List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.
Digital video cameras
edit| Brand | Camera | Sensor size | Crop factor[1] | Lens Mount[2] | Recording media[3] | Codec | Maximum video resolution | ISO range | Dynamic range (at native/peak ISO) | Shutter type | Anamorphic shooting | Internal filters | Frame rate(s−1) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Arri | Alexa[4] Alexa Plus |
23.76 x 13.37 mm | 1.52 | Arri PL | SxS card, T-link recorder (optional XR module upgrade)[5] | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) |
2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 1620 (ARRIRAW to external recorders or XR drive) 3164 x 1778 (ProRes with XR module upgrade)[6] |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8)[7] | Rolling | None by default, 2x and 1.33x desqueeze with license[8] | Optical low pass, IR, UV | 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9] |
| Arri | Alexa Plus 4:3[10] Alexa M |
23.76 x 17.82 mm | 1.52 | Arri PL | SxS card, T-link recorder (optional XR module upgrade)[5] | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) |
2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 2160 (ARRIRAW to external recorders or XR drive) 3164 x 1778 (ProRes with XR module upgrade)[6] |
160 - 3200 (800 native) | 13.8 stops[11] | Rolling | 2x and 1.33x desqueeze[8] | Optical low pass, IR, UV | 0.75 - 120[9] |
| Arri | Alexa Studio | 23.76 x 17.82 mm | 1.52 | Arri PL | SxS card, T-link recorder (optional XR module upgrade)[5] | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) |
2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 1620 (ARRIRAW to external recorders or XR drive) 3164 x 1778 (ProRes with XR module upgrade)[6] |
160 - 3200 (800 native) | 13.8 stops[11] | Mechanical | 2x and 1.33x desqueeze[8] | Optical low pass, IR, UV, ND 0.6-1.3[12] | 0.75 - 120[9] |
| Arri | Alexa HD Alexa HD Plus[13] |
23.76 x 13.37 mm | 1.52 | Arri PL | SxS card | 12-bit 4444 ProRes, 10-bit DNxHD (with license) | 1920 x 1080 | 160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | None by default, 2x and 1.33x desqueeze with license[8] | Optical low pass, IR, UV | 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9] |
| Arri | Alexa Mini[12] | 28.25 x 18.17 mm | 1.28 | Arri PL, EF, B4 (interchangeable) | CFast 2.0 card, SDI-6G recorders | 12-bit 4444 ProRes XQ, ARRIRAW | 3424 x 2202 (ARRIRAW) 3164 x 1778 (ProRes) 3840 x 2160 (In-camera upscaled ProRes)[14] |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 | 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders) |
| Arri | Alexa LF | 36.7 x 25.54 mm | 0.98 | LPL, ships with Arri PL adapter | SXR drive | 12-bit ARRIRAW, ProRes 4444 XQ | 4448x3096 (ARRIRAW) |
160 - 3200 (800 native) | 13.5 stops[11] | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV | 23.98-150 |
| Arri | Alexa Mini LF | 36.7 x 25.54 mm | 0.98 | LPL, ships with Arri PL adapter | Codex Compact Drive | 12-bit ARRIRAW, ProRes 4444 XQ | 4448x3096 (ARRIRAW) |
160 - 3200 (800 native) | 13.5 stops[11] | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 | 23.98-90 |
| Arri | Alexa SXT[15] Alexa SXT Plus |
28.17 x 18.13 mm[16] | 1.28 | Arri PL | SXR drive | 12-bit 4444 ProRes XQ, 12-bit ARRIRAW | 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) | 160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze[17] | Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] | 0,75 - 120 |
| Arri | Alexa SXT Studio[15] | 28.17 x 18.13 mm[16] | 1.28 | Arri PL | SXR drive | 12-bit 4444 ProRes XQ, 12-bit ARRIRAW | 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) | 160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Mechanical | 2x and 1.33x desqueeze[17] | Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] | 0,75 - 120 |
| Arri | Alexa XT[13] Alexa XT Plus Alexa XT M |
28.17 x 18.13 mm[16] | 1.28 | Arri PL | XR drive (optional SXR module upgrade, excluding Alexa XT M)[19] | 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW | 2048 x 1152 (DNxHD) 3164 × 1778 (ProRes) 3414 x 2198 (ARRIRAW)[16] 4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze[17] | Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] | 0,75 - 120 |
| Arri | Alexa XT Studio[13] |
28.17 x 18.13 mm[16] | 1.28 | Arri PL | XR drive (optional SXR module upgrade) | 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW | 2048 x 1152 (DNxHD) 3164 × 1778 (ProRes) 3414 x 2198 (ARRIRAW)[16] 4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Mechanical | 2x and 1.33x desqueeze[17] | Optical low pass, IR, UV, ND 0.6-1.3[12] | 0,75 - 120 |
| Arri | Alexa XT B+W Monochrome[20] | 28.17 x 18.13 mm[16] | 1.28 | Arri PL | XR drive (optional SXR module upgrade) | ProRes XQ, DNxHD (XR drive only), ARRIRAW | 2048 x 1152 (DNxHD) 3164 × 1778 (ProRes) 3414 x 2198 (ARRIRAW)[16] 4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) |
160 - 3200 (2000 native) | 15 stops[20] | Rolling | 2x and 1.33x desqueeze[17] | Omits bayer filters, internal ND filter module with filters sold separately[18] | 0,75 - 120 |
| Arri | Alexa 65[21] | 54.12 x 25.58 mm | 0.67 | Arri XPL | XR drive | ARRIRAW | 6560 x 3102 | 160 - 3200 (800 native) | 14 stops | Rolling | 0,75 - 27 (60 fps upcoming) | ||
| Arri | Alexa 35[22] | 27.99 x 19.22 mm | Arri PL, LPL, Canon EF (interchangeable) | Codex Compact Drive | ARRIRAW, Apple ProRes 4444 XQ | 4608 × 3164 | 160 - 6400 | 16.3 stops (Log C,-8, +9)[23][24] | Rolling | 1x-2x desqueeze | Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 | 0.75 - 120 | |
| Arri | Amira[25] |
23.76 x 13.37 mm | 1.52 | Arri PL, B4, EF (interchangeable) | CFast 2.0 card | ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[26]ARRIRAW (with license) | 1920 x 1080 (default) 2048 x 1152 (with 2K license) 2880 x 1620 (ARRIRAW) |
160 - 3200 (800 native) | 14.5 stops (Log C)[28] 13.1 stops (usable)[29] |
Rolling | None | Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 | 0,75 - 100 (default), 200 and 4K 60 with license |
| Arri | D-20 D-21 |
24.9 x 18.15 mm | 1.45 | Arri PL | HD-SDI recorder, T-link recorder | Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) | 1920 x 1080 (HD-SDI recorders) 2880 x 2160 (ARRIRAW recorders) |
50 - 320 (D-20) 100 - 800 (D-21, 200 native)[30] |
11 stops (Log C data mode, +6, -5)[31] | Mechanical | 2x desqueeze | Optical low pass, IR | 1 - 60 |
| Blackmagic | Cinema Camera[32] | 15.81 x 8.88 mm CMOS | 2.28 | Canon EF, MFT, Arri PL | 2.5" SSD | 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW | 1920 x 1080 (ProRes/DNxHD) 2432 x 1366 (CinemaDNG RAW) |
200 - 1600 (800 native) | 13 stops (BMD Film, +6, -7)[33][34] | Rolling | None | None | 23.98, 24, 25, 29.97, 30 |
| Blackmagic | Micro Cinema Camera | 12.48 x 7.02 mm CMOS | 2.88 | MFT | SD card | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW | 1920 x 1080 | 200 - 1600 (800 native) | 13 stops | Rolling | None | None | 23.98 - 60[35] |
| Blackmagic | Pocket Cinema Camera[32] |
12.48 x 7.02 mm CMOS | 2.88 | MFT | SD card | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW | 1920 x 1080 | 200 - 1600 (800 native) | 13 stops (BMD Film, +6, -7)[33][34] | Rolling | None | None | 23.98, 24, 25, 29.97, 30 |
| Blackmagic | Pocket Cinema Camera 4K[32] | 18.96 x 10 mm CMOS | 1.9 | Active MFT | CFast card, SD card, USB-C drives | 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] | 4096 x 2160 (BRAW) 3840 x 2160 (ProRes) |
100-25,600
(400 & 3200 dual native ISO)[37] |
13.1 stops (BMD Film ISO 400, +5.5, -7.6) 12.2 stops (BMD Film ISO 3200, +5.1, -7.2)[33] |
Rolling | None | None | 23.98 - 60 |
| Blackmagic | Pocket Cinema Camera 6K | 23.1 x 12.99 mm CMOS | Canon EF | CFast card, SD card, USB-C drives | 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] | 6144 x 3456 (BRAW) 4096 x 2160 (ProRes) |
100-25,600
(400 & 3200 dual native ISO)[37] |
13.5 stops (BMD Film ISO 400, +5.9, -7.8) 12.2 stops (BMD Film ISO 3200, +5.6, -6.5)[33] |
Rolling | None | None | 23.98 - 60 | |
| Blackmagic | Pocket Cinema Camera 6K (L-Mount) | 36 x 24 mm CMOS | 1 | Leica L-Mount | CFexpress card, USB-C drives | 12-bit Blackmagic RAW, 8-bit 4:2:0 H.264 | 6048 x 4032
(BRAW) 1920 x 1080 (H.264) |
100-25,600
(400 & 3200 dual native ISO) |
13.5 stops (BMD Film ISO 400, +5.9, -7.8) 12.1 stops (BMD Film ISO 3200, +5.6, -6.5) |
Rolling | 4.8K 6:5 sensor windowing | Optical low pass | 23.98 - 120 |
| Blackmagic | Pocket Cinema Camera 6K Pro | 23.1 x 12.99 mm CMOS | Canon EF | CFast card, SD card, USB-C drives | 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] | 6144 x 3456 (BRAW) 4096 x 2160 (ProRes) |
100-25,600
(400 & 3200 dual native ISO)[37] |
13.5 stops (BMD Film ISO 400, +5.9, -7.8) 12.1 stops (BMD Film ISO 3200, +5.6, -6.5)[33] |
Rolling | 3.7K 6:5 sensor windowing | ND 0.3, 0.6, 0.9 | 23.98 - 120 | |
| Blackmagic | Production Camera 4K[32] | 21.12 x 11.88 mm CMOS | 1.7 | Canon EF, MFT, Arri PL | 2.5" SSD | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW | 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) |
200 - 800 (400 native)[38] | 12 stops (BMD Film, per manufacturer)[33] 8.2 stops (usable)[29] |
Global | None | None | 23.98, 24, 25, 29.97, 30 |
| Blackmagic | Ursa 4K[39] |
21.12 x 11.88 mm CMOS | 1.7 | Canon EF, Arri PL, B4 (interchangeable) | CFast 2.0 card | 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW | 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) |
200 - 1600 (400 native)[40] | 12 stops (BMD Film)[33] | Global[41] | None | None | 23.98, 24, 25, 29.97, 30, 50, 60 |
| Blackmagic | Ursa 4.6K | 25.34 x 14.25 mm& CMOS | 1.42 | Canon EF, Arri PL, B4 (interchangeable) | CFast 2.0 card | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW | 4608 x 2592 (CinemaDNG RAW) 3840 x 2160 (ProRes) |
200 - 1600 (800 native) | 15 stops | Rolling | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze | None | 23.98 - 120 |
| Blackmagic | Ursa Mini 4K[33] | 21.12 x 11.88 mm | 1.7 | Canon EF, Arri PL | CFast 2.0 card | 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW | 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) |
200 - 1600 (400 native)[40] | 12 stops (BMD Film)
8.5 stops (usable)[42] |
Global[41] | None | None | 23.98 - 60 |
| Blackmagic | Ursa Mini 4.6K | 25.34 x 14.25 mm | 1.42 | Canon EF, Arri PL | CFast 2.0 card | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW | 4608 x 2592 (CinemaDNG RAW) 3840 x 2160 (ProRes) |
200 - 1600 (800 native) | 15 stops
~12 stops (usable)[42] |
Rolling | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze | None | 23.98 - 60 |
| Blackmagic | Ursa Mini Pro[33] | 25.34 x 14.25 mm | 1.42 | Canon EF, Arri PL (interchangeable) | CFast 2.0 card, SD card | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW | 4608 x 2592 (CinemaDNG RAW) 3840 x 2160 (ProRes) |
200 - 1600 (800 native) | 15 stops | Rolling | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze | IR ND 0.6, 1.2, 1.8 | 23.98 - 60 |
| Blackmagic | Ursa Mini Pro G2[43] | 25.34 x 14.25 mm | 1.42 | Canon EF, Arri PL, B4, F-Mount (interchangeable) | CFast 2.0 card, SD card | 12-bit 4444 ProRes XQ, 12-bit Blackmagic RAW[36] | 4608 x 2592 (BRAW)
3840x2160 (Prores) |
200 - 3200 (800 native)[44] | 15 stops | Rolling | 3K 1.2:1 sensor windowing and 2x, 1.3x desqueeze | IR ND 0.6, 1.2, 1.8 | 23.98 - 120 |
| Blackmagic | Ursa Mini Pro 12K[45] | 27.03 x 14.25 mm | 1.42 | Canon EF, Arri PL, F-Mount (interchangeable) | CFast 2.0 card, SD card, 2.5-inch SSD via URSA Mini Recorder | 12-bit Blackmagic RAW[36] | 12,288 x 6480 | 200 - 3200 (800 native)[44] | 14 stops | Rolling | 1.2:1 sensor windowing and 2x, 1.3x desqueeze | IR ND 0.6, 1.2, 1.8, optical low pass (OLPF model)[46] | 23.98 - 160 |
| Canon | C70[47] | 26.2 x 13.8 mm | 1.46 | Canon RF (RF to EF adapter included) | SD card | 10 bit 4:2:2 XF-AVC, HEVC, 12-bit Cinema RAW Light | 4096 x 2160 | 100 - 102,400 (800 native) | 12.8 stops[48] | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) | 23.98-120 |
| Canon | C100 |
24.6 x 13.8 mm | 1.46 | Canon EF | SD card, HDMI recorder | 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) | 1920 x 1080 | 320 to 80,000 (850 native) | 12 stops (Canon Log, -6.7, +5.3)[49] | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
| Canon | C100 Mark II |
24.6 x 13.8 mm | 1.46 | Canon EF | SD card, HDMI recorder | 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) | 1920 x 1080 | 320 to 102,400 (850 native) | 12 stops (Canon Log, -6.7, +5.3)[49] | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-60 |
| Canon | C200 | 24.6 x 13.8 mm | 1.46 | Canon EF, Arri PL (interchangeable with mount kit) | CFast 2.0 card, SD card | 12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card, uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders) | 4096 x 2160 (Cinema RAW Light) 3840 x 2160 (MPEG4) |
100 to 102,400 (800 native) | 13 stops | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) | 23.98-60 (4K) 23.98-120 (1080p) |
| Canon | C300[50] |
24.6 x 13.8 mm | 1.46 | Canon EF, Arri PL | CF card, HDMI/HD-SDI recorder | 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) | 1920 x 1080 | 320 to 80,000 (850 native) | 12 stops (Canon Log, -6.7, +5.3)[51] | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
| Canon | C300 Mark II[50] |
24.6 x 13.8 mm | 1.46 | Canon EF, Arri PL (interchangeable by Canon) | CFast 2.0 card, HDMI/HD-SDI recorder | 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders) | 4096 x 2160 | 320 to 102,400 (800 native) | 12.3 stops (Canon Log 2)[52] | Rolling | None | Optical low pass, IR, ND 0.6 - 3 | 1-30 (4K) 1-120 (2K) |
| Canon | C300 Mark III[53] | 26.2 x 13.8 mm | 1.37 | Canon EF, Arri PL (interchangeable with mount kit) | CFexpress card, SD card, HDMI/HD-SDI recorder | 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HDMI/HD-SDI recorders) | 4096 x 2160 | 100 to 102,400 (800 native)[54] | 12.8 stops (Canon Log)[55] | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, ND 0.6 - 3 | 1-120 (4K) 1-180 (2K) |
| Canon | C500[50] |
26.2 x 13.8 mm | 1.37 | Canon EF, Arri PL | CF card, HDMI/HD-SDI recorder | 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) | 1920 x 1080 (internal recording) 4096 x 2160 (HD-SDI recorders) |
320 to 80,000 (850 native) | 12 stops (Canon Log, -6.7, +5.3)[56] | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
| Canon | C500 Mark II[50] |
38.1 x 20.1 mm | 0.94 | Canon EF, Arri PL (interchangeable) | CFexpress card, SD card, HDMI/HD-SDI recorder | 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders) | 5952 x 3140 | 100 to 102,400 (800 native) | 13.1 stops (Canon Log)[57] | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
| Canon | C700 C700 GS PL |
26.2 x 13.8 mm | 1.37 | Canon EF, Arri PL (interchangeable by Canon) | CFast 2.0 card, SD card, Codex recorder | 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) | 4096 x 2160 (internal recording) 4512 x 2376 (RAW to external recorder) |
100 to 102,400 (850 native) | 15 stops (Canon Log 2, -8.7, +6.3)[58] 14 stops (GS PL global shutter) |
Rolling Global (GS PL version) |
1.3x and 2x desqueeze | Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 | 23.98-60 (6K), 23.98-120 (2K) |
| Canon | C700 FF | 38.1 x 20.1 mm | 0.94 | Canon EF, Arri PL (interchangeable by Canon) | CFast 2.0 card, SD card, Codex recorder | 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) | 4096 x 2160 (internal recording) 5952 x 3140 (RAW to external recorder) |
100 to 102,400 (850 native) | 15 stops (Canon Log 2, -8.7, +6.3)[58] 14 stops (GS PL global shutter) |
Rolling Global (GS PL version) |
1.3x and 2x desqueeze | Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 | 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW) |
| Canon | ME20F-SH [59][60] | Full frame 35 mm | Canon EF | 1920 x 1080 | 800 to 4,560,000 | 12 stops | IR, ND 1/8, 1/64 | 23.98-59.94 | |||||
| Dalsa | Origin II[50] |
34 x 17.2 mm | 1.06 | Arri PL | 1920 x 1080 | 30 | |||||||
| Digital Bolex | D16 | 12.85 x 9.64 mm CCD | 2.8 | C-mount, EF, MFT, PL | CF card, internal flash storage (non-removable) | 12-bit 4:4:4 CinemaDNG RAW | 2048 x 1152 | 100 - 800 (200 native)[61] | 12 stops[62] | Global | None | Optical low pass | 23.98-90 |
| Digital Bolex | D16 Monochrome | 12.85 x 9.64 mm CCD | 2.8 | C-mount, EF, MFT, PL | CF card, internal flash storage (non-removable) | CinemaDNG RAW | 2048 x 1152 | 13 stops[63] | Global | None | Omits bayer filters | 23.98-90 | |
| Hitachi | SK-UHD8000[64] | Super 35 | Arri PL | 7680 X 4320 8K | |||||||||
| Ikegami | SHK-810[65] | Super 35 | Arri PL | 7680 X 4320 8K | |||||||||
| JVC | GY-LS300 | Super 35 | 1.5 | Micro Four Thirds | SD card (dual slot: mirror, relay, proxy, sequential) | H.264 8 bit 4:2:0 / 4:2:2 up to 150 Mbit/s | 4096 x 2160 4K
3840 x 2160 4K |
400 - 25600
(400 native) |
11.8 stops
(-6.3, + 5.5)[66] |
Rolling | None | ND 0.6, 1.2, 1.8 | 23.976-120 |
| Panasonic | AG-AF100
AG-AF101 AG-AF102 AG-AF105[67] |
17.8 x 10 mm | 2.02 | Micro Four Thirds | SD card(dual slot, only sequential) | AVCHD 4:2:0 8 bit 24 Mbit/s
RAW 4:2:2 8 bit (external) |
1920 x 1080 | 200 - 3200
(400 native) |
10.2 stops
(-5.9, +4.3) at ISO 800[68] |
Rolling | None | ND 0.6, 1.2, 1.8 | 12-60 |
| Panasonic | AJ-HPX3700[69] |
2/3" CCD x 3 | 4.09 | 2/3 inch bayonet mount[70] | H.264, AVC-Intra 100 | 1920 x 1080 | 24, 1-60 | ||||||
| Panasonic | AJ-HPX2000[71] | 2/3" CCD x 3 | 4.09 | 2/3 inch bayonet mount | DVCPRO HD 137 Mbit/s | 1920 x 1080 | 60 (interlaced) | ||||||
| Panasonic | AJ-HPX3100GJ[72] | 2/3" CCD x 3 | 4.09 | 2/3 inch bayonet mount | AVC-Intra 100, DVCPRO HD 68 Mbit/s | 1920 x 1080 | 30 (60) | ||||||
| Panasonic | AK-SHB800GJ [73][74] | Full frame 35mm CMOS | EF lens mount | 8K | |||||||||
| Panasonic | AU-EVA1 | Full frame 35mm MOS | 1.5 | EF lens mount | SDHC, SDXC | MOV: 4:2:2 10 bit/4:2:0 8 bit
AVCHD: 4:2:0 8 bit |
4096 x 2160 | NATIVE: 800, 2500
800 Base: 200 to 2000 2500 Base: 1000 to 25600 |
14 stops | Rolling | ND Filter: CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical driven
IR Cut Filter: USER assignable IR shooting (filter ON/OFF) |
23.98p - 240p | |
| Panasonic | Varicam 35[75] | 26.688 mm × 14.184 mm | 1.35 | 35 mm, PL | expressP2 card, P2 card, microP2 card | V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 | 4096 x 2160 | 800 - 12,800 (800 & 5000 dual native ISO) | 14+ stops | Rolling | 1.33:1 and 2.0:1 desqueeze | UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR | 23.98p - 120p |
| Panasonic | Varicam LT | 26.688 mm × 14.184 mm | 1.35 | EF, PL | expressP2 card, P2 card, microP2 card | V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 | 4096 x 2160 | 800 - 12,800 (800 & 5000 dual native ISO) | 14+ stops | Rolling | 1.33:1 and 2.0:1 desqueeze | UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR | 23.98p - 59.94 |
| Panavision | Millennium DXL[76] | 40.96 x 21.60mm | 0.88 | Panavision PV mount | Mini RedMag SSD | 16-bit Redcode RAW, ProRes, DNxHD | 8192 x 4320 | 800 native | 14.8 stops[77] | 2x and 1.33x desqueeze | 23.98 - 60 (8K) | ||
| Panavision | Millennium DXL 2[76] | 40.96 x 21.60mm | 0.88 | Panavision PV mount | Mini RedMag SSD | 16-bit Redcode RAW, ProRes, DNxHD | 8192 x 4320 | 1600 native | 14.9 stops[78] | 2x and 1.33x desqueeze | 23.98 - 60 (8K) | ||
| Panavision | Genesis[79] | 24.89 x 16.86mm | 1.45 | Panavision PV mount | HD-SDI recorder, SSR-1 recorder, HDCAM recorder | 10-bit 4:4:4 signal (HD-SDI recorders) | 1920 x 1080 | 400 - 1600 (400 native) | 8 stops[80] | Global | None[81] | 30 (1-60) | |
| Panavision | HD900F[82] | 2/3" CCD | 4.09 | Panavision PV mount | HDCAM | 1920 x 1080 | 30 (24) | ||||||
| Red | Epic Dragon[50] |
30.7 x 15.8 mm | 1.25 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade)[83] | 16-bit .r3d | 6144 x 3160 | 80 – 12800 (250 native)[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-100 (6K) 1-120 (5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) |
| Red | Epic Dragon Monochrome[90] | 30.7 x 15.8 mm | 1.25 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | .r3d | 6144 x 3160 | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-100 (6K) 1-120 (5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) | ||
| Red | Epic Mysterium-X[50] |
27.7 x 14.6 mm | 1.38 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 5120 x 2700 | 80 – 12800 (800 native) | 12.5 stops (-7, +5.5)[86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-120 (5K) 1-180 (3K) 1-225 (2K) |
| Red | Epic Mysterium-X Monochrome[91] | 27.7 x 14.6 mm | 1.38 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | .r3d | 5120 x 2700 | 80 – 12800 (2000 native) | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-120 (5K) 1-180 (3K) 1-225 (2K) | |
| Red | Epic-W Gemini[50] |
30.72 x 18 mm | 1.25 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 5120 x 3000 (r3d) 4096 x 2160 (ProRes, DNxHR) |
800, 3200 dual native ISO rating with Standard OLPF)[92] | 15.2 stops[93] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-30 (8K) 1-75 (6K) 1-96 (5K) 1-120 (4K) 1-150 (3K) 1-240 (2K) |
| Red | Epic-W Helium[50] |
29.9 x 15.8 mm | 1.28 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 8192 x 4320 (r3d) 4096 x 2160 (ProRes, DNxHR) |
1280-2500 (Balanced ISO rating with Standard OLPF)[92] | 15.2 stops[93] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-30 (8K) 1-75 (6K) 1-96 (5K) 1-120 (4K) 1-150 (3K) 1-240 (2K) |
| Red | Komodo[94] | 27.03 x 14.25 mm | 1.416 | Canon RF | CFast 2.0 card | 12-bit .r3d | 6144 x 3240 | 12.5 stops (R3D HQ)
12.2 stops (ProRes 422 HQ)[95] |
Global | Yes | No | 23.98-40 (6K)
23.98-48 (5K) 23.98-60 (4K) 23.98-120 (2K) | |
| Red | One[96] |
24.4 x 13.7 mm | 1.48 | PL, EF, F-mount (interchangeable) | CF card, Red Hard Drive (optional RedMag SSD module upgrade)[97] | 12-bit .r3d | 4096 x 2304 | 100 - 2000 (320 native) | 11.3 stops[98] | Rolling | 1.22:1 sensor windowing and 2x desqueeze | 1-30 (120) | |
| Red | One Mysterium-X[50] |
24.2 x 12.5 mm | 1.59 | PL, EF, F-mount (interchangeable) | CF card, Red Hard Drive (optional RedMag SSD module upgrade)[97] | 12-bit .r3d | 4480 x 2304 | 100 - 6400 (800 native) | 11.9 stops (-7, +5)[68] | Rolling | 1.22:1 sensor windowing and 2x desqueeze | 1-30 (120) | |
| Red | Raven[99] | 23.04 x 10.8 mm | 1.56 | Canon EF | Mini RedMag SSD | 16-bit .r3d, 10-bit 422 ProRes | 4608 × 2160 (r3d) 2048 × 1080 (ProRes) |
250 native | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling | None | Combination optical low pass/IR | 1-120 (4K) 1-160 (3K) 1-240 (2K) |
| Red | Scarlet Mysterium-X | 27.7 x 14.6 mm | 1.38 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 5120 x 2700 (Maximum 12 fps) 4096 x 2160 |
80 – 12800 (800 native) | 11.9 stops (-7, +5)[68] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | None | Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-12 (5K) 1-30 (4K) 1-48 (3K) 1-60 (1080p) 1-120 (1K) |
| Red | Scarlet Dragon | 30.7 x 15.8 mm | 1.17 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 6144 x 3160 (Maximum 12 fps) 5120 x 2700 |
80 – 12800 (250 native)[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-12 (6K) 1-48 (5K) 1-60 (4K) 1-80 (3K) 1-120 (2K) |
| Red | Scarlet-W Dragon | 25.6 x 13.5 mm | 1.41 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 10-bit 4:2:2 ProRes HQ | 5120 × 2700 (r3d) 2048 × 1080 (ProRes) |
250 native[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-60 (5K) 1-120 (4.5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) |
| Red | V-Raptor | 40.96 x 21.60 mm | 0.93 | Canon RF (EF with adapter) | CFexpress | 16-bit .r3d, ProRes 4444 XQ | 8192 × 4320 (r3d) 4096 x 2160 (ProRes) |
14.9 stops[100] | Rolling | 2x-1.25x desqueeze | Combination optical low pass/IR | 1-150 (8K) 1-200 (6K) 1-300 (4K) 1-600 (2K) | |
| Red | Weapon Dragon 6K | 30.7 x 15.8 mm | 1.25 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ | 6144 x 3160 (r3d) 2048 x 1152 (ProRes) |
250 native[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-100 (6K) 1-120 (5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) |
| Red | Weapon Dragon 8K | 40.96mm x 21.6mm | 0.93 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 8192 x 4320 (r3d) 4096 x 2160 (ProRes) 4096 x 2160 (DNxHR) |
250 native[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1 - 75 (8K) |
| Red | Weapon Helium | 29.9mm x 15.8mm | 1.28 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 8192 x 4320 (r3d) 4096 x 2160 (ProRes, DNxHR) |
1280-2500 (Balanced ISO rating with Standard OLPF)[92] | 15.2 stops[93] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1 - 60 (8K) |
| Red | Weapon Monstro 8K VV | 40.96 mm x 21.60 mm | 0.93 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 8192 x 4320 (r3d) 4096 x 2160 (ProRes) 4096 x 2160 (DNxHR) |
250-12,800, default 800 | 14.9 stops[78] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 60 fps (8K)
75 fps (8K 2.4:1) 100 fps (6K 2.4:1) 96 fps (5K) 120 fps (5K 2.4:1) 150 fps (4K 2.4:1) 200 fps (3K 2.4:1) 240 fps (2K) 300 fps (2K 2.4:1) |
| Sony | F35[101] |
21.6 x 13.3 mm | 1.67 | Arri PL | 1920 x 1080 | 400 native[102] | 11.3 stops (-5, +6.3)[68] | Global | 1-60 | ||||
| Sony | F65[103] |
24.7 x 13.1 mm | 1.46 | Arri PL | SR Memory Recorder | 8182 x 2160 | 800 native | 14 stops (-7, +7)[103][104] | Mechanical | 2x and 1.3x desqueeze[105] | Optical low pass, ND 0.9, 1.2, 1.5, 1.8 | 1-60 | |
| Sony | F55[103] |
24 x 12.7 mm | 1.46 | Sony FZ, Arri PL | SxS card, AXS-R5 Recorder | 4096 x 2160 | 1250 native | 14 stops[103] | Global | 1.3x and 2x desqueeze[106] | Optical low pass (interchangeable), ND 0.9, 1.8 | 1-60 | |
| Sony | NEX-FS100[107] |
21.6 x 13.3 mm | 1.67 | E-mount | MPEG4 AVCHD 28 Mbit/s | 1920 x 1080 | 800 native | 11.5 stops (-6.5, +5)[108] | Rolling | None | 1, 2, 4, 8, 15, 30, 60 | ||
| Sony | NEX-FS700[107]NEX-FS700E
NEX-FS700U NEX-FS700R |
23.6 x 13.3 mm | 1.53 | E-mount | SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder | MPEG4 AVCHD | 4096 x 2160 (updated FS700/E or FS700U/R native; available only when using an external recorder)
1920x1080 (all) |
500 native[109] | 12 stops (-7, +5)[110] | Rolling | ND 0.6, 1.2, 1.8 | 1-240 | |
| Sony | NEX-EA50 | 23.5 x 15.6 mm | 1.54 | E-mount | SD card, Memory Stick | AVCHD 2.0 28 Mbit/s | 1920 x1080 | 160-5000 | Rolling | 60, 50, 30, 25, 24 | |||
| Sony | NEX-VG10[111] | 23.4 x 15.6 mm | 1.54 | E-mount | SD card, Memory Stick | AVCHD 24 Mbit/s | 1920 x 1080 | Rolling | 60i, 30 | ||||
| Sony | NEX-VG20[112] | 23.4 x 15.6 mm | 1.54 | E-mount | SD card, Memory Stick | AVCHD 2.0 24 Mbit/s | 1920 x 1080 | Rolling | None | 60, 50, 30, 25, 24 | |||
| Sony | NEX-VG30 | 23.4 x 15.6 mm | 1.54 | E-mount | SD card, Memory Stick | AVCHD 2.0 24 Mbit/s | 1920 x 1080 | Rolling | None | 60, 50, 30, 25, 24 | |||
| Sony | NEX-VG900[113] | 35.8 x 23.9 mm | 1.01 | E-mount | SD card, Memory Stick | AVCHD 2.0 28 Mbit/s | 1920 x 1080 | Rolling | None | 60, 50, 30, 25, 24 | |||
| Sony | PMW-F3K, PMW-F3L[114] |
21.6 x 13.3 mm | 1.67 | FZ- mount, PL-mount | SxS card | MPEG2 35 Mbit/s | 1440 x 1080 | 800 native[115] | 11.2 stops (-7, +4.3)[68] | Rolling | ND 0.9, 1.8 | 1, 2, 4, 8, 15, 30, 60 | |
| Sony | PMW-F5 | 24 x 12.7 mm | 1.5 | E-mount, PL-mount | MPEG2 35 Mbit/s | 1920 x 1080 (default) 4096 x 2160 (with 4K license[116] or altering internal preferences)[117] |
2000 native | 14 stops[103] | Rolling | 1.3x and 2x desqueeze[106] | Optical low pass (interchangeable), ND 0.9, 1.8 | 1, 2, 4, 8, 15, 30, 60 | |
| Sony | Sony PXW-FS5 | 24 x 12.7 mm | 1.5 | E-mount | SD card | XAVC Long, AVCHD | 3840 x 2160 | 3200 native | 14 stops[103] | Rolling | ND 0.6, 1.2, 1.8, 2.1 | ||
| Sony | Sony PXW-FS7 | 24 x 12.7 mm | 1.5 | E-mount | XQD card, HD-SDI and HDMI 2.0 recorder | XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[118]) | 4096 x 2160 | 2000 native | 14 stops[103]12.5 stops (usable)[42] | Rolling | ND 0.6, 1.2, 1.8 | 23.98 - 60 (4K), 23.98 - 180 (1080p) | |
| Sony | VENICE[119] | 36 x 24 mm with full frame license, 24.3 x 12.8 mm by default | 1 | E-mount, PL mount (add-on) | SxS card, AXS-R7 recorder (add-on, optional, records onto AxS cards) | 10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder) | 6048 x 4032 (with full frame license) 4096 x 2160 (default) |
500 and 2500 dual native | 15 stops (-9, +6) | Rolling | 4:3 sensor-windowing and 2x desqueeze with license | ND 0.3-2.4 | 23.98 - 120 (4K), 23.98 - 60 (6K) |
| Vision Research, Inc | Phantom 65[120] | 52.1 x 30.5 mm | 0.69 | Arri PL (standard), Nikon F / Mamiya 645 (optional) | Cine RAW 2341 Mbit/s | 4096 x 2440 | 141, (1080p320) | ||||||
| Vision Research | Phantom Flex[121] | 52.1 x 30.5 mm | 0.69 | Arri PL (standard), Nikon F / Mamiya 645 (optional) | Cine RAW 3181 Mbit/s | 2560 x 1600 | 9.9 stops (-5.4, +4.5)[68] | 1455 (1080p2570) |
Still cameras with video mode
edit| Brand | Camera | Sensor size | Lens Mount | Recording media | Maximum video resolution | Native ISO | Dynamic range (native/peak ISO) | Shutter type | Frame rate(s−1) | Codec |
|---|---|---|---|---|---|---|---|---|---|---|
| Canon | 1D Mark IV[122] |
27.9 x 18.6 mm | Canon EF | CF card, SD card | 1920 x 1080 | 11.2 stops (-7, +4.3)[68] | Rolling | 23.976, 25, 29.97 (50, 59.94) | H.264 | |
| Canon | 1D X[122] |
36 x 24 mm | Canon EF | CF card | 1920 x 1080 | Rolling | 24, 25, 30 (50, 60) | MPEG4 | ||
| Canon | 1D C |
36 x 24 mm | Canon EF | CF card | 4096 x 2160 | 11.7 stops[123] | Rolling | 24, 25, 30 (50, 60) | MPEG4 | |
| Canon | 5D Mark II[122] |
36 x 24 mm | Canon EF | CF card | 1920 x 1080 | 160[124] | 11.2 stops (-7, +4.2)[68] | Rolling | 24, 25, 30 | H.264 |
| Canon | 5D Mark III[125] | 36 x 24 mm | Canon EF | CF card, SD card, HDMI recorder | 1920 x 1080 | 160[124] | 11.2 stops 11.6 stops (sensor Raw)[126] |
Rolling | 24, 25, 30 | H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording) |
| Canon | 6D[127] |
35.8 x 23.9mm | Canon EF | SD card | 1920 x 1080 | 160[124] | Rolling | 24, 25, 30 (50,60) | H.264 90 Mbit/s | |
| Canon | 7D[122] |
22.3 x 14.9 mm | Canon EF/EF-S | CF card | 1920 x 1080 | 160[124] | 11 stops (-5.5, +5.4)[68] | Rolling | 24, 25, 30 (50,60) | H.264 |
| Canon | 7D Mark II[122] |
22.3 x 14.9 mm | Canon EF/EF-S | CF card, SD card | 1920 x 1080 | 160[124] | Rolling | 24, 25, 30 (50,60) | H.264 | |
| Canon | 60D[122] |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | 160[124] | Rolling | 24, 25, 30 | H.264 | |
| Canon | 550D[122] |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
| Canon | 600D[122] |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
| Canon | 650D[122] |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
| Canon | 700D[122] |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
| Canon | 750D[122] |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
| Nikon | D3100[122][128] | 23.1 x 15.4 mm | Nikon F | SD card | 1920 x 1080 | Rolling | 24 (24, 25, 30) | MPEG4 | ||
| Nikon | D3200[122][129] | 23.2 x 15.4 mm | Nikon F | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | MPEG4 | ||
| Nikon | D4[130] |
36.0 x 23.9 mm | Nikon F | CF card, XQD card | 1920 x 1080 | Rolling | 24, 25, 30 (50, 60) | H.264/MPEG4 24 Mbit/s | ||
| Nikon | D5100[122] |
23.6 x 15.7 mm | Nikon F | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | MPEG4 | ||
| Nikon | D7000[122] |
23.6 x 15.7 mm | Nikon F | SD card | 1920 x 1080 | 10.2 stops (-6.7, +3.6)[68] | Rolling | 24 (24, 25, 30) | MPEG4 | |
| Nikon | D750[131] |
35.9 x 24 mm | Nikon F | SD card, 8-bit uncompressed 4:2:2 via HDMI | 1920 x 1080 | Rolling | 24, 25, 30, 50, 60 | H.264/MPEG4, ~38 Mbit/s | ||
| Nikon | D800[132] |
35.9 x 24 mm | Nikon F | CF card, SD card | 1920 x 1080 | Rolling | 24, 25, 30 (50, 60) | H.264/MPEG4 24 Mbit/s | ||
| Panasonic | DMC-G3[122] |
17.3 x 13 mm | Micro Four Thirds | SD card | 1920 x 1080 | 60 (60, 30) | AVCHD | |||
| Panasonic | DMC-GF2[122] |
17.3 x 13 mm | Micro Four Thirds | SD card | 1920 x 1080 | 60 (60, 30) | AVCHD | |||
| Panasonic | DMC-GF3[122] |
17.3 x 13 mm | Micro Four Thirds | SD card | 1920 x 1080 | 60 (60, 30) | AVCHD | |||
| Panasonic | DMC-GH1[122] |
18.89 x 14.48 mm | Micro Four Thirds | SD card | 1920 x 1080 | 30 | AVCHD | |||
| Panasonic | DMC-GH2[122] |
18.89 x 14.48 mm | Micro Four Thirds | SD card | 1920 x 1080 | 24, 60 (30) | AVCHD 22 Mbit/s | |||
| Panasonic | DMC-GH3[122] |
17.3 x 13 mm | Micro Four Thirds | SD card | 1920 x 1080 | 24, 60 (30) | H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s | |||
| Panasonic | DMC-GH4[122] |
17.3 x 13 mm | Micro Four Thirds | SD card | 4096 x 2160 | 11 stops[133] | 24, 60 (30) | H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s | ||
| Panasonic | DC-GH5[122] | 19.2 x 13 mm | Micro Four Thirds | SD card | 4096 x 2256 | 24, 25, 30, 50, 60 (up to 240 at 1920x1080) | AVCHD / H.264 / H.265
(10bit color and 4:2:2 chroma subsampling) | |||
| Panasonic | DC-GH5s[134] | 17.3 x 13 mm | Micro Four Thirds | SD card | 4096 x 2160 | 400 and 2500[135](800, 5000 in V-Log) | 2-60 (4K) 2-180 (HD) | AVCHD / H.264 / H.265
(10bit color and 4:2:2 chroma subsampling) max. 400 Mbps | ||
| Panasonic | DC-S1H | 35.6 x 23.8mm | L-mount | SD card | 5952 x 3968 | 640 and 4000 | 12.7 stops (iso 640)
12.3 stops (iso 4000) |
24, 25, 30, 48, 50, 60, 100, 120, 180 | AVCHD / H.264 / H.265 | |
| Pentax | K-01[136] |
23.4 x 15.6 mm | Pentax K | SD-Card | 1920 x 1080 | 30p, 25p | M-JPEG 95 Mbit/s | |||
| Pentax | K-3 III[137] |
23.3 x 15.5 mm | Pentax K | SD-Card | 3840 x 2160 | 100 | Rolling | 30p, 24p (60p, 30p, 24p) | H264 | |
| Pentax | K-30[138] |
23.7 x 15.7 mm | Pentax K | SD-Card | 1920 x 1080 | 30p (25p, 24p) | H264 | |||
| Pentax | K-5[139] |
23.4 x 15.6 mm | Pentax K | SD-Card | 1920 x 1080 | 30p, 25p | M-JPEG 95 Mbit/s | |||
| Samsung | NX20 | 23.5 x 15.7 mm | Samsung NX | 1920 x 1080 | 30 | H.264 | ||||
| Sony | DSLR-A560[122] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
| Sony | DSLR-A580[122] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
| Sony | NEX-5[122] |
23.4 x 15.6 mm | E-mount | 1920 x 1080 | Rolling | 60 (30) | AVCHD | |||
| Sony | NEX-5N[122] |
23.4 x 15.6 mm | E-mount | 1920 x 1080 | Rolling | 60 (30) | AVCHD | |||
| Sony | NEX-7[122] |
23.4 x 15.6 mm | E-mount | 1920 x 1080 | Rolling | 60, 29.97 (30) NTSC 50, 25 PAL |
AVCHD/MPEG4 | |||
| Sony | SLT-A33[122] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
| Sony | SLT-A35[122] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
| Sony | SLT-A37[122] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | ? | ||||
| Sony | SLT-A55[122] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
| Sony | SLT-A57[122] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) (NTSC countries) 50, 25 (PAL countries) |
AVCHD/MPEG4 | ||||
| Sony | SLT-A65[122] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
| Sony | SLT-A77[122] |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) (NTSC countries) 50, 25 (PAL countries) |
AVCHD | ||||
| Sony | SLT-A99[122] |
35.8 x 23.8 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | AVCHD | ||||
| Sony | a7S | 35.8 x 23.9 mm | Sony E-mount | SD card, Sony Memory Stick, 4K HDMI recorder | 1920 x 1080 (internal recording) 3840 x 2160 (4K HDMI recorders) |
3200[140] | 14.1 stops[123] | Rolling | 60, 29.97 (30) | AVCHD |
| Sony | a7S II | 35.8 x 23.9 mm | Sony E-mount | SD card, Sony Memory Stick | 3840 x 2160 | 50-409,600 (3200 native)[141] | Rolling | 23.98 - 30 (4K), 23.98 - 120 (1080p) | XAVC S, AVCHD, MP4 |
See also
editReferences
edit- ^ Compared to 36x24mm still camera sensor
- ^ Cameras with various lens mounts are available in such configurations but the lens mount is not interchangeable unless stated as such.
- ^ Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
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