Lorna Ellis née Trengrove (1903 – July 1981) was a New Zealand sculptor and ceramist. Her works are held in the collection of Museum of New Zealand Te Papa Tongarewa.[1][2]
Education
editEllis attended the Wellington Art School for three years, at that time attached to the Technical College.[3]
Art career
editEllis was one of the first women in New Zealand to become a full-time commercial artist, and she drew mostly newspaper advertisements and illustrations for the Goldberg Advertising Agency until 1928 when she married. Her family commitments allowed little time for art until after the end of World War II.[4] Ellis was encouraged to return to art by the Thursday Group, of which she was one of the eight foundation members in 1952. This group met on Thursday evenings for many years to draw from life.[4]
Ellis was an artist member of the New Zealand Academy of Fine Arts from 1927, and in recognition of her service was elected a life member in 1975.[4] From 1965 to 1974, working alongside presidents including J. O. Mercer and Reginald James Waghorn, she served as a councilor for the Academy.[5] She was one of the longest serving members.[4]
Ellis taught weekly art classes at the Arohata Woman's Borstal Institution, where she worked as a counsellor for 18 years.[4] During her later years, Ellis was a member of "Group Seven", a group of artists who met at the Hutt Art Society rooms. Other members included June Tilley and Muriel Hopper.[6] Ellis was a contemporary of artist Juliet Peter, and attended Saturday afternoon drawing sessions at Helen Barc's apartment, alongside George Woods, E. Mervyn Taylor and Douglas McDiarmid.[7] Ellis also worked alongside potter Roy Cowan.[8]
Sculpture work
editAfter reading about cold-cast bronze sculpture in a book but being unable to find a tutor in this technique within New Zealand, Ellis went to England in 1958 to learn from sculptors there. She mastered the technique and brought it back to New Zealand.[4] Ellis was primarily a sculptor, but also worked with ceramics from the early 1970s onwards, after being introduced to potter Lee Thompson's kiln. Ellis worked with Thompson's kiln alongside potter Muriel Moody.[3]
Bronze busts of Rita Angus and E. Mervyn Taylor are held at Museum of New Zealand Te Papa Tongarewa.[1] A bust of notable teacher Mary Mackenzie (MBE) is held at the Victoria University of Wellington library.[9] Ellis was commissioned to produce a sculpture of Peter Field, Frances Hodgkins's nephew and guardian of the Field Painting Collection.[10]
Notable exhibitions
edit- Sculpture exhibition featuring 50 sculptured heads and ceramic pieces at the Dowse Art Museum, 1976.[11]
- 1981 Caltex Art Award for Representational Painting, Sculpture and Drawing Exhibition.[5]
- Memorial exhibition, July 1981.[4]
Family life
editEllis married Howard Ellis in 1928 at Saint Paul's Wellington.[12] Ellis' grandson, designer Adam Ellis, credits her with inspiring his creative journey, and has fond memories of sculpting with her in her home studio.[8] Her son, Anthony Arthur Travers Ellis, worked as a High Court judge, chairman of the Parole Board, and president of the Electoral Commission.[13]
References
edit- ^ a b "Loading... | Collections Online - Museum of New Zealand Te Papa Tongarewa". collections.tepapa.govt.nz. Retrieved 31 May 2021.
- ^ "Exhibition of artist's work". Evening Post (Wellington, N.Z.). 30 July 1981.
- ^ a b Harris, Margaret (1971). "Sculptors in clay - firing to Cone 10" (PDF). New Zealand Potter. 13 (1): 38–43.
- ^ a b c d e f g "Memorial exhibition". Dominion post (Wellington, N.Z.). 31 July 1981.
- ^ a b Kay, Robin; Eden, Tony (1983). Portrait of a Century: The History of the N.Z. Academy of Fine Arts 1882-1982 (PDF). Wellington: Millwood Press. ISBN 0908582609.
- ^ "[no title]". Evening Post (Wellington, N.Z.). 24 June 1981.
{{cite news}}: Cite uses generic title (help) - ^ "Art New Zealand". www.art-newzealand.com. Retrieved 31 May 2021.
- ^ a b "A blend of the natural and industrial". Stuff. 24 February 2015. Retrieved 31 May 2021.
- ^ Hughes, Beryl; Ahern, Sheila (1992). Redbrick and Bluestockings: Women at Victoria, 1899-1993. Victoria University Press. p. 65. ISBN 978-0-86473-244-6.
- ^ "Artistic boost from festival". Evening post (Wellington, N.Z.). 18 February 2000.
- ^ McCredie, Athol (1999). Going Public: New Zealand Art Museums in the 1970s (PDF). A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in Museum Studies at Massey University. p. 285.
- ^ "Blossoms & Bride". NZ Truth. 22 November 1928.
- ^ "Humane judge loved to tinker". Dominion-Post. 9 August 2007. Retrieved 31 May 2021 – via PressReader.