Max Big Man was a Crow educator, historian, and artist born in Crow Agency, Montana.[1][2] He represented the Crow in Washington, D.C.,[3] promoted the Custer Battlefield Association, and was made an honorary chief by Plenty Coups.[1] Big Man worked with CBS Radio to conduct educational programming about Native Americans, sharing information and playing his flute.[4][5]
Max Big Man | |
|---|---|
| Born | |
| Nationality | Crow Nation |
| Occupation(s) | educator, painter |
Career
editThe Crow reservation where Big Man lived had a railroad stop, where trains would stop briefly before heading towards more populated places like Billings, Montana. Some time in the 1920s, Big Man began delivering historical lectures on Native life and the Little Bighorn Battlefield for tourists at the train stop. The Chicago, Burlington and Quincy Railroad soon saw an opportunity to capitalize on these lectures. Railroad staff encouraged Crow Agency superintendent Charles Asbury to provide "atmosphere" and entertainment at the stop with stereotypical "Indian lore" such as "beads and buckskin, eagle feathers, war bonnets, tomahawks ... and typical Indian tepees." In the summer 1929, the Railroad paid Big Man fifty dollars per month to entertain tourists at the stop.[6]
Big Man's reputation grew. In 1930, the Custer Battlefield Hiway Association hired Big Man to tour the Midwestern United States promoting the highway.[6] He also visited New York City and Chicago. In 1930, the Chicago Daily News quoted him as telling New York mayor Jimmy Walker, "You have some fine high tepees here in New York city, but I like our tepees better in Montana."[7]
In subsequent years, Big Man travelled occasionally for his work with Columbia Broadcasting System and New York schools. On one such trip he met actress Te Ata, and the two became friends.[3] During another trip to Washington, D.C., Big Man visited President Herbert Hoover to pay respects.[8]
Personal life
editBig Man was described as "a towering Indian."[8] He painted as a hobby, often depicting scenes from tribal life and his own activities.[1]
References
edit- ^ a b c King, Jeanne Snodgrass (1968). American Indian painters; a biographical directory. Smithsonian Libraries. New York : Museum of the American Indian, Heye Foundation. p. 21.
- ^ Laubin, Reginald (1977). The Indian tipi : its history, construction, and use. Internet Archive. Norman : University of Oklahoma Press. p. 305. ISBN 978-0-8061-1433-0.
- ^ a b Green, Richard (2006-01-20). Te Ata: Chickasaw Storyteller, American Treasure. University of Oklahoma Press. ISBN 978-0-8061-3754-4.
- ^ Lester, Patrick D. (Patrick David) (1995). The biographical directory of Native American painters. Internet Archive. Tulsa, OK : SIR Publications ; Norman, OK : Distributed by University of Oklahoma Press. p. 65. ISBN 978-0-8061-9936-8.
- ^ "Station Parade" (PDF). Radio Digest: 54. April 1932 – via World Radio History.
- ^ a b White, Cody (2021-06-01). "On the Road Again: Max Bigman's Lecture Career". The Text Message. National Archives and Records Administration. Retrieved 2024-05-17.
- ^ "Indian Views City's Tepees; Prefers West". Chicago Daily News. 1932-03-02. p. 8. Retrieved 2024-05-17.
- ^ a b Hendrickson, Lisa (2021). Burning the Breeze: Three Generations of Women in the American West. U of Nebraska Press. p. 192. ISBN 978-1-4962-2876-5.
External links
edit- Portrait of Max Big Man, Montana State Library
- Portrait of Max Big Man, National Museum of the American Indian
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