Mitsuo Aida (相田みつを, Aida Mitsuo, 20 May 1924 – 17 December 1991) was a Japanese poet and calligrapher known as The Poet of Zen.[1] His work was influenced by Zen Buddhism and he is known for his works, Ningen damono (Because I'm Human), Okagesan (Our Debt to Others), and Inochi ippai (Live a Full Live).[2]
Mitsuo Aida | |
---|---|
相田みつを | |
Born | |
Died | December 17, 1991 | (aged 67)
Other names | The Poet of Zen |
Alma mater | Kanto Junior College |
Known for | Poet and calligrapher |
Notable work | Ningen damono (Because I'm Human) |
![](http://upload.wikimedia.org/wikipedia/commons/thumb/3/32/Poem_of_Mistuo_Aida_inscribed.jpg/220px-Poem_of_Mistuo_Aida_inscribed.jpg)
Early life
editAida was born in Ashikaga, Tochigi, Japan, in 1924. At an early age he showed interest in calligraphy and tanka poetry and was characterized for an original style.[1][3] He attended Tochigi Prefectural Ashikaga High School. After graduation he proceeded to study poetry with Yamashita Mutsuk and calligraphy with Iwasawa Kei-seki. His work is also known to have been influenced by Michiaki Zheng, Takei Akira, and Kinono Kazuyoshi. In 1953, Aida graduated from Kanto Junior College, a private college in Tatebayashi, Gunma.[citation needed]
In 1954, Aida married Hiraga Chie. Their eldest son, Kazuto Aida, is the director of the Mitsuo Aida Museum in Tokyo.[4]
Career and legacy
editAida's works became well known after the publishing of his book, Ningen damono (Because I'm Human), in 1984.[3]
Following a brain hemorrhage, Aida died in Ashikaga, Tochigi, in 1991.[2] Shortly after his death, in 1996, the Mitsuo Aida Museum opened in Ginza, a neighborhood in Tokyo. In 2003, the museum moved to the Tokyo International Forum, a multi-purpose exhibition center.[5] The art show includes approximately 450 of Aida's calligraphy works,[6] and the museum foundation organizes several art appreciation seminars throughout the country each year.[7]
Former Japanese Prime Minister Yoshihiko Noda is known to be a patron of Aida's. In a 2011 pre-election speech, the politician quoted Aida's poetry, saying, "The loach, it doesn't have to imitate the goldfish." This remark let to some confusion about Noda's meaning among his followers, but also a sharp increase in the number of visitors to the Mituso Aida Museum and a renewed interest in Aida's work.[1]
Museum
editMitsuo Aida Museum (相田 みつを) is a private museum in Chiyoda, Tokyo dedicated to the works of Aida.[8] The museum opened in 1996 in Ginza and in 2003 moved to new location near Yurakucho Station,[9] inside the Tokyo International Forum.[10]
References
edit- ^ a b c "Noda's Nod to the Poet of Zen". WSJ Blogs - Japan Real Time. Sep 2, 2011. Retrieved 2015-05-24.
- ^ a b Miller, Scott J (2009). Historical dictionary of modern Japanese literature and theater. Lanham, Md.: Scarecrow Press. pp. 3–4. ISBN 9780810863194. Retrieved 2015-05-23.
- ^ a b "Mitsuo Aida Museum =". www.mitsuo.co.jp. Retrieved 2015-05-24.
- ^ "相田みつを" (in Japanese). 2015-02-06.
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(help) - ^ "'Commemorating the 10th Anniversary of the Relocation of the Mitsuo Aida Museum: Even One Simple Thing' | The Japan Times". 28 August 2013. Retrieved 2015-05-24.
- ^ Organization, Japan. "Aida Mitsuo Museum | Japan National Tourism Organization". www.jnto.go.jp. Retrieved 2015-05-24.
- ^ "= 相田みつを美術館 Mitsuo Aida Museum =". www.mitsuo.co.jp. Retrieved 2015-05-24.
- ^ "Mitsuo Aida Museum".
- ^ "'Commemorating the 10th Anniversary of the Relocation of the Mitsuo Aida Museum: Even One Simple Thing'". Japan Times. 28 August 2013.
- ^ "Mitsuo Aida Museum". Japan Times. 20 June 2014.
External links
edit- Website (Japanese, English)