Long Arm of the Law (省港旗兵, lit. "Red Guards in Guangzhou and Hong Kong") is a 1984 Hong Kong crime film directed by Johnny Mak Tong-hung.[1][2][3]
Long Arm of the Law | |||||||
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Chinese name | |||||||
Traditional Chinese | 省港旗兵 | ||||||
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Directed by | Johnny Mak | ||||||
Written by | Philip Chan | ||||||
Produced by | Sammo Hung Johnny Mak | ||||||
Cinematography | Johnny Koo Kwok Wah | ||||||
Edited by | Peter Cheung Yiu Chung | ||||||
Music by | Lam Miu Tak Mahmood Rumajahn | ||||||
Distributed by | Golden Harvest | ||||||
Release date |
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Running time | 100 minutes | ||||||
Country | Hong Kong | ||||||
Language | Cantonese |
Five men try to enter Hong Kong surreptitiously, meeting their leader there, to rob a jewellery store. One is shot and killed by Chinese border guards. Police investigating another robbery attempt at the same store spot their car acting suspiciously while they are casing it and give chase, with the robbers only escaping by opening fire and stealing a taxi.
Before the robbery has taken place, they are employed by a local triad to kill someone. The target turns out to be a policeman and they have to carry out the robbery while hiding from the police searching for them.
There were three sequels: Long Arm of the Law II (1987), Long Arm of the Law III (1989) and Long Arm of the Law IV: Underground Express (1990).
Plot
editCast
edit- Chen Jing
- Kong Lung
- Ben Lam Kwok Bun
- David Lam Wai
- Ng Hoi Tin
- Shum Wai
- Wong Kin
- Wong Yan Tat
- Yeung Min
- Tommy Wong Kwong Leung - cameo
- Charles Rhys Rowlands
Awards
edit4th Annual Hong Kong Film Awards (1985):
- Won - Best Supporting Actor (Shum Wai)
- Won - Best Editing (Cheung Yiu-Chung)
- Nominated - Best Film
- Nominated - Best Director (Johnny Mak Tong-Hung)
- Nominated - Best Screenplay (Philip Chan Yan-Kin)
- Nominated - Best New Performer (Lin Wei)
- Nominated - Best Cinematography (Koo Kwok-Wah)
- Nominated - Best Action Choreography (Billy Chan Wui-Ngai)
- Nominated - Best Original Score (Lam Mo-Tak)
Long Arm of the Law was ranked #6 on the list of Best 100 Chinese Motion Pictures during the 24th Hong Kong Film Awards ceremony on 27 March 2005.
See also
editReferences
edit- ^ Browne, Nick (1994). New Chinese Cinemas: Forms, Identities, Politics. Cambridge University Press. pp. 169–187. ISBN 978-0-521-44877-2.
- ^ Marchetti, Gina (1 April 2007). Andrew Lau and Alan Mak's Infernal Affairs - The Trilogy: Chinese People and British Rule in Hong Kong, 1841-1880. Hong Kong University Press. pp. 90–91. ISBN 978-962-209-801-5.
- ^ Fang, Karen (2017). Arresting cinema : surveillance in Hong Kong film. Stanford, California. pp. 69–81. ISBN 978-1-5036-0075-1. OCLC 958141489.
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: CS1 maint: location missing publisher (link)
External links
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