This is an incomplete list of the paintings by the British Impressionist artist Alfred Sisley, who was born to British parents in France, where he subsequently spent the majority of his life.
- Timeline
- 1839 Born in Paris
- 1839–1870 Paris
- 1870–1875 Louveciennes, Yvelines (visit to England, 1874)
- 1875–1877 Marly-le-Roi, Yvelines
- 1877–1880 Sèvres, Hauts-de-Seine
- 1880–1882 Veneux-les-Sablons, Seine-et-Marne
- 1882–1899 Moret-sur-Loing, Seine-et-Marne (visit to Wales, 1897)
- 1899 Died in Moret-sur-Loing
1860s
editImage | Name | Year | Dimensions (cm) | Current Location | Ref |
---|---|---|---|---|---|
Fish on a Plate | 1865–67 | 45.72 × 55.88 | Virginia Museum of Fine Arts, Richmond | [1] | |
Avenue of Chestnut Trees at La Celle-Saint-Cloud | 1865 | 129 x 208 | Petit Palais, Paris | [2] | |
Avenue of Chestnut Trees at La Celle-Saint-Cloud | 1865 | 50.5 x 65.5 | Ordrupgaard | [3] | |
Village Street in Marlotte | 1866 | 50 x 92 | Albright-Knox Art Gallery, Buffalo | [4] | |
Avenue of Chestnut Trees at La Celle-Saint-Cloud | 1867 | 95.5 x 122.2 | Southampton Art Gallery | [5] | |
The Pheasant | 1867 | 55 x 38 | Private collection | ||
View of Montmartre from Cité des Fleurs to Les Batignolles | 1869 | 70 x 116 | Museum of Grenoble | [6] |
1870s
editImage | Name | Year | Dimensions (cm) | Current Location | Ref |
---|---|---|---|---|---|
View of the Canal Saint-Martin | 1870 | 50 x 65 | Musée d'Orsay, Paris | [7] | |
Barges on the Canal Saint-Martin | 1870 | 55 X 74 | Oskar Reinhart Collection, Am Römerholz, Winterthur | [8] | |
Early Snow at Louveciennes | 1871 | 54.9 x 73.7 | Museum of Fine Arts, Boston | [9] | |
The Canal Saint-Martin | 1872 | 38 x 46.5 | Musée d'Orsay, Paris | [10] | |
L'île Saint-Denis | 1872 | 50.5 x 65 | Musée d'Orsay, Paris | [11] | |
Villeneuve-la-Garenne | 1872 | 59 x 80.5 | Hermitage Museum, St Petersburg, Russia | [12] | |
The Bridge at Villeneuve-la-Garenne | 1872 | 49.5 x 65.4 | Metropolitan Museum of Art, New York | [13] | |
Flood at Port Marly | 1872 | 46.4 x 61 | National Gallery of Art, Washington, D.C. | [14] | |
Ferry to the Ile-de-la-Loge – Flood | 1872 | 45 x 60 | Ny Carlsberg Glyptotek, Copenhagen | ||
Drying Nets | 1872 | 42 x 65 | Kimbell Art Museum, Fort Worth | [15] | |
The Kitchen Garden | 1872 | 50.2 x 65.7 | Kimbell Art Museum, Fort Worth | [16] | |
The Grand-Rue in Argenteuil | 1872 | 65 x 46 | Norwich Castle | [17] | |
Place d'Argenteuil | 1872 | 45 x 65 | Musée d'Orsay, Paris | [18] | |
Boulevard Héloïse, Argenteuil | 1872 | 39.5 x 59.6 | National Gallery of Art, Washington, D.C. | [19] | |
The Seine at Argenteuil | 1872 | 50 x 73 | Richard Bernhard Foundation | ||
The Seine at Argenteuil | 1872 | 46 x 65 | Private collection | ||
The Seine at Argenteuil | 1872 | 50 x 60.5 | Faure Museum (Aix-les-Bains) | [20] | |
Footbridge at Argenteuil | 1872 | 39 x 60 | Musée d'Orsay, Paris | [21] | |
A corner of Louveciennes | 1872 | 46 x 40 | Private collection | ||
Village at the edge of the wood | 1872 | 50 x 65 | Private collection | ||
Sentier de la mi-cote, Louveciennes | 1872 | 38 x 46.5 | Musée d'Orsay, Paris | [22] | |
Watering Places at Marly | 1873 | 98.1 x 130.5 | Pola Museum of Art | [23] | |
Landscape (Spring at Bougival) | c. 1873 | 40.6 x 57.2 | Philadelphia Museum of Art | [24] | |
The Flood. Banks of the Seine, Bougival | 1873 | 50 x 65.5 | Ordrupgaard | [25] | |
Frost in Louveciennes | 1873 | 46 x 61 | Pushkin Museum, Moscow | [26] | |
A Turn in the Road | 1873 | 54.5 x 64.7 | Art Institute of Chicago | [27] | |
l'île de la Grande Jatte | 1873 | 50.5 x 65.0 | Musée d'Orsay, Paris | [28] | |
Boats at the Lock in Bougival | 1873 | 46 x 65 | Musée d'Orsay, Paris | [29] | |
Chemin de la Machine, Louveciennes | 1873 | 54.5 x 73 | Musée d'Orsay, Paris | [30] | |
Molesey Weir, Hampton Court | 1874 | 51.1 x 68.8 | Scottish National Gallery, Edinburgh | [31] | |
Regatta at Hampton Court | 1874 | 46 x 61 | Foundation E.G. Bührle, Zürich | [32] | |
Thames at Hampton Court | 1874 | 38 x 55.4 | Clark Art Institute, Williamstown | [33] | |
The Thames at Hampton Court | 1874 | 66.4 x 91.8 | Museo Nacional de Bellas Artes (Buenos Aires) | [34] | |
Road from Hampton Court | 1874 | 38 x 55 | [35] | ||
The Road to Hampton Court | 1874 | 38.8 x 55.8 | Neue Pinakothek, Munich | [36] | |
The Thames with Hampton Church | 1874 | 50.5 x 68.5 | Private collection | [37] | |
Regatta at Molesey | 1874 | 66 x 91.5 | Musée d'Orsay, Paris | [38] | |
An Inn at Hampton Court | 1874 | 51 x 69 | Private collection | ||
Bridge at Hampton Court | 1874 | 46 x 61 | Wallraf-Richartz Museum, Cologne | [39] | |
Under Hampton Court Bridge | 1874 | 50 x 76 | Kunstmuseum Winterthur | [40] | |
View of the Thames: Charing Cross Bridge | 1874 | 33 x 46 | National Gallery, London | [41] | |
The Fields | 1874 | [42] | |||
The Church at Noisy-le-Roi, Autumn Effect | 1874 | 45.7 x 61 | Burrell Collection, Glasgow | [43] | |
The Lesson | 1874 | 41.3 x 47 | Private collection | [44] | |
The Village of Voisins | 1874 | 38 x 46.5 | Musée d'Orsay, Paris | [45] | |
The Farm at Trou d'Enfer, Autumn Morning | 1874 | 45.8 x 60.5 | Private collection | [46] | |
The Road to Louveciennes | 1874 | 38.73 × 55.88 | Carnegie Museum of Art, Pittsburg | [47] | |
The Route to Mantes | 1874 | 38 x 55.5 | Musée du Louvre, Paris | [48] | |
The Road from Mantes to Choisy le Roi | 1874 | Private collection | [49] | ||
The Road from Prunay to Bougival | 1874 | Private Collection | [50] | ||
Fog, Voisins | 1874 | 50.5 x 65 | Musée d'Orsay, Paris | [51] | |
Village Street Grey Weather | 1874 | 38 x 55 | [52] | ||
Village Street Louveciennes | 1874 | 42 x 50 | Aberdeen Art Gallery | [53] | |
A Normandy Farm | c. 1874 | 49.6 x 59.8 | Manchester Art Gallery | [54] | |
The Aqueduct at Marly | 1874 | 54.3 x 81.3 | Toledo Museum of Art | [55] | |
Snow at Louveciennes | c. 1874 | 46.3 x 55.8 | Courtauld Institute of Art, London | [56] | |
Snow at Louveciennes | 1874 | 55.88 x 45.72 | Phillips Memorial Gallery, Washington, DC | [57] | |
Snow on the Road, Louveciennes | 1874 | 38 x 46 | Private collection | [58] | |
Road to Louveciennes | 1874 | 65 x 54 | Private collection | ||
The Effect of Snow at Argenteuil | 1874 | Private collection | [59] | ||
The Road to Saint Germain, near Marly | 1875 | 46 x 55 | Foundation E.G. Bührle, Zürich | [60] | |
A Road in Seine and Marne | 1875 | 46 x 61 | [61] | ||
The Terrace at Saint Germain, Spring | 1875 | 73.66 x 99.06 | Walters Art Museum, Baltimore | [62] | |
Fete Day at Marly le Roi (14 July at Marly, France) | 1875 | 52.5 x 72.3 | Higgins Art Gallery, Bedford | [63] | |
The Versailles Road | 1875 | 47 x 38 | Musée d'Orsay, Paris | [64] | |
The Road to Montbuisson at Louveciennes | 1875 | 46 x 61 | Musée de l'Orangerie, Paris | [65] | |
Banks of the Seine at Port Marly | 1875 | 54.6 x 65 | Private collection | [66] | |
Marly-le-Roi | 1875 | 38.1 × 56.2 | National Gallery of Art, Washington, D.C. | [67] | |
The Watering Place at Marly le Roi in Winter | 1875 | 49.5 x 65.4 | National Gallery, London | [68] | |
Bassin de Marly | 1875 | 46 x 61 | Kunsthaus Zürich | [69] | |
Watering Place at Marly | 1875 | 39.5 × 56.2 | Art Institute of Chicago | [70] | |
Horses being Watered at Marly le Roi | 1875 | 38 x 61 | Foundation E.G. Bührle, Zürich | [71] | |
Wild Flowers (Bouquet de fleurs) | c. 1875 | 65.41 × 50.48 | Virginia Museum of Fine Arts, Richmond (private collection) |
[72][73] | |
Cow Pasture near Louveciennes | 1875 | [74] | |||
The Forge at Marly-le-Roi | 1875 | 54 x 73 | Musée d'Orsay, Paris | [75] | |
Landscape at Andresy | 1875 | [76] | |||
The Meadow | 1875 | 54.9 x 73 | National Gallery of Art, Washington, D.C. | [77] | |
Landscape along the Seine with the Institut de France and the Pont des Arts | c.1875 | 53.3 × 62.2 | Art Institute of Chicago | [78] | |
Rider at the Edge of the Forest | 1875 | [79] | |||
The Road from Versailles to Saint-Germain | 1875 | 51.1 x 65.1 | J. Paul Getty Museum, Los Angeles | [80] | |
Valley of the Seine at Saint-Cloud | 1875 | 65 x 92 | Musée des Beaux-Arts de Rennes | [81] | |
Sand on the Quayside, Port Marly | 1875 | 46 x 65 | Private collection | [82] | |
Washerwomen at Bougival | 1875 | 46 x 61 | Kunsthaus Zürich | [83] | |
Snow at Marly le Roi | 1875 | 38 x 55 | Private collection | [84] | |
The Blocked Seine at Port Marly | 1876 | Private collection | [85] | ||
The Rising Path | 1875 | 65 x 50 | Private collection | [86] | |
The Seine at Port-Marly, Piles of Sand | 1875 | 54 x 65.7 | Art Institute of Chicago | [87] | |
The Hillsides at Bougival | 1875 | 50.2 x 59.7 | National Gallery of Canada, Ottawa | [88] | |
Les scieurs de long | 1875 | 51 x 65.5 | Petit Palais, Paris | [89] | |
Autumn Landscape, Louveciennnes | 1875 | 50.2 x 65.1 | Private collection | [90] | |
Vue de Marly-le-Roi, effet de soleil | 1876 | 54.2 x 73.2 | Art Gallery of Ontario, Toronto | [91] | |
Grapes And Walnuts | 1876 | 38 x 55.4 | Museum of Fine Arts, Boston | [92] | |
A Path in Louveciennes | 1876 | 49.2 x 65.1 | Private collection | [93] | |
The Marly Machine and the Dam | 1876 | 38 x 45 | Private collection | [94] | |
The First Hoarfrost | 1876 | [95] | |||
The Watering Trough at Marly with Hoarfrost | 1876 | 37.78 x 54.93 | Virginia Museum of Fine Arts, Richmond | [96] | |
The Flood at Port Marly | 1876 | 50 x 61 | Thyssen-Bornemisza Museum, Madrid | [97] | |
Flooding at Port-Marly | 1876 | 50 x 61 | Musée des Beaux-Arts de Rouen | [98] | |
A Street in Marly | 1876 | 50 x 65 | Kunsthalle Mannheim | [99] | |
Street Scene in Marly | 1876 | 46 x 65.4 | Private collection | [100] | |
Place du Chenil in Marly, Snow Effect | 1876 | 50 x 61.5 | Musée des Beaux-Arts de Rouen | [101] | |
Snow at Marly Le Roi | 1876 | 46 x 55 | Musée d'Orsay, Paris | [102] | |
Flood at Port Marly | 1876 | 50.4 x 61 | Musée d'Orsay, Paris | [103] | |
Flood at Port Marly | 1876 | [104] | |||
The Flood on the Road to Saint Germain | 1876 | 46 x 61 | Museum of Fine Arts, Houston | [105] | |
The Laundry | 1876 | 38 x 55 | Art Gallery of Ontario, Toronto | [106] | |
Women Laundering | 1876 | 54 x 73 | [107] | ||
The Seine at Bougival | 1876 | 50 x 61 | [108] | ||
The Seine at Marly | 1876 | 60 x 73 | Musée des Beaux-Arts de Lyon | [109] | |
The Seine at Bougival | 1876 | 45 x 61 | Metropolitan Museum of Art, New York | [110] | |
Sunset at Port Marly | 1876 | 50.17 x 65.41 | Private collection | [111] | |
View of Marly-le-Roi from Coeur-Volant | 1876 | 65.4 x 92.4 | Metropolitan Museum of Art, New York | [112] | |
Waterworks at Marly | c.1876 | 46.5 x 61.8 | Museum of Fine Arts, Boston | [113] | |
Hill Path | 1876 | 38 x 55 | Musée des Beaux-Arts de Lyon | [114] | |
Summer at Bourgival | 1876 | 47 x 62 | Foundation E.G. Bührle, Zürich | [115] | |
Banks of the Seine at Bougival | 1876 | 38 x 55 | Private collection | [116] | |
Bougival | 1876 | 60 x 73 | Cincinnati Art Museum | [117] | |
Boats on the Seine | 1875–79 | 37.2 x 44.3 | Courtauld Institute of Art, London | [118] | |
Near Louveciennes | 1876 | 41 x 46 | Wallraf-Richartz Museum, Cologne | [119] | |
The Banks of the Seine in Autumn | 1876 | 46.5 x 65.4 | Städel, Frankfurt | [120] | |
Path in the Country | 1876 | 41 x 70 | [121] | ||
First White Frost | 1876 | 46 x 55 | Private collection | ||
The Seine at Billancourt | 1877 | 45.7 x 54.9 | Philadelphia Museum of Art | [122] | |
Snow Effect at Louveciennes | c. 1877 | 50 x 61.5 | Museo Nacional de Bellas Artes (Buenos Aires) | [123][124] | |
Road under Snow, Louveciennes | c. 1876 | 46 x 55 | Private collection | [125] | |
Under Snow – a Farmyard at Marly-le-Roi | 1876 | 38.5 x 55.7 | Musée d'Orsay, Paris | [126] | |
Unloading Barges at Billancourt | 1877 | 50 x 65 | Ordrupgaard | [127] | |
The Bridge at Sèvres | c. 1877 | 38.1 x 46 | National Gallery, London | [128][129] | |
Sevres Bridge | 1877 | 38 x 46 | [130] | ||
The Bridge of Sevres | 1877 | 38 x 46 | Private collection | [131] | |
The Sevres Bridge | 1877 | 38 x 55 | [132] | ||
The Sevres Bridge | 1877 | 50 x 65 | [133] | ||
The Park at Sevres | 1877 | [134] | |||
The Seine at Suresnes | 1877 | 60 x 73 | [135] | ||
Barges at Billancourt | 1877 | 46.5 x 56.3 | Hermitage Museum, Saint Petersburg | [136] | |
Rowers | 1877 | [137] | |||
Saint-Cloud | 1877 | 50 x 65 | Musée du Louvre, Paris | [138] [139] | |
The Seine at Saint-Cloud | 1877 | 38 x 55 | [140] | ||
The Bridge at Saint-Cloud | 1877 | Private collection | [141] | ||
Sunset at Moret | 1877 | [142] | |||
A Street in Louveciennes | 1878 | 55 x 46 | Musée d'Orsay, Paris | [143] | |
Bougival | 1878 | Private collection | [144] | ||
Dawn | 1878 | 54.5 x 65.5 | [145] | ||
Landscape at Sevres | 1878 | 92 x 73 | Private collection | [146] | |
The Snow at Louveciennes | 1878 | 61 x 50 | Musée d'Orsay, Paris | [147] | |
Allée of Chestnut Trees | 1878 | 50.2 x 61 | Metropolitan Museum of Art, New York | [148] | |
Promenade of Chestnut Trees | 1878 | 51.75 x 62.55 | Private collection | [149] | |
Seine at Daybreak | 1878 | 38 x 46 | [150] | ||
The Seine at Grenelle | 1878 | 27 x 41 | [151] | ||
The Seine at Grenelle, Rainy Weather | 1878 | 50 x 61 | [152] | ||
The Seine at Point du Jour | 1878 | 38 x 56 | Private collection | [153] | |
The Seine, View from the Quay de Pont du Jour | 1878 | 54 x 65 | [154] | ||
The Banks of the Oise | 1878 | 54.3 x 64.7 | National Gallery of Art, Washington, D.C. | [155] | |
First Snow at Veneux-Nadon | 1878 | 49.2 x 65.2 | National Gallery of Art, Washington, D.C. | [156] | |
Resting by a Stream at the Edge of the Wood | 1878 | 73.5 x 80.5 | Musée d'Orsay, Paris | [157] | |
Overpass at Sevres | 1879 | 37.9 x 55.5 | Pola Museum of Art | [158] | |
Mooring Lines, the Effect of Snow at Saint-Cloud | 1879 | 37.5 x 45.7 | Philadelphia Museum of Art | [159] | |
The Road from Versailles to Louveciennes | 1879 | 45.7 x 55.9 | Metropolitan Museum of Art, New York | [160] | |
The Road in the Woods | 1879 | 54.9 x 73 | National Gallery of Art, Washington, D.C. | [161] | |
An Autumn Evening near Paris | 1879 | 50.1 x 65.4 | Private collection | [162] | |
Banks of the Seine | 1879 | 38 x 46 | [163] | ||
Children Playing in the Fields | 1879 | [164] | |||
Flood at Moret | 1879 | 54 x 71.8 | Brooklyn Museum, New York City | [165] | |
Flooded Field | 1879 | 49.5 x 73 | Private collection | [166] | |
High Waters at Moret sur Loing | 1879 | 22 x 29 | [167] | ||
The Seine near Suresnes | 1879 | 50 x 65 | Private collection | [168] | |
View of Sevres | 1879 | 46 x 38 | Private collection | ||
Path near Sevres | 1879 | Private collection | [169] | ||
Railroad Embankment at Sevres | 1879 | Museo Botero, Bogotá | [170] | ||
Railroad Embankment at Sevres | 1879 | Private collection | [171] | ||
Station at Sevres | c.1879 | 38.1 x 55.88 | Private collection | [172] | |
The Station at Sevres | 1879 | Private collection | [173] | ||
Footbridge over the Railroad at Sevres | 1879 | 38 x 55.7 | [174] | ||
Saint-Cloud, Banks of the Seine | 1879 | 38 x 46 | Private collection | [175] | |
The Seine near Saint-Cloud, High Water | 1879 | 38 x 55 | [176] | ||
The Factory at Sevres | 1879 | 60.01 x 73.34 | [177] | ||
The Hill Path, Ville d'Avray | 1879 | 50 x 65 | Private collection | [178] | |
The Road in the Woods | 1879 | 46 x 65 | [179] |
1880s
editImage | Name | Year | Dimensions (cm) | Current Location | Ref |
---|---|---|---|---|---|
Spring at Veneux | 1880 | 73 x 92 | Private collection | [180] | |
View of Saint Mammés | c.1880 | 54.61 × 73.98 | Walters Art Museum, Baltimore | [181] | |
Old Houses at Saint-Mammès | 1880 | 50 x 65 | Private collection | ||
The Path to the Old Ferry at By | 1880 | 49.8 x 65.1 | National Gallery, London | [182][183] | |
The Seine at Suresnes | 1880 | 65.3 x 46.4 | Scottish National Gallery, Edinburgh | [184] | |
Apple Trees in Bloom | 1880 | 65 x 81 | National Gallery of Canada, Ottawa | [185] | |
The Small Meadows in Spring | 1880–81 | 54.3 x 73 | National Gallery, London | [186][187] | |
Street Entering the Village | 1880 | 33 x 46 | Private collection | [188] | |
Banks of the Loing, Autumn | 1880 | 92 x 65 | Private collection | [189] | |
Bateau de Charge sur le Loing | 1880 | Private collection | [190] | ||
Bend in the River Loing in Summer | 1880 | [191] | |||
Le Givre à Veneux | 1880 | 79.5 x 103 | University of Michigan Museum of Art | [192] | |
Banks of the Seine at By | 1880–81 | 54.3 x 73.3 | Clark Art Institute, Williamstown | [193] | |
Apples and Grapes in a Basket | 1880–81 | 46 x 61 | Clark Art Institute, Williamstown | [194] | |
Effet de Neige (Snow Effect) | 1880–85 | 45.7 x 54.6 | Scottish National Gallery, Edinburgh | [195] | |
Windy Afternoon in May | c.1880 | [196] | |||
Chestnut Tree at Saint Mammès | 1880 | 49.8 x 65.7 | [197] | ||
Construction Site at Saint Mammès | 1880 | 65 x 92 | Private collection | [198] | |
Construction Site at Saint Mammès | 1880 | 50 x 65 | [199] | ||
Overcast Day at Saint Mammès | c.1880 | 54.9 x 74.0 | Museum of Fine Arts, Boston | [200] | |
Sunrise at Saint Mammès | 1880 | 49.5 x 65.1 | Private collection | [201] | |
Le Bois des Roches Veneux Nadon | 1880 | 73 x 55 | Musée du Louvre, Paris | [202][203] | |
The Roches Courtaut Wood, near By | 1880 | 50 x 65 | [204] | ||
View of Moret | 1880 | 38 x 55 | Private collection | [205] | |
The Path from Veneux to Thomery along the Water, Evening | 1880 | 50 x 65 | [206] | ||
Walnut Tree in a Thomery Field | 1880 | 57 x 71 | Private collection | [207] | |
Wiese, By | 1880 | 71.5 x 80 | [208] | ||
Riverbank at Saint Mammès | 1880 | 50 x 65 | Private collection | [209] | |
Road Along the Seine at Saint Mammes | 1880 | 74 x 54 | Dallas Museum of Art | [210] | |
The Seine at Suresnes | 1880 | [211] | |||
The Forest at Boulogne | c.1880 | [212] | |||
Snowy Weather at Veneux-Nadon | c.1880 | 55 x 74.5 | Musée d'Orsay, Paris | [213] | |
The Bridge at Saint-Mammès | 1881 | 54.6 x 73.2 | Philadelphia Museum of Art | [214] | |
The By Road at the Roches-Courtaut Woods – Indian Summer | 1881 | 59.2 x 81 | Montreal Museum of Fine Arts | [215] | |
The Plain at Veneux-Nadon | 1881 | 50.5 x 65.3 | Montreal Museum of Fine Arts | [216] | |
A February Morning at Moret sur Loing | 1881 | 50 x 65 | Private collection | [217] | |
Orchard in Spring | 1881 | 54 x 72 | Museum Boijmans van Beuningen, Rotterdam | [218] | |
Saint-Mammès: Morning | 1881 | 50.2 x 73.7 | Museum of Fine Arts, Boston | [219] | |
The Loing at Saint-Mammès | 1881 | 49.8 x 64.9 | Museum of Fine Arts, Boston | [220] | |
By the River | 1881 | 54 x 73 | [221] | ||
The Small Meadow at By | 1881 | 60 x 73 | Accademia Carrara, Bergamo | [222] | |
Footpath in the Gardens at By | 1881 | 50 x 73 | Private collection | [223] | |
Summer in Moret | 1881 | [224] | |||
The Loing at Moret | 1881 | 38 x 54 | Private collection | [225] | |
Landscape The Banks of the Loing at Saint Mammes | 1881 | Private collection | [226] | ||
Near Moret-sur-Loing | 1881 | 54.61 x 73.34 | Private collection | [227] | |
The Garden of the Hoschedé Family, Montgeron | 1881 | 54 x 73 | Pushkin Museum, Moscow | [228] | |
An August Afternoon near Veneux | 1881 | 54 x 73 | Private collector | [229] | |
En Canoe at Veneux, September Afternoon | 1881 | 46 x 55 | Private collection | ||
November Afternoon | 1881 | [230] | |||
Riverbank at Veneux | 1881 | 60 x 81 | Johannesburg Art Gallery | [231][232] | |
The Fields and Hills of Veneux Nadon | 1881 | Private collection | [233] | ||
View of Saint-Mammès | 1881 | 54 x 73.7 | Carnegie Museum of Art, Pittsburgh | [234] | |
Winter Morning, Veneux | 1881 | 50 x 81 | [235] | ||
The Bourgogne Lock at Moret, Spring | 1882 | 54.5 x 73.5 | National Gallery Prague | [236][237] | |
Washerwomen, near Champagne | 1882 | 48.9 x 72.4 | National Gallery of Canada, Ottawa | [238] | |
The Plain of Thomery and the Village of Champagne | 1882 | 54 x 73 | Private collection | [239] | |
Canal du Loing Chemin de Halage | 1882 | 127 x 186.69 | Private collection | [240] | |
Near the Bank of the Seine at By | 1882 | 54 x 73 | Private collection | [241] | |
On the Road from Moret | 1882 | 54 x 73 | Private collection | [242] | |
Walnut Trees, Sunset Early Days of October | 1882 | 73 x 92 | [243] | ||
Windy Day at Veneux | 1882 | 60 x 81 | Hermitage Museum, St Petersburg | [244] | |
Between Veneux and By December Morning | 1882 | 54 x 73 | [245] | ||
Willows on the Banks of Orvanne | 1883 | 54.3 x 73.7 | Kunsthaus Zürich | [246] | |
A Corner of the Wood in Sablons | 1883 | 60.5 x 73.5 | Musée d'Orsay, Paris | [247] | |
The Road from Moret to Saint-Mammès | 1883–85 | 50.5 x 61.5 | Metropolitan Museum of Art, New York | [248] | |
Banks of the Loing towards Moret | 1883 | 50 x 73 | [249] | ||
Bridge over the Orvanne near Moret | 1883 | Private collection | [250] | ||
On the Banks of the Loing Canal | 1883 | 54 x 64.5 | Private collection | [251] | |
Provencher's Mill at Moret | 1883 | 54 x 73 | Museum Boijmans van Beuningen, Rotterdam | [252] | |
Street in Veneux | 1883 | 54 x 73 | [253] | ||
The Loing at Moret | 1883 | 50.8 x 65.72 | Private collection | [254] | |
Tugboat on the Loing at Saint-Mammès | 1883 | 54.5 x 73.5 | Petit Palais, Paris | [255] | |
Matratat's Boatyard, Moret sur Loing | 1883 | 38 x 55 | [256] | ||
Path at Sablons | c.1883 | 46 x 55 | National Gallery of Australia, Canberra | [257] | |
Landscape near Moret | 1884 | 54.5 x 73.5 | Private collection | [258] | |
Haystack | 1884 | 38.1 x 55.88 | Private collection | [259] | |
Morning in June (Saint Mammes et les Coteaux de la Celle) | 1884 | 54 x 73 | [260] | ||
Saint Mammès-Morning | 1884 | 63.5 x 87.6 | Los Angeles County Museum of Art | [261] | |
River Banks at Saint-Mammès | 1884 | 50 x 65 | Hermitage Museum, St Petersburg | [262] | |
Barges on the Loing, Saint Mammès | 1884 | Private collection | [263] | ||
Farmyard at Saint-Mammès | 1884 | 73 x 92 | Musée d'Orsay, Paris | [264] | |
A Corner of the Roches Courtaut Woods, June | 1884 | 73 x 60 | [265] | ||
Saint-Mammès, temps gris | 1884 | 45.7 x 54.6 | Art Gallery of Ontario, Toronto | [266] | |
La Croix-Blanche at Saint-Mammès | 1884 | 65.4 x 92.4 | Museum of Fine Arts, Boston | [267] | |
September Morning near Saint-Mammès and the Veneux-Nadon Hills | 1884 | 54 x 72.5 | Ordrupgaard | [268] | |
Canal du Loing | 1884 | 38.5 x 55 | Musée d'Orsay, Paris | [269] | |
The Loing River at Saint-Mammes | 1885 | 38.7 x 55.6 | Pola Museum of Art | [270] | |
Banks of the Loing River | 1885 | 55.1 x 73.3 | Philadelphia Museum of Art | [271] | |
The Canal at Saint-Mammès | 1885 | 55.2 x 73.7 | Philadelphia Museum of Art | [272] | |
La Route | 1885 | 65 x 92 | Kunsthaus Zürich | [273] | |
Moret – The Shores of the Loing | 1885 | 52 x 74 | Albertina | [274] | |
The River Boat Garage | 1885 | 46 x 56 | Ordrupgaard | [275] | |
Une Cour aux Sablons | 1885 | 55 x 73.3 | Aberdeen Art Gallery | [276] | |
The Edge of Fontainebleau Forest | 1885 | 60 х 73 | Pushkin Museum, Moscow | [277] | |
Barges at Saint Mammès (Saint-Mammès during the strike of 14th July) | c. 1885 | 38 x 55 | Foundation E.G. Bührle, Zürich | [278] | |
The Loing at Saint-Mammés | 1885 | 55 x 73.2 | Museum of modern art André Malraux - MuMa | [279] | |
Saint-Mammès, Loing Canal | 1885 | 46.6 x 55.8 | Cleveland Art Museum | [280] | |
Moret at Sunset | 1888 | 73.7 x 92.1 | Cincinnati Art Museum | [281] | |
Evening in Moret, End of October | 1888 | 54 x 73 | Thyssen-Bornemisza Museum, Madrid | [282] | |
Le Pont de Moret | 1888 | 64.8 x 92 | Minneapolis Institute of Art | [283] |
1890s
editImage | Name | Year | Dimensions (cm) | Current Location | Ref |
---|---|---|---|---|---|
A Street in Moret | 1890 | 60 × 73.2 | Art Institute of Chicago | [284] | |
Avenue of Poplars near Moret-sur-Loing | 1890 | 65 x 81 | Musée d'Orsay, Paris | [285] | |
Banks of the Loing River, Morning | 1891 | 59.6 x 57.4 | Pola Museum of Art | [286] | |
Bridge at Moret-sur-Loing | 1891 | 59.7 x 72.4 | Philadelphia Museum of Art | [287] | |
Le pont de Moret - effet du matin | 1891 | 54.5 x 73.2 | Private collection | [288] | |
The Loing and the Mills of Moret, Snow Effect | 1891 | 58.7 x 81.6 | Clark Art Institute, Williamstown | [289] | |
St. Martin's Summers, near Moret-sur-Loing | 1891 | 73 x 60 | Musée Marmottan, Paris | ||
The Canal du Loing in Winter | 1891 | National Museum of Fine Arts of Algiers | [290] | ||
Rue Eugène Moussoir at Moret: Winter | 1891 | 46.7 x 56.5 | Metropolitan Museum of Art, New York | [291] | |
Moret-sur-Loing (Rue des Fossés) | 1892 | 38.5 x 46.9 | National Museum Cardiff | [292] | |
Le Canal du Loing | 1892 | 73.5 x 92.5 | Musée d'Orsay, Paris | [293] | |
A Bend in the Loing | 1892 | 66 x 92.5 | Museu Nacional d'Art de Catalunya, Barcelona | [294] | |
Uphill Road in Sunshine | 1893 | Musée des Beaux-Arts de Rouen | [295] | ||
The Bridge at Moret | 1892 | 73.5 x 92 | Musée d'Orsay, Paris | [296] | |
The Small Meadows at By, Stormy Weather | 1892 | Musée d'art et d'histoire de Meudon | [1] | ||
The Church at Moret in the Morning Sun | 1893 | 65 x 81 | Musée des Beaux-Arts de Rouen | [297] | |
The Church at Moret in Morning Sun | 1893 | 81 x 65 | Kunstmuseum Winterthur | [298] | |
Moret Church, Afternoon | c.1893 | ||||
The Church of Moret-sur-Loing: Rainy Morning Weather | 1893 | 81.3 x 65.9 | Hunterian Art Gallery, University of Glasgow | [299] | |
The Church in Moret, Evening | 1893 | 83 x 64 | Private collection | [300] | |
The Church at Moret (Evening) | 1894 | 101 x 82 | Petit Palais, Paris | [301] | |
Church at Moret after the Rain | 1894 | 73 x 60.5 | Detroit Institute of Arts | [302] | |
The Church at Moret, Winter | 1893–94 | 81.3 x 54.3 | Budapest Museum of Fine Arts | [303] | |
The Church at Moret | c.1893 | 55 x 46 | Calvet Museum, Avignon | [304] | |
Sahurs Meadows in Morning Sun | 1894 | 73 x 92.1 | Metropolitan Museum of Art, New York | [305] | |
A Corner of Moret-sur-Loing | 1895 | 33.7 × 42.6 | Art Institute of Chicago | [306] | |
A Forest Clearing | 1895 | 56.4 x 65.4 | Thyssen-Bornemisza Museum, Madrid | [307] | |
Barges From Berry on the Loing Canal in Spring | 1896 | 54 x 65 | Ordrupgaard | [308] | |
Banks of the Loing | 1896 | Private collection | [309] | ||
Banks of the Loing | 1896 | 46.3 × 55.3 | Art Institute of Chicago | [310] | |
By the River Loing | 1896 | Musée des Beaux-Arts de Rouen | [311] | ||
Cabins by the River Loing, Morning | 1896 | 60 x 73 | [312] | ||
Cabins along the Loing Canal, Sunlight Effect | 1896 | Private collection | [313] | ||
Les Bords du Loing | 1897 | 54.5 x 65.5 | Aberdeen Art Gallery | [314] | |
Bords de Riviere or Les Oies | 1897 | 21.2 x 32 | Brooklyn Museum, New York Cleveland Museum of Art |
[315][316] | |
A Cardiff Shipping Lane | 1897 | 54 x 65 | Musée des Beaux-Arts de Reims | [317] | |
Bristol Channel from Penarth, Evening | 1897 | Allen Memorial Art Museum, Oberlin | [318] | ||
The Cliff at Penarth, Evening, Low Tide | 1897 | 54.4 x 65.7 | National Museum Cardiff | [319] | |
High Wind | 1897 | 55 x 66.5 | [320] | ||
Langland Bay | 1897 | 54 x 65 | Wallraf-Richartz Museum, Cologne | ||
Langland Bay | 1897 | ||||
Lady's Cove, Wales | 1897 | Musée des Beaux-Arts de Rouen | [321] | ||
Lady's Cove | 1897 | [322] | |||
Lady's Cove, Langland Bay, Morning | 1897 | 65.7 x 81.3 | [323] | ||
Lady's Cove before the Storm | 1897 | 65 x 81 | [324] | ||
Langland Bay, Storr Rock, Morning | 1897 | 65 x 81 | Kunstmuseum Bern | [325][326] | |
Storr Rock, Lady's Cove, Le Soir | 1897 | 65.5 x 81.5 | National Museum Cardiff | [327][328] |
References
editWikimedia Commons has media related to Paintings by Alfred Sisley.
- ^ [William R. Johnston. Sisley: Royal Academy of Arts, Londres, 3 juillet-18 octobre 1992, Musée d'Orsay, Paris, 28 octobre 1992-31 janvier 1993, Walters Art Gallery, Baltimore, 14 mars-13 juin 1993]