Melting the Venusberg: A Feminist Theology of Music is a 2004 book by Heidi Epstein, in which the author provides a critique of the foundations of the understanding of Western music. She argues that this understanding has reinforced social prejudices, particularly those against women and this is more evident in religious music.[1][2][3]
 | |
| Authors | Heidi Epstein |
|---|---|
| Language | English |
| Subject | Theology of music |
| Publisher | Continuum International Publishing Group |
Publication date | 2004 |
| Publication place | United States |
| Media type | Print (hardcover) |
| Pages | 300 |
| ISBN | 9780826416483 |
References
edit- ^ Suna-Koro, Kristine (25 June 2016). "Melting the Venusberg: A Feminist Theology of Music Heidi Epstein New York: Continuum, 2004.204 pp. $24.95". Theology Today. 63 (1): 132–134. doi:10.1177/004057360606300125.
- ^ Rycenga, Jennifer (29 October 2008). "Melting the Venusberg: A Feminist Theology of Music (review)". Women and Music: A Journal of Gender and Culture. 12 (1): 117–122. doi:10.1353/wam.0.0011. ISSN 1553-0612.
- ^ Dackson, Wendy (1 January 2006). "Melting the Venusberg: A Feminist Theology of Music". Anglican Theological Review. 88 (1): 110. ISSN 0003-3286. Retrieved 13 January 2019.
External links
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