Marie Gaudin (1495–1580), Dame de La Bourdaisière and de Thuisseau, was a French lady-in-waiting, known as the lover of Francis I, King of France, and also of Pope Leo X.[1]
Biography
editMarie Gaudin was the daughter of the queen's treasurer, Victor Gaudin, Seigneur de Thuisseau et de La Bourdaisière, and Agnès Morin, Lady of Ralluères. She was the granddaughter of Jehan Gaudin and the niece of Nicolas Gaudin, who were both mayor of Tours.
She married Philibert Babou, Seigneur de Givray, in Tours on 28 April 1510. She served as lady-in-waiting to the queen of France, Eleanor of Austria.
Considered to be the most beautiful woman of her time,[1] Marie Gaudin, was the first ("unofficial") mistress of Francis I of France[2] at the very beginning of his reign, but their relationship did not become public. Much later, Francis is said to have also shared "the graces of the king" with her three daughters, also "of great beauty",[1] who "successively inherited the royal favour, which they purchased, as their mother had purchased it, at the expense of their honour."[3]
The couple's wealth was based on her relationship with the king and the resulting offices and benefits: Philibert Babou became Minister of Finance,[4] Treasurer of the Savings Chest in 1522,[3] Superintendent of Finances in 1524, and Master of the King's Household and a member of the King's Private Council in 1544. The couple were close to the Medici family.[5]
In 1515, Marie Gaudin and Philibert Babou accompanied the French king during his stay in Bologna, where she met and had an affair with Pope Leo X.[6] On 11 December 1515,[7] at Francis's meeting with the pope, Leo X gave her a diamond of great value, since called the Diamant Gaudin,[1][8] in memory of the "favours" she had granted him.[6][a] Negotiations during the stay led to the Concordat of Bologna, which was signed in Rome on 18 August 1516.
In 1520, Francis gifted to Marie Gaudin the 14th century castle of La Bourdaisière in Montlouis-sur-Loire,[9] which she and Babou decided to rebuild.
Marie Gaudin's and Philibert Babou's three daughters served as models for the representation of "the Three Marys"[b] on an Enterrement du Christ for a tomb in the castle chapel of Notre-Dame de Bondésir in La Bourdaisière (very probably the tomb of Philibert Babou),[10] on which Marie Gaudin represented the Virgin Mary.[1] The chapel was founded on 15 April 1544, and Philibert Babou stated in his will on 9 September 1557, shortly before his death, that he wanted to be buried there. Marie Gaudin declared this in 1564, after Philibert and some of the couple's children had already been buried in the chapel.[10]
In the church of Saint-Denis in Amboise there is a reclining figure (gisant), which is usually referred to as the "Statue of the Drowned Woman" (Statue de la femme noyée), and is considered to be the tombstone of Marie Gaudin. As early as 1828 it was suspected that the figure came from the chapel of Notre-Dame de Bondésir, which was demolished in 1780, and that it was the gravestone of Marie Gaudin. The gisant was moved before the demolition, was in the church of Saint-Florentin in Amboise at the beginning of the 19th century, was brought to the castle of Amboise in 1864 and to the chapel of Saint-Hubert in 1894. Since 1904 the figure has been considered a historic monument after it was long considered "indecent" and offensive by the clergy and believers because it is unclothed.[10]
Notes
edit- ^ Reports that she was also mistress of Charles V, Holy Roman Emperor (who was the brother of the queen of France, Eleanor) when he visited Francis I are not substantiated.
- ^ Mary Magdalene, Mary, mother of James, and Mary Salome (Mark 16:1)
References
edit- ^ a b c d e Desplaces, Ernest; Michaud, Louis Gabriel, eds. (1834). Biographie universelle, ancienne et moderne, ouvrage rédigé par une société de gens de lettres [Universal biography, ancient and modern, work written by a society of literary men] (in French). Vol. 5. p. 293.
- ^ Duprat, Benj. (1904). L'intermédiaire des chercheurs et curieux [The intermediary for researchers and the curious] (in French). Vol. 49. Libraire de l'Institut. p. 444.
- ^ a b Bailly, Alexandre (1848). Mysteries of the Old Castles of France Or Secret Intrigues of the Kings and Queens, Princes and Princesses, and Other Great Personages of the Times. Translated by Haley, William Thomas. W. Strange. p. 55.
- ^ Lebeuf, Jean; Challe, Ambroise; Quantin, Maximilien (1851). Perriquet (ed.). Mémoires concernant l'histoire ecclésiastique et civile d'Auxerre : continues jusqu'à nos jours avec addition de nouvelles preuves et annotations [Memoirs concerning the ecclesiastical and civil history of Auxerre: continued to the present day with the addition of new evidence and annotations] (in French). Vol. 2. Auxerre. p. 155.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ "Marie Gaudin, dame de la Bourdaisière". Au coeur de l'Histoire: Forum sur l'Histoire en général (in French). Retrieved 26 October 2024.
The couple would have excellent relations with the Medicis.
- ^ a b "Marie Gaudin, dame de la Bourdaisière". Au coeur de l'Histoire: Forum sur l'Histoire en général (in French). Retrieved 26 October 2024.
It seems that this lady had caught the attention of His Holiness, and that by an agreement between Francis I and Leo X, she had responded to the passion of the Pope, who gave her, as a souvenir, a very expensive ring ... with the name of "Gaudin diamond".
- ^ "FRANÇOIS Ier, le Père et Restaurateur des Lettres (1515-1547)". Histoire Chronologique (in French). Retrieved 26 October 2024.
- ^ Bibliothèque universelle des sciences, belles-lettres et arts. Littérature [Universal Library of Sciences, Literature and Arts. Literature] (in French). Vol. 33. 1806. p. 166. Retrieved 26 October 2024.
- ^ Wellman, Kathleen (21 May 2013). Queens and Mistresses of Renaissance France. Yale University Press. p. 327. ISBN 9780300178852.
- ^ a b c Baydova, Anna (2017). "The Sculpted Recumbent Effigy of Marie Gaudin at the Church of Saint Denis in Amboise: History and Artistic Context" (PDF). Actual Problems of Theory and History of Art: Collection of Articles. 7. St. Petersburg: St. Petersburg University Press: 581–588. doi:10.18688/aa177-5-59. ISSN 2312-2129. Retrieved 26 October 2024.