Approximately 530 compositions have been attributed to Johann Pachelbel. As of 2009[update], no standard numbering system exists for Pachelbel's work. This article presents a thematically organized list and provides catalogue numbers from three different catalogues:
- P = catalogue by Jean M. Perreault, 2001
- T = catalogue by Hideo Tsukamoto, 2002, available online (archive from 18 October 2014)
- PC = catalogue by Kathryn J. Welter, 1998
For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality. Because the Welter catalogue does not provide incipits, many of the works with identical titles will share a single PC number (which is in such cases denoted by a question mark).
The following symbols are used:
- * denotes that the ascription of the piece is questioned
- ! denotes that the composition is, apparently, lost
Similarly to catalogues of works by most early music composers, Pachelbel's list of works remains perpetually incomplete as new works are regularly found.
Organ music
editChorale preludes
editPachelbel composed chorale preludes to the following hymns:
| P | T | PC | POP | Composition |
|---|---|---|---|---|
| Erster Theil etlicher Choräle (Choräle zum praeambuliren) (before 1693) | ||||
| 45 | 2 | 1 | 58 | Ich ruf zu dir, Herr Jesu Christ (no. 1) |
| 46 | 7 | 2 | 88 | Wie schön leuchtet der Morgenstern (no. 1) |
| 47 | 4 | 3 | 74 | Nun lob, mein Seel, den Herren |
| 48 | 5 | 4 | 77 | Vater unser im Himmelreich |
| 49 | 8 | 5 | 89 | Wir glauben all' an einen Gott |
| 50a | 1 | 6 | 39 | Dies' sind die heil'gen zehn Gebot' (no. 1a) |
| 50b | - | - | - | Dies' sind die heil'gen zehn Gebot' (no. 1b); spurious, arrangement by Johann Gottfried Walther |
| 51 | 3 | 7 | 63 | Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt |
| 52 | 6 | 8 | 79 | Vom Himmel hoch, da komm ich her (no. 1) |
| 1 | 9 | 9 | 20 | Ach Gott, vom Himmel sieh darein (no. 1) |
| 2 | 10 | 9? | 21 | Ach Gott, vom Himmel sieh darein (no. 2) |
| 3 | 11 | 10 | 22 | Ach Herr, mich armen Sünder (no. 1) |
| 4 | 12 | 11 | 23 | Ach Herr, mich armen Sünder (no. 2) |
| 5* | - | 10? | - | Ach Herr, mich armen Sünder (no. 3) |
| 8* | - | - | - | Ach, was soll ich Sünder machen |
| 9* | - | 14 | - | Ach wir armen Sünder |
| 10* | 14 | 15? | 25 | Allein Gott in der Höh' sei Ehr' (no. 1) (possibly by Johann Heinrich Buttstett) |
| 11* | 15 | 15? | 26 | Allein Gott in der Höh' sei Ehr' (no. 2) (possibly by Johann Heinrich Buttstett) |
| 12* | - | 15? | - | Allein Gott in der Höh' sei Ehr' (no. 3) |
| 13 | 16 | 16? | 27 | Allein zu dir, Herr Jesu Christ (no. 1) |
| 14 | 17 | 16? | 28 | Allein zu dir, Herr Jesu Christ (no. 2) [alio modo] |
| 15* | - | 16? | - | Allein zu dir, Herr Jesu Christ (no. 3) |
| 16* | - | 17 | - | Als der gütige Gott |
| 17 | 18 | 19 | 29 | An Wasserflüssen Babylon (no. 1) |
| 18 | 19 | 18/19 | 30 | An Wasserflüssen Babylon (no. 2) |
| 20 | - | 18 | - | An Wasserflüssen Babylon (no. 4) |
| 30* | 20 | 107 | 31 | Auf meinen lieben Gott (no. 1) (possibly by Johann Michael Bach) |
| 31* | - | 20 | - | Auf meinen lieben Gott (no. 2) |
| 34* | - | 21 | - | Aus Jakobs Stamm ein Stern sehr klar |
| 35 | 13 | 12/13? | 24 | Aus tiefer Not schrei ich zu dir (no. 1), also known as Ach wie elend ist unsre Zeit |
| 36* | - | 22/36? | - | Aus tiefer Not schrei ich zu dir (no. 2) |
| 55* | - | 25? | - | Christ, der du bist der helle Tag |
| 58* | 22 | 198 | 33 | Christ lag in Todesbanden (no. 1) (possibly by Johann Sebastian Bach) |
| 59* | - | 108 | - | Christ lag in Todesbanden (no. 2) (possibly by Heinrich Bach (1615–1692)) |
| 59bis* | - | 23 | - | Christ lag in Todesbanden (no. 3) (possibly by Johann Heinrich Buttstett or Heinrich Bach) |
| 61 | 23 | 24 | 34 | Christ unser Herr zum Jordan kam (no. 1) |
| 62* | - | 24? | - | Christ unser Herr zum Jordan kam (no. 2) |
| 63* | 21 | 25? | 32 | Christe, der du bist Tag und Licht (no. 1) (possibly by Johann Sebastian Bach, BWV 1096 is an extended version possibly by Bach) |
| 64* | - | 25? | - | Christe, der du bist Tag und Licht (no. 2) |
| 65* | - | 27 | - | Christe, du Lamm Gottes (no. 1) |
| 66* | - | 26 | - | Christe, du Lamm Gottes (no. 2) |
| 67* | - | 28 | - | Christe, wollst uns hören |
| 69* | - | 29? | - | Christus, der uns selig macht |
| 69bis* | - | - | - | Christus, der uns selig macht (partita, possibly by Nicolaus Vetter) |
| 70* | 24 | 30 | 35 | Da Jesus an dem Kreuze stund (no. 1) (possibly by Heinrich Bach) |
| 71* | - | 109 | - | Da Jesus an dem Kreuze stund (no. 2) (possibly by Heinrich Bach, modified and extended version of P.70) |
| 73* | - | 31 | - | Das alte Jahr vergangen ist |
| 80* | 25 | 32 | 36 | Der Herr ist mein getreuer Hirt (no. 1) |
| 81 | 26 | 33 | 37 | Der Herr ist mein getreuer Hirt (no. 2) |
| 82* | - | 32? | - | Der Herr ist mein getreuer Hirt (no. 3) (possibly by Johann Peter Heuschkel) |
| 83 | - | 32? | - | Der Herr ist mein getreuer Hirt (no. 4) (only incipit survives) |
| 85 | 27 | 34 | 38 | Der Tag, der ist so freudenreich |
| 50b | - | - | - | Dies' sind die heil'gen zehn Gebot' (no. 1), arrangement of P.50a by Johann Gottfried Walther |
| 101* | - | - | - | Dies' sind die heil'gen zehn Gebot' (no. 2) |
| 103 | 28 | 35? | 40 | Durch Adams Fall ist ganz verderbt (no. 1) |
| 104 | 29 | 35? | 41 | Durch Adams Fall ist ganz verderbt (no. 2) |
| 105 | 30 | 36 | 42 | Durch Adams Fall ist ganz verderbt (no. 3) |
| 106 | 31 | 37 | 43 | Ein feste Burg ist unser Gott (no. 1) |
| 107 | - | - | - | Ein feste Burg ist unser Gott (no. 2) |
| 108* | - | 37? | - | Ein feste Burg ist unser Gott (no. 3) |
| 109 | 32 | 38 | 44 | Erbarm dich mein, o Herre Gott (no. 1) |
| 110* | - | 38? | - | Erbarm dich mein, o Herre Gott (no. 2) |
| 111* | 33 | 39? | 45 | Erhalt uns, Herr, bei deinem Wort (no. 1) (possibly by Georg Böhm or Dieterich Buxtehude) |
| 112* | - | 39? | - | Erhalt uns, Herr, bei deinem Wort (no. 2) (possibly by Georg Böhm or Dieterich Buxtehude) |
| 114* | 34 | 40? | 46 | Es spricht der Unweisen Mund wohl (no. 1) |
| 115 | 35 | 41? | 47 | Es spricht der Unweisen Mund wohl (no. 2) |
| 116* | - | 40? | - | Es spricht der Unweisen Mund wohl (no. 3) |
| 117* | - | 42 | - | Es stehn vor Gottes Thron |
| 118 | 36 | 43? | 48 | Es woll uns Gott genädig sein (no. 1) |
| 119 | 37 | 43? | 49 | Es woll uns Gott genädig sein (no. 2) |
| 120* | - | 43? | - | Es woll uns Gott genädig sein (no. 3) |
| 121* | - | 59 | - | Esaia, dem Propheten das geschah |
| 166* | 38 | 44? | 50 | Gelobet seist du, Jesu Christ (no. 1) |
| 167* | - | 44? | - | Gelobet seist du, Jesu Christ (no. 2) |
| 169* | - | 45 | - | Gleich wie ein Hirsch begehret |
| 170* | - | 46 | - | Gleich wie sich fein ein Vögelein |
| 171 | 39 | 47? | 51 | Gott der Vater wohn uns bei (no. 1) |
| 172* | - | 47? | - | Gott der Vater wohn uns bei (no. 2) |
| 174* | 40 | 111 | 52 | Gott hat das Evangelium (possibly by Johann Michael Bach) |
| 178* | 41 | 112 | 53 | Gott Vater, der du deine Sonn' (possibly by Johann Michael Bach) |
| 179* | - | 48 | - | Gottes Sohn ist kommen |
| 181 | 42 | 49? | 54 | Herr Christ, der einig Gotts Sohn (no. 1) (also known as Herr Christ, Gnadensonne) |
| 182* | - | - | - | Herr Christ, der einig Gotts Sohn (no. 2) |
| 182bis* | - | 113? | - | Herr Christ, der einig Gotts Sohn (no. 3) (possibly by Johann Heinrich Buttstett or Christian Friedrich Witt) |
| 183 | 43 | 51 | 55 | Herr Gott, dich loben alle wir (no. 1) |
| 184* | - | 50 | - | Herr Gott, dich loben alle wir (no. 2) |
| 185* | - | - | - | Herr Gott, dich loben wir |
| 186* | - | - | - | Herr Gott nun schleuss den Himmel auf |
| 188* | - | 52 | - | Herr Jesu Christ, dich zu uns wend |
| 189* | 44 | 114 | 56 | Herr Jesu Christ, ich weiß gar wohl |
| 191* | - | - | - | Herr, wie du willst (opening fughetta lost) |
| 192* | - | 53 | - | Herzliebster Jesu, was hast du verbrochen |
| 202 | 45 | 54/55 | 57 | Ich hab' mein' Sach' Gott heimgestellt (no. 1) |
| 203* | - | 55 | - | Ich hab' mein' Sach' Gott heimgestellt (no. 2) |
| 205 | 46 | - | 59 | Ich ruf' zu dir, Herr Jesu Christ (no. 2) |
| 206* | - | 56 | - | Ich ruf' zu dir, Herr Jesu Christ (no. 3) |
| 209* | 47 | 57? | 60 | In dich hab ich gehoffet, Herr (no. 1) (possibly by Johann Michael Bach) |
| 210* | - | 57? | - | In dich hab ich gehoffet, Herr (no. 2) (possibly by Johann Michael Bach, modified and extended version of P.209) |
| 211* | - | 58 | - | In dir ist Freude |
| 218* | 48 | 60? | 61 | Jesus Christus, unser Heiland, der den Tod überwand (no. 1) (possibly by Andreas Armsdorf) |
| 219* | 49 | 60? | 62 | Jesus Christus, unser Heiland, der den Tod überwand (no. 2) |
| 220* | - | 60? | - | Jesus Christus, unser Heiland, der den Tod überwand (no. 3) |
| 222* | - | 61 | - | Kaiser Augustus leget an |
| 223* | 50 | 116 | 64 | Komm, Gott Schöpfer, Heiliger Geist (no. 1) (possibly by Johann Michael Bach) |
| 225* | 51 | 62 | 65 | Komm, Heiliger Geist, Herre Gott (no. 1) (possibly by Andreas Armsdorf or Johann Gottfried Walther) |
| 226* | - | 117 | - | Komm, Heiliger Geist, Herre Gott (no. 2) (possibly by Andreas Armsdorf) |
| 227 | 52 | 63? | 66 | Kommt her zu mir, spricht Gottes Sohn (no. 1) |
| 228* | - | 63? | - | Kommt her zu mir, spricht Gottes Sohn (no. 2) |
| 231* | - | 64 | - | Kyrie eleison |
| 232* | - | 65 | - | Kyrie, Gott, heiliger Geist |
| 233* | - | 66 | - | Kyrie, Gott Vater in Ewigkeit |
| 235* | - | 67 | - | Lob sei dem allmächtigen Gott |
| 236 | 53 | 68 | 67 | Lob sei Gott in des Himmels Thron (no. 1) |
| 237* | - | 68? | - | Lob sei Gott in des Himmels Thron (no. 2) |
| 239* | - | 69 | - | Lobt Gott, ihr Christen allzugleich |
| 241* | 54 | 70? | 68 | Mag ich Unglück nicht widerstahn (possibly by Johann Michael Bach) |
| 361* | - | 71 | - | Mein' Seel', o Gott, muss loben dich |
| 362 | 55 | 72/319 | 69 | Meine Seele erhebt den Herren (no. 1) [Magnificat peregrini toni] |
| 363 | 56 | 363 | 70 | Meine Seele erhebt den Herren (no. 2) [alio modo] |
| 365* | - | 73 | - | Meinen Jesum laß ich nicht |
| 369* | - | 74 | - | Mit Fried und Freud ich fahr dahin |
| 380* | - | 75 | - | Nun bitten wir den heil'gen Geist (possibly by Johann Heinrich Buttstett) |
| 382* | 57 | 119 | 71 | Nun freut euch, lieben Christen g'mein (no. 1) |
| 383* | - | 76 | - | Nun freut euch, lieben Christen g'mein (no. 2) |
| 384 | - | - | - | Nun freut euch, lieben Christen g'mein (no. 3) |
| 385* | - | 77 | - | Nun jauchzet, all ihr Frommen |
| 386 | 58 | 78 | 72 | Nun komm, der Heiden Heiland (no. 1) |
| 387* | - | 78? | - | Nun komm, der Heiden Heiland (no. 2) |
| 388* | 59 | - | 73 | Nun lasst uns Gott, dem Herren (no. 1) (possibly by Johann Michael Bach) |
| 389* | - | 79/120? | - | Nun lasst uns Gott, dem Herren (no. 2) |
| 393 | 60 | 81 | 75 | O Lamm Gottes, unschuldig (no. 1) |
| 394* | - | 82 | - | O Lamm Gottes, unschuldig (no. 2) |
| 396* | 61 | 83 | 76 | O Mensch, bewein dein Sünde groß (no. 1) |
| 397* | - | 83? | - | O Mensch, bewein dein Sünde groß (no. 2) |
| 398* | - | 84 | - | O Traurigkeit, o Herzeleid |
| 405* | - | - | - | Preis, Lob, und Herrlichkeit |
| 422* | - | 85 | - | Schaffe in mir, Gott, ein reines Herz |
| 423* | - | 86 | - | Sei gegrüßet, Jesu gütig |
| 475 | 62 | 87 | 78 | Vater unser im Himmelreich (no. 2) |
| 476* | - | - | - | Vater unser im Himmelreich (no. 3) |
| 478 | 63 | 88 | 80 | Vom Himmel hoch, da komm ich her (no. 2) |
| 479* | - | 88? | - | Vom Himmel hoch, da komm ich her (no. 3) |
| 480* | - | 89 | - | Vom Himmel kam ein Engelschar |
| 481* | - | 90 | - | Von Gott will ich nicht lassen |
| 482* | - | 91 | - | Wär Gott nicht mit uns diese Zeit |
| 483 | 64 | 92 | 81 | Warum betrübst du dich, mein Herz (no. 1) |
| 484 | 65 | 93 | 82 | Warum betrübst du dich, mein Herz (no. 2) |
| 485* | - | 92? | - | Warum betrübst du dich, mein Herz (no. 3) |
| 488 | 66? | 94/121? | 83? | Was mein Gott will, das g'scheh allzeit (no. 1) |
| 489 | 67? | 94/121? | 84? | Was mein Gott will, das g'scheh allzeit (no. 2) |
| 490* | - | 94/121? | - | Was mein Gott will, das g'scheh allzeit (no. 3) |
| 491 | 68? | 95? | 85? | Wenn mein Stündlein vorhanden ist (no. 1) |
| 492* | 68? | 95? | 85? | Wenn mein Stündlein vorhanden ist (no. 2) |
| 493* | - | 96 | - | Wenn meine Sünd' mich kranken |
| 494 | 70 | 97? | 87 | Wenn wir in höchsten Nöten sein (no. 1) |
| 495 | 69 | 97? | 86 | Wenn wir in höchsten Nöten sein (no. 2) |
| 497* | - | 98/9? | - | Wer Gott vertraut |
| 498bis* | - | 100 | - | Werde munter, meine Gemüte |
| 501 | - | - | - | Wie schön leuchtet der Morgenstern (no. 2) |
| 502* | - | - | - | Wie schön leuchtet der Morgenstern (no. 3) |
| 502bis* | - | - | - | Wie schön leuchtet der Morgenstern (no. 4) (broadly accepted as being by Johann Sebastian Bach, BWV 739) |
| 503 | - | 101? | - | Wir danken dir, Herr Jesu Christ (no. 1) |
| 504* | - | 101? | - | Wir danken dir, Herr Jesu Christ (no. 2) (apparently lost, only incipit survives) |
| 505* | - | 102 | - | Wir glauben all' an einen Gott (no. 2) |
| 506* | - | - | - | Wir glauben all' an einen Gott (no. 3) |
| 507 | 71 | 103 | 90 | Wo Gott der Herr nicht bei uns hält (no. 1) |
| 508* | 72 | 104? | 91 | Wo Gott der Herr nicht bei uns hält (no. 2) (possibly by Johann Michael Bach) |
| 509 | 73 | 104? | 92 | Wo Gott der Herr nicht bei uns hält (no. 3) |
| 510* | - | 122? | - | Wo Gott der Herr nicht bei uns hält (no. 4) |
| 511 | 74 | - | 93 | Wo Gott der Herr nicht gibt sein' Gunst (no. 1) |
| 512 | 75 | 105 | 94 | Wo Gott der Herr nicht gibt sein' Gunst (no. 2) |
| 513* | - | 105? | - | Wo Gott der Herr nicht gibt sein' Gunst (no. 3) |
| 514* | - | 106 | - | Wo soll ich fliehen hin (possibly by Andreas Armsdorf) |
Chorale variations
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| Musicalische Sterbens-Gedancken (1683) | ||||
| 376 | 81 | 123 | 101 | Christus, der ist mein Leben (12 variations) |
| 377a | 82 | 124 | 102 | Alle Menschen müssen sterben (8 variations) |
| 377b | - | - | - | Alle Menschen müssen sterben (5 variations), arrangement by Johann Gottfried Walther |
| 378 | 83 | 125 | 103 | Herzlich tut mich verlangen (7 variations) |
| 379 | 84 | 126 | 104 | Was Gott tut, das ist wohlgetan (9 variations)[1] |
| - | - | - | - | Freu dich sehr o meine Seele (12 variations)[2] |
| 7a | 85 | 127 | 105 | Ach, was soll ich Sünder machen [theme and 6 variations] |
| 7b | - | - | - | Ach, was soll ich Sünder machen (arrangement by Johann Gottfried Walther) |
| 129 | 87 | 129? | 107 | Freu dich sehr, o meine Seele |
| 498 | 86 | 130 | 106 | Werde munter, mein Gemüte (chorale and 4 partitas) |
Magnificat fugues
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| Magnificat Fugues primi toni (mode I) | ||||
| 257 | 101 | 227 | 151 | Magnificat fugue primi toni No. 1 (D minor) |
| 258 | 102 | 228 | 152 | Magnificat fugue primi toni No. 2 (D minor) |
| 259 | 103 | 229 | 153 | Magnificat fugue primi toni No. 3 (D minor) |
| 260 | 104 | 230 | 154 | Magnificat fugue primi toni No. 4 (D minor) |
| 261 | 105 | 259 | 155 | Magnificat fugue primi toni No. 5 (D minor) |
| 262 | 106 | 260 | 156 | Magnificat fugue primi toni No. 6 (D minor) |
| 263 | 107 | 261 | 157 | Magnificat fugue primi toni No. 7 (D minor) |
| 264 | 108 | 262 | 158 | Magnificat fugue primi toni No. 8 (D minor) |
| 265 | 109 | - | 159 | Magnificat fugue primi toni No. 9 (D minor) |
| 266 | 110 | 291 | 160 | Magnificat fugue primi toni No. 10 (D minor) |
| 267 | 111 | 292 | 161 | Magnificat fugue primi toni No. 11 (D minor) |
| 268 | 112 | 293 | 162 | Magnificat fugue primi toni No. 12 (D minor) |
| 269 | 113 | 294 | 163 | Magnificat fugue primi toni No. 13 (D minor) |
| 270 | 114 | 295 | 164 | Magnificat fugue primi toni No. 14 (D minor) |
| 271 | 115 | 296 | 165 | Magnificat fugue primi toni No. 15 (D minor) |
| 272 | 116 | 297 | 166 | Magnificat fugue primi toni No. 16 (D minor) |
| 273 | 117 | 298 | 167 | Magnificat fugue primi toni No. 17 (D minor) |
| 274 | 118 | 299 | 168 | Magnificat fugue primi toni No. 18 (D minor) |
| 275 | 119 | - | 169 | Magnificat fugue primi toni No. 19 (D minor) |
| 276 | 120 | 300 | 170 | Magnificat fugue primi toni No. 20 (D minor) |
| 277 | 121 | - | 171 | Magnificat fugue primi toni No. 21 (D minor) |
| 278 | 122 | - | 172 | Magnificat fugue primi toni No. 22 (D minor) |
| 279 | 123 | - | 173 | Magnificat fugue primi toni No. 23 (D minor) |
| 280 | - | 325 | - | Magnificat fugue primi toni No. 24 (D minor) |
| 281* | - | - | - | Magnificat fugue primi toni No. 25 (D minor) |
| 282 | - | - | - | Magnificat fugue primi toni No. 26 (D minor) |
| 283 | - | - | - | Magnificat fugue primi toni No. 27 (D minor) |
| Magnificat Fugues secundi toni (mode II) | ||||
| 284 | 124 | 231 | 174 | Magnificat fugue secundi toni No. 1 (G minor) |
| 285 | 125 | 232 | 175 | Magnificat fugue secundi toni No. 2 (G minor) |
| 286 | 126 | 233 | 176 | Magnificat fugue secundi toni No. 3 (G minor) |
| 287 | 127 | 234 | 177 | Magnificat fugue secundi toni No. 4 (G minor) |
| 288 | 128 | 263 | 178 | Magnificat fugue secundi toni No. 5 (G minor) |
| 289 | 129 | 264 | 179 | Magnificat fugue secundi toni No. 6 (G minor) |
| 290 | 130 | 265 | 180 | Magnificat fugue secundi toni No. 7 (G minor) |
| 291 | 131 | 266 | 181 | Magnificat fugue secundi toni No. 8 (G minor) |
| 292 | 132 | 301 | 182 | Magnificat fugue secundi toni No. 9 (G minor) |
| 293 | 133 | 302 | 183 | Magnificat fugue secundi toni No. 10 (G minor) |
| Magnificat Fugues tertii toni (mode III) | ||||
| 294 | 134 | 235 | 184 | Magnificat fugue tertii toni No. 1 (C major) |
| 295 | 135 | 236 | 185 | Magnificat fugue tertii toni No. 2 (C major) |
| 296 | 136 | 237 | 186 | Magnificat fugue tertii toni No. 3 (C major) |
| 297 | 137 | 238 | 187 | Magnificat fugue tertii toni No. 4 (G major) |
| 298 | 138 | 267 | 188 | Magnificat fugue tertii toni No. 5 (G major) |
| 299 | 139 | 268 | 189 | Magnificat fugue tertii toni No. 6 (G major) |
| 300 | 140 | 269 | 190 | Magnificat fugue tertii toni No. 7 (G major) |
| 301 | 141 | 270 | 191 | Magnificat fugue tertii toni No. 8 (G major) |
| 302 | 142 | 303 | 192 | Magnificat fugue tertii toni No. 9 (C major) |
| 303 | 143 | 304 | 193 | Magnificat fugue tertii toni No. 10 (C major) |
| 304 | 144 | 305 | 194 | Magnificat fugue tertii toni No. 11 (C major) |
| 305 | - | - | - | Magnificat fugue tertii toni No. 12 (G major; only the incipit is preserved; not a fugue) |
| Magnificat Fugues quarti toni (mode IV) | ||||
| 306 | 145 | 239 | 195 | Magnificat fugue quarti toni No. 1 (A minor) |
| 307 | 146 | 240 | 196 | Magnificat fugue quarti toni No. 2 (E minor) |
| 308 | 147 | 241 | 197 | Magnificat fugue quarti toni No. 3 (A minor) |
| 309 | 148 | 242 | 198 | Magnificat fugue quarti toni No. 4 (A minor) |
| 310 | 149 | 271 | 199 | Magnificat fugue quarti toni No. 5 (A minor) |
| 311 | 150 | 272 | 200 | Magnificat fugue quarti toni No. 6 (A minor) |
| 312 | 151 | 273 | 201 | Magnificat fugue quarti toni No. 7 (E minor) |
| 313 | 152 | 274 | 202 | Magnificat fugue quarti toni No. 8 (A minor) |
| Magnificat Fugues quinti toni (mode V) | ||||
| 314 | 153 | 243 | 203 | Magnificat fugue quinti toni No. 1 (F major) |
| 315 | 154 | 244 | 204 | Magnificat fugue quinti toni No. 2 (F major) |
| 316 | 155 | 245 | 205 | Magnificat fugue quinti toni No. 3 (F major) |
| 317 | 156 | 246 | 206 | Magnificat fugue quinti toni No. 4 (F major) |
| 318 | 157 | 275 | 207 | Magnificat fugue quinti toni No. 5 (F major) |
| 319 | 158 | 276 | 208 | Magnificat fugue quinti toni No. 6 (B-flat major) |
| 320 | 159 | 277 | 209 | Magnificat fugue quinti toni No. 7 (B-flat major) |
| 321 | 160 | 278 | 210 | Magnificat fugue quinti toni No. 8 (F major) |
| 322 | 161 | 306 | 211 | Magnificat fugue quinti toni No. 9 (F major) |
| 323 | 162 | 307 | 212 | Magnificat fugue quinti toni No. 10 (F major) |
| 324 | 163 | 308 | 213 | Magnificat fugue quinti toni No. 11 (F major) |
| 325 | 164 | 309 | 214 | Magnificat fugue quinti toni No. 12 (F major) |
| Magnificat Fugues sexti toni (mode VI) | ||||
| 326 | 165 | 247 | 215 | Magnificat fugue sexti toni No. 1 (F major) |
| 327 | 166 | 248 | 216 | Magnificat fugue sexti toni No. 2 (F major) |
| 328 | 167 | 249 | 217 | Magnificat fugue sexti toni No. 3 (F major) |
| 329 | 168 | 250 | 218 | Magnificat fugue sexti toni No. 4 (F major) |
| 330 | 169 | 279 | 219 | Magnificat fugue sexti toni No. 5 (F major) |
| 331 | 170 | 280 | 220 | Magnificat fugue sexti toni No. 6 (F major) |
| 332 | 171 | 310 | 221 | Magnificat fugue sexti toni No. 7 (F major) |
| 333 | 172 | 311 | 222 | Magnificat fugue sexti toni No. 8 (F major) |
| 334 | 173 | 312 | 223 | Magnificat fugue sexti toni No. 9 (F major) |
| 335 | 174 | 313 | 224 | Magnificat fugue sexti toni No. 10 (F major) |
| Magnificat Fugues septimi toni (mode VII) | ||||
| 336 | 175 | 251 | 225 | Magnificat fugue septimi toni No. 1 (C minor) |
| 337 | 176 | 252 | 226 | Magnificat fugue septimi toni No. 2 (C minor) |
| 338 | 177 | 253 | 227 | Magnificat fugue septimi toni No. 3 (C minor) |
| 339 | 178 | 254 | 228 | Magnificat fugue septimi toni No. 4 (C minor) |
| 340 | 179 | 283 | 229 | Magnificat fugue septimi toni No. 5 (C minor) |
| 341 | 180 | 284 | 230 | Magnificat fugue septimi toni No. 6 (C minor) |
| 342 | 181 | 285 | 231 | Magnificat fugue septimi toni No. 7 (C minor) |
| 343 | 182 | 286 | 232 | Magnificat fugue septimi toni No. 8 (C minor) |
| Magnificat Fugues octavi toni (mode VIII) | ||||
| 344 | 183 | 255 | 233 | Magnificat fugue octavi toni No. 1 (G major) |
| 345 | 184 | 256 | 234 | Magnificat fugue octavi toni No. 2 (G major) |
| 346 | 185 | 257 | 235 | Magnificat fugue octavi toni No. 3 (G major) |
| 347 | 186 | 258 | 236 | Magnificat fugue octavi toni No. 4 (G major) |
| 348 | 187 | 287 | 237 | Magnificat fugue octavi toni No. 5 (G major) |
| 349 | 188 | 288 | 238 | Magnificat fugue octavi toni No. 6 (G major) |
| 350 | 189 | 289 | 239 | Magnificat fugue octavi toni No. 7 (G major) |
| 351 | 190 | 290 | 240 | Magnificat fugue octavi toni No. 8 (G major) |
| 352 | 191 | 314 | 241 | Magnificat fugue octavi toni No. 9 (G major) |
| 353 | 192 | 315 | 242 | Magnificat fugue octavi toni No. 10 (G major) |
| 354 | 193 | 316 | 243 | Magnificat fugue octavi toni No. 11 (G major) |
| 355 | 194 | 317 | 244 | Magnificat fugue octavi toni No. 12 (G major) |
| 356 | 195 | 318 | 245 | Magnificat fugue octavi toni No. 13 (G major) |
| - | - | 319 | - | Magnificat fugue peregrini toni |
Chaconnes
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 38 | 201 | 144 | 11 | Chaconne in C major (25 variations) |
| 39 | 202 | 146 | 12 | Chaconne in D major (1) (16 variations) |
| 40 | 203 | 145 | 13 | Chaconne in D major (2) (13 variations) |
| 41 | 204 | 147 | 14 | Chaconne in D minor (16 variations) |
| 42 | 205 | 148 | 15 | Chaconne in F major (33 variations) |
| 43 | 206 | 149 | 16 | Chaconne in F minor (22 variations) |
| 44* | - | - | - | Chaconne in A minor (incomplete, incipit only) |
Arias with variations
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| Hexachordum Apollinis (1699) (NB: this only incorporates P.193–198) | ||||
| 193 | 211 | 131 | 1 | Aria and 6 variations in D minor, Aria prima |
| 194 | 212 | 132 | 2 | Aria and 5 variations in E minor, Aria secunda |
| 195 | 213 | 133 | 3 | Aria and 6 variations in F major, Aria tertia |
| 196 | 214 | 134 | 4 | Aria and 6 variations in G minor, Aria quarta |
| 197 | 215 | 135 | 5 | Aria and 6 variations in A minor, Aria quinta |
| 198 | 216 | 136 | 6 | Aria and 8 variations in F minor, Aria sexta (Aria Sebaldina) |
| 21* | - | 137 | - | Aria and 3 variations in C minor (incomplete, aria alone survives) |
| 22 | 217 | 138 | 8 | Aria and 6 variations in D major |
| 24* | - | 139 | - | Aria and 7 variations in G major (incomplete, aria alone survives) |
| 25 | 218 | 148 | 9 | Aria and 3 variations in A major |
| 26 | 219 | 140? | 10 | Aria and 4 variations in A minor |
| 27 | - | 141? | - | Aria and 6 variations in A minor |
| 29 | 220 | 143 | 7 | Arietta and 9 variations in F major |
Preludes
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 401* | - | - | - | Preamble in C major |
| 402* | - | - | - | Preamble in E minor |
| 402bis* | - | - | - | Preamble in E minor [no. 2] |
| 403* | - | - | - | Preamble in F major |
| 403bis* | - | - | - | Preamble in F major |
| 404* | - | - | - | Preamble in A minor |
| 406 | 221 | 153/154 | 250 | Prelude in D minor (no. 1) |
| 407 | 222 | 153 | 256 | Prelude in D minor (no. 2) |
| 408 | 223 | 155 | 251 | Prelude in E flat major |
| 409 | 224 | 156/157 | 252 | Prelude in G major |
| 410 | 225 | 158 | 253 | Prelude in G minor |
| 411 | 226 | 159 | 254 | Prelude in A major |
| 412 | 227 | 160 | 255 | Prelude in A minor |
| 412bis* | - | 160? | - | Prelude in A minor [no. 2] |
Preludes and fugues
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 413 | - | 152 | - | Prelude and Fugue in C major |
| 414* | - | 326 | - | Prelude and Fugue in C minor |
| 414bis* | - | - | - | Prelude and Fugue in D major |
| 415 | - | - | - | Prelude and Fugue in D minor |
| 416 | 228 | 156 | - | Prelude and Fugue in E minor (no. 1) |
| 417 | - | 214 (fugue) | - | Prelude and Fugue in E minor (no. 2) (the prelude is a transposition of P.406) |
Toccatas
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 454 | 231 | 162 | 270 | Toccata in C major (no. 1) |
| 455 | 232 | 163 | 273 | Toccata in C major (no. 2) |
| 456 | 233 | 164 | 274 | Toccata in C major (no. 3) |
| 457 | 234 | 165 | 278 | Toccata in C major (no. 4) |
| 458 | 235 | 166 | 285 | Toccata in C major (no. 5) |
| 459 | 236 | 167 | 279 | Toccata in C minor |
| 460 | 237 | 168 | 272 | Toccata in D major (key erroneously listed in PC as D minor) |
| 461 | 238 | 169 | 271 | Toccata in D minor |
| 462 | 240 | 171 | 281 | Toccata in E minor |
| 463 | 242 | 172/173 | 282 | Toccata in F major (no. 1) |
| 464 | 241 | 172/173 | 276 | Toccata in F major (no. 2) |
| 464bis* | - | - | - | Toccata in G major (broadly accepted as being by Wilhelm Hieronymus Pachelbel) |
| 465 | 243 | 174 | 277 | Toccata in G minor (no. 1) |
| 466 | 244 | 175 | 280 | Toccata in G minor (no. 2) |
| 467 | 245 | 176 | 283 | Toccata in G minor (no. 3) |
| 468 | 246 | 177 | 284 | Toccata in G minor (no. 4) |
| 471 | - | - | - | Toccatina in D minor |
| 472 | - | - | - | Toccatina in G major |
| 473 | - | - | - | Toccatina in G minor |
Toccatas and fugues
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 469 | 239 | 170 | 275 | Toccata and Fugue in D minor |
| 470 | 247 | 178 | 286 | Toccata and Fugue in B flat major |
Fantasias
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 123 | 251 | 179 | 110 | Fantasia in C major |
| 124 | 253 | 181 | 112 | Fantasia in D minor (no. 1) |
| 125 | 252 | 180 | 111 | Fantasia in D minor (no. 2) |
| 125bis* | - | - | - | Fantasia in D minor (no. 3) |
| 126 | 256 | 184 | 115 | Fantasia in A minor |
| 127 | 254 | 182 | 113 | Fantasia in E flat major |
| 128 | 255 | 183 | 114 | Fantasia in G minor |
| - | - | - | - | Fantasia[3] |
| - | - | - | - | Fantasia[3] |
Fugues
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 131 | 261 | 186 | 122 | Fugue in C major (no. 1) |
| 132 | 272 | - | 143 | Fugue in C major (no. 2) |
| 133 | 275 | 199 | 144 | Fugue in D major (no. 1) |
| 134* | - | - | - | Fugue in D major (no. 2) |
| 135 | 277 | 214? | 123 | Fugue in E minor (no. 1) |
| 136* | - | - | - | Fugue in E minor (no. 2) |
| 137 | 281 | 217? | 145 | Fugue in G major |
| 138* | - | - | - | Fugue in G minor |
| 139 | 283 | 222 | 120 | Fugue in A major |
| 140* | - | - | - | Fugue in A minor |
| 141 | 286 | 225 | 121 | Fugue in B minor |
| 142 | 262 | 188 | 124 | Fugue in C major (no. 3) |
| 143 | 263 | 189 | 125 | Fugue in C major (no. 4, bicinium) |
| 144 | 264 | 190 | 126 | Fugue in C major (no. 5, bicinium) |
| 145 | 267 | 191 | 129 | Fugue in C major (no. 6) |
| 146 | 268 | 192 | 130 | Fugue in C major (no. 7) |
| 147 | 271 | 193 | 137 | Fugue in C major (no. 8) |
| 148 | 265 | 194 | 127 | Fugue in C major (no. 9) |
| 149 | 266 | 195 | 128 | Fugue in C major (no. 10) |
| 150 | 269 | 196 | 131 | Fugue in C major (no. 11) |
| 151 | 270 | 197 | 132 | Fugue in C major (no. 12) |
| 152 | 273 | 198 | 133 | Fugue in C minor |
| 153 | 274 | 200 | 134 | Fugue in D major (no. 1) |
| 153bis | - | - | - | Fugue in D major (no. 2) |
| 154 | 276 | 202 | 141 | Fugue in D minor (no. 1) |
| 155* | - | - | - | Fugue in D minor (no. 2) |
| 155bis | - | - | - | Fugue in D minor (no. 3) |
| 156 | 278 | 156 | 135 | Fugue in F major (no. 1) |
| 156bis | - | - | - | Fugue in F major (no. 2) |
| 157* | - | - | - | Fugue in F minor (identical to P.268(1) Magnificat Fugue primi toni No. 12, transposed) |
| 158 | 279 | 218 | 136 | Fugue in G major (no. 1) |
| 159 | 280 | 219 | 142 | Fugue in G major (no. 2) |
| 160 | 282 | 160 | 138 | Fugue in G minor |
| 161 | - | 220 | - | Fugue in A major |
| 162 | 284 | 162 | 139 | Fugue in A minor (no. 1) |
| 163 | 285 | 224 | 140 | Fugue in A minor (no. 2) |
Ricercars
edit| P | T | PC | POP | Composition |
|---|---|---|---|---|
| 418 | 291 | 320/321 | 261 | Ricercare in C major |
| 419 | 292 | 322 | 262 | Ricercare in C minor |
| 420* | - | - | - | Ricercare in D major |
| 421 | 293 | 320 | 260 | Ricercare in F-sharp minor |
Other keyboard music
edit| P | T | PC | Composition |
|---|---|---|---|
| 164* | - | - | Gavotte in F major |
| 234bis | - | - | Lied in G minor |
| 366 | - | - | Minuet in D minor |
| 367* | - | 346? | Minuet in G major (no. 1) |
| 368* | - | 346? | Minuet in G major (no. 2) |
| 421bis* | - | 347 | Sarabande in G minor |
| 428* | 301 | 327 | Suite in C major (No. 25 in Max Seiffert's catalogue) |
| 429* | 302 | 328 | Suite in C minor (incomplete; 2 movements only) |
| 430* | 303 | 329 | Suite in C-sharp minor |
| 431* | 304 | 330 | Suite in D major |
| 432* | 305 | 331 | Suite in D minor (No. 26 in Max Seiffert's catalogue) |
| 433* | 306 | 332 | Suite in E-flat major |
| 434* | 307 | 333 | Suite in E major |
| 435* | 308 | 334 | Suite in E minor (no. 1) (No. 28 in Max Seiffert's catalogue) |
| 436 | 309 | 335 | Suite in E minor (no. 2) (No. 29 in Max Seiffert's catalogue) |
| 437* | 311 | 337a? | Suite in F major (no. 1) (apparently incomplete; 3 movements only; No. 32 in Max Seiffert's catalogue) |
| 438 | 310 | 336? | Suite in F major (no. 2) |
| 439* | 312 | 338 | Suite in F-sharp minor |
| 440* | 313? | 339? | Suite in G major (no. 1) (No. 34? in Max Seiffert's catalogue) |
| 441* | 314? | 339? | Suite in G major (no. 2) |
| 442* | 315 | 340a | Suite in G minor (no. 1) (No. 33 in Max Seiffert's catalogue) |
| 443 | 316 | 340b | Suite in G minor (no. 2) (No. 33 in Max Seiffert's catalogue) |
| 444 | 317 | 341 | Suite in A-flat major |
| 445* | 318 | 342 | Suite in A major (No. 36 in Max Seiffert's catalogue) |
| 446* | 319 | 343 | Suite in A minor |
| 447* | 320 | 344 | Suite in B-flat major |
| 448* | 321 | 345 | Suite in B minor |
Chamber music
edit| P | T | PC | Composition | |
|---|---|---|---|---|
| Musicalische Ergötzung (1691) | ||||
| 370a | 331 | 348 | Suite in F major, 2vn, b.c. | |
| 371 | 332 | 349 | Suite in C minor, 2vn, b.c. | |
| 372 | 333 | 350 | Suite in E-flat major, 2vn, b.c. | |
| 373 | 334 | 351 | Suite in E minor, 2vn, b.c. | |
| 374 | 335 | 352 | Suite in C major, 2vn, b.c. | |
| 375 | 336 | 353 | Suite in B-flat major, 2vn, b.c. | |
| 28 | 341 | - | Aria with 9 variations in A major, vn, 2vg | |
| 37 | 337 | 358 | Canon and gigue in D major, 3vn, b.c. | |
| 427* | - | 359 | Sonata in G major, vn, k.i. | |
| 449 | 340 | 354 | Suite in F-sharp minor, vn, 2va, b.c. | |
| 450 | 339 | 355b? | Suite in G major (no. 1), vn, 2va, vle (Perrault writes: The lack of figuration for the lower part means that it was not a b.c., so that this work may well count as the first true string quartet, at least within the Germanophone domain.) | |
| 451 | 338 | 355a? | Suite in G major (no. 2), 2vn, 2va, b.c. | |
| 453 | - | - | Suite [tonality unspecified], vn, 2va, k.i., (?)b.c. | |
Vocal music
editArias
edit| P | T | PC | Composition |
|---|---|---|---|
| 32 | 431 | 360 | Auf, werte Gäst, for soprano or tenor, 2vn, b.c. (1 strophe) |
| 33 | 432 | 361 | Augen, streuet Perlentränen, for alto, tenor, 4va, "va pro basso" (4 strophes) |
| 57* | - | - | Christ ist erstanden, for soprano, vn, b.c. (possibly by Achilles) |
| 74 | 433 | 367 | Das angenehmste Wetter, for tenor, 2vn |
| 75 | 434 | 368 | Das Gewitter for tenor, 2vn, b.c. (6 strophes) |
| 76 | 435 | 369 | Das Jahr fängt an, for alto, 2vn, 2va, b.c. (4 strophes) |
| 86 | 436 | 363 | Der Widder Abrahams, for alto, tenor, 2vn, b.c. (5 strophes) |
| 100 | 437 | 370 | Die freuderfüllten Abendstunden, for soprano, 2vn, 2va, b.c. |
| 113 | 438 | 371 | Es muss die Sinne ja erfreuen, for tenor, 2vn, b.c. (7 strophes) |
| 165 | 439 | 372 | Geliebtes Vaterherz, for bass, 2vn, 2va, b.c./vle |
| 180 | 440 | 374 | Guter Walter unsers Rat, for tenor, 2vn, 2va, b.c. |
| 199 | 441 | 375 | Hör, grosser Mäcenat, for alto, 2vn, 2va, b.c. |
| 240 | 442 | 376 | Mäcenas lebet noch, for alto, 2vn, 2va, tr, b.c. (6 strophes) |
| 360 | 443 | 363 | Mein Leben, dessen Kreuz, for tenor, 2vn, 2va, "va pro basso", org (6 strophes) |
| 379bis* | - | - | Nisi Domin[us] aedificaverit, (?)aria, bass, (?)vn, b.c. |
| 391 | 444 | 377 | O grosses Musenlicht, for tenor, 2vn, 2vg, b.c. |
| 425 | 445 | 378 | So ist denn dies der Tag, aria and chorus for soprano, SSATB, 2vn, 3va, 4tr, timp, b.c. (8 strophes) |
| 426 | 446 | 379 | So ist denn nun die Treu, aria and chorus for 2 sopranos, SSATB, 2fl, 2vn, 3va, b.c. (9 strophes) |
| 476bis | - | - | Verzag [Vergess?] doch nicht, du armer Sünder, for tenor, vn, 4va, b.c. |
| 477 | 447 | 364 | Voller Wunder, voller Kunst, for soprano, alto, tenor, bass, b.c. |
| 500 | 448 | 380 | Wie nichtig, ach!, for tenor, 3va, b.c. |
| 515 | 449 | 365 | Wohl Euch, die ihr in Gott verliebt, for soprano, alto, tenor, bass, b.c. |
Motets
edit| P | T | PC | Composition |
|---|---|---|---|
| 77 | 351 | 382 | Der Herr ist König, darum toben die Völker, SATB, SATB, (?)b.c. |
| 78 | 352 | 383? | Der Herr ist König und herrlich geschmückt, SATB, SATB, b.c. |
| 79 | 353 | 383? | Der Herr ist König und herrlich geschmückt... Hallelluja, SSATB, b.c. |
| 122 | 354 | 388 | Exurgat Deus, SATB, SATB, b.c. |
| 175 | 355 | 384 | Gott ist unser Zuversicht und Stärcke, SATB, SATB, b.c. |
| 213 | 356 | - | Jauchzet dem Herrn, alle Welt, SATB, SATB, b.c. |
| 217 | 357 | - | Jauchzet Gott, alle Lande, SATB, SATB, b.c. |
| 381 | 358 | 385 | Nun danket alle Gott, SATB, SATB, b.c. |
| 400 | 359 | 389 | Paratum cor meum, SATB, SATB, b.c. |
| 424 | 360 | 386 | Singet dem Herrn ein neues Lied, SATB, SATB, b.c. |
| 474 | 361 | 387 | Tröste uns Gott, unser Heiland, SATB, SATB, b.c. |
Sacred concertos
edit| P | T | PC | Composition |
|---|---|---|---|
| 0* | - | - | Ach Gott, erhör mein Seufzen |
| 60 | 371 | 393 | Christ lag in Todesbanden, SATB, 2vn, 3va, fg, b.c. |
| 84 | 372 | 394 | Der Name des Herren sei gelobet, SAB, 2vn, (?)fg, b.c. |
| 173* | - | 395 | Gott du Gott Israel, SSATB, 2vn, 2va, b.c. |
| 176 | 373 | - | Gott ist unser Zuversicht und Stärcke, SATB, 2vn, 3va, fg, b.c. |
| 177 | 374 | - | Gott sei uns gnädig, SSATB, 5tr, timp, 2vn, 4va, fg, b.c., org. |
| 215 | 376 | 395(2) | Jauchzet dem Herrn, alle Welt, in G major, SSATB, 2ob, 2vn, 3va, fg/vle, b.c. |
| 216 | 375 | 411 | Jauchzet dem Herrn, alle Welt, in D major, SSATB, 4tr, timp, 2vn, 3va, fg, b.c. |
| 230 | 377 | - | Kommt her zu mir, spricht Gottes Sohn, SATB, 2 cornetti/clarini, 2vn, [va], b.c. |
| 238 | 378 | - | Lobet den Herrn in seinem Heiligtum, SSATB, 2fl/2ob, 5tr, tb, timp, cymbal, harp, fg, 2vn, 3va, b.c.(org.) |
| 359 | 380 | 396 | Mein Herr Jesu, dir leb ich, SATB, 3va, b.c. |
| 359bis* | - | - | Mein Herz ist bereit |
| 364 | 379 | 397 | Meine Sünden betrüben mich, SATB, ob, 4vg, fg/vle, b.c. |
| 487 | 381 | 399 | Was Gott tut, das ist wohlgetan, SATB, 2vn, 2va, fg, b.c. |
Masses
edit| P | T | PC | Composition |
|---|---|---|---|
| 357 | 386 | 408 | Mass in C major, SATB, 2clarini, 2vn, b.c. |
| 358 | 387 | 407 | Mass in D major "Missa Brevis", SATB, b.c. |
Ingressus
edit| P | T | PC | Composition |
|---|---|---|---|
| 87 | 391 | 421 | Deus in adjutorium meum intende, SATB, 2vn, va, b.c., C major (no. 1) |
| 88 | 392 | 422 | Deus in adjutorium meum intende, SATB, 2vn, 3va, fg, b.c., C major (no. 2) |
| 89 | 393 | 423 | Deus in adjutorium meum intende, SSATB, 4tr, timp, 2vn, 3va, fg, b.c., org, C major (no. 3) |
| 90 | 394? | 424 | Deus in adjutorium meum intende, [SATB((?)solo)], 2vn, va, b.c., D major (no. 1) |
| 91 | 395? | 425 | Deus in adjutorium meum intende, SATB, 2vn, 3va, fg, b.c., D major (no. 2) |
| 92 | 396 | 426 | Deus in adjutorium meum intende, SSATB, 2vn, 3va, b.c., D minor (key erroneously listed in PC as D major) |
| 93 | 397 | 427 | Deus in adjutorium meum intende, SSATB, 2vn, 4va, fg, b.c., F major |
| 94 | 398 | 430 | Deus in adjutorium meum intende, SATB, 2vn, 3va (ad lib.), b.c., G major |
| 95 | 399? | 428? | Deus in adjutorium meum intende, SATB, 2vn, fg, b.c., G minor (no. 1) |
| 96 | 400? | 429? | Deus in adjutorium meum intende, SSATB, 2vn, va, 2vg, fg, b.c., G minor (no. 2) |
| 97 | 401 | 432 | Deus in adjutorium meum intende, SSATB, 2vn, 3va, fg, b.c., A major |
| 98 | 402 | 431 | Deus in adjutorium meum intende, SSATB, 2vn, 3va, fg, b.c., A minor |
Magnificats
edit| P | T | PC | Composition |
|---|---|---|---|
| 242 | 413 | 433 | Magnificat in C major (no. 1), SATB, 2tr, 2vn, 2va, b.c. |
| 243 | 411 | 434 | Magnificat in C major (no. 2), SSATB, 2ob, 2vn, 3va, fg, b.c. |
| 244 | 412? | 435? | Magnificat in C major (no. 3), SSATB, 4tr, timp, 2vn, va, 2vg, fg, b.c. |
| 245 | 414? | 436? | Magnificat in C major (no. 4), SSATB, 4tr, timp, 2vn, va, vg, fg, b.c. |
| 246 | 417 | 437 | Magnificat in D major (no. 1), SATB, 4va (ad libitum), b.c. |
| 247 | 415 | 438 | Magnificat in D major (no. 2), SSATB, 2cornetti, 2ob, 2vn, 3va, fg, "con Organo" |
| 248 | 416 | 439 | Magnificat in D major (no. 3), [chor.I]SSATB, 2vn, 3va, fg, b.c., [chor.II]SSATB, 2vn, 3va, fg, b.c. |
| 250 | 418 | 440 | Magnificat in E-flat major, SATB, 2vn, 3va, fg, b.c., org |
| 251 | 419 | 441 | Magnificat in F major (no. 1), SATB, 2vn, fg, b.c. |
| 252 | 420 | 442 | Magnificat in F major (no. 2), SSATB, 2vn, b.c. |
| 253 | 421 | 444 | Magnificat in G major, SATB, 2vn, b.c. |
| 254 | 422 | 443 | Magnificat in G minor, SATB, b.c. |
| 255 | 423 | 445 | Magnificat in B-flat major, SSATB, 2ob, 2vn, 3va, fg, b.c./org |
Lost works
editChorale preludes
edit| P | Composition |
|---|---|
| 2bis*! | Ach Gott, vom Himmel sieh darein (no. 3) |
| 19! | An Wasserflüssen Babylon (no. 3) |
| 68! | Christum wir sollen loben schon |
| 72! | Danket dem Herrn, denn er ist sehr freundlich |
| 168! | Gläubiges Herz, freue, chorale-prelude |
| 207! | Ich weiss dass mein Erlöser lebt |
| 221! | Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt (no. 2) |
| 224! | Komm Gott Schöpfer, heiliger Geist |
| 390! | Nun lob' mein Seel' den Herren |
| 392! | O Herre Gott, dein göttlich Wort |
| 395! | O Lamm Gottes unschuldig (no. 3) |
| 499! | Wie nach einer Wasserquelle |
Chorale variations
edit| P | Composition |
|---|---|
| 217bis!* | Jesu, meine Freude (on Frack's hymn) |
Chamber music
edit| P | Composition |
|---|---|
| 370b! | Suite in D major (first suite of Musicalische Ergötzung transposed from F major) |
| 452! | Suite [2vn, 2va, vc, b.c.], G major (no. 3) |
| 516! | Zwillingspartita, 2vn, D major |
Vocal music
edit| P | Composition |
|---|---|
| 6! | Ach Herr, straff mich nicht, (?)aria, voice, 3 instruments |
| 56! | Christ ist erstanden, (?)aria, voice, "instruments" (no. 1) |
| 102! | Dixit Dominus, (?)motet, "4 vv, 5 insts" |
| 185bis! | Herr Gott, dich loben wir, (?)motet, (?)SATB, SATB |
| 187! | Herr hebe an zu segnen, motet/sacred concerto(?), SSATB, 5va, fg |
| 190! | Herr, wenn deine Wort nicht wäre, (?)motet, "a 5" |
| 200! | Ich bin die Auferstehung, (?)motet |
| 201! | Ich fahr dahin mit Freuden, (?)aria, voice, "5 insts" |
| 204! | Ich kann nicht mehr, (?)aria, "2 vv, 4 insts" |
| 208!* | Ich will den Herrn loben allezeit, (?)motet |
| 212!* | In nomine Jesu, (?)motet |
| 214! | Jauchzet dem Herren, alle Welt, (?)motet, "a 13" |
| 229! | Kommt her zu mir, spricht Gottes Sohn, (?)motet, "a 13" |
| 234! | Laetatus sum, sacred concerto, SSATB, trombetta, 2 cornetti, trombone, 2vn, 2va, fg, org (only instrumental parts survive) |
| 249! | Magnificat, D major (no. 4), "a 13" |
| 256! | Magnificat, [key unknown], "a 13" |
| 486!* | Was Gott tut, das ist wohlgetan, (?)motet, "a 9", SATB, SATB, b.c. |
| 496! | Wenn wir in höchsten Nöten sein, (?)sacred concerto, "a 10. 4 Viol. SATB" |
Miscellany
edit| P | Composition | Description |
|---|---|---|
| 23 | [deleted] | |
| 53!–54! | "Zwei Chörichte Sonaten, in specie dessen Serenata" | Sonatas for choir and ensemble ("serenades"?). They were mentioned by Johann Heinrich Buttstett in his 1716 treatise Ut, mi, sol, re, fa, la, tota musica et harmonia aeterna, along with Johann Michael Bach's Revange, as examples of highly refined music. Neither Pachelbel's nor J.M. Bach's works survive.[4] |
| 99 | Deutlich Anweisung. Wie man durchs ganze Jahr bey wehrenden Gottesdienst, so wohl in den Vespern als Tagambt, bey S. Sebald m. der Orgel zu intonieren und zu respondiren sich zu verhalten habe. | A set of liturgical instructions for organists of St. Sebaldus Church. |
| 130 | Fugen und Praeambuln über die gewöhnlichsten Tonos figuratos | "Fugues and Preludes in all church modes", a collection announced in 1704 book fair catalogues. It was to be published in 1705, however, no trace of it remains.[5] Welter identifies this with a manuscript chorale collection, the so-called Weimar Tabulaturbuch.[6] |
| 399 | [deleted] |
Notes
edit- ^ Formerly thought to be concluding work of set. Now viewed as doubtful.
- ^ Found as manuscript copy by Heinrich Nikolaus Gerber, student of Johann Sebastian Bach, dating from 17 April 1716. Now believed to be concluding work of set.
- ^ a b van Gelder, Lawrence (September 1, 2006). "Arts, Briefly - Bach Manuscripts Found". The New York Times. Retrieved 2009-01-07.
- ^ Welter 1998, 173.
- ^ Perreault 2004, 84.
- ^ Welter 1998, 128.
References
edit- Bouchard, Antoine. 1998–2001. Liner notes to: Pachelbel: The Complete Organ Works, 11 CD compilation. Dorian.
- Perreault, Jean M. 2004. The Thematic Catalogue of the Musical Works of Johann Pachelbel. Scarecrow Press, Lanham, Md. ISBN 0-8108-4970-4
- Tsukamoto, Hideo. 2002. Archive of J.Pachelbel's Works, accessed 1 August 2009.
- Welter, Kathryn J. 1998. Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance. Diss., Harvard University, Cambridge, Massachusetts.
External links
edit- Johann Pachelbel: a comprehensive list of his works, includes easy-to find concordance between the different numbering systems of his works, and also editions
