Monica Tap (born 1962) is a Canadian painter, artist and educator. She lives in Toronto, Ontario, and teaches at the University of Guelph. She is known for engaging and challenging conventions concerning landscape and still-life painting.[1]
Monica Tap | |
|---|---|
| Born | Monica Tap 1962 Edmonton, Alberta, Canada |
| Education | Nova Scotia College of Art and Design |
| Known for | Painter |
| Website | monicatap |
Biography
editTap was born in Edmonton, Alberta.[2] She attended the Alberta College of Art, University of Alberta (1986), and NSCAD University for her BFA (1990), and MFA (1996). She studied Fine Arts with Gerald Ferguson.[1][3] Tap is also a professor at the University of Guelph in the School of Fine Art and Music.[4][5]
Artistic career
editTap often uses photographs and video stills as source material for her paintings. For instance, in her work for the exhibition Running on Empty, she peered out of window of a car, and used a digital camera to record the landscape ("at the Mpeg standard format of 15 frames per second" as Heather Nicol, the author of the catalogue, said). The resulting images are blurred and though not abstract, are toward abstraction.[6] Barry Schwabsky has noted that "her art offers one of the richest and most original revisionary instances of how the temporality of the act of looking can continue to keep painting in motion today".[7]
She has exhibited her work across Canada and abroad, and is currently represented by MKG127 in Toronto and Peter Robertson Gallery in Edmonton.[3]
Selected awards and honours
edit- 2008 Banff Centre for the Arts, "Artist in a Mountain Landscape"[3]
- 2005-2009 Social Sciences and Humanities Research Council, Research/ Creation Grant in Fine Art "Translation as a Strategy of Renewal in Painting"
- 2005 Warren Goldring Scholarship, Banff, Optic Nerve Residency
- 2005 Open Studio Print Residency, Toronto, Ontario
- 2002 Banff Centre for the Arts, "New Works"
Collections
editMonica Tap's works are included in many public and private collections including the Art Gallery of Alberta, the Art Gallery of Guelph, the Art Gallery of Nova Scotia, the Tom Thomson Art Gallery, Foreign Affairs and International Trade Canada (NYC, Berlin), Canada House (London, UK), Bank of Montréal, TELUS, Royal Bank of Canada, Scotiabank, Four Seasons Hotel & Resorts, ESSO Imperial Oil Canada, CIBC Mellon, University of Toronto, Würth Collection (Germany), and the Crystal Bridges Museum of American Art.[8]
Publications
edit- 2004 The Princess and the Paint box. In Jane Fine, (invited essay for exhibition catalogue). Peirogi, Brooklyn, New York, p. 24
- 2002 Hungry Eyes in Hungry Eyes: New Abstract Painting in New York and Toronto (curated by Monica Tapp). Dalhousie Art Gallery.
References
edit- ^ a b Tousley, Nancy Monica Tap: Painting and Perception Monica Tap Paintings ed. Susan Harrison. Montreal: ABC Art Books Canada, 2004. 11-21 Exhibition Catalogue
- ^ "Monica Tap Further: Paintings by Monica Tap". Southern Alberta Art Gallery. 2004. Archived from the original on 2 March 2017. Retrieved 1 March 2017.
- ^ a b c "Monica Tap" (PDF). www.uoguelph.ca. U Guelph. Retrieved 2021-08-23.
- ^ Dundas, Deborah (15 August 2020). "Two modes of seeing: David Milne and Emily Carr coexist in a single painting". The Star. Archived from the original on 1 June 2021. Retrieved 17 February 2023.
- ^ "Monica Tap - Professor, Studio Art". University of Guelph. Archived from the original on 14 June 2022. Retrieved 17 February 2023.
- ^ Nicol, Heather (2015). Running on Empty. Oshawa: Robert McLaughlin Gallery. p. 15. ISBN 9781926589855. Retrieved 21 August 2021.
- ^ Schwabsky, Barry (2014). Monica Tap: The Pace of Days. Guelph: Macdonald Stewart Art Centre. pp. 8–13. ISBN 978-1-926875-04-0. Retrieved 21 August 2021.
- ^ "Monica Tap". MKG127. Archived from the original on 1 June 2021. Retrieved 16 February 2023.