Master of the Children of the Chapel Royal

The Master of the Children of the Chapel Royal was the choirmaster of the Chapel Royal of England. They were responsible for the musical direction of the choir, which consisted of the Gentlemen of the Chapel and Children of the Chapel. In some periods regarded as the most prestigious choral directorship in the country, the holder was given power to take boys into service from the leading cathedral choirs.

Description

As well as singing in divine service in the chapel, in Tudor times the Masters of the Children were also involved in staging plays with the choristers.^[1] Initially these were for the entertainment of the Royal Court,^[1] but by Elizabethan times were taking place in theatres for the paying public. This culminated in the Clifton Star Chamber Case when the then Master of the Children, Nathaniel Giles, allowed his warrant for recruiting choir boys to be used for legal abduction of a nobleman's son to act in a theatre in which he had a financial stake. Following this case the practice declined.^[2]

Upon the restoration of the monarchy in 1660, Henry Cooke, commonly known as Captain Cooke, who had been a soldier in the Civil War, was appointed Master of the Children and reconstituted the choir. There followed a period of excellence in the choir of the Chapel Royal, with many of the boys under his tutelage in those years become famous musicians such as Pelham Humfrey, Henry Purcell, John Blow and Michael Wise.

List of office holders

References

^ ^a ^b ^c Ward, A. W.; Waller, A. R. (1969). Cambridge History of English Literature 6, Part 2: The Drama to 1642. ISBN 978-0-521-04520-9.
^ ^a ^b ^c ^d ^e ^f Charles William Wallace (1912). The evolution of English drama up to Shakespeare. ISBN 978-3-11-165177-4.
^ Nigel Saul, ed. (2005). St George's Chapel, Windsor, in the Fourteenth Century. Boydell Press. p. 8. ISBN 978-1-84383-117-4.
^ ^a ^b David Lasocki (1998). A biographical dictionary of English court musicians, 1485–1714, Volumes I and II. ISBN 978-1-315-09781-7.
^ Bullen, Arthur Henry (1889). "Edwards, Richard" . Dictionary of National Biography. Vol. 17. p. 125.
^ Cousin, John William (1910), "Hunnis, William", A Short Biographical Dictionary of English Literature, London: J. M. Dent & Sons, p. 205 – via Wikisource
^ David Baldwin (1990). The Chapel Royal : Ancient and Modern. Duckworth. ISBN 978-0-7156-2349-7.
^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ R O Bucholz (ed.). "The Chapel Royal: The children and their masters". Office-Holders in Modern Britain. Vol. 11 (Revised) Court Officers, 1660–1837.

Notes

^ William Hunnis appears to have continued in the role after 1575 when the Chapel Royal and Windsor choirs were merged

[drama-1] Ward, A. W.; Waller, A. R. (1969). Cambridge History of English Literature 6, Part 2: The Drama to 1642. ISBN 978-0-521-04520-9.

[wallace-2] ^ ^a ^b ^c ^d ^e ^f Charles William Wallace (1912). The evolution of English drama up to Shakespeare. ISBN 978-3-11-165177-4.

[3] Nigel Saul, ed. (2005). St George's Chapel, Windsor, in the Fourteenth Century. Boydell Press. p. 8. ISBN 978-1-84383-117-4.

[Lasocki-4] David Lasocki (1998). A biographical dictionary of English court musicians, 1485–1714, Volumes I and II. ISBN 978-1-315-09781-7.

[5] Bullen, Arthur Henry (1889). "Edwards, Richard" . Dictionary of National Biography. Vol. 17. p. 125.

[6] Cousin, John William (1910), "Hunnis, William", A Short Biographical Dictionary of English Literature, London: J. M. Dent & Sons, p. 205 – via Wikisource

[Baldwin-8] David Baldwin (1990). The Chapel Royal : Ancient and Modern. Duckworth. ISBN 978-0-7156-2349-7.

[office-9] ^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ R O Bucholz (ed.). "The Chapel Royal: The children and their masters". Office-Holders in Modern Britain. Vol. 11 (Revised) Court Officers, 1660–1837.

[7] William Hunnis appears to have continued in the role after 1575 when the Chapel Royal and Windsor choirs were merged

[1]

[2]

[3]

[4]

[5]

[6]

[a]

[7]

[8]