Matilde Rafaela Cherner (pen name, Rafael Luna; 1833 - 15 August 1880) was a 19th-century Spanish writer and journalist. She has been described as a woman "of progressive ideas and clear and marked political convictions"[1] and a "convinced federal republican".[2][3]
Matilde Cherner | |
|---|---|
| Born | 1833 Salamanca, Spain |
| Died | 15 August 1880 (aged 46–47) Madrid, Spain |
| Pen name | Rafael Luna |
| Occupation |
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| Genre |
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| Notable works | María Magdalena: estudio social (1880) |
Early life and education
editMatilde Rafaela Cherner was born in Salamanca in 1833.[4] Her mother was Antonia Hernández Luna, a native of Aldeadávila de la Ribera, Salamanca, and her father was Juan Cherner, a native of San Fernando, Cádiz. The child's education included learning Latin and French.
Career
editCherner wrote in La Revista Salmantina, where her first poem was published in 1852, and in El Federal Salmantino. During 1872–1873, several of her poems appeared in the latter while she already lived in Madrid.[2]
Under the masculine pseudonym "Rafael Luna", she published the novels Novelas que parecen dramas (1877), Las tres leyes (1878) Ocaso y aurora (1878) y María Magdalena: estudio social (1880), as well as a large number of critical works.[5] She also published plays such as Don Carlos de Austria and La Cruz as well as critical works including Juicio crítico (Critical judgment) on Miguel de Cervantes' Novelas ejemplares.[6]
She collaborated in the Madrid women's magazine La Ilustración de la Mujer,[7] where three poems, a literary story, a study on religious music, and a series of articles on the feminine situation are preserved, collected under the column of "Las mujeres pintadas por sí mismas" (The women painted by themselves), these signed with her real name.[8] Cherner also collaborated in La Ilustración Republicana Federal.[9]
Perhaps her most controversial work was María Magdalena, in which she criticized legalized prostitution as she had already done in her articles of La Ilustración de la Mujer.[8] The theme is prostitution seen through the life of a young woman who has entered this world and it is narrated in the form of a memoir.[10] The prostitute narrates how she has come to this degrading profession. This novel may be the first Spanish novel in which a prostitute is the protagonist. Later, in 1884, the physician Eduardo López Bago published La prostituta, which was highly criticized and the object of some controversy. In 1881, Benito Pérez Galdós published La desheredada, a work that Clarín considered the story of a prostitute. Cherner's work, which was defined by the author in her prologue as naturalistic, although with nuances, is more reflective than descriptive. In it, with a moralizing tone, she criticizes the society that, while needing prostitutes, rejects them.[2]
Death and legacy
editShe died in her home in Madrid at 21 Calle de la Palma of an aneurysm, according to the official report,[2] on 15 August 1880.[4][5] However, her unexpected death caused some rumors about a possible suicide as a result of the public pressure she received for her denunciation of prostitution.[6]
In 2022, the publishing house Espinas republished Cherner's work, María Magdalena.[11]
Selected works
editNovels
edit- Las tres leyes
- Ocaso y aurora (1878)
- María Magdalena: estudio social (1880)
- Novelas que parecen dramas (1878)
Drama
edit- Don Carlos de Austria
- La Cruz
Literary criticism
edit- Juicio crítico
References
edit- ^ Sociedad de Literatura Española del Siglo XIX Coloquio (2002). La elaboración del canon en la literatura española del siglo XIX: Barcelona, 20-22 de octubre de 1999 (in Spanish). Barcelona: Universitat de Barcelona. pp. 363–76. ISBN 978-84-477-0816-1. OCLC 53021566. Retrieved 22 September 2023.
- ^ a b c d Rodríguez Sánchez, María de los Ángeles (1998). Matilde Cherner: una voz femenina y crítica ante la prostitución en la España de 1880 (PDF). Actas XIII Congreso Asociación Internacional de Hispanistas. ISBN 8470398474. Retrieved 22 September 2023.
- ^ Simón Palmer, María del Carmen (2022). Escritoras españolas del siglo XIX. Manual bio-bibliográfico (PDF) (in Spanish). Alicante: Biblioteca Virtual Miguel de Cervantes. ISBN 978-8470396007. Retrieved 22 September 2023.
- ^ a b Baz, Lira Félix (28 June 2020). "La escritora Matilde Cherner fue muy polifacética y políticamente incorrecta en su época S-XIX republicana, demócrata, federal y feminista que luchó por la igualdad de la mujeres". La Crónica de Salamanca (in Spanish). Retrieved 22 September 2023.
- ^ a b Ossorio y Bernard, Manuel (September 1889). "9". Apuntes para un diccionario de escritoras españolas del siglo XIX (in Spanish). Madrid: La España moderna. pp. 169–94. Retrieved 22 September 2023 – via Biblioteca Virtual de Prensa Histórica, Ministerio de Cultura y Deporte.
- ^ a b "Matilde Cherner, la escritora que denunció la prostitución en España (antes incluso que Galdós)". El Español (in Spanish). 30 July 2022. Retrieved 22 September 2023.
- ^ Rodríguez Sánchez, 2005, pp. 307-19.
- ^ a b Rodríguez Sánchez, Maria de los Ángeles. "Matilde Cherner y La Ilustración de la Mujer". Biblioteca Virtual Miguel de Cervantes (in Spanish). Retrieved 22 September 2023.
- ^ Ramos, María Dolores (2012). Andaluzas en la historia: reflexiones sobre política, trabajo y acción colectiva (in Spanish). Centro de Estudios Andaluces. pp. 25–26. ISBN 978-84-940635-1-0. OCLC 840405243. Retrieved 22 September 2023.
- ^ Medina, Miguel Ángel (17 July 2022). "Matilde Cherner, la escritora que se adelantó a Galdós". Zenda (in Spanish). Retrieved 24 September 2023.
- ^ Falcón, Luis (28 June 2022). "La editorial Espinas rescata una obra de la salmantina Matilde Cherner, invisibilizada hasta hoy". El Español (in Spanish). Retrieved 24 September 2023.