Meghann Riepenhoff (born 1979)[1] is an American photographer, living in Bainbridge Island, Washington, and San Francisco, California, who makes camera-less cyanotypes.[2][3] She has produced the books Littoral Drift + Ecotone (2018) and Ice (2022). Her work is held in the collections of the High Museum of Art and San Francisco Museum of Modern Art and in 2018 she received a Guggenheim Fellowship.[1][4][5]
Life and work
editRiepenhoff is from Atlanta, GA. She received a BFA in photography from the University of Georgia, and an MFA from San Francisco Art Institute.[2] She lives in Bainbridge Island, Washington, and San Francisco, California.[2]
She makes camera-less cyanotypes in collaboration with the landscape and the ocean.[6] "Riepenhoff utilises waves, rain, wind and sediment in her process, creating physical inscriptions through the direct contact of these natural phenomena with her photographic materials".[7]
Publications
edit- Littoral Drift + Ecotone. Santa Fe, New Mexico: Radius; New York City: Yossi Milo, 2018. ISBN 9781942185468.[8][9]
- Ice. Santa Fe, New Mexico: Radius; New York City: Yossi Milo, 2022. Photography by Riepenhoff, text by Rebecca Solnit. ISBN 9781942185864.[10]
Group exhibitions
edit- Cyanotypes: Photography's Blue Period, Worcester Art Museum, Worcester, MA, 2016[11]
- New Territory: Landscape Photography Today, Denver Art Museum, Denver, CO, 2018[12]
Awards
editCollections
editRiepenhoff's work is held in the following permanent collections:
- High Museum of Art, New York: 2 prints (as of 14 March 2023)[4]
- San Francisco Museum of Modern Art, San Francisco, CA: 1 print (as of 14 March 2023)[1]
- Worcester Art Museum, Worcester, MA: 1 print (as of 14 March 2023)[13]
See also
editReferences
edit- ^ a b c "Riepenhoff, Meghann". SFMOMA. Retrieved 2023-03-14.
- ^ a b c "About - Meghann Riepenhoff". meghannriepenhoff.com. Retrieved 2023-03-14.
- ^ "Exhibition Review: Ice: Meghann Riepenhoff". Musée Magazine. 26 September 2022. Retrieved 2023-03-14.
- ^ a b "Eluvium". High Museum of Art. Retrieved 2023-03-14.
- ^ a b "Meghann Riepenhoff". John Simon Guggenheim Memorial Foundation. Retrieved 2023-03-14.
- ^ Mallonee, Laura. "The Ocean Made These Wild Photos. Yes, Really". Wired. ISSN 1059-1028. Retrieved 2023-03-14.
- ^ "Seascapes without a camera: Meghann Riepenhoff's cyanotypes". The Guardian. 23 February 2018. ISSN 0261-3077. Retrieved 2023-03-14.
- ^ Liberty, Megan N. (9 July 2019). "Meghann Riepenhoff's Littoral Drift and Ecotone". The Brooklyn Rail. Retrieved 2023-03-14.
- ^ Colberg, Jörg. "Littoral Drift + Ecotone". Conscientious Photography Magazine. Retrieved 2023-03-14.
- ^ Merola, Alex. "Meghann Riepenhoff's new book collects cyanotypes made by ice - 1854 Photography". British Journal of Photography. Retrieved 2023-03-14.
- ^ "'Cyanotypes: Photography's Blue Period'". The New York Times. 5 February 2016. ISSN 0362-4331. Retrieved 2023-03-14.
- ^ Delson, Susan (8 June 2018). "In Denver, Landscapes Soaked, Digitized and Irradiated". Wall Street Journal. Retrieved 2023-03-14.
- ^ "Works – Meghann Riepenhoff – Creators – Worcester Art Museum". worcester.emuseum.com. Retrieved 2023-03-14.
External links
edit  | This article about an American photographer is a stub. You can help Wikipedia by expanding it. |