List of paintings by Tintoretto

The following is a list of paintings by the Italian artist Tintoretto, arranged chronologically.^[1]^[2] They are all oil on canvas unless otherwise noted.

1530s-1550s

Deucalion and Pyrrha Praying Before a Statue of the Goddess Themis, 1541, Galleria Estense, Modena.

Siege of Asola

Miracle of the Slave

Martyrdom of the Ten-Thousand, fragment, circa 1538, 138 × 218 cm, Gallerie dell'Accademia, Venice
Madonna and Child with Saint Joseph, Saint Jerome and the Procurator Girolamo Marcello, 1539, 148 × 193 cm, private collection
Adoration of the Shepherds, circa 1540, 172 × 274 cm, Fitzwilliam Museum, Cambridge
Modena ceilings, 1541-1542, Galleria Estense, Modena
- Apollo and Daphen
- Pyramus and Thisbe
- Latona Turns the Peasaants of Lycia into Frogs
- Apollo and Marsyas
- Semele Burned to Death
- Fall of Phaeton, 153 × 133 cm
- Deucalion and Pyrrha
- Mercury and Argus
- Orpheus Begging Pluto
- Niobe and her Daughters
- Antiope and Jupiter, 127 × 123 cm
- Venus, Vulcan and Cupid
- Fall of Icarus
- Rape of Europa, 126 × 124 cm
Christ Disputing with the Doctors, circa 1542-1543, 197 × 319 cm, Museo del Duomo, Milan
Supper at Emmaus, circa 1542-1544, 156 × 212 cm, Museum of Fine Arts, Budapest,
Venus and Adonis, 1543-1544, 145 × 272 cm, Uffizi, Florence
The Siege of Asola, 1544-1545, 197 × 467,5 cm, private collection
Mystic Marriage of St Catherine with Saint Augustine, Saint Mark and Saint John the Baptist, circa 1545, 193 x 314 cm, Musée des Beaux-Arts, Lyon
Bible Stories of Vienna, circa 1544-1545, 29 × 157 cm, Kunsthistorisches Museum, Vienna,
- Solomon and the Queen of Sheba
- Conversion of Belshazzar
- Bearing the Ark of the Covenant
- David Preaching
- David and Bathsheba
- Samson's Revenge
Conversion of Saul, circa 1545, 152 × 236 cm, National Gallery of Art, Washington
The Queen of Sheba Visits Solomon, 1545-1546, 150 × 237,5 cm, Bob Jones University, Greenville
Ecce homo, 1546-1547, 109 × 136 cm, Museu de Arte, São Paulo, Brazil
Christ and the Woman Caught in Adultery, circa 1546, 119 × 168 cm, Roma, Palazzo Barberini, Galleria nazionale d'arte antica
Self-Portrait, 1546–48, 45 × 38 cm, Philadelphia Museum of Art
Christ Washes the Disciples' Feet, circa 1547, 210 × 533 cm, Museo del Prado, Madrid
Portrait of Procurator Nicolò Priuli, circa 1547, 125 × 105 cm, Ca' d'Oro, Galleria Franchetti, Venice
Miracle of the Slave, 1548, 415 × 541 cm, Gallerie dell'Accademia, Venice
Saint Roch Healing Plague Victims, 1549, 307 × 673 cm, San Rocco, Venice
Saint Martialis in Glory with Saint Peter and Saint Paul, 1548-1549, 376×181 cm, San Marziale, Venice
The Miracle of Saint Augustine, 1549-1550, 255 x 174.5 cm, Museo Civico di Palazzo Chiericati, Vicenza.

1550s-1560s

Christ and the Woman Caught in Adultery, circa 1550, 158 × 277 cm, Museo diocesano, Milan
Visitation, circa 1550, 256 × 153 cm, Pinacoteca Nazionale di Bologna
Portrait of Procurator Jacopo Soranzo, circa 1550, 106 × 90 cm, Gallerie dell'Accademia, Venice
Portrait of Girolamo Pozzo, circa 1550, 111,8 × 93,9 cm, Royal Collection. Windsor Castle
Christ and the Woman Caught in Adultery, circa 1550, 160 × 225 cm, Rijksmuseum, Amsterdam,
Mars and Venus Surprised by Vulcan, circa 1551-1552, 135 × 198 cm, Alte Pinakothek, Munich
Venus and Vulcan Doting on Cupid, 197 x 85, Galleria Palatina di Palazzo Pitti, Florence
Doors to the organ case for the church of Santa Maria dell'Orto, 1552-1556, church of Santa Maria dell'Orto, Venice
- Presentation of the Virgin in the Temple, 429 × 480 cm
- Saint Peter's Vision of the Cross, 420 × 240 cm
- Beheading of Saint Paul, 430 × 240 cm
Paintings for the Scuola della Trinità, Venice, now in the Gallerie dell'Accademia
- Creation of the Animals, 1550-1553, 151 × 258 cm
- Creation of Adam and Eve, 1550-1553, 151 × 258 cm
- Temptation of Adam and Eve, 1550-1553, 150 × 220 cm
- Adam and Eve Before God, 1550-1553, 90 × 110 cm
- Cain Kills Abel, 1550-1553, olio su tela, 149 × 196 cm
Paintings for the Palazzo dei Camerlenghi in Venice
- Saint Louis of Toulouse and Saint George, circa 1553, 225 × 145 cm, Gallerie dell'Accademia, Venice
- Saint Andrew and Saint Jerome, circa 1553, 225 × 145 cm, Gallerie dell'Accademia, Venice
Portrait of a Young Gentleman, circa 1553, 1025 × 89 cm, Galleria Doria Pamphilj, Rome
Nativity of Saint John the Baptist, circa 1550, 181 × 226 cm, Hermitage Museum, Saint Petersburg
Saint Nicholas of Bari, 1554-1555, 114 × 56 cm, Kunsthistorisches Museum, Vienna
Paintings for the chiesa dei crociferi
- Presentation of Christ at the Temple, 1554-1556, 239 × 298 cm, Gallerie dell'Accademia, Venice
- Assumption of the Virgin, 1555, 440 × 260 cm, Chiesa di Santa Maria Assunta detta I Gesuiti, Venice
Scenes from the Bible, circa 1555, Museo del Prado, Madrid
- Susanna and the Elders, 58 × 116 cm
- Esther Before Ahasuerus, 59 × 203 cm
- Judith and Holofernes, 58 × 119 cm
- Solomon and the Queen of Sheba, 58 × 205 cm
- Joseph and Potiphar's Wife, 54 × 117 cm
- Moses Saves from the Waters, 56 × 119 cm
Portrait of a Man in Armour, 1555-1556, 116 × 99 cm, Kunsthistorisches Museum, Vienna
Resurrection of Christ, circa 1555, 201 × 139 cm, Queensland Art Gallery, Brisbane,
Lamentation over the Dead Christ, 1555-1556, Museo civico Amedeo Lia, La Spezia
Lamentation over the Dead Christ, 1555-1559, 51 x 75 cm, Museo Soumaya, Mexico City
The Deliverance of Arsinoe, circa 1556, 153 × 251 cm, Gemäldegalerie, Dresden
Susanna and the Elders, circa 1557, 147 × 194 cm, Kunsthistorisches Museum, Vienna
Christ Taken Down from the Cross, 1556-1558, 135,6 × 102 cm, Musée des Beaux-Arts, Caen
Saint George and the Dragon, circa 1558, 158 × 100 cm, National Gallery, London
Doors of the organ case for Santa Maria del Giglio, Venice, circa 1557-1558
- Conversion of Saul, lost
- Saint Luke and Saint Matthew, 259 × 150 cm
- Saint Mark and Saint John the Evangelist, 257 × 150 cm
Tarquinius and Lucretia, circa 1559, 175,5 × 152 cm, The Art Institute, Chicago

1560s-1570s

Portrait of Doge Pietro Loredan (Kimbell Art Museum, Fort Worth, Texas).

Portrait of Doge Pietro Loredan, National Gallery of Victoria, Melbourne.

Portrait of cardinal Marco Antonio Da Mula, private collection

Portrait of Doge Girolamo Priuli, 1560, 102 × 84 cm, Gallerie dell'Accademia, Venice
Saint Helen and Saint Barbara Adoring the Cross, circa 1560, 275 × 165 cm, Pinacoteca di Brera, Milan
Portrait of Alvise Cornaro, circa 1560-1565, 113 × 85 cm, Galleria Palatina, Florence
Lamentation over the Dead Christ circa 1560-1565, 94.7 x 141 cm, São Paulo Museum of Art, Brazil,
Portrait of procurator Antonio Cappello, circa 1561, 114 × 80 cm, Gallerie dell'Accademia, Venice
Christ Washes the Disciples' Feet, circa 1566, 200,6 × 408,3 cm, National Gallery, London
Deposition from the Cross, circa 1560, 227 × 294 cm, Gallerie dell'Accademia, Venice^[a]
Wedding Feast at Cana, 1561, 435 × 535 cm, Venezia, Basilica di Santa Maria della Salute
Portrait of Cardinal Marco Antonio Da Mula, 1562-1563, 187 × 103 cm, private collection^[b]
Paintings for the Scuola Grande di San Marco
- Rediscovery of Saint Mark's Body, 1562-1566, 396 × 400 cm, Pinacoteca di Brera, Milan
- Saint Mark's Body Brought to Venice, 1562-1566, 398 × 315 cm, Gallerie dell'Accademia, Venice
- Saint Mark Saves a Saracen during a Shipwreck, 1562-1566, 398 × 337 cm, Gallerie dell'Accademia, Venice
Paintings for the choir of the church of Madonna dell'Orto, 1562-1564, church of Santa Maria dell'Orto, Venice
- Worshipping the Golden Calf, 1450 × 580 cm
- Last Judgement, 1450 × 590 cm
- Temperance, 450 × 240 cm
- Justice, 450 × 240 cm
- Faith, 450 × 240 cm
- Prudence, 450 × 240 cm
- Courage, 450 × 240 cm
Pietà, 1563, 108 × 170 cm, Milan, Pinacoteca di Brera
Resurrection of Christ with Saint Cassian and Saint Cecilia, 1565, 450 x 225 cm, church of San Cassiano, Venice
Paintings for the Sala dell'Albergo in the Scuola Grande di San Rocco, 1564-1567, Scuola Grande di San Rocco, Venice
- Ceiling
  - Saint Roch in Glory, 1564, 240 × 360 cm
  - Spring, 1564, 90 cm in diameter
  - Summer, 1564, 90 cm in diameter
  - Autumn, 1564, 90 cm in diameter
  - Winter, 1564, 90 cm in diameter
  - Allegory of the School of Saint John the Evangelist, 1564, 90 × 190 cm
  - Allegory of the School of Pity, 1564, 90 × 190 cm
  - Allegory of the School of Charity, 1564, 90 × 190 cm
  - Allegory of the School of Saint Mark, 1564, 90 × 190 cm
  - Allegory of the School of Saint Theodore, 1564, 90 × 190 cm
  - Happiness, 1564, 90 × 190 cm
  - Goodness, 1564, 90 × 190 cm
  - Generosity, 1564, 90 × 190 cm
  - Hope, 1564, 90 × 190 cm
  - Faith, 1564, 90 × 190 cm
Christ's Body Borne to the Sepulchre, circa 1565, 164 × 124 cm, National Gallery of Scotland, Edinburgh
- Walls
  - Crucifixion, 1565, 536 × 1224 cm
  - Christ on the Way to Calvary, 1565-1567, 515 × 390 cm
  - Ecce Homo, 1566–67, 260 × 390 cm
  - Christ Before Pilate, 1566–67, 515 × 380 cm
Portrait of Jacopo Sansovino, circa 1566, 49 × 36 cm, Staatliche Kunstsammlungen, Weimar
Portrait of Jacopo Sansovino, circa 1566, 70 × 65 cm, Galleria degli Uffizi, Florence
Madonna of the Treasurers, circa 1566-1567, 221 × 521 cm, Gallerie dell'Accademia, Venice
Trinity, 1564-1568, 122 × 181 cm, Galleria Sabauda, Turin
Crucifixion, 1568, 341 × 371 cm, church of San Cassiano, Venice
Descent into Limbo, 1568, 342 × 373 cm, church of San Cassiano, Venice
Paintings for the chancel of the church of San Rocco, 1567, church of San Rocco, Venice
- Saint Roch in Prison Comforted by an Angel, 300 × 670 cm
- Saint Roch Healing the Animals, 230 × 670 cm
- Saint Roch in the Desert, 230 × 670 cm
Portrait of Ottavio Strada, 1567, 128 × 101 cm, Rijksmuseum, Amsterdam
Christ in the House of Martha and Mary, 1567, 197,5 × 131 cm, Alte Pinakothek, Munich
Portrait of Doge Pietro Loredan, 1568-1570, 126 × 106,6 cm, Kimbell Art Museum, Fort Worth (Texas),
Portrait of Doge Pietro Loredan, 1568-1570, 107 × 91 cm, National Gallery of Victoria, Melbourne,
Portrait of Doge Pietro Loredan, 1568-1570, 125 × 100 cm, Museum of Fine Arts, Budapest

1570s-1580s

Christ Calming the Storm on the Sea of Galilee, circa 1570, 117.1 × 169,2 cm, National Gallery of Art, Washington,
Danaë, circa 1570, 142 × 182 cm, Musée des Beaux-Arts, Lyon
Ultima Cena, circa 1570, 228 × 535 cm, San Polo, Venice
Madonna and Child or Madonna of the Stars, early 1570s, 92,7 × 72,7 cm, National Gallery of Art, Washington
Five Philosophers, 1570-1571, 250 × 160, Libreria Sansoviniana, Venice
Portrait of Sebastiano Venier with a Page, circa 1572, 195 × 130 cm, Palazzo Mocenigo, Venice
Madonna and Child with Saint Mark and Saint Luke, 1571-1572, 228 x 160 cm, Gemäldegalerie, Berlin
Madonna and Child, circa 1572-1573, 100 × 131 cm, Fine Arts Museums of San Francisco
Madonna and Child with the Family of Doge Alvise Mocenigo, circa 1573, 216 × 416,5 cm, National Gallery of Art, Washington
Assumption, 1574-1576, Chiesa Santa Maria Maggiore, Miglionico (Matera)
Susanna and the Elders, circa 1575, 150 × 103 cm, National Gallery of Art, Washington
The Origin of the Milky Way, 1575-1580, 148 × 165 cm, National Gallery, London
Paintings for the Anticollegio of the Palazzo Ducale, Venice, 1576-1577
- Three Graces with Mercury, 146 × 155 cm
- Ariadne, Venus and Bacchus, 146 × 167 cm
- Minerva Driving out Mars, 148 × 168
- Vulcan's Forge, 145 × 156
Temptation of Saint Antony, 1577, 282 × 165 cm, San Trovaso, Venice
Angel of the Annunciation, 1578, 115 × 93 cm, Rijksmuseum, Amsterdam
Virgin of the Annunciation, 1578, 119 × 93 cm, Rijksmuseum, Amsterdam
Leda and the Swan, circa 1578, 162 × 218 cm, Uffizi, Florence
The Muses, circa 1579, 2012 × 304 cm, Royal Collection, Windsor Castle
Judith and Holofernes, circa 1579, 188 × 251 cm, Museo del Prado, Madrid
Baptism of Christ, circa 1580, 283 x 162;cm, San Silvestro, Venice
Paintings for the Scuola Grande di San Rocco, 1576-1581, Scuola Grande di San Rocco, Venice
- Ceiling
  - Moses Sets up the Brazen Serpent, 840 × 520 cm
  - Moses Striking the Rock to Create a Fountain, 550 × 520 cm
  - Gathering the Manna, 550 × 520 cm
  - Original Sin, 265 × 370 cm
  - God Appearing to Moses, 370 × 265 cm
  - Column of Fire, 370 × 265 cm
  - Jonah Leaving the Belly of the Whale, 265 × 370 cm
  - Ezekiel's Vision, 660 × 265 cm
  - Jacob's Ladder, 660 × 265 cm
  - Sacrifice of Isaac, 265 × 370 cm
  - Elisha Multiplying the Loaves, 370 × 265 cm
  - Elijah Fed by an Angel, 370 × 265 cm
  - Passover of the Israelites, 265 × 370 cm
  - Abram and Melchizedek, 265 × 265 cm
  - Jeremiah's Vision, 265 × 265 cm
  - Elijah on the Chariot of Fire, 265 × 265 cm
  - Daniel Saved by an Angel, 265 × 265 cm
  - Samson Drawing Water from a Donkey's Jaw, 265 × 265 cm
  - Samuel and Saul, 265 × 265 cm
  - Moses Saved from the Waters, 265 × 265 cm
  - The Three Young Men in the Furnace, 265 × 265 cm
- Walls
  - Saint Roch, 250 × 80 cm
  - Saint Sebastian, 250 × 80 cm
  - Adoration of the Shepherds, 542 × 455 cm
  - Baptism of Christ, 538 × 465 cm
  - Resurrection of Christ, 529 × 485 cm
  - The Agony in Gethsemane, 538 × 455 cm
  - Last Supper, 538 × 487
  - The Loaves and Fishes, 523 × 475 cm
  - Resurrection of Lazarus, 541 × 356
  - Ascension, 538 × 325
  - Christ Heals the Paralytic or Piscina probatica, 533 × 529 cm
  - Temptation of Christ, 539 × 330 cm
Ceiling of the Sala delle Quattro Porte, 1578-1581, Palazzo Ducale, Venice
- Jupiter Proclaims Venus Queen of the Seas, 500 × 290 cm
- Juno Brings Venus the Signs of Power, 290 cm in diameter
- Venice, Protector of Liberty, 290 cm in diameter
- Treviso, 150 × 115 cm
- Vicenza, 150 × 115 cm
- Altino, 150 × 115 cm
- Friuli, 150 × 115 cm
- Padua, 150 × 115 cm
Fasti of the Gonzagas, 1578-1580, Alte Pinakothek, Munich
- Investiture of Gianfrancesco I, 272 × 432 cm
- Ludovico III Defeats the Venetians near Legnago, 273 × 386 cm
- Frederick I Liberates Legnano, 236 × 421 cm
- Francesco II at the Battle of Taro, 269 × 421 cm
- The Victorious Federico II Enters Milan, 206 × 334 cm
- Frederick II Conquers Parma, 213 × 276 cm
- Frederick II Conquers Pavia, 212 × 276 cm
- Philip II Enters Mantua, 213 × 330 cm
- Verona, 150 × 115 cm
- Istria, 150 × 115 cm
- Brescia, 150 × 115 cm

1580-1594

Saint Bartholomew, Saint Benedict and Blessed Bernardo Tolomei with the Commissioners Bartolomeo and Battista Malmignati - Santuario della Beata Vergine del Pilastrello - Lendinara (RO).

Saint Bartholomew, Saint Benedict and Blessed Bernardo Tolomei with the Commissioners Bartolomeo and Battista Malmignati, circa 1580, Lendinara (Rovigo), Santuario della Beata Vergine del Pilastrello
The Vision of Saint Nicholas, c.1582, Novo Mesto Cathedral, Slovenia
Portrait of Vincenzo Morosini, 1581-1582, 84,5 × 51,5 cm, National Gallery, London
Baptism of Christ, 1581-1582, 169 × 251,4 cm, Cleveland Museum of Art, Cleveland, Ohio,
Paintings for the Sala del Senato, 1581-1584, Palazzo Ducale, Venice
- Triumph of Venice as Queen of the Seas, 810 × 420 cm
- Doge Pietro Loredan before the Madonna, 380 × 360 cm
- The Dead Christ Supported by Angels and Adored by Doges Pietro Lando and Marcantonio Trevisan, 295 × 910 cm
Paintings for the Sala Inferiore, 1582-1587, Scuola Grande di San Rocco, Venice
- Annunciation, 422 × 545 cm
- Adoration of the Magi, 425 × 544 cm
- Flight into Egypt, 422 × 580 cm
- Massacre of the Innocents, 422 × 546 cm
- Saint Mary Magdalene, 425 × 209 cm
- Saint Mary of Egypt, 425 × 211 cm
- Circumcision of Christ, 440 × 482 cm
- Assumption of the Virgin, 425 × 587 cm
- Visitation, circa 1588, 151 x 230 cm
Self-Portrait, circa 1588, 63 × 52 cm, Louvre, Paris
Adoration of the Magi, 1587, Santa Maria delle Vergini, Macerata
Martyrdom of Saint Lawrence, 1588, 126 × 191 cm, Christ Church Picture Gallery, Oxford
Paradise, 1588-1592, 700 × 2500 cm, Palazzo Ducale, Venice^[c]
Life of Saint Catherine, 1590-1592, Gallerie dell'Accademia, Venice
- Saint Catherine Explaining to MaxentiusHer Reasons for Refusing to Adore Idols, 160 × 225 cm
- Saint Catherine Disputing with the Doctors of Alexandria, 160 × 228 cm
- Saint Catherine Whipped, 161 × 230 cm
- Saint Catherine in Prison Assisted by Angels, 162 × 246 cm
- The Martyrdom of Saint Catherine, 160 × 244 cm
- Saint Catherine Led to the Place of Execution, 160 × 245 cm
Last Supper, Cattedrale di San Martino, Lucca
Paintings for San Giorgio Maggiore 1592-1594, Church of San Giorgio Maggiore, Venice
- Gathering the Manna, 377 × 576 cm
- Last Supper, 365 × 568 cm
- Deposition of Christ, 288 × 166 cm

Unknown date

The Dead Christ Supported by an Angel, Galleria Nazionale di Arte Antica, Trieste.

Crucifixion, Musei Civici agli Eremitani, Padua
Incision, Casa della cultura, Palmi
The Dead Christ Supported by an Angel, Galleria Nazionale di Arte Antica, Trieste

Attributed works

Saint Mark with Saint Jerome and Saint Bartholomew and Annunciation, Korčula Cathedral, Croatia
Saint Christopher, Museo d'Arte Sacra San Martino, Alzano Lombardo, BG
Judgement of Paris, Palazzo Moroni, Padova
The Cercopes Transformed into Monkeys, Palazzo Moroni, Padova
Briseis Reproaches Achilles, Palazzo Moroni, Padova
Deucalion and Pyrrha, Palazzo Moroni, Padova
Apollo and Marsyas, Palazzo Moroni, Padova
Venus and Adonis, Palazzo Moroni, Padova
Venus Lamenting the Dead Adonis, Palazzo Moroni, Padova
Jupiter and Semele, Palazzo Moroni, Padova.

Notes

^ Previously in the demolished church of Santa Maria dell'Umiltà
^ Appeared in the autummn edition of the TEFAF fair in New York (27-31 October 2018)
^ Largest oil on canvas painting in the world^[3]

References

^ Pierluigi de Vecchi (editor), L'opera pittorica completa di Tintoretto, Rizzoli, Milan, 1970-1999
^ Filippo Pedrocco and Francesca Martini, Tintoretto, Rizzoli, Milan, 2004
^ "Ald_it_Ve_VE_11_Tintoretto".

[3] Previously in the demolished church of Santa Maria dell'Umiltà

[4] Appeared in the autummn edition of the TEFAF fair in New York (27-31 October 2018)

[6] Largest oil on canvas painting in the world^[3]

[1] Pierluigi de Vecchi (editor), L'opera pittorica completa di Tintoretto, Rizzoli, Milan, 1970-1999

[2] Filippo Pedrocco and Francesca Martini, Tintoretto, Rizzoli, Milan, 2004

[5] "Ald_it_Ve_VE_11_Tintoretto".

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