susan McClary Genders 148–166 ISSN 0894-9832 OCLC 8162179881
issue 7
A study on Madonna and her music. [14]
The Effects of Race, Gender, and Fandom on Audience Interpretations of Madonna's Music Videos 1990 Jane D. Brown
Laurie Schulze
Journal of Communication 88–102 ISSN 0021-9916 OCLC 4636223012
Vol. 40
issue 2
An audience reception using Madonna's videos "Papa Don't Preach" and "Open Your Heart". [15]
Like a critique: A postmodern essay on Madonna's postmodern video like a prayer 1991 Stephen E. Young Popular Music and Society 59–68 ISSN 0300-7766 OCLC 4804765831
Vol. 15
issue 1
A study on video of "Like a Prayer". [16]
Madonna 1991/92 Jane Miller Ploughshares 221–230 ISSN 0048-4474 OCLC 5542946647
Vol. 17
issue 4
Literary studies on Madonna. [17]
The Laugh of Madonna: Censorship and Oppositional Discourse 1992 Greta Gaard The Journal of the Midwest Modern Language Association 41–46 ISSN 0742-5562 OCLC 5552824344
Vol. 25
issue 1
A study on Madonna and her music. [18]
Our Lady of MTV: Madonna's "Like a Prayer" 1992 Carla Freccero Boundary 2 163–183 ISSN 0190-3659 OCLC 5552668908
Vol. 19
issue 2
Commentaries about Madonna and her video "Like a Prayer" as well, the Madonna scholars. [19]
Madonna's postmodern feminism: Bringing the margins to the center 1992 Cathy Schwichtenberg Southern Communication Journal 120–131 ISSN 1041-794X OCLC 4804864726
Vol. 57
issue 2
Essay about how Madonna used postmodernism to challenge accepted norms of sex and gender. [20]
Justify My Ideology: Madonna and traditional values 1992 Janelle L. Wilson
Gerald E. Markle
Popular Music and Society 75–84 ISSN 0300-7766 OCLC 936733513
Vol. 16
issue 2
A criticism and analysis of the music video for Madonna's song, "Justify My Love" (1990). [21]
Like a virgin-mother?: materialism and maternalism in the songs of Madonna 1992 Barbara Bradby Cultural Studies 73–96 ISSN 0950-2386 OCLC 936734005
Vol. 6
issue 1
A criticism and analysis of the music video for Madonna's song, "Material Girl" (1984). [22]
Sex, Madonna, & Mia: Press Reflections 1993 Daniel Harris The Antioch Review 503–518 ISSN 0003-5769 OCLC 5544132373
Vol. 51
issue 4
Talks about press reaction towards Madonna's book Sex. [23]
Madonna's Sex: Constitutional Stewardship or Administrative Fantasies? 1993 Douglas F. Morgan Administrative Theory & Praxis 37–51 ISSN 1084-1806 OCLC 5790952095
Vol. 15
issue 2
Examines reaction towards Madonna's book Sex. [24]
Madonna 1993 Steve Allen The Journal of Popular Culture 1–12 ISSN 0022-3840 OCLC 439255149
Vol. 27
issue 1
A criticism and analysis of Madonna as a public figure. [25]
Feminist assessment of emancipatory potential and Madonna's contradictory gender practices 1996 D. Lynn O'Brien Hallstein Quarterly Journal of Speech 125–141 ISSN 0033-5630 OCLC 4659170142
Vol. 82
issue 2
A feminist‐schizoanally piece noted that the hallmark of Madonna's career was her contradictory play with gender roles and images. [26]
Electrifying Fragments: Madonna and Postmodern Performance 1996 Mark Watts New Theatre Quarterly 99–107 ISSN 1474-0613
Vol. 12
issue 46
Studied Madonna's image in terms of the concept of "punctum" a concept defined by Roland Barthes. [27]
Like a Prophet - On Christian Interpretations of a Madonna Video 1996 Andreas Häger Scripta Instituti Donneriani Aboensis 151–174 ISSN 0582-3226 OCLC 8081124376
Vol. 16
An analysis on "Like a Prayer" since Christian and art perspectives. [28]
Madonna — mother of mirrors 1997 John Castles Cultural Studies 138–187 ISSN 0950-2386 OCLC 196712006
Vol. 11
issue 1
[29]
The Aesthetics of Music Video: An Analysis of Madonna's 'Cherish' 1998 Carol Vernallis Popular Music 153–185 ISSN 0261-1430 OCLC 206572402
Vol. 17
issue 2
Focused in her video "Cherish". [30]
Not an Immaculate Reception: ideology, The Madonna Connection, and academic wannabes 1999 Laurie Schulze Velvet Light Trap 37 (pages) ISSN 1542-4251 OCLC 358970432
Vol. 22
issue 5
Examines the criticism towards Madonna scholars by her own experience. [31]
Madonna and Hypertext: Liberatory Learning in Art Education 2000 Pamela G. Taylor Studies in Art Education 376–389 ISSN 0039-3541 OCLC 5544294596
Vol. 41
issue 4
Examines the use of computer hypertext as a base for art education in high school and used Madonna's videos as example. [32]
The Madonna Experience: A U.S. Icon Awakens a Puerto Rican Adolescent's Feminist Consciousness 2001 Carmen R. Lugo-Lugo Frontiers: A Journal of Women Studies 118–130 ISSN 0160-9009 OCLC 936906159
Vol. 22
issue 2
Talks about Madonna's Puerto Rican performance from her Girlie Show in 1993, and the impact she had in the country. [33]
Trollope's Material Girl 2002 Christoph Lindner The Yearbook of English Studies 36–51 ISSN 0306-2473
Vol. 32
Essay takes the 'Madonna phenomenon' as its point of departure to propose that, far from being unique to postmodernity, the representational project that emerges from Madonna's "Material Girl" song already motivated cultural production in the nineteenth century. [34]
Material Girl or Managerial Girl? Charting Madonna's brand ambition 2003 Stephen Brown Business Horizons 2–10 ISSN 0007-6813 OCLC 4636197942
Vol. 46
issue 4
Talks about Madonna's brand in the perspective of business and marketing. [35]
All You Need Is LAV: Madonna and Postmodern Kabbalah 2005 Boaz Huss The Jewish Quarterly Review 611–624 ISSN 0021-6682 OCLC 5792119843
Vol. 95
issue 4
Madonna's study of Kabbalah and integrating Kabbalistic themes in her cultural productions. [36]
"Sigmund Freud, Analyze This": How Madonna Situates "Die Another Day" Beyond the Pleasure Principle 2006 David Sigler Studies in Popular Culture 77–97 ISSN 0888-5753 OCLC 5543266231
Vol. 29
issue 1
[37]
The Semiotics of Performance and Success in Madonna 2012 José I. Prieto‐Arranz The Journal of Popular Culture 173–196 ISSN 0022-3840 OCLC 4824619896
Vol. 45
issue 1
Talks about Madonna's long -standing success. [38]
Madonna as a symbol of reflexive modernisation 2013 Marguerite van den Berg
Claartje L ter Hoeven
Celebrity Studies 144–154 ISSN 1939-2397 OCLC 5140465648
Vol. 4
issue 2
Discuss the communication of social and cultural tensions embodied in Madonna. [39]
From Old Media Whore to New Media Troll: The online negotiation of Madonna's ageing body 2013 Kristyn Gorton
Joanne Garde-Hansen
Feminist Media Studies 288–302 ISSN 1468-0777 OCLC 4824619896
Vol. 13
issue 2
Commentaries about Madonna's age and body since a feminist perspective. [40]
How to Fashion an Archetype: Madonna as Anima Figure 2014 José Blanco F. The Journal of Popular Culture 1153–1166 ISSN 0022-3840 OCLC 5730312405
Vol. 47
issue 6
Talks about Madonna's image, such as her reinvention, identities and her cultural impact. [9]
The Icon and the Text: American Book History and the Construction of the World's Largest-Grossing Illustrated Book, Madonna's Sex (1992) 2020 Manav Ratti Journal of American Studies 184–211 ISSN 0021-8758 OCLC 8515369715 Examines Madonna's success of her first book Sex. [41]

Non-English

edit
Title Year Author(s) Journal Language Pages Identifiers Notes Ref(s).
Watching Madonna: Anmerkungen zu einer feministischen Medien-/Geschlechterforschung 1996 Ute Bechdolf Essen: Die blaue Eule German 23–44 OCLC 936805311 An essay on Madonna and her cultural impact. [42]
L'autobiographie post-moderne, "post-mortem": Madonna auto(bio)graphe 2002 Olivier Sécardin L'Esprit Créateur French 66–75 ISSN 0014-0767 OCLC 203572273
Vol. 42
issue 4
Socio-cultural study on Madonna. [43]
Die Another Day: Madonna and the Post-Modern Kabbalah (למות ביום אחר: מדונה והקבלה הפוסט-מודרנית) 2002 Boaz Huss (בועז הוס) Zmanim: A Historical Quarterly (זמנים: רבעון להיסטוריה) Hebrew 4–11 ISSN 1565-5261 OCLC 5559592424
issue 91
A study of Madonna's song "Die Another Day". [44]
Madonna'nın Feminizmi: Postmodern Bir Kimlik Sorunsalı (The Feminism of Madonna: A Postmodern Identity Dilemma) 2008 Çağlar Özbek Toplum ve Demokrasi Dergisi Turkish 91–106 ISSN 1307-4687 OCLC 8254476820
Vol. 4
issue 2
The study analysis through Madonna, as an important representation of postmodern identity the feminism, postmodernism and identity. [45]
[46]
Construção de persona midiática: um estudo de caso da pop star Madonna 2011 Samuel dos Santos Pereira
Lenise Lantelme
Revista científica da faminas Portuguese 1–38 ISSN 1807-6912
Vol. 7
issue 1
A post-structuralism analysis on Madonna's work. [47]
«Um rosto tão conhecido quanto o nosso próprio»: a construção da imagem pública e da idolatria a Madonna 2011 Patricia Coralis Comunicação & cultura Portuguese 99–115 ISSN 1646-4877
issue 12
As part of the "Fãs e celebridades" commentaries. [48]
Mujeres, violencia y posfeminismo en los vídeos de Madonna 2014 Iolanda Tortajada
Núria Araüna
Área Abierta Spanish 23–41 ISSN 2530-7592 OCLC 5698925424
Vol. 14
issue 3
A study based on Madonna's videos analyzing post-feminism theory. [49]
Nem todas querem ser Madonna: representações sociais da mulher carioca, de 50 anos ou mais 2014 Cláudia da Silva
Pereira Afiliación
Estudos Feministas Portuguese 173–193 ISSN 1806-9584 OCLC 5584893330
Vol. 22
issue 1
It focuses on Madonna and her age and modern media's reflection of what it means to be over 50 for a woman. [50]
Madonna, 'sex' e o fetichismo pós-moderno 2019 Roney Gusmão Sociologia: Revista da Faculdade de Letras da Universidade do Porto Portuguese 71–87 ISSN 0872-3419 OCLC 8562112102
Vol. 38
A postdoctoral research. [51]
Los vídeos musicales de Madonna como performances audiovisuales 2022 Massimiliano Stramaglia Cuadernos De Investigación Musical Spanish & English 151–162 ISSN 2530-6847 OCLC 9524424982
issue 15
Studies of Madonna's performances. [52]

Partial and secondary

edit
Title Year Author(s) Journal Pages Identifiers Notes Ref(s).
Musicologists, Sociologists and Madonna 1993 John Street Innovation: The European Journal of Social Science Research 277–289 ISSN 1351-1610 OCLC 4814972514
Vol. 6
issue 3
Studies how the popular music has been dominated largely by sociology, rather than musicology with a particular focus on Madonna. [53]
Strike a pose: the framing of Madonna and Frida Kahlo 1993 Janis Bergman-Carton Texas Studies in Literature and Language 440–452 ISSN 0040-4691 OCLC 936740050
Vol. 35
issue 4
Explores Frida Kahlo-Madonna relation and how her art proliferated throughout the world since the singer confessed to being her fan. [54]
Legal Radicals in Madonna's Closet: The Influence of Identity Politics, Popular Culture, and a New Generation on Critical Legal Studies 1994 Duncan Kennedy Stanford Law Review 1835–1861 ISSN 0038-9765 OCLC 201509703
Vol. 46
issue 6
Piece was reviewed by legal scholar Naomi Mezey. [55]
Shakespeare's Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas 1995 Elizabeth Schafer Contemporary Theatre Review 7–16 ISSN 1477-2264 OCLC 264473208
Vol. 2
issue 3
Cross-reference male gaze analysis on Cleopatra and Madonna. [56]
The making of matriarchy: A comparison of Madonna and Margaret Thatcher 1997 Linda Leung Journal of Gender Studies 33–42 ISSN 0958-9236 OCLC 838734562
Vol. 6
issue 1
The article reviews a selection of the plethora of academic literature available on Madonna and the limited amount on Thatcher. Explores subjects such as matriarchy. [57]
Angelina and Madonna: Why All the Fuss?: an Exploration of the Rights of the Child and Intercountry Adoption within African Nations 2007 Veronica S Root Chicago Journal of International Law 323–354 ISSN 1529-0816 OCLC 779241243
Vol. 8
issue 1
art. 1
Explore the issues of the international adoptions by celebrities, focused in the cases of Angelina Jolie and Madonna. [58]
Madonna or Don McLean? The effect of order of exposure on relative liking 2010 Mario Pandelaere
Kobe Millet
Bram Van den Bergh
Journal of Consumer Psychology 442–451 ISSN 1057-7408 OCLC 8086884823
Vol. 20
issue 4
Talks about the effects of order; for example listening to one version of a song before another. They used as an example Don McLean's "American Pie" and Madonna's cover of that song. [59]
Toward a Concept of Post-Postmodernism or Lady Gaga’s Reconfigurations of Madonna 2013 Danuta Fjellestad
Maria Engberg
Reconstruction: Studies in Contemporary Culture 1–2 ISSN 1547-4348 OCLC 924306621
Vol. 12
issue 4
An essay that talks about post-postmodernism with the Gaga-Madonna relation. [60]
Hating Madonna and loving Tom Ford: gender, affect and the ‘extra-curricular’ celebrity 2014 Misha Kavka Celebrity Studies 59–74 ISSN 1939-2397 OCLC 5575739865
Vol. 5
issue 1–2
Explore criticisms towards Madonna's film W.E., and commentaries from Naomi Wolf on the case, comparing how Tom Ford received "rapturous" reviews with A Single Man to further suggests a gender bias to Madonna as artist. [61]
Celebrity as Celebration of Privatization in Global Development: A Critical Feminist Analysis of Oprah, Madonna, and Angelina 2015 Karin G. Wilkins Communication, Culture & Critique 163–181 ISSN 1753-9129 OCLC 6895822158
Vol. 8
issue 2
Explore the global philanthropy by media figures through the case of Oprah Winfrey, Angelina Jolie and Madonna. [62]

Conferences, congresses, seminar and courses

edit

Madonna has been part of multiple lectures around the world. Following, a few examples:

Title Year Author(s) Institution Language Pages Identifiers Notes Ref(s).
Madonna: Feminist Icon or Material Girl? 1993 Women's Center University of California, Santa Barbara English Held in January 1993, Santa Barbara, University of California, and organized by the Women's Center. [63]
Studies In Gender & Performance: Madonna Undressed 1993 Polly McLean University of Colorado English According to Polly McLean, an assistant journalist professor, the point of the class was "to get students to apply critical means of analysis to areas that are contemporary in society". She played Madonna songs and videos as part of the class, emphasizing issues raised in their images. [64]
Issues In Gender & Media Performance: The Madonna Phenomenon 1994 Various University of Colorado English The objective of the course was to formulate new ways to look at performance, via the performer. Using Madonna's videos and films explore the presentation of gender in costuming, makeup, gesturing and movement. [65]
Madonna: The Music and the Phenomenon 1997 Andrew Japless et alii University of Amsterdam Dutch A 40-hours class examining just what makes Madonna tick. More than 200 students signed to the course and their knowledge was tested in a final examination. They used resources such as the book The Madonna Connection (1993) or a Dutch book about Madonna's lyrics of more than 200 songs recorded by the singer. [66]
[67]
[68]
20 Years of Madonna: New Approaches to Madonna's Cultural Transformations' 2001 Call for papers Cambridge University Press English 293–294 ISSN 0261-1430 OCLC 206572402
Vol. 20
issue 2
Talks about Madonna's 20 years of career covering topics such as multiculturalism, all-American culture and motherhood among others. According to academic journal Music Theory Online, it was also presented to the International Association for the Study of Popular Music (IASPM). It was published in the academic journal Popular Music. [69]
[70]
La traducción de Madonna 2005 Lydia Brugué Comillas Pontifical University Spanish 703–712 ISBN 84-8468-151-3 OCLC 758227582 Translation studies based on Madonna's music presented in the international congress at the Asociación de Investigación y Especialización sobre Temas Iberoamericanos (AIETI). [71]
Case one: Madonna 2008 Robert M. Grant Wiley-Blackwell English 1–4 A case study of Madonna's enduring success and applied in the marketing discourse. [72]
Madonna On the Couch': A psychoanalytic view on Madonna's music videos 2008 Matthias Groß University of Leipzig English 22 (pages) ISBN 978-3640104598 Seminar paper from the year 2007 and published in 2008. Discuss psychoanalysis with Sigmund Freud theories using Madonna and her music videos in particular. [73]
A influência das artes no videoclipe Vogue (1990) da cantora Madonna 2012 Bruna Fernandes Barros
Rafael Jose Bona
Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom) Portuguese 14 (pages) Congress n. XIII Held at the XIII congress of Congresso de Ciências da Comunicação na Região Sul – Chapecó as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom). [74]
MDNA forever 2012 Salvatore Bartolotta Congreso Internacional de la Asociación Universitaria de Estudios de las Mujeres (AUDEM) Spanish 65–76 Presented by Salvatore Bartolotta from National University of Distance Education at the Congreso Internacional de la Asociación Universitaria de Estudios de las Mujeres (AUDEM). [75]
[76]
"Who's that girl? Madonna y la cultura pop contemporánea" 2015 Various University of Oviedo Spanish A series of classes started in September and finished in December 2015 by a varied of academic experts in different areas. It marked the first time Oviedo devoted a course to a female singer. [77]
[78]
Uma análise da carreira da cantora Madonna através de plataformas de divulgação de música 2016 Mateus Silomar
Alan Mangabeira Mascarenhas
Emerson da Cunha de Sousa
Maurício de Nassau
Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom) Portuguese 15 (pages) Congress n. XVIII Held at the XVIII congress of Congresso de Ciências da Comunicação na Região Nordeste – Caruaru as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom) in which, was explored Madonna's career since the digital music era. [79]
Bitch I'm Madonna: As rupturas no roteiro perfomático de uma diva pop 2018 Tatyane Larrubia
Leonam Casagrande Dalla
Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom) Portuguese 15 (pages) Congress n. 41 Held at the 41st congress of Congresso Brasileiro de Ciências da Comunicação – Joinville as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom). [80]
China Studies Academic Seminar: Madonna goes East 2019 Chang Liu Xi'an Jiaotong-Liverpool University Chinese Focuses on the construction of Madonna's star image in China and explores how Madonna's music was introduced to China. [81]

Theses and dissertations

edit
Title Year Author(s) Institution Pages (total) Identifiers Notes Ref(s).
Like a thesis: postmodern readings of Madonna music videos 1991 Charles W Wells Florida State University 230 OCLC 25334230 It received academic attention and press coverage by outlets such as Orlando Sentinel and Tampa Bay Times. [82]
[83]
Madonna, the material girl revealed through dramatistic inquiry 1992 Margaret A Peverill San Diego State University 68 OCLC 26435720 M.A. thesis. [84]
The Madonna phenomenon: a sociological perspective 1992 Carlos Iglesias University of Houston 135 OCLC 27450076 Archived at University of Houston Libraries. [85]
Raunch or resistance: Making meanings of Madonna, a cultural studies approach to the rock video 1992 Elaine Marion Grodaes University of Windsor 234 OCLC 30974548 ISBN 0315830352 Preserved also at the National Library of Canada and Leddy Library. [86]
Madonna: playing in the heart of darkness 1993 Charlotte Siobhan
Antonia O'Sullivan
University of California, Berkeley 134 OCLC 31175003 M.A. in English. [87]
Reading images of Madonna music videos 1997 Megan J Distler Cedar Crest College 35 OCLC 39841810 A senior honors thesis. [88]
Re-(e)valu(ate/ing) Madonna : understanding the success of post-modernity's greatest diva 1999 Wesley Chinn Harvard University 42 OCLC 41121575 It was featured in the guide of thesis at the university. [89]
[90]
Madonna, an American pop icon of feminism and counter-hegemony 2000 Audra Gaugler Lehigh University 60 OCLC 46542029 As part of the department of history. [91]
Marketing Madonna: celebrity agency across the cultural industry 2006 Melissa West York University 349 OCLC 231656076 ISBN 978-0494295373 Also preserved at Université du Québec à Rimouski. [92]
[93]
Madonna & Black Culture Appropriation in the MTV Generation 2007 Shawna J Strayhorn Harvard University 70 OCLC 406696891 It was featured in the guide of thesis at the university. [89]
[90]
The commodification of religion within celebrity culture with special focus on Madonna and Kabbalah 2008 Courtney C Langille Memorial University of Newfoundland 85 OCLC 456151487 Honours dissertation of B.A. Preserved at the Centre for Newfoundland Studies. [94]
Madonna's confession: sound, self, and survival in a love song 2008 Ross Joseph Fenimore University of California, Los Angeles 218 OCLC 811147445 Ph.D dissertation. [95]
"Who's that girl?"-reconstructing gender: a cultural study of Madonna's music video 2014 Yingzi Zhao Hong Kong Polytechnic University 117 OCLC 900239717 M.A. thesis. [96]

Non-English thesis and dissertations

edit
Title Year Author(s) Institution Language Pages (total) Identifiers Notes Ref(s).
Madonna: un mythe postmoderne 1998 Georges-Claude Guilbert Paris Nanterre University French 2 (vol.) OCLC 249286928 Thesis for English studies. [10]
"Express yourself - Madonna be with you": Madonna-Fans und ihre Lebenswelt 1998 Carina Schmiedke-Rindt Augsburg University German 347 OCLC 1071011779 ISBN 978-3926794338 A thesis that was later published as a book. It is preserved at the Harvard Library. [97]
Madonna: where's that girl? Starimage und Erotik im medialen Raum 2002 Jan-Oliver Decker Christian-Albrecht University of Kiel German 559 OCLC 181435915 To apply a doctorate in music videos. [98]
Madonna revidiert: Rekursivität im Videoclip 2004 Matthias Weiß Free University of Berlin German 301 OCLC 723656039 OCLC 884475351 ISBN 3496013621 It was later published as a book. [99]
Madonna: uma vida de marketing e mídia 2006 Natalia Vieira De Melo Universidade Santa Cecília Portuguese 94 [100]
La representació de cançons en gèneres audiovisuals musicals: Anàlisi de dos documentals musicals subtitulats i d'onze videoclips de Madonna 2008 Lydia Brugué University of Vic - Central University of Catalonia Catalan 222 OCLC 747615250 Explored the usage of subtitles through Madonna's music. [101]
Madonna as a cultural icon and a children's author: diplomsko delo 2009 Anže Perne University of Ljubljana Slovene 100 OCLC 781160704 [102]
A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna 2011 Rodrigo Ribeiro Barreto Federal University of Bahia Portuguese 200 Based on Madonna's videography and image. [103]
Das Spiel mit dem Ich: die Dekonstruktion postmoderner Medienikonen am Beispiel Madonna 2012 Henrike Wielk University of Tübingen German 193 OCLC 913200268 ISBN 978-3868215731 It was later published as a book in 2014. [104]
Like a Queen; Madonna und ihr Hof auf der Bühne in Zeiten des Social Media (Like a Queen - Madonna & the stage as court in the era of social media) 2013 Adam Louis Troldahl University of Vienna German 75 OCLC 7378245230 Published both in English and German. [105]
“You must be my Lucky Star”: Crítica, agendamento e valor sobre a obra da cantora Madonna na Revista Rolling Stone 2015 Maria Helena Guerra Monteiro Federal University of Paraíba Portuguese 150 It was cited in A revista Tropos: Comunicação, Sociedade e Cultura of Universidade Federal do Acre. [106]
[107]

Notes

edit
  1. ^ To avoid predatory publishing, this list is limited to include pieces of papers or articles published by academic journals or educational and scholarly publishers, and as possible through peer reviews but exceptions may apply.

References

edit
  1. ^ Hall & Hall 2010, pp. 445–446
  2. ^ Jeffreys 2005, p. 76
  3. ^ Fenner & Hill 2010, p. 110
  4. ^ von Lowtzow, Caroline (May 17, 2010). "Aus der Ursuppe des Trash". Süddeutsche Zeitung (in German). pp. 1–2. Archived from the original on July 26, 2020. Retrieved March 31, 2021.
  5. ^ Walters 1995, p. 2
  6. ^ Desmond 2001, p. 345
  7. ^ Aldrich, Robert; Wotherspoon, Garry (2020). "M; Madonna". Who's Who in Contemporary Gay and Lesbian History: From World War II to the Present Day. Routledge. ISBN 978-1000150285. Archived from the original on October 1, 2022. Retrieved May 21, 2022 – via Google Books.
  8. ^ Fry, Naomi (March 3, 2016). "'Madonnaland,' by Alina Simone". T: The New York Times Style Magazine. Archived from the original on May 3, 2016. Retrieved February 27, 2022.
  9. ^ a b Blanco F., José (December 2014). "How to Fashion an Archetype: Madonna as Anima Figure". The Journal of Popular Culture. 47 (6). Wiley-Blackwell: 1153–1166. doi:10.1111/jpcu.12203. Archived from the original on May 14, 2022. Retrieved May 19, 2022.
  10. ^ a b "Madonna: un mythe postmoderne" (in French). Paris Nanterre University. 1998. Retrieved May 20, 2022.
  11. ^ Pizà 2003, p. 162
  12. ^ Stuever, Hank (August 10, 2008). "The Age Of Madonna: Touched for a Very Long Time". The Washington Post. p. 2. Retrieved August 1, 2022.
  13. ^ Jaffe, Harold (1987). "Madonna". Performing Arts Journal. 10 (3). MIT Press: 17–20. doi:10.2307/3245449. JSTOR 3245449. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  14. ^ McClary, Susan (1990). "Living to Tell: Madonna's Resurrection of the Fleshly". Genders (7). University of Texas Press: 148–166. Archived from the original on October 1, 2022. Retrieved May 18, 2022.
  15. ^ Brown, Jane D.; Schulze, Laurie (June 1990). "The Effects of Race, Gender, and Fandom on Audience Interpretations of Madonna's Music Videos". Journal of Communication. 40 (2). Oxford University Press: 88–102. doi:10.1111/j.1460-2466.1990.tb02264.x. Retrieved May 18, 2022.
  16. ^ Young, Stephen E. (1991). "Like a critique: A postmodern essay on Madonna's postmodern video like a prayer". Popular Music and Society. 15 (1). University of Tennessee: 59–68. doi:10.1080/03007769108591423. Retrieved May 18, 2022.
  17. ^ Miller, Jane (1991–1992). "Madonna". Ploughshares. 17 (4). Ladette Randolph: 221–230. JSTOR 40350837. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  18. ^ Gaard, Greta (1992). "The Laugh of Madonna: Censorship and Oppositional Discourse". The Journal of the Midwest Modern Language Association. 25 (1). University of Iowa: 41–46. doi:10.2307/1315073. JSTOR 1315073. Retrieved May 18, 2022.
  19. ^ Freccero, Carla (1992). "Our Lady of MTV: Madonna's "Like a Prayer"". Boundary 2. 19 (2). Duke University Press: 163–183. doi:10.2307/303538. JSTOR 303538. Archived from the original on May 25, 2022. Retrieved May 18, 2022.
  20. ^ Schwichtenberg, Cathy (1992). "Madonna's postmodern feminism: Bringing the margins to the center". Southern Communication Journal. 57 (2). University of Georgia: 120–131. doi:10.1080/10417949209372858. S2CID 146555627. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  21. ^ Wilson, Janelle L.; Markle, Gerald E. (1992). "Justify my ideology: Madonna and traditional values". Popular Music and Society. 16 (2). Western Michigan University: 75–84. doi:10.1080/03007769208591477. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  22. ^ Bradby, Barbara (1992). "Like a virgin-mother?: Materialism and maternalism in the songs of Madonna". Cultural Studies. 6 (1). Routledge: 73–96. doi:10.1080/09502389200490041. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  23. ^ Harris, Daniel (1993). "Sex, Madonna, & Mia: Press Reflections". The Antioch Review. 51 (4). Antioch College: 503–518. JSTOR 4612818. Retrieved May 19, 2022.
  24. ^ Morgan, Douglas F. (1993). "Madonna's Sex: Constitutional Stewardship or Administrative Fantasies?". Administrative Theory & Praxis. 15 (2). Taylor & Francis: 37–51. JSTOR 25611061. Archived from the original on May 25, 2022. Retrieved May 19, 2022.
  25. ^ Allen, Steve (1993). "Madonna". The Journal of Popular Culture. 27 (1). Wiley-Blackwell: 1–12. doi:10.1111/j.0022-3840.1993.1654646800.x. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  26. ^ O'Brien Hallstein, D. Lynn (1996). "Feminist assessment of emancipatory potential and Madonna's contradictory gender practices". Quarterly Journal of Speech. 82 (2). Babson College: 125–141. doi:10.1080/00335639609384146. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  27. ^ Watts, Mark (May 1996). "Electrifying Fragments: Madonna and Postmodern Performance". New Theatre Quarterly. 12 (46). Cambridge University Press: 99–107. doi:10.1017/S0266464X00009921. S2CID 194137322. Archived from the original on March 4, 2016. Retrieved May 20, 2022.
  28. ^ Häger, Andreas (January 1, 1996). "Like a Prophet - On Christian Interpretations of a Madonna Video". Scripta Instituti Donneriani Aboensis. 16. Donner Institute: 151–174. doi:10.30674/scripta.67227. Archived from the original on February 27, 2022. Retrieved May 18, 2022.
  29. ^ Castles, John (1997). "Madonna — mother of mirrors". Cultural Studies. 11 (1). Routledge: 138–187. doi:10.1080/09502389700490081. Archived from the original on May 19, 2022. Retrieved May 18, 2022.
  30. ^ Vernallis, Carol (1998). "The Aesthetics of Music Video: An Analysis of Madonna's 'Cherish'". Popular Music. 17 (2). Cambridge University Press: 153–185. doi:10.1017/S0261143000000581. JSTOR 853454. S2CID 54547848. Retrieved May 18, 2022.
  31. ^ Schulze, Laurie (1999). "Not an Immaculate Reception: ideology, The Madonna Connection, and academic wannabes". Velvet Light Trap. 22 (5). University of Texas at Austin. Archived from the original on May 21, 2022. Retrieved May 20, 2022.
  32. ^ Taylor, Pamela G. (2000). "Madonna and Hypertext: Liberatory Learning in Art Education". Studies in Art Education. 41 (4). National Art Education Association: 376–389. doi:10.2307/1320680. JSTOR 1320680. Archived from the original on May 27, 2022. Retrieved May 20, 2022.
  33. ^ Lugo-Lugo, Carmen R. (2001). "The Madonna Experience: A U.S. Icon Awakens a Puerto Rican Adolescent's Feminist Consciousness". Frontiers: A Journal of Women Studies. 22 (2). University of Utah . University of Nebraska Press: 118–130. doi:10.2307/3347058. JSTOR 3347058. Archived from the original on May 14, 2022. Retrieved May 18, 2022.
  34. ^ Lindner, Christoph (2002). "Trollope's Material Girl". The Yearbook of English Studies. 32. Modern Humanities Research Association: 36–51. doi:10.2307/3509046. JSTOR 3509046. S2CID 191466491. Archived from the original on May 24, 2022. Retrieved May 20, 2022.
  35. ^ Brown, Stephen (July–August 2003). "Material Girl or Managerial Girl? Charting Madonna's brand ambition". Business Horizons. 46 (4). Kelley School of Business: 2–10. doi:10.1016/S0007-6813(03)00046-6. Archived from the original on June 30, 2020. Retrieved May 19, 2022.
  36. ^ Huss, Boaz (2005). "All You Need Is LAV: Madonna and Postmodern Kabbalah". The Jewish Quarterly Review. 95 (4). University of Pennsylvania Press: 611–624. doi:10.1353/jqr.2005.0077. S2CID 170180659. Retrieved May 19, 2022.
  37. ^ Sigler, David (October 2006). ""Sigmund Freud, Analyze This": How Madonna Situates "Die Another Day" Beyond the Pleasure Principle". Studies in Popular Culture. 29 (1). Popular Culture Association in the South: 77–97. JSTOR 23418073. Archived from the original on March 8, 2022. Retrieved May 19, 2022.
  38. ^ Prieto-Arranz, José I. (February 22, 2012). "The Semiotics of Performance and Success in Madonna". The Journal of Popular Culture. 45 (1). Wiley-Blackwell: 173–196. doi:10.1111/j.1540-5931.2011.00917.x. Archived from the original on May 19, 2022. Retrieved May 19, 2022.
  39. ^ van den Berg, Marguerite; Hoeven, Claartje L ter (2013). "Madonna as a symbol of reflexive modernisation". Celebrity Studies. 4 (2). Amsterdam School of Communication Research: 144–154. doi:10.1080/19392397.2013.791042. S2CID 218591493. Archived from the original on June 27, 2018. Retrieved May 19, 2022.
  40. ^ Gorton, Kristyn; Garde-Hansen, Joanne (2013). "From Old Media Whore to New Media Troll". Feminist Media Studies. 13 (2). Routledge: 288–302. doi:10.1080/14680777.2012.678370. S2CID 143093316. Archived from the original on May 19, 2022. Retrieved May 19, 2022.
  41. ^ Ratti, Manav (February 2020). "The Icon and the Text: American Book History and the Construction of the World's Largest-Grossing Illustrated Book, Madonna's Sex (1992)". Journal of American Studies. 54 (1). Cambridge University Press: 184–211. doi:10.1017/S0021875818001391. S2CID 149802293. Archived from the original on April 30, 2020. Retrieved May 20, 2022.
  42. ^ Bechdolf, Ute (1996). "Watching Madonna: Anmerkungen zu einer feministischen Medien-/Geschlechterforschung" (PDF). Essen: Die Blaue Eule (in German): 23–44. doi:10.25656/01:10323. Archived (PDF) from the original on August 11, 2017. Retrieved May 18, 2022.
  43. ^ Sécardin, Oliver (2002). "L'autobiographie post-moderne, "post-mortem": Madonna auto(bio)graphe". L'Esprit Créateur (in French). 42 (4): 66–75. doi:10.1353/esp.2010.0403. JSTOR 26288439. S2CID 162381491. Archived from the original on June 4, 2020. Retrieved May 18, 2022.
  44. ^ Huss, Boaz (2005). "Die Another Day: Madonna and the Post-Modern Kabbalah / למות ביום אחר: מדונה והקבלה הפוסט-מודרנית". Zmanim: A Historical Quarterly (in Hebrew) (91): 4–11. JSTOR 26288439. Archived from the original on June 4, 2020. Retrieved May 19, 2022.
  45. ^ Özbek, Çağlar (September–December 2008). "Madonna'nın Feminizmi: Postmodern Bir Kimlik Sorunsalı". Toplum ve Demokrasi Dergisi (in Turkish). 4 (2): 91–106. Archived from the original on October 8, 2016. Retrieved May 19, 2022.
  46. ^ "Madonna's Feminism: A Postmodern Problem of Identity". Toplum ve Demokrasi Dergisi (in Turkish). 2008. S2CID 145578743.
  47. ^ dos Santos Pereira, Samuel; Lantelme, Lenise (2011). "Construção de persona midiática: um estudo de caso da pop star Madonna". Revista científica da faminas (in Portuguese). 7 (1): 1–38. Archived from the original on January 22, 2021. Retrieved May 19, 2022.
  48. ^ Coralist, Patricia (June 1, 2011). ""Um rosto tão conhecido quanto o nosso próprio": a construção da imagem pública e da idolatria a Madonna". Comunicação & cultura (in Portuguese) (12). Catholic University of Portugal: 99–115. doi:10.34632/comunicacaoecultura.2011.620. Archived from the original on February 20, 2020. Retrieved May 20, 2022.
  49. ^ Tortajada, Iolanda; Araüna, Núria (November 11, 2014). "Mujeres, violencia y posfeminismo en los vídeos de Madonna". Área Abierta (in Spanish). 14 (3). University of Rovira i Virgili: 23–41. doi:10.5209/rev_ARAB.2014.v14.n3.45851. Archived from the original on May 19, 2022. Retrieved May 19, 2022.
  50. ^ da Silva, Cláudia; Afiliación, Pereira (January–April 2014). "Nem todas querem ser Madonna: representações sociais da mulher carioca, de 50 anos ou mais". Estudos Feministas (in Portuguese). 22 (1). Federal University of Santa Catarina: 173–193. doi:10.1590/S0104-026X2014000100010. JSTOR 24328351.
  51. ^ Gusmão, Roney (2019). "Madonna, "sex" e o fetichismo pós-moderno". Sociologia: Revista da Faculdade de Letras da Universidade do Porto (in Portuguese). 38. University of Porto: 71–87. doi:10.21747/08723419/soc38a4. S2CID 216687477. Archived from the original on June 4, 2020. Retrieved May 19, 2022.
  52. ^ Stramaglia, Massimiliano; Farina, Tommaso (May 11, 2022). "Madonna's Music Videos as Audiovisual "Performances"". Cuardernos de Investigación Musical (in Spanish) (15). University of Macerata: 151–162. doi:10.18239/invesmusic.2022.15.13. S2CID 249446022. Archived from the original on June 23, 2022. Retrieved July 7, 2022.
  53. ^ Street, John (1993). "Musicologists, Sociologists and Madonna". Innovation: The European Journal of Social Science Research. 6 (3). Taylor & Francis: 227–289. doi:10.1080/13511610.1993.9968356. Archived from the original on March 27, 2022. Retrieved May 19, 2022.
  54. ^ Bergman-Carton, Janis (1993). "Strike a Pose: The Framing of Madonna and Frida Kahlo". Texas Studies in Literature and Language. 35 (4). University of Texas Press: 440–452. JSTOR 40755024. Archived from the original on August 19, 2022. Retrieved May 19, 2022.
  55. ^ Kennedy, Duncan (1994). "Legal Radicals in Madonna's Closet: The Influence of Identity Politics, Popular Culture, and a New Generation on Critical Legal Studies". Stanford Law Review. 46 (6). Stanford Law School: 1835–1861. doi:10.2307/1229172. JSTOR 1229172. Archived from the original on July 10, 2022. Retrieved July 9, 2022.
  56. ^ Schafer, Elizabeth (1995). "Shakespeare's Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas". Contemporary Theatre Review. 2 (3). Routledge: 7–16. doi:10.1080/10486809508568310. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  57. ^ Leung, Linda (1997). "The making of matriarchy: A comparison of Madonna and Margaret Thatcher". Journal of Gender Studies. 6 (1). Routledge: 33–42. doi:10.1080/09589236.1997.9960667. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  58. ^ Root, Veronica S. (July 1, 2007). "Angelina and Madonna: Why All the Fuss? An Exploration of the Rights of the Child and Intercountry Adoption within African Nations". Chicago Journal of International Law. 8 (1). University of Chicago Law School: 323–354. Archived from the original on April 4, 2022. Retrieved May 19, 2022.
  59. ^ Pandelaere, Mario; Millet, Kobe; den Bergh, Bram Van (October 2010). "Madonna or Don McLean? The effect of order of exposure on relative liking". Journal of Consumer Psychology. 20 (4). Wiley: 442–451. doi:10.1016/j.jcps.2010.07.003. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  60. ^ Fjellestad, Danuta; Engberg, Maria (2013). "Toward a Concept of Post-Postmodernism or Lady Gaga's Reconfigurations of Madonna". History and Anthropology. 12 (4): 1–2. Archived from the original on June 2, 2020. Retrieved May 19, 2022 – via EBSCO Information Services.
  61. ^ Kavka, Misha (2014). "Hating Madonna and loving Tom Ford: gender, affect and the 'extra-curricular' celebrity". Celebrity Studies. 5 (1–2): 59–74. doi:10.1080/19392397.2014.887529. S2CID 191556520. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  62. ^ Wilkins, Karin G. (November 3, 2014). "Celebrity as Celebration of Privatization in Global Development: A Critical Feminist Analysis of Oprah, Madonna, and Angelina". Communication, Culture & Critique. 8 (2): 163–181. doi:10.1111/cccr.12080. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  63. ^ Guilbert 2015, pp. 178–179
  64. ^ Cooper, Mike (July 30, 1993). "Music Now!" (PDF). The Hard Report. No. 336. p. 55. Archived (PDF) from the original on April 27, 2022. Retrieved May 19, 2022.
  65. ^ Cooper, Mike (February 4, 1994). "Music Now!" (PDF). The Hard Report. p. 49. Archived (PDF) from the original on May 19, 2022. Retrieved May 19, 2022.
  66. ^ "Madonna The Phenomenon Becomes A College Course". The Seattle Times. Associated Press. April 8, 1997. Archived from the original on September 13, 2021. Retrieved May 19, 2022.
  67. ^ "A la universidad con Madonna". Clarín (in Spanish). April 7, 1997. Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  68. ^ Robla, Sonia (April 4, 1997). "Madonna sienta... cátedra". El País (in Spanish). Archived from the original on May 20, 2022. Retrieved May 19, 2022.
  69. ^ "20 Years of Madonna: New Approaches to Madonna's Cultural Transformations". Popular Music. 20 (2). Cambridge University Press: 153–185. February 2001. doi:10.1017/S0261143001001490. JSTOR 853454. S2CID 233315814. Retrieved May 18, 2022.
  70. ^ "Call for Papers: 20 Years of Madonna". Music Theory Online. 7 (2). April 2001. Archived from the original on May 14, 2018. Retrieved May 19, 2022.{{cite journal}}: CS1 maint: bot: original URL status unknown (link)
  71. ^ Brugué, Lydia (2005). La traducción de Madonna: Cómo se traduce el género en el mundo de la música (PDF). 4. Conclusiones (in Spanish). Asociación Ibérica de Estudios de Traducción e Interpretación (AIETI). pp. 703–712. ISBN 84-8468-151-3. Archived from the original (PDF) on December 31, 2020. Retrieved March 31, 2021.
  72. ^ Grant, Robert M. (2008). "case one: Madonna" (PDF). Wiley-Blackwell. Archived (PDF) from the original on June 3, 2019. Retrieved April 1, 2021.
  73. ^ Groß, Matthias (2008). 'Madonna On the Couch': A psychoanalytic view on Madonna's music videos. Barnes and Noble. Archived from the original on December 29, 2020. Retrieved March 31, 2021.
  74. ^ Fernandes Barros, Bruna; Bona, Rafael Jose (May 2012). "A influência das artes no videoclipe Vogue (1990) da cantora Madonna" (PDF) (in Portuguese). Sociedade Brasileira de Estudos Interdisciplinares da Comunicação. Archived (PDF) from the original on July 8, 2022. Retrieved July 8, 2022.
  75. ^ Bartolotta, Salvatore (2012). "MDNA forever" (in Spanish). Depósito de Investigación de la Universidad de Sevilla. hdl:11441/53720. Archived from the original on May 20, 2022. Retrieved March 7, 2022.
  76. ^ Bartolotta, Salvatore (2012). "MDNA Forever" (PDF) (in Spanish). Depósito de Investigación de la Universidad de Sevilla. pp. 65–76. Archived (PDF) from the original on May 27, 2021. Retrieved March 7, 2022.
  77. ^ "La Universidad de Oviedo inaugura el aula sobre Madonna y la cultura pop contemporánea" (in Spanish). University of Oviedo. September 28, 2015. Archived from the original on February 21, 2021. Retrieved March 7, 2022.
  78. ^ García, Sergio (October 9, 2015). "Madonna usa los videoclips para dar mensajes diferentes a los de sus canciones". El Comercio (in Spanish). Spain. Archived from the original on April 21, 2020. Retrieved March 7, 2022.
  79. ^ Silomar, Mateus; Mangabeira Mascarenhas, Alan; da Cunha de Sousa, Emerson; de Nassau, Maurício (September 7, 2016). "Novos cenários da indústria fonográfica: uma análise da carreira da cantora Madonna através de plataformas de divulgação de música" (PDF) (in Portuguese). Sociedade Brasileira de Estudos Interdisciplinares da Comunicação. Archived (PDF) from the original on March 8, 2022. Retrieved May 20, 2022.
  80. ^ Larrubia, Tatyane; Casagrande Dalla, Leonam (August 9, 2018). "Bitch I'm Madonna: as rupturas no roteiro performático de uma diva pop" (PDF) (in Portuguese). Sociedade Brasileira de Estudos Interdisciplinares da Comunicação. Archived (PDF) from the original on June 4, 2020. Retrieved March 31, 2021.
  81. ^ Liu, Chang (April 18, 2019). "China Studies Academic Seminar: Madonna goes East". Xi'an Jiaotong-Liverpool University. Archived from the original on January 31, 2021. Retrieved May 19, 2022.
  82. ^ Stewart, Barbara (January 6, 1991). "The Madonna Thesis Is Madonna Just A Well-toned Rock Star, Or Is She Affecting Your View of the World? Graduate Student Chip Wells Thinks His Master's Thesis Holds The Answer". Orlando Sentinel. pp. 1–3. Archived from the original on April 18, 2020. Retrieved February 10, 2015.
  83. ^ Hull, Anne V. (August 5, 1990). "Who's That Girl?". Tampa Bay Times. Archived from the original on April 30, 2020. Retrieved March 1, 2022.
  84. ^ "Madonna, the material girl revealed through dramatistic inquiry". San Diego State University. 1992. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  85. ^ "The Madonna phenomenon: a sociological perspective". University of Houston. 1992. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  86. ^ "Raunch or resistance: Making meanings of Madonna, a cultural studies approach to the rock video". University of Windsor. 1992. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  87. ^ "Madonna: playing in the heart of darkness". University of California, Berkeley. 1993. Archived from the original on June 4, 2020. Retrieved May 20, 2022.
  88. ^ "Reading images of Madonna music videos". Cedar Crest College. 1997. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  89. ^ a b "Past Thesis Topics". Harvard University. 1999. Archived from the original on April 18, 2022. Retrieved May 20, 2022.
  90. ^ a b "A guide to RESEARCHING and WRITING A SENIOR THESIS in Studies of Women, Gender, and Sexuality" (PDF). Harvard University. pp. 76, 80. Archived (PDF) from the original on May 21, 2022. Retrieved May 20, 2022.
  91. ^ "Madonna, an American pop icon of feminism and counter-hegemony". Lehigh University. 2000. Archived from the original on July 9, 2020. Retrieved May 20, 2022.
  92. ^ "Marketing Madonna: celebrity agency across the cultural industry" (in French). Université du Québec à Rimouski. 2006. Archived from the original on May 31, 2020. Retrieved May 20, 2022.
  93. ^ "Marketing Madonna: celebrity agency across the cultural industry". York University. 2006. ProQuest 304983552. Archived from the original on October 1, 2022. Retrieved September 8, 2022 – via ProQuest.
  94. ^ "The commodification of religion within celebrity culture with special focus on Madonna and Kabbalah". Memorial University of Newfoundland. 2008. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  95. ^ Love 2019, p. 267
  96. ^ "Who's that girl?-reconstructing gender: a cultural study of Madonna's music video". Semantic Scholar. 2014. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  97. ^ ""Express yourself - Madonna be with you": Madonna-Fans und ihre Lebenswelt" (in German). Harvard Library. 1998. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  98. ^ "Madonna: where's that girl? Starimage und Erotik im medialen Raum" (in German). University of Passau. 2002. Archived from the original on March 2, 2022. Retrieved May 20, 2022.
  99. ^ "Madonna revidiert: Rekursivität im Videoclip" (in German). Ryerson & Burnham Libraries. 2004. Retrieved May 20, 2022.
  100. ^ "Madonna: uma vida de marketing e mídia" (in Portuguese). Universidade Santa Cecília. 2006. Archived from the original on October 1, 2022. Retrieved May 20, 2022 – via Doczz.
  101. ^ "La representació de cançons en gèneres audiovisuals musicals: Anàlisi de dos documentals musicals subtitulats i d'onze videoclips de Madonna" (in Catalan). University of Vic - Central University of Catalonia. 2008. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  102. ^ "Madonna as a cultural icon and a children's author: diplomsko delo" (in Slovenian). University of Vic - Central University of Catalonia. 2008. Archived from the original on May 20, 2022. Retrieved May 20, 2022.
  103. ^ "A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna" (in Portuguese). Federal University of Bahia. April 20, 2011. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  104. ^ "Das Spiel mit dem Ich: die Dekonstruktion postmoderner Medienikonen am Beispiel Madonna" (in German). University of Mannheim. 2014. Archived from the original on October 1, 2022. Retrieved May 20, 2022.
  105. ^ "Like a Queen - Madonna & the stage as court in the era of social media" (in German). University of Vienna. 2013. Archived from the original on May 25, 2022. Retrieved May 20, 2022.
  106. ^ ""You must be my Lucky Star": Crítica, agendamento e valor sobre a obra da cantora Madonna na Revista Rolling Stone" (PDF) (in Portuguese). Federal University of Paraíba. 2015. Archived from the original (PDF) on June 16, 2019. Retrieved May 20, 2022.
  107. ^ Rossa, Letícia (2021). "Chorão, lobão e cazuza: valores identitários de celebridades do rock na cultura pop de rolling stone". A revista Tropos: Comunicação, Sociedade e Cultura (in Portuguese). 10 (2). Universidade Federal do Acre. Archived from the original on October 1, 2022. Retrieved May 20, 2022.

Book sources

edit