This is an incomplete list of the paintings by the Danish-French Impressionist artist Camille Pissarro (1830–1903).
The catalog numbers of the listed works are as given in the Catalogue Raisonné of the Wildenstein Institute.[1]
1852–1856 (St Thomas, West Indies)
editImage French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
Landscape with House in the Woods in Saint Thomas, Antilles | c.1854–55 | 23.5 x 30.5 | Private collection [1] | 8 | |
Village at the Foot of a Hill in Saint Thomas, Antilles | c.1854–55 | 24 x 30.4 | Private collection [2] | 9 | |
Mountain Landscape at Saint Thomas, Antilles (unfinished) | c.1854–55 | 26.2 x 23.5 | Private collection [3] | 10 | |
Woman Carrying a Pitcher on Her Head | 1854–55 | 33 x 24 | Private collection [4] | 15 | |
Creek with Palm Trees | 1856 | 24.5 x 32.2 | National Gallery of Art, Washington D.C. [5] | 16 | |
Antilian Landscape, St. Thomas | 1856 | 32.5 x 46 | Private collection [6] | 19 | |
Two Women Chatting by the Sea | 1856 | 27.9 x 41 | National Gallery of Art, Washington D.C. [7] | 23 | |
A Creek in Saint Thomas, Antilles | 1856 | 35 x 53 | Private collection [8] | 24 | |
Laundress on the Banks of the River | c.1856 | 16.9 x 24 | Private collection [9] | 28 |
1857–1866 (Paris)
editImage French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
The Harvest | 1857 | 14 x 26.7 | Private collection [10] | 34 | |
Donkey in Front of a Farm, Montmorency | c.1859 | 21.5 x 27.2 | Musée d'Orsay [11] | 37 | |
Forest Path | c.1859 | 41 x 33 | Private collection [12] | 42 | |
The Wood Cart | c.1862 | 16.5 x 25 | Reuben and Edith Hecht Museum, Haifa [13] | 61 | |
The Caravan | c.1862 | 25 x 38 | Private collection [14] | 62 | |
The Little Factory | c.1862–65 | 26,5 x 40,2 | Strasbourg Museum of Modern and Contemporary Art | 130 | |
The Telegraph Tower at Montmartre | 1863 | 40.7 x 32.4 | Private collection [15] | 67 | |
Farmyard | c.1863 | 38.1 x 47.1 | Private collection [16] | 69 | |
Village corner, Women Chatting | 1863 | 40 x 52 | Private collection [17] | 70 | |
Entering a village | c.1863 | 33 x 41 | Private collection [18] | 71 | |
La Varenne-Saint-Hilaire vue de Champigny | 1863 | 49.6 x 74 | Museum of Fine Arts (Budapest) [19] | 74 | |
Barges on the Seine | c.1863 | 46 x 72 | Musée Camille Pissarro, Pontoise, France [20] | 79 | |
River bank and barge | c.1863 | 9.9 x 18.5 | Private collection [21] | 80 | |
In the Woods | 1864 | 26.5 x 21 | Private collection [22] | 84 | |
Road entering a Forest | c.1864 | 28 x 35.3 | Private collection [23] | 86 | |
Meeting on the Village Road | c.1864 | 21.8 x 35 | Private collection [24] | 91 | |
Peasant Woman in a Field, La Varenne-Saint-Hilaire | c.1865 | 18.5 x 35 | Private collection [25] | 99 | |
The Road | c.1865 | 40.7 x 31.8 | Private collection [26] | 100 | |
The Marne at Chennevières | c.1865 | 91.5 x 145.5 | Scottish National Gallery, Edinburgh [27] | 103 | |
Square in La Roche Guyon | c.1865 | 50 x 61 | Alte Nationalgalerie, Berlin [28] | 104 | |
Donkey Ride at La Roche Guyon | c.1865 | 35 x 51.7 | Private collection [29] | 105 | |
Banks of the Marne in Winter | 1866 | 91.8 x 150 | Art Institute of Chicago [30] | 107 |
1866–1868 (Pontoise)
editImage French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
Pere Gallien's House at Pontoise | 1866 | 40.3 x 55.2 | Ipswich Museum, UK [31] | 111 | |
Still Life with Wine Carafe | 1867 | 81 x 99.6 | Toledo Museum of Art, Ohio [32] | 114 | |
The Garden of Maubuisson | c.1867 | 81.5 x 100 | National Gallery of Prague [33] | 115 | |
Coast of Jalais, Pontoise | 1867 | 87 x 114.9 | Metropolitan Museum of Art, New York [34] | 116 | |
Banks of the Oise at Pontoise | 1867 | 45.7 x 71.1 | Denver Art Museum [35] | 117 | |
The Hermitage at Pontoise | 1867 | 91 x 150.5 | Wallraf-Richartz Museum, Cologne [36] | 119 | |
L'Hermitage at Pontoise | c.1867 | 150.3 x 200 | Solomon R. Guggenheim Museum, New York City [37] | 120 | |
Quay of Pothuis, Pontoise | 1868 | 52 x 81 | Kunsthalle Mannheim [38] | 123 | |
The Banks of the Oise at Pontoise | 1868 | 54 x 65 | Private collection [39] | 124 | |
Apple Trees at Pontoise, the House of Père Gallien | 1868 | 38.3 x 46.4 | Private collection [40] | 128 | |
The Weir at Pontoise | c.1868 | 58.5 x 72 | Private collection [41] | 129 |
1869–1870 (Louveciennes)
editImage French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
A Village through the Trees | c.1869 | 54 x 44.5 | Private collection [42] | 134 | |
The Versailles Road at Louveciennes | c.1869 | 38.4 x 46.3 | Walters Art Museum, Baltimore [43] | 138 | |
The Route to Versailles, Louveciennes, snow | 1870 | 43.2 x 65 | Foundation E.G. Bührle, Zurich [44] | 142 | |
Grounds of the Chateau du Pont under snow, Louveciennes | c.1870 | 32.3 x 47.5 | Art Institute of Chicago [45] | 143 | |
Entering the Forest of Marly (Snow Effect) | c.1870 | 38 x 46 | Private collection [46] | 144 | |
Chestnut Trees at Louveciennes, Spring | 1870 | 59.5 x 73 | Museum Langmatt, Baden [47] | 148 | |
Road to Versailles, Louveciennes | 1870 | 32.8 x 41.1 | Clark Art Institute, Williamstown, Massachusetts [48] | 151 | |
Stagecoach to Louveciennes | 1870 | 25.5 x 35.7 | Musée d'Orsay, Paris [49] | 152 | |
The Road to Versailles, Louveciennes, after Rain | 1870 | 50 x 61 | Private collection [50] | 153 | |
The Road to Versailles, effect of Rain | 1870 | 40.2 x 56.3 | Clark Art Institute, Williamstown, Massachusetts [51] | 155 | |
Houses at Bougival | 1870 | 89 x 116 | J Paul Getty Museum, Los Angeles [52] | 157 | |
View of the Aqueduct at Louveciennes, Spring | c. 1870 | 52.7 x 81.9 | National Gallery, London [53] | 158 | |
Chemin de Prunay, Blossoming Tree, Louveciennes | 1870 | 46.7 x 56.5 | Private collection [54] | 159 | |
The House of Monsieur Musy, Louveciennes | 1870 | 43.5 x 65 | Private collection [55] | 161 | |
The Conversation, Louveciennes | 1870 | 100.5 x 81 | Foundation E.G. Bührle, Zurich [56] | 163 | |
Strollers on the Road to Versailles, Louveciennes | 1870 | 45.8 x 55.7 | Southampton Art Gallery [57] | 164 | |
Route à Louveciennes | A Road in Louveciennes | 1870 | 44 x 30 | Private collection [58] | 167 |
View of Marly-le-Roi | 1870 | 47 x 71 | Foundation E.G. Bührle, Zurich [59] | 170 | |
The Forest | 1870 | 78.8 x 97.6 | Johannesburg Art Gallery [60] | 172 | |
The Pine Trees at Louveciennes | 1870 | 69 x 78 | Private collection [61] | 173 |
1870–1871 (London)
editImage French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
Fox Hill, Upper Norwood, effect of Snow | 1870 | 35.3 x 47.5 | National Gallery, London [62] | 180 | |
St Stephen's Church, Dulwich | 1870 | 42.6 x 52.8 | Private collection [63] | 181 | |
Crystal Palace viewed from Fox Hill, Upper Norwood | 1871 | 47 x 73.2 | Art Institute of Chicago [64] | 183 | |
Crystal Palace, Upper Norwood | c.1871 | 40 x 50.8 | Private collection [65] | 184 | |
All Saints' Church, Beulah Hill, Snow | 1871 | 46 x 55 | Private collection [66] | 186 | |
Snowy Landscape at South Norwood | 1871 | 44.5 x 55.5 | Los Angeles County Museum of Art [67] | 187 | |
The Avenue, Sydenham | 1871 | 48 x 73 | National Gallery, London [68] | 188 | |
Lordship Lane Station, East Dulwich | 1871 | 44.5 x 72.5 | Courtauld Institute Galleries, London [69] | 189 | |
View of Alleyn Park, West Dulwich | 1871 | 43.5 x 53.5 | Kimbell Art Museum, Fort Worth, Texas [70] | 190 | |
Dulwich College | 1871 | 50 x 61 | Bemberg Foundation, Toulouse [71] | 191 |
1871–1872 (Louveciennes)
editImage | Name | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
Road to Versailles, Rocquencourt | 1871 | 51.5 x 76.2 | Van Gogh Museum, Amsterdam [72] | 195 | |
Road to Versailles, Louveciennes, Sunlight | 1871 | 45 x 55 | Sammlung Galerie Rosengart, Lucerne [73] | 196 | |
Road to Versailles, Louveciennes | 1871 | 38 x 46 | Private collection [74] | 198 | |
La Seine à Bougival | The Seine at Bougival | 1871 | 44 x 60 | Private collection [75] | 200 |
Banks of the Seine at Bougival | 1871 | 27.5 x 40.5 | Stolen in 1993, recovered damaged in 2009 | 201 | |
Weir on the Seine at Bougival | 1871 | 33 x 46 | Nelson-Atkins Museum of Art, Kansas City, Missouri [76] | 203 | |
Louveciennes | 1871 | 90 x 116.5 | Private collection [77] | 207 | |
Chestnut Trees at Louveciennes | 1872 | 41 x 54 | Musée d'Orsay, Paris [78] | 218 | |
Chestnut Coppice in Winter, Louveciennes | 1872 | 27 x 40.4 | Bemberg Foundation, Toulouse [79] | 220 | |
Le relais de post à Louvecienne, effet de neige | The Post-house at Louveciennes, Effect of Snow |
1872 | 45.7 x 55 | Private collection [80] | 221 |
Road to Versailles, Louveciennes | 1872 | 60 x 73.5 | Musée d'Orsay, Paris [81] | 224 | |
Charette sur une route, hiver, environs de Louveciennes | Cart on a road near Louveciennes, Winter | 1872 | 32.4 x 46.3 | Private collection [82] | 226 |
Chestnut Grove at Louveciennes | 1872 | 40.6 x 54.4 | Nelson-Atkins Museum of Art, Kansas City, Missouri [83] | 233 | |
Entrance to village of Voisins | 1872 | 46 x 55.5 | Musée d'Orsay, Paris [84] | 235 | |
Paysage avec une vachère | Landscape with woman herding a cow | c.1872 | 33 x 46.4 | Private collection [85] | 242 |
Le déversoir et l'écluse à Saint-Ouen-l'Aumônt | The Weir and Lock at Saint-Ouen-l'Aumônt | 1872 | 38.1 x 54.6 | Private collection [86] | 244 |
Le repos sous les arbres | Resting under the Trees | 1872 | 73.7 x 92.7 | Private collection [87] | 253 |
1872–1882 (Pontoise)
editImage French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
White Horse in a Field, l'Hermitage, Pontoise | 1872 | 46 x 55 | Private collection [88] | 261 | |
Apples and Pears in a Round Basket | 1872 | 46.2 x 55.8 | Private collection [89] | 269 | |
Chatagnier Apples and Glazed Earthenware on a Table | c.1872 | 46.4 x 56.5 | Metropolitan Museum of Art, New York City [90] | 270 | |
Ruisseau dans la campagne | A Country Stream | 1872 | 47.5 x 56.5 | Private collection [91] | 271 |
Boulevard des Fossés, Pontoise | 1872 | 46.4 x 55.9 | Norton Simon Museum, Pasadena [92] | 277 | |
Quay of Pothuis, Pontoise | 1872 | 45.1 x 55.2 | Virginia Museum of Fine Arts, Richmond [93] | 280 | |
Jeanne Pissarro, called Minette, with a Bouquet | 1872 | 72.5 x 59.7 | Yale University Art Gallery, New Haven, Connecticut [94] | 281 | |
Portrait of Jeanne Pissarro, called Minette | c.1872 | 46 x 35 | Wadsworth Atheneum, Hartford, Connecticut [95] | 282 | |
The Road to Osny at Pontoise, Hoar Frost | 1873 | 50.5 x 65 | Foundation E.G. Bührle, Zurich [96] | 287 | |
Cabbage Field, Pontoise | 1873 | 60 x 80 | Thyssen-Bornemisza Museum, Madrid [97] | 294 | |
Flood at Saint-Ouen-l'Aumône | 1873 | 64.9 x 81.2 | Wadsworth Atheneum, Hartford, Connecticut [98] | 295 | |
Factory at Saint-Ouen-l'Aumône | 1873 | 45.7 x 54.6 | Michele & Donald D'Amour Museum of Fine Arts, Springfield [99] | 298 | |
Factory on the Banks of the Oise, Saint-Ouen-l'Aumône | 1873 | 38 x 55 | Israel Museum, Jerusalem | 299 | |
Usine au bord de l'Oise, Saint-Ouen-l'Aumône | Factory on the Banks of the Oise, Saint-Ouen-l'Aumône | 1873 | 45.3 x 55 | Clark Art Institute, Williamstown, Massachusetts [100] | 300 |
Route d'Auvers on the Banks of the Oise, Pontoise | 1873 | 38.1 x 57.8 | Indianapolis Museum of Art [101] | 303 | |
The Red House | 1873 | 59.4 x 73.3 | Portland Art Museum, Oregon [102] | 307 | |
The Municipal Garden, Pontoise | 1873 | 59.5 x 73.3 | Hermitage Museum, Leningrad [103] | 309 | |
Open Fields with Haystacks near Pontoise | 1873 | 38 x 55 | National Gallery of Art, Washington D.C. [104] | 319 | |
Jeanne Pissarro. called Minette, holding a fan | c.1874 | 55 x 46 | Ashmolean Museum, Oxford, UK [105] | 325 | |
Portrait of Paul Cézanne | c.1874 | 73 x 59.7 | National Gallery, London [106] | 326 | |
Ploughed Fields | 1874 | 49 x 64 | Pushkin Museum, Moscow[] | ||
Woman Herding a Cow, Auvers-sur-Oise | 1874 | 54.9 x 92.1 | Metropolitan Museum of Art, New York City [107] | 354 | |
The Kitchen in Piette's House, Montfoucault | 1874 | 45.1 x 54.6 | Detroit Institute of Arts [108] | 380 | |
Piette's house at Montfoucault, Effect of Snow | 1874 | 60 x 73.5 | Fitzwilliam Museum, Cambridge [109] | 386 | |
Peasant Woman Carding Wool | 1875 | 56 x 47 | Foundation E.G. Bührle, Zurich [110] | 420 | |
Barges at Pontoise | 1876 | 46 x 54.9 | Metropolitan Museum of Art, New York [111] | 460 | |
Côte des Bœufs, Pontoise | 1877 | 114.9 x 87.6 | National Gallery [112] | 488 | |
The Rabbit Warren, Côte Saint-Denis at Pontoise, Effect of Snow | 1879 | 59.2 x 72.3 | Art Institute of Chicago [113] | 587 | |
Père Melon Sawing Wood | c.1879 | 54 x 65 | Private collection [114] | 610 | |
Mère Larchéveque | 1880 | 73 x 59.1 | Metropolitan Museum of Art, New York City [115] | 640 | |
Peasant Woman Digging, the Jardin de Maubuisson, Pontoise | 1881 | 46 x 55 | Private collection | 646 | |
The Harvest, Pontoise | 1881 | 46.1 x 55.2 | Metropolitan Museum of Art, New York City [116] | 648 | |
Two Young Peasant Girls Chatting Under a Tree | 1881 | 81 x 65 | Private collection [117] | 654 | |
The Goat Girl | 1881 | 81.3 x 65.4 | Private collection [118] | 656 | |
The Conversation | c.1881 | 65.3 x 54 | National Museum of Western Art, Tokyo [119] | 658 | |
Peasant Girl with a Straw Hat | 1881 | 73.4 x 59.6 | National Gallery of Art, Washington D.C. [120] | 661 | |
The Breakfast, Youg Peasant Girl Drinking her Café au Lait | 1881 | 63.9 x 54.4 | Art Institute of Chicago [121] | 662 | |
Felix Pissarro Wearing a Red Beret | 1881 | 55.2 x 46.4 | Tate Gallery, London [122] | 663 | |
Felix Pissarro Wearing a Skirt | c.1882 | 46.5 x 38.5 | Bemberg Foundation, Toulouse | 676 | |
Peasant Woman Digging | 1882 | 65 x 54 | Private collection [123] | 678 | |
The Young Country Servant | 1882 | 63.5 x 53 | Tate Britain, London [124] | 681 | |
Washing up | 1882 | 81.9 x 64.8 | Fitzwilliam Museum, Cambridge, UK [125] | 685 |
1882–1884 (Osny)
editImage French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
La route de Pontoise, Osny | The Road to Pontoise, Osny | 1883 | 41 x 32 | Private collection | 698 |
The Farm of Le Friche at Osny | 1883 | 46 x 54 | Private collection | 701 | |
View of the Village of Osny | 1883 | 60 x 73 | Private collection | 703 | |
The Pork Butcher | 1883 | 65.1 x 64.3 | Tate Gallery, London [126] | 706 | |
Place Lafayette, Rouen | 1883 | 46.3 x 55.7 | Courtauld Gallery, London [127] | 724 | |
Quay Napoleon, Rouen | 1883 | 54.3 x 64.4 | Philadelphia Museum of Art [128] | 727 | |
The Pont Corneille and Barges, Rouen | 1883 | 54.3 x 65.2 | Columbus Museum of Art, Ohio [129] | 728 | |
Peasant Girl Warming Herself | 1883 | 73 x 60 | Private collection [130] | 739 |
1884–1901 (Eragny-sur-Epte)
editImage French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
Entrance to the Village of Eragny | 1884 | 50.2 x 61.3 | Pola Museum of Art [131] | 752 | |
The Church and the Manor House at Éragny | 1884 | 54.5 x 63 | The Museum of Modern Art, Gunma, Japan [132] | 754 | |
Vue de Bazincourt | 1884 | 54 x 65 | Private collection | 756 | |
The Church at Éragny | 1884 | 54 x 64.8 | Walters Art Museum, Baltimore [133] | 758 | |
La faneuse | The Haymaker | 1884 | 73.5 x 60 | Private collection | 766 |
Portrait of Eugénie Estruc, called Nini | 1884 | 65 x 54 | Ny Carlsberg Glyptotek, Copenhagen | 767 | |
Old Houses at Éragny | 1884 | 46 x 55.5 | Private collection | 773 | |
Peasant's House at Éragny | 1884 | 46 x 55 | Los Angeles County Museum of Art [134] | 774 | |
Vachère à Éragny | Girl Tending Cows at Eragny | 1884 | 59.7 x 73.3 | Museum of Modern Art, Saitama, Japan [135] | 775 |
View of Bazincourt, effect of snow | 1884 | 46.7 x 55.5 | Fine Arts Museums of San Francisco [136] | 782 | |
The Bell Tower at Bazincourt | 1885 | 64.2 x 54.7 | Saint Louis Art Museum [137] | 787 | |
View of the Village of Éragny | 1885 | 59.7 x 73 | Birmingham Museum of Art, Alabama [138] | 790 | |
Seated Peasant Girl | 1885 | 73 x 59.7 | Yale University Art Gallery [139] | 798 | |
The Delafolie House, Éragny, Sunset | 1885 | 73 x 60.5 | Museum of Grenoble, France | 800 | |
The Delafolie House, Éragny | 1885 | 54.5 x 65 | [140] | 804 | |
Le marché de Gisors, Grande-Rue | Market on the Grande Rue, Gisors | 1885 | 46 x 38 | Private collection | 816 |
Shepherdess Bringing in the Sheep | 1886 | 46 x 38 | Fred Jones Jr. Museum of Art, Norman, Oklahoma [141] | 819 | |
The House of the Deaf Woman and the Belfry at Eragny | 1886 | 65 x 81 | Indianapolis Museum of Art [142] | 827 | |
Peasant's Houses, Eragny | 1887 | 59 x 71.7 | Art Gallery of New South Wales [143] | 844 | |
Haymaking, Éragny | 1887 | 50 x 66 | Van Gogh Museum, Amsterdam [144] | 848 | |
Apple Harvest, Éragny | 1887–88 | 60 x 73 | Dallas Museum of Art [145] | 850 | |
Woman hanging out the Washing, Éragny | 1887 | 41 x 32.5 | Musée d'Orsay [146] | 854 | |
The Seine at Rouen, the Île Lacroix, Effect of Fog | 1888 | 46.7 x 55.9 | Philadelphia Museum of Art [147] | 855 | |
Peasant Girl Making a Fire, Hoar Frost | 1888 | 92.8 x 92.5 | Musée d'Orsay [148] | 857 | |
Peasant Girl Raking Hay at Éragny | 1889 | 73.7 x 60.3 | Private collection | 866 | |
A Flock of Sheep in a Field after the Harvest, Éragny | 1889 | 62 x 76 | Private collection | 867 | |
The Gleaners | 1889 | 65.5 x 81 | Kunstmuseum Basel [149] | 869 | |
The Path, Women Chatting | 1889 | 72.4 x 59.7 | Detroit Institute of Arts [150] | 871 | |
Landscape with a Flock of Sheep | 1889–1902 | 60.3 x 73.7 | Norton Simon Museum, Pasadena [151] | 873 | |
Woman and Goat at Éragny or Spring Pasture | 1889 | 60 x 73.7 | Museum of Fine Arts, Boston [152] | 874 | |
Paul-Émile Pissarro | 1890 | 41 x 33 | Private collection | 878 | |
Battersea Bridge, Chelsea, London | 1890 | 59.7 x 72.4 | Smith College Museum of Art, Northampton, Massachusetts [153] | 883 | |
Charing Cross Bridge, London | 1890 | 60 x 90 | National Gallery of Art, Washington D.C. [154] | 884 | |
The Chat or Two Young Peasant Women | 1891–92 | 89.5 x 116.5 | Metropolitan Museum of Art, New York City [155] | 912 | |
The Marguerite Church at Knocke | 1894 | 54.5 x 65.5 | Musée d'Orsay, Paris [156] | 1035 | |
The Village of Knocke | 1894 | 54 x 65 | 1036 | ||
The Foot-bath | 1895 | 73 x 92 | Art Institute of Chicago [157] | 1061 | |
Bather | 1895 | 60.3 x 73 | Metropolitan Museum of Art, New York [158] | 1062 | |
Peasant Woman Standing Naked | 1895 | 35.3 x 27.3 | National Gallery of Art, Washington D.C.[159] | 1063 | |
Femmes dans un clos, printemps, temps gris, Ēragny | Women in a Fenced-in Field, Spring, Overcast, Ēragny | 1895 | 60.2 x 72.3 | Art Gallery of Ontario, Toronto [160] | 1075 |
The Market at Gisors | 1895 | 46.3 x 38.3 | Nelson-Atkins Museum of Art, Kansas City [161] | 1097 | |
Three Bathers (study) | c.1896 | 65 x 54 | Hiroshima Museum of Art [162] | 1107 | |
Pont Boieldieu in Rouen, Rainy Weather | 1896 | 73.6 x 91.4 | Art Gallery of Ontario, Toronto [163] | 1116 | |
Pont Boieldieu, Rouen, Sunset | 1896 | 74.2 x 92.5 | Birmingham Museum and Art Gallery, UK | 1117 | |
Pont Boieldieu in Rouen, Sunset, Smoke | 1896 | 54 x 65 | Musée d'Orsay, Paris [164] | 1118 | |
The Seine at Rouen, Saint-Sever | 1896 | 65.5 x 92 | Musée d'Orsay, Paris [165] | 1122 | |
The Seine at Rouen, Saint-Sever, Smoke | 1896 | 45.7 x 54.6 | Metropolitan Museum of Art, New York City [166] | 1123 | |
Self-portrait with Palette | c.1896 | 52 x 30.5 | Dallas Museum of Art [167] | 1129 | |
Self-portrait with Beret and Speectacles | c.1896 | 35.5 x 32 | Private collection | 1130 | |
Pont Boieldieu, Rouen, Morning, Rainy Weather | 1896 | 54.3 x 65.1 | Metropolitan Museum of Art, New York City [168] | 1140 | |
Boulevard Montmartre, Mardi Gras afternoon | 1897 | 63.5 x 77.5 | Hammer Museum, Los Angeles | 1163 | |
Boulevard Montmartre, Spring Morning | 1897 | 65 x 81 | Private collection | 1171 | |
Rue St. Honoré, Apres Midi, Effet de Pluie, | 1897 | Museo Thyssen-Bornemisza | |||
Morning, Spring, Sunlight, Eragny | 1900 | 65.4 x 81 | Tokyo Fuji Art Museum [169] | 1322 | |
The Wash-house at Bazincourt | 1900 | 65.5 x 81 | Musée d'Orsay, Paris [170] | 1323 | |
Still Life, the Coffee Pot | 1900 | 54.5 x 65.3 | Hermitage Museum, St Petersburg [171] | 1326 | |
The Tuileries Gardens, Summer | 1900 | 54.5 x 65.5 | Kreeger Museum, Washington D.C. [172] | 1329 | |
The Church of St Jacques in Dieppe, Sunlight, Morning | 1901 | 54.5 x 65.5 | Musée d'Orsay [173] | 1384 | |
Haymaking at Éragny | 1901 | 53.9 x 64.7 | National Gallery of Canada, Ottawa | 1393 | |
The Louvre, Sunset, Hoar-Frost | 1901 | 73 x 92 | Museo Botero, Bogotá | 1402 |
See also
edit- La Petite Fabrique 1862–1865
- The Banks of the Oise near Pontoise 1873
- A Cowherd at Valhermeil, Auvers-sur-Oise 1874
- Côte des Bœufs at L'Hermitage, 1877
- The Harvest, Pontoise 1881
- The House of the Deaf Woman and the Belfry at Eragny 1886
- Shepherdess Bringing in Sheep 1886
- Morning, An Overcast Day, Rouen 1896
- Pont Boieldieu in Rouen, Rainy Weather, 1896
- Steamboats in the Port of Rouen, 1896
- Le Boulevard de Montmartre, Matinée de Printemps, 1897
- Boulevard Montmartre, Mardi Gras 1897
- Rue Saint-Honoré, dans l'après-midi. Effet de pluie 1897
- The Garden of the Tuileries on a Winter Afternoon 1899
- Hay Harvest at Éragny, 1901
References
edit- ^ Pissarro, Joachim. Pissarro – General Catalogue of Paintings. Vol. II. Wildenstein Institute.