Michael O'Connor (1801 – 25 June 1867) was an Irish stained-glass artist based successively in Dublin, Bristol and London. A pupil of Thomas Willement, he developed a Gothic Revival style under the influence of Augustus Pugin, with whom he worked. He acquired a high reputation,[1] and was commissioned to create windows for several cathedrals in England, Wales and Ireland. He is now seen as one of the leading stained-glass artists of his generation working in Britain.[2] His stained-glass firm survived his death, initially under the management of his sons, and lasted until 1915.
Career
editMichael O'Connor, born in Dublin, began his professional life as a heraldic artist, but along with many other early 19th-century practitioners of that art he decided to move into the renascent field of stained-glass design.[3][4] Going to London in 1823, he studied this art under Thomas Willement, one of the leaders of the revival of stained-glass manufacture in Britain, and then returned to Dublin to establish his own business.[5][4] In an 1839 trade directory he is listed as a "professor of heraldry, stained glass enameller, and ornamental painter, print & bookseller, and fancy stationer". He exhibited stained-glass designs at this time at the Royal Hibernian Academy.[6] He moved his business to Bristol in 1842,[1] and there began to work with Augustus Pugin, under whose influence he adopted a neo-medieval style[7][8] later to be praised by Pevsner for its avoidance of "Victorian dimness and fussiness of small detail". One of their notable collaborations was on the glass for St Saviour's Church, Leeds. In 1845 he made his final move, to London, where he set up business premises at 4 Berners Street.[1] O'Connor's collaborators included not just Pugin but William Butterfield, William Warrington, and his own son, Arthur O'Connor, with whom he went into partnership by 1852. By the 1850s he had acquired a high reputation, and was selected for inclusion in the Great Exhibition of 1851.[9] He nevertheless, as a Catholic, suffered from religious prejudice which hindered his efforts to get commissions from the Church of England authorities for prestigious projects,[10] and resulted in 1862 in the firm's newly installed windows for the Anglican church in Enniskerry, St Patrick's, being smashed by Protestant demonstrators.[8] The firm did, however, make windows during and after Michael O'Connor's lifetime for the Royal Chapel of All Saints,[11] Christchurch Priory,[12] Peterborough Cathedral,[13] Salisbury Cathedral,[14] Llandaff Cathedral (the glass was destroyed by enemy action in 1941),[15] Tuam Cathedral,[16] Chichester Cathedral, Clontarf Castle, and the chapels of the Royal Hospital Kilmainham,[17] Balliol College, Oxford,[18] and Eton College.[19] In 1856 O'Connor developed problems with his eyesight[20] which increasingly necessitated his assigning work to his sons Arthur and William Henry.[9] The style of the firm's glass can be seen to have changed at about this time, losing much of Michael O'Connor's simplicity.[1] Forced to retire by failing health, O'Connor died on 25 June 1867.[21]
Later history of the company
editO'Connor's sons William Henry and Arthur continued the firm successfully after his death, expanding their activities into the field of painting as well as continuing the design of stained-glass windows. By 1873, the year Arthur died, the company had changed its name from O'Connor and Sons to O'Connor and Taylor. The new partner, William George Taylor, was perhaps brought in more for his business expertise than for artistic talent.[9] In 1877 the name changed again to Taylor and O'Connor.[22] It adopted its final name, Taylor and Clifton, in 1902, and continued in business until 1915.[9]
Citations
edit- ^ a b c d Banerjee 2021.
- ^ Cowen, Painton (1985). A Guide to Stained Glass in Britain. London: Michael Joseph. p. 59. ISBN 9780718125677. Retrieved 11 May 2024.
- ^ Cheshire, Jim (2004). Stained Glass and the Victorian Gothic Revival (PDF). Manchester: Manchester University Press. p. 1. ISBN 9780719063466. Retrieved 10 May 2024.
- ^ a b Rosewell 2012, p. 65.
- ^ Casey, Christine (2005). Dublin: The City Within the Grand and Royal Canals and the Circular Road with the Phoenix Park. New Haven, CN: Yale University Press. p. 63. ISBN 9780300109238. Retrieved 10 May 2024.
- ^ "O'Connor, Michael". Dictionary of Irish Architects 1720–1940. Irish Architectural Archive. Retrieved 10 May 2024.
- ^ Belcher, Margaret, ed. (2015). The Collected Letters of A. W. N. Pugin. Volume 5: 1851–1852. Oxford: Oxford University Press. p. 374. ISBN 9780198713913. Retrieved 10 May 2024.
- ^ a b Barrett & Sheehy 2010, p. 473.
- ^ a b c d Allen 2024.
- ^ Crampin, Martin (2019). "The Gothic Revival Character of Ecclesiastical Stained Glass in Britain" (PDF). Folia Historiae Artium. Seria Nowa. 17: 34. ISSN 0071-6723. Retrieved 11 May 2024.
- ^ Eberhard, Robert (January 2024). "Royal Chapel of All Saints Church in Windsor Great Park, Berkshire". Church Stained Glass Records. Retrieved 11 May 2024.
- ^ Eberhard, Robert (January 2024). "Priory Church in Christchurch, Dorset (ex Hants)". Church Stained Glass Records. Retrieved 11 May 2024.
- ^ Eberhard, Robert (January 2024). "Peterborough Cathedral in Cambridgeshire". Church Stained Glass Records. Retrieved 11 May 2024.
- ^ Eberhard, Robert (January 2024). "Salisbury Cathedral in Wiltshire". Church Stained Glass Records. Retrieved 11 May 2024.
- ^ Aithie, Pat (2010). "The Stained Glass of Llandaff Cathedral". In Lambert, Nick (ed.). Llandaff Cathedral. Bridgend: Seren. p. 195. ISBN 9781854114990. Retrieved 11 May 2024.
- ^ An Introduction to the Architectural Heritage of County Galway. Réamhrá ar Oidhreacht Ailtireachta Chontae na Gailimhe. Dublin: Stationery Office. 2011. p. 83. ISBN 9781406425345. Retrieved 11 May 2024.
- ^ Anonymous 1867, pp. 230–231.
- ^ Jones, John (2019). "Balliol College Chapel: Notes on the History and Interpretation of the Stained Glass" (PDF). Balliol College, University of Oxford. p. 23. Retrieved 11 May 2024.
- ^ Eberhard, Robert (January 2024). "Eton College Chapel Church in Eton, Berkshire". Church Stained Glass Records. Retrieved 11 May 2024.
- ^ Anonymous 1867, p. 231.
- ^ Anonymous 1867, p. 230.
- ^ "Michael and Arthur O'Connor". Gwidr Lliw yng Nghymru / Stained Glass in Wales. Retrieved 11 May 2024.
References
edit- Allen, John (2024). "Architects & Artists N-O". Sussex Parish Churches. Retrieved 9 May 2024.
- Anonymous (August 1867). "The Late Michael O'Connor". The Ecclesiologist. 28 (181): 230–231. Retrieved 9 May 2024.
{{cite journal}}
: CS1 maint: date and year (link) - Banerjee, Jacqueline (25 July 2021). "Stained Glass by Michael O'Connor and Sons". The Victorian Web. Retrieved 7 May 2024.
- Barrett, Cyril; Sheehy, Jeanne (2010) [1989]. "Visual Arts and Society, 1850–1900". In Vaughan, W. E. (ed.). A New History of Ireland. VI: Ireland Under the Union, II: 1870–1921. Oxford: Oxford University Press. pp. 436–499. ISBN 9780199583744. Retrieved 11 May 2024.
- Rosewell, Roger (2012). Stained Glass. Oxford: Shire. ISBN 9780747811473. Retrieved 11 May 2024.