Maria Weigert Brendel (18 December 1902–1994) was a German expert on classical art. She studied at the University of Heidelberg, before being pulled out of the University by her father, and being forced to flee the country to avoid Nazi persecution. Later, she published a number of Otto Brendel's works.
Maria Weigert Brendel | |
|---|---|
 Shown 1917 | |
| Born | Maria Weigert 18 December 1902 Berlin, Germany |
| Died | 1994 (aged 91–92) |
| Nationality | German |
| Occupation | Classical art expert |
| Spouse | |
| Children | Cornelia Brendel Foss |
Biography
editEarly life
editBorn to Erich Weigert, a bureaucrat,[1] Maria Weigert was the first girl to attend a normally boys only German Gymnasium.[2] She was childhood friends with Dietrich Bonhoeffer.
She went on to study at the University of Heidelberg, studying with Professor Ludwig Curtius. It was there that she met her future husband, Otto Brendel. When she was almost finished with her degree, while writing her dissertation on the Ludovisi Throne, her father discovered her relationship with Brendel and pulled her out of the university, ending her doctoral career.[citation needed]
Marriage and child
editWeigert married Brendel in 1929.[2] In 1931, they moved near the University of Erlangen for Otto's new position. Their daughter, artist and painter Cornelia Brendel Foss, was born there in 1931. Cornelia married musician and composer Lukas Foss.[citation needed]
Life and works
editIn 1932, the family moved to Rome for Otto's position as First Assistant at the German Archaeological Institute, but in 1936, Otto was dismissed from his post because he was married to Maria, a non-Aryan. Maria moved back to Berlin with Cornelia, living under a false name so nobody suspected her Jewish identity. On 3 September 1939, Maria and Cornelia left Germany and immigrated to St. Louis, Missouri, where Otto was already living. In 1956, they moved to New York City, where both Maria and Otto were actively involved in the Archaeology Club. Other members included Dorothy Hill, Homer and Dorothy Thompson, Frances Follin Jones of the Princeton Art Gallery, and Evelyn Harrison.[citation needed]
After Otto died in September 1973, his widow began to publish and distribute a number of Otto's unfinished works. She translated The Symbolism of the Sphere from German into English, and an article on "Iphigeneia in Tauris in Euripides and Goethe" from English to German. She arranged for Emeline Richardson to complete his book Etruscan Art, and later for Francesca Serra Ridgway to write the second edition. She was involved in the posthumous publication of Festschrift in his honor.[citation needed]
References
edit- ^ Bonhoeffer, Dietrich (1 January 2014). Dietrich Bonhoeffer, Indexes and Supplementary Materials. Augsburg Fortress Publishers. ISBN 9781451469332.
- ^ a b "marieweigertbrendel.rtf" (PDF). Retrieved 22 July 2018.